DAT-Heads Digest #909
Contents:
Phil & Friends" Weed for Glaucoma!" ("Bob Silver")
INTERNATIONAL TRADES BEWARE! ("mujtaba babar hussain")
DAT>CDR people...check this out! (axs666@digitalexperience.com)
CDRWin Pregap questions (DATJAMS@aol.com)
Re: Re: soundforge (Cdcreator@aol.com)
ISO: tix for Liz Phair NYC 4/28 (ACR7@aol.com)
FS: Panasonic SV-3200 DAT recorder ("Charles D. Boozer")
The 5/10/10 Microphones and Recording Equipment Sale at Sonic Sense ("Marc Nutter")
Re: soundforge (Seth Breidbart)
Programmed Recording ("Drew Harrington")
"Stealth Microphones" (Bill Shaw)
Looking for Perri ("Rich880")
building binaural mics (Scott Olsen)
MD Report gizmo (pherbig@ralston.com)
Jeff Beck for Neil Young Trade? ("Sands, Stuart")
Radio Shack Mics (ZAndersson@aol.com)
From: "Bob Silver" <rsilver@gate.net>
Subject: Phil & Friends" Weed for Glaucoma!"
Date: Mon, 19 Apr 1999 11:43:00 -0400
Howdy Phriends & Phiends,
Here I go again, I've been offering anything on my list transferred to CDR
for free;
I supply CD's, you supply Stamps and a Money Orders made out to "The
Glaucoma Society". Simple!!
I have many ways to transfer my DAT's, so any Media can be made for you,
i.e.. Dat, CDR, Analog... Tell your RMP friends.
I can spin 2 DAT's, 2 Analogs, and 1 CDR at the same time.
So for the right Donations, I'll take anybody that e-mail's me!
Let's all help in Mimi Fishman's Cause, and get our tunes also.
Due to my limited Finances, (It's going top be an expensive Summer)
I can only offer the CD's for free.
If you want Dat or Cassette ;)You need to send them w/your Money order.
15$ and up, have been the general rule of thumb.
Thanks to all that have participated in the past couple weeks, I trust you
are enjoying your music!
Thank You,
Boca Bob Silver
1780 SW 13th St
Boca Raton, Fl. 33486
E-Mail me for a list of other shows that you can receive w/ the same offer!
From: "mujtaba babar hussain" <muj@thedoghousemail.com>
Subject: INTERNATIONAL TRADES BEWARE!
Date: Mon, 19 Apr 1999 08:09:56 -0800
INTERNATIONAL TRADES!BEWARE!
HI I AM MUJ AND I LIVE IN OSLO,NORWAY,
AND PLEASE READ THIS.
5 WEEKS AGO A FRIEND OF MINE FROM FLORIDA SENT ME A SMALL PACKAGE WITH CD`S AND A FILM,WE HAD A TRADE GOING ON.YES HE SENT AIR MAIL.NOW HE ASKED HIS LOCAL POST OFFICE ABOUT SHIPPING/ARRIVAL TIME,AND HE GOT INFORMED THAT IT TOOK 5-7 DAYS.WEEKS WENT BY AND I STILL DID NOT GET THE PACKAGE.
NOW ON THE 5TH WEEK,I GOT A LETTER FROM THE TOLL/CUSTOM DEPARTMENT STATING
THAT I HAVE TO BRING MY INVOICE FOR THE PACKAGE OR DOCUMENT OF CREDITS OR RECIEPT FOR THE PACKAGE.
FIRST OF ALL THIS WAS A FREE TRADE,I DID NOT BUY ANYTHING.
INVOICE?NOW HOW THE FUCK DID THEY COME UP WITH THAT?
SO ME AND MY BRO WENT TO THE CUSTOM SERVICE,AND GUESS WHAT WE HAD TO GO THROUGH A 300 METER LONG GRAVE YARD BEFORE WE CAME THERE,AND YES I FELT VERY COMFORTABLE,SEEING GRAVE YARD STONES ,OH YEAH!
I ASKED THE CUSTOM WORKERS WHAT WAS UP WITH MY PACKAGE?
SO THEY BROUGHT MY PACKAGE AND THEN A INTERROGATION STARTED WITH ME.
>>DID U BUY THESE CD`S AND FILM
-NO!THEY ARE GIFT.LOOK AT THE DAMN GREEN TOLL PAPER!
>>WHO`S/WHAT`S DM (DEPECHE MODE)?
-THAT`S JON DUCHIN`S BAND,REAL NICE-
>>WHAT`S WATT?
-THAT`S A WRESTLER.
>>WHAT IS PORNO FOR PYROS ,IS THIS SOME ILLEGAL MUSIC?
ILLEGAL MUSIC?I DON`T KNOW,MY BED SHEETS STINKS THOUGH.
YES,THIS ABSOLUTELY FUCKING TRUE,THIS HAPPENED,MY BROTHER WIPED TEARS OFF FROM HIS EYES,BECAUSE HE KEPT HIS LAUGHTER.
AT THE END THEY GAVE ME MY PACKAGE,AND I DID NOT HAVE TO PAY ANYTHING.
THEY SAID THAT THERE WERE NEW RULES AND SHIT.
SO ALL OF U GOOD TRADERS OUT THERE WHEN SENDING YOUR SHIT TO EUROPE,PLEASE INCLUDE A NOTE SAYING.
DEAR TOLL/CUSTOM DECLERANTS.
I AM SENDING THESE DATS/CD/MOVIE TO X PERSON,
THIS IS A GIFT AND I DON`T SELL SHIT TO MY FRIENDS.
AND I AM NOT INTERESTED IN SELLING EITHER.
THANK YOU,
Y%&)#$(/
WITH REGARDS
MUJ
OH YEAH ONCE I SENT A FILM TO MY FRIEND JON,IT ARRIVED AFTER 8-9 WEEKS.
I PAID FOR AIRMAIL AND IT SHOULD HAVE BEEN THERE AFTER 7 DAYS.
Whaat!!! Have you tried The Doghouse??! Get your FREE WEB-BASED EMAIL account at:
http://doghousemail.lycos.com
From: axs666@digitalexperience.com
Subject: DAT>CDR people...check this out!
Reply-To: <axs666@earthlink.net>
Date: Mon, 19 Apr 1999 10:11:59 -0700
To check out the Behringer site go here http://www.behringer.de/.
>check it out...btw, i'm in no way associated with this product except for
the
>fact that i'm overwhelmed by its versatility and price...
>http://www.samsontech.com/behringer/index.html
>The Behringer Ultramatch SRC 2000
Alex Sloley
alexsl
Program Manager ST
From: DATJAMS@aol.com
Subject: CDRWin Pregap questions
Reply-To: DATJAMS@aol.com
Date: Mon, 19 Apr 1999 13:28:03 EDT
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I've nailed down how to write cue sheets that work,but now want to
insert pregaps inbetween certain selections.
Let's say that track one runs from 00:05:23-00:07:23
and that track two runs from 00:07:23 on.
If we want a 2 second pregap, do we start it at 00:07:23 and start the track
at 00:07:25, or do we start the pregap at 00:07:21 and leave the track at
00:07:23? Ihave tried it both ways, and the total time on the disc always
comes out the same? Do I have to change the start times on subsequent tracks
by adding 2 seconds to the third, 4 seconds for the fourth, 6 sceonds for the
fifth, and so on? Thanks! Carl >>
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Return-path: DATJAMS@aol.com
From: DATJAMS@aol.com
Full-name: DAT JAMS
Message-ID: <377adf1.244c8ae9@aol.com>
Date: Mon, 19 Apr 1999 09:34:33 EDT
Subject: Another dumb? question
To: jarnold@mainstream.com
MIME-Version: 1.0
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Content-Transfer-Encoding: 7bit
X-Mailer: AOL 4.0 for Windows sub 11
Reply-To: DATJAMS@aol.com
Jeff: I've nailed down how to write cue sheets that work,but now want to
insert pregaps inbetween certain selections.
Let's say that track one runs from 00:05:23-00:07:23
and that track two runs from 00:07:23 on.
If we want a 2 second pregap, do we start it at 00:07:23 and start the track
at 00:07:25, or do we start the pregap at 00:07:21 and leave the track at
00:07:23? Ihave tried it both ways, and the total time on the disc always
comes out the same? Do I have to change the start times on subsequent tracks
by adding 2 seconds to the third, 4 seconds for the fourth, 6 sceonds for the
fifth, and so on? Thanks for clarification. Carl
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From: Cdcreator@aol.com
Subject: Re: Re: soundforge
Reply-To: Cdcreator@aol.com
Date: Mon, 19 Apr 1999 13:34:36 EDT
> From: MrBERWELL@aol.com
> Subject: Re: soundforge
> Reply-To: MrBERWELL@aol.com
> Date: Sat, 17 Apr 1999 23:50:34 EDT
>
> > Bummer about your audio getting corrupted. As a successful user of Sound
> > Forge 4.0 for several, I can't help but wonder why XP 4.5 is giving you
> > these
> > artifacts. First off, I would recommend downloading any updates from
> Sonic
> > Foundry's website and see if that helps. Second, I would make sure that
> the
> > hard drive that you are working from is defragmented and errorless.
Also,
>
> I
> > don't recommend normalizing anyway, as a good compressor like the one
in
> > Sound Forge or a plug-in like the Waves L1 Ultramaximizer will do a
much
> > better and cleaner sounding job.
> Lets not get apples and oranges mixed up here... normalizing and
compressing
>
> are two different things, both have their uses. I can tell you this
much--
> I
> love Soundforge, incredible software. However the compressor on it sounds
> bad! And I know what a good compressor sounds like. Normalizing (if it
> hasnt been discussed to death here already) is extremely useful and can do
> no
> wrong. Were you (the person I was quoting) trying to say that somehow
> normalizing "dirties up" the sound?
>
> mrberwell
>
>
First off, I do normalize from time to time, but I don't recommend it as a
mastering technique. Yes, normalizing and compression are two different
animals, but they are both used for boosting levels and so forth. All
normalizing does is multiply the wave by a certain number, which not only
boost the signal but also the noise. This is why I think that compression
usually sounds smoother and a bit punchier than normalizing, which is why I
recommend it. The main reason why I recommended the compressor in Sound Forge
is because it is already there and paid for, and although I agree that it is
not the best compressor, I certainly wouldn't say that it sounds bad.
Definitely not transparent, but not bad if used correctly. So far, I like
using the Waves NPP and Cakewalk's Audio FX1 compressor the best for Direct-X
based compressors. Normalizing is a nice quick and dirty way of getting a
hotter signal, but I would strongly disagree that there is no way that it can
do any wrong to the signal. Just like any tool, there is a way to screw
things up whether you are using compression, EQ, or normalizing, etc. I
didn't mean to imply that normalizing "dirties" up the sound or was causing
these glitches that this guy was having. I was simply trying to recommend
other ways of getting more quality out of a 16-bit signal. All in all, if the
music sounds good, who cares what techniques you used to get there?
Peace,
Dylan
From: ACR7@aol.com
Subject: ISO: tix for Liz Phair NYC 4/28
Reply-To: ACR7@aol.com
Date: Mon, 19 Apr 1999 13:37:39 EDT
Liz Phair is playing a students only show at NYU on 4/28. If anyone could
help get me a ticket, I would be grateful.
Thanks,
Andrea
From: "Charles D. Boozer" <charles.d.boozer@wcom.com>
Subject: FS: Panasonic SV-3200 DAT recorder
Date: Mon, 19 Apr 1999 12:49:15 -0500
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For sale:
Panasonic SV-3200 stereo digital audio tape recorder.
Records analog at 44.1kHz and 48kHz
Records digitally at 32kHz, 44.1kHz, and 48kHz
Full function remote.
Coaxial and optical digital in and out.
Unbalanced analog in and out.
Original box and manual.
**SCMS** enabled
Heads replaced by Oades Brothers in June '97 (Cost $400 alone).
Excellent physical condition.
$400.00
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From: "Marc Nutter" <sncsns@henge.com>
Subject: The 5/10/10 Microphones and Recording Equipment Sale at Sonic Sense
Date: Mon, 19 Apr 1999 12:22:29 -0600
Hi All,
As summer roles in, Sonic Sense assures you that we will be providing the
best pricing
and the latest in top-quality recording equipment.
To commemorate our being the first concert recording oriented company to
introduce the
Lunatec V2 pre-amp, AKG 480's and Earthworks microphones, Audio Magic cables
and the Graham-Patten Soundpals line to the concert recording community, we
are now offering some great deals on systems including these products and
lots of others.
I'll be out of the office for a few days attending the National Association
of Broadcasters trade show and looking at some great new products for live
recording. I look forward to coming back with some exciting information to
share with you all soon. Keep an eye on our website for the latest news.
My partner, Mojan, will be here to help you with orders and system pricing.
If you have technical questions, or need assistance deciding on a package
that it best for you,
I'll be back on Friday to assist. If you are ready to order, the savings are
great.
Please check out our website at http://www.henge.com/~sncsns or email
sncsns@henge.com and request the "5/10/10" package pricing.
Marc and Mojan
Sonic Sense
P.O. Box 61141
Denver, CO 80206
(303) 698-1296
http://www.henge.com/~sncsns
From: Seth Breidbart <sethb@panix.com>
Subject: Re: soundforge
Date: Mon, 19 Apr 1999 14:26:08 -0400 (EDT)
> First off, I do normalize from time to time, but I don't recommend it as a
> mastering technique. Yes, normalizing and compression are two different
> animals, but they are both used for boosting levels and so forth. All
> normalizing does is multiply the wave by a certain number, which not only
> boost the signal but also the noise. This is why I think that compression
> usually sounds smoother and a bit punchier than normalizing, which is why I
> recommend it.
Compression boosts the lower-level sounds by more than the
higher-level ones; therefore, it would be expected to increase the
noise more than the signal. It does result in a signal that's
higher-level, so it sounds "punchier". (As a general rule, louder
sounds better.) It is, by definition, a form of distortion, but often
a euphonic one.
Seth
From: "Drew Harrington" <drewh@bitwise.com>
Subject: Programmed Recording
Reply-To: <drewh@bitwise.com>
Date: Mon, 19 Apr 1999 11:35:47 -0700
Hey All,
While programming my VCR to record Ani on NPR today, I couldn't help but
wish I could talk my DAT deck into doing this for me. It would also be nice
to talk my receiver into changing channels mid-day without user
intervention.
Then I though - all these components have IR remote control interfaces, and
"smart" programable remote controls exist - does anyone know of a remote
control that is easy enought to program that I could give it a long sequence
of operations including waiting for specific times of day and days of the
week? I'm looking a level of sophisication that would allow me to do
something like this:
"At 12:59pm select tuner as source on the receiver, select analog as source
on DAT deck, press record on the DAT deck, at 1:01pm press stop on the DAT
deck, at 3:29pm select digital (maybe from DSS) as source on DAT deck,
change channel on DSS receiver (Much Music Maybe), Press Record on DAT Deck,
Press record on VCR..." You get the point...
Anyone know of a product that would let you do something like this? I
personally am looking for a Buy (not Build) solution.
Thanks,
Drew
From: Bill Shaw <bshaw@skyway.com>
Subject: "Stealth Microphones"
Date: Mon, 19 Apr 1999 11:43:45 -0700
Woah that's hilarious... the *only* stealth microphones are Core Sounds!! hah. I
don't care if you trademark the phrase or not. How about if I trademark the
phrases "Cold Beer" and "Kind Buds" ??? ha hah!!!
You may have trademarked the phrase 'stealth microphones' but good luck getting
this forum (or any other) to stop using the phrase unless the mics are actually
Core Sounds.
Not to be stuffy??
--
-Bill
p.s. My sonic studios are stealth microphones. my friend's Neumann's are stealth
microphones, so are these schoeps under my hat. don't try to tell me
otherwise!!!
> From: Len Moskowitz <moskowit@panix.com>
> Subject: Re: For Sale: Stealth Mics
> Date: Fri, 16 Apr 1999 11:50:51 -0400 (EDT)
>
>
> RC <richard.cuiffo@citicorp.com> wrote:
>
> > For Sale Audio Technica AT822 Stereo Mic with all cables and case $130
> > For Sale Sound Professionals Binaural Mics with Bass rolloff Filter -
> > $100
>
> Not to be stuffy or anything, but "Stealth Microphones" is a registered
> trademark of Core Sound. Mics made by other manufacturers may be small
> or unobtrusive, but they are not "Stealth Mics."
>
>
> Len Moskowitz Stealth Microphones (tm), Cables, Interfaces
> Core Sound http://www.core-sound.com
> moskowit@panix.com Tel: 201-801-0812, FAX: 201-801-0912
From: "Rich880" <rich880@tmlp.com>
Subject: Looking for Perri
Date: Mon, 19 Apr 1999 15:26:29 -0400
I'm looking for any live recordings anyone may have of Perri. They are vocal
group of four sisters who had played with Anita Baker as backup vocalists on
her first couple of tours and Pat Metheny had brought them out during a few
shows in the early 80's.Their big claim to fame was that they had recorded a
few Metheny covers with lyrics in place of Pat's solos, and they followed
Pat's guitar note for note.Any recordings you may have,with Anita, Metheny
or even Perri by themselves would be greatly appreciated. Please email me if
you can help.
Thanks for the B/W,
Rich
From: Scott Olsen <scott_olsen@yahoo.com>
Subject: building binaural mics
Reply-To: so16@prism.gatech.edu
Date: Mon, 19 Apr 1999 12:33:40 -0700 (PDT)
I was wondering if any of you out there have had actual experience
building any kind of biaural stealth mics. I've read the description
on Ted's page (http://www.arches.uga.edu/~tidmarsh/binmic.html) and
know the basics of how it is done, but I was looking for first hand
advice, diagrams, instructions, ect. Where to buy and what are the
best parts to buy would help too. Also any info that you think might
go along well with this (how to build the better roll off
filter/battery pack or what 20bit A>D to use with this little rig if
needed) would be nice.
Thanks for any help in advance.
Peace,
scott
===
==========
|Scott Olsen (so16@prism.gatech.edu)
|"You can't stop/Or I might pass ya/If you slow down|
/I will out last ya" -BC |
----------
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Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com
From: pherbig@ralston.com
Subject: MD Report gizmo
Date: Mon, 19 Apr 1999 14:54:09 -0500
A couple of posts in the past few days have referred to the MD Report I/O
and power-supply box for small Sony portables. While bopping around the
Web, I found a couple references, with Pass Audio Ltd. and ASC as
manufacturers. I noted that there seem to be a couple of versions of this
guy, as well as some conflicting photos of the "large" unit between
manufacturers. Confusing.
Has anyone actually used one? More importantly, is the phantom
supply/preamp any good? This combo arrangement seems like an awfully good
idea, making it easier to use XLR condensor mics with a D8, plus
incorporating an external battery.
It also strikes me that the next logical feature of a box like this (from a
taper perspective rather than a journalist) would be to build in a digital
SPDIF patch bay.
Opinions?
Pete
From: "Sands, Stuart" <Stuart.Sands@Schwab.COM>
Subject: Jeff Beck for Neil Young Trade?
Date: Mon, 19 Apr 1999 13:00:05 -0700
Hi all,
I have a nice DAT of Jeff Beck last night (4/18/99) at the Paramount in
Oakland. I would like to trade for a clone of Neil Young at the Berkeley
Community theatre on 3/19/99. Other trade also happily considered.
Thanks,
Stuart Sands
415.667.3687 (vox)
8004075563@skytel.com <mailto:8004075563@skytel.com> (pager)
From: ZAndersson@aol.com
Subject: Radio Shack Mics
Reply-To: ZAndersson@aol.com
Date: Mon, 19 Apr 1999 16:03:48 EDT
I recently got a hold of 2 Optimus universal omnidirectional condenser
microphones #33-3017. They have a 600 ohm impedance (written on the mic
body). Does anyone have any experience with these mics? Would they be
acceptable to tape shows?
many thanks
zach
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