DAT-Heads Digest #42
Contents:
[Fwd: DAT Heads, Subscribe] (Paterik Tobias)
From: Paterik Tobias <paterik@access1.net>
Subject: [Fwd: DAT Heads, Subscribe]
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Date: Thu, 01 Jul 1999 05:43:19 -0800
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Sat, 3 Apr 99 12:15:01 EST
Subject: DAT-Heads Digest #875
DAT-Heads Digest #875, Volume #4 Sat, 3 Apr 99 12:15:01 EST
Contents:
portable phantom (Martin Voelker)
DPA Battery Box ("Klay Anderson")
Re: DAT-Heads Digest #874 ("allan chen")
Re: How do MP3's sound? (Michael Hackett)
Chicago tapers: Liz Phair on WXRT 4/4/99 (Ju Nguan Tan)
ISO: DMB 11/9/93 Trax (Remember Two Things release party) (KindTaper@aol.com)
7 pin to Coax i/o Question (ZepMan@aol.com)
Opcode's SonicPort is shipping (mark w)
FS: Beyer MV100 + Batt Pack (Kristian Allen)
NEED HELP IN PICKING MIC SET (Chris Adams)
Need The Who (1966-1980) (Green1224@aol.com)
Re: Some taping problems (dknudson@xmission.com)
zorn, ribot, tacuma (OnTrane@aol.com)
MMW 4-15-99 (Robert Donovan)
Great Went ("Steve James")
Wouldn't it be Great??? ("Anne")
NEIL YOUNG TICKETS FOR SALE ("edward gryniuk")
Re: best batts , 1 small B&P offer (treizes1@mail-atm.nycap.rr.com)
SBM-1/Sony TCD-D3 Mic Input Question (Jim Rehill)
NEED DAVE MATTHEWS 8-1-98 HARTFORD, CT ("edward gryniuk")
Mics wanted (Mike Straker)
Dance DJ Mixes anyone? ("Jason Lin")
Sparklehorse 3/27/99 (Beast914@aol.com)
Computer DAT drives and audio DAT tapes (Chuck)
============================================================================
From: Martin Voelker <mvoelker@tufts.edu>
Subject: portable phantom
Date: Fri, 02 Apr 1999 17:14:41 -0500
Portable Phantom:
buy an AC inverter, like the SIMA (see at http://www.cameraworld.com ) hook
it up to a 12V battery (any size) then you can plug in a phantom power
supply. That inverter has regular power jacks, you can use it for all
appliances up to 150 Watt.
==============================
From: "Klay Anderson" <klay@klay.com>
Subject: DPA Battery Box
Date: Fri, 02 Apr 1999 16:33:03 -0700
udo@dinges.xs4all.nl (Udo van den Heuvel)
Subject: portable phantom power?
asked:
<<I was thinking about a solution that gives portable phantom power (48V?
for 2 microphones) with a very small size (no need for large XLR-3 input,
unbalanced output is OK, etc, etc).
Batterylife is not much of an issue (5-10 hours would be OK).
This box could be combined with small capsules like the DPA
(http://www.danishproaudio.com) 4022 or 4061.>>
I have in my possession now a prototype from DPA of what you ask. About the
size of a thick deck of cards, it has two Microdot inputs, XLR and mini TRS
outputs. I also have the prototype of a special binaural mic they have been
working on; quite spectacular.
More later.
Regards,
Klay Anderson
Klay Anderson Audio, Inc.
klay@klay.com
http://www.klay.com
1.800.FOR.KLAY
==============================
From: "allan chen" <kaiyen@leland.Stanford.EDU>
Subject: Re: DAT-Heads Digest #874
Date: Fri, 2 Apr 1999 16:33:45 -0800
> Hey now,
>
> I am running a pair of AKG c1000s's into a beyer mv100 pre-amp.
> question is: If I were to use the internal batteries in the c1000's
> would I get longer life out of my beyer's internal batteries? right now
> I get about 5 1/2 to 6 hours supplying 48v to my mics.
> thanks in advance,
> Dan
> Get Your Private, Free Email at http://www.hotmail.com
wow. consider yourself lucky. I've only used one once, so I don't know if
mine was a _massive_ anamoly, but I only got about 2:45 straight running 48V
phantom with energizers in there.
bummer the show was 3:15...
allan
==============================
From: Michael Hackett <mhackett@supercity.ns.ca>
Subject: Re: How do MP3's sound?
Date: Fri, 2 Apr 99 21:51:53 -0500
>With all this talk that MP3's are gonna put the record industry out
>of business, I'm wondering how they sound? Are they "almost CD
>quality" like the latest-generation mini-disc, or "almost CD quality"
>like a buzzy Sanyo BetaHiFi (advertised as such back in the '80s).
I've never heard a mini-disc, so I can't comment on that, but there is a
significant loss of quality in even the 256kbps MP3 encoding format,
while most encodings are actually done at 128kbps or lower rates. I
haven't done a really good comparison, like burning a CD from an MP3 and
comparing the two, but even on a cheesy computer speaker system (better
than most, but nothing compared to a real stereo), the difference is
quite audible. It hasn't seemed worth making a coaster to test it further.
My opinion on MP3 is that it is suitable for portability, and for
providing samples for download, but it's never going to compete with CDs
for me (and DVD-audio should widen that gap further).
That said, the record industry =will= find a way to cash in on MP3s, so I
wouldn't worry about them going out of business just yet. ;-)
-- Michael
==============================
From: Ju Nguan Tan <jntan@ix.netcom.com>
Subject: Chicago tapers: Liz Phair on WXRT 4/4/99
Date: Fri, 2 Apr 1999 20:19:02 -0600 (CST)
Hi,
Just a heads up for Chicagoland tapers: this weekend's "Sunday Night
Concert" on WXRT is a Liz Phair show from The Vic, 10/98. It's on Sunday at
8 pm; they usually run 60-70 mins. If anyone tapes it, please contact me.
Best,
Ju
==============================
From: KindTaper@aol.com
Subject: ISO: DMB 11/9/93 Trax (Remember Two Things release party)
Reply-To: KindTaper@aol.com
Date: Fri, 2 Apr 1999 21:28:53 EST
I am in search of this show on dat or cd-r. This was the first DMB tape I
ever heard and the copy I have is a low gen sbd, but I have a good feeling a
dat exists.
If anyone can help me out, I have plenty of DMB to offer. Please send me an
e-mail.
thanks,
Wes
==============================
From: ZepMan@aol.com
Subject: 7 pin to Coax i/o Question
Reply-To: ZepMan@aol.com
Date: Fri, 2 Apr 1999 22:55:15 EST
I've got one of these cables and the cable has become detached from the
housing
Now I have no Idea on how to put it back togeter
My question is I bought it from an dealer not OADE (who I assume makes them)
Will OADE repair it ? or am I out 100 bucks and need to buy another
anyone who has the answers to my questions please e-mail me directly
thanks
Marc:)
==============================
From: mark w <mtw@rochester.rr.com>
Subject: Opcode's SonicPort is shipping
Date: Fri, 02 Apr 1999 22:57:11 -0500
Saw on Opcode's web site, http://www.opcode.com, that the USB SonicPort
(coax i/o) is now shipping. Hope the optical version isn't far behind.
mark
mtw@rochester.rr.com
==============================
From: Kristian Allen <kjallen@acsu.buffalo.edu>
Subject: FS: Beyer MV100 + Batt Pack
Date: Fri, 2 Apr 1999 23:28:06 -0500 (EST)
For Sale:
BeyerDynamic MV-100 microphone pre-amp
Purchased from Sonic Sense 12/98
Original packaging, schematics and documentation included.
Battery Pack:
Rechargable Lead Acid battery pack with recharger.
Pack good for 18-24 hours.
Pick up a preamp and never have to pay or worry about batteries. Would
prefer not to split up.
$560 + shipping | b/o
==============================
From: Chris Adams <l0ner@home.com>
Subject: NEED HELP IN PICKING MIC SET
Date: Fri, 02 Apr 1999 23:58:19 -0500
I just purchased a Sony PCM-M1 and now I'm stuck as to what microphones to
buy. My two choices are the Core Sound Stealth Cardioid set and the Core
Sound Binaural set. I plan on recording from small clubs to outdoor
amphitheaters and most of the time, I will have to record from a stealth setup.
Would anyone care to share their opinion on which microphone set would best
suit me?
Thanks in advance,
Chris
==============================
From: Green1224@aol.com
Subject: Need The Who (1966-1980)
Reply-To: Green1224@aol.com
Date: Fri, 2 Apr 1999 23:57:06 EST
Hello,
I am searching high and low for Who concerts (preferably low generation /
master / analog to dat transfers). Please email me if you can help.
Thanks in advance!
Darren
==============================
From: dknudson@xmission.com
Subject: Re: Some taping problems
Date: Sat, 3 Apr 1999 00:02:04 -0700
I'm glad you asked. Could be a Pro to consumer level or balanced to
unbalanced problem and it gives me a chance to rave about a pair of Rolls
Matchbox DB25 direct boxes that Klay set me up with (send him an e-mail if
you are interested). I do not what causes the problem but the they fixed it
for me. It is also nice to be able to run balanced cables a long way from the
soundboard to the boxes then to a D7 (when it works better for the venue).
>
> 2. The board signal was hot that night and for the second band, Rane, my
> tape got a little distorted. My levels seemed ok but I guess the board
> was too hot for my 8. I know this has been discussed before so if
> someone could give me the low down to this, that would be cool (or point
> me to the digest w/ all this info in it).
>
==============================
From: OnTrane@aol.com
Subject: zorn, ribot, tacuma
Reply-To: OnTrane@aol.com
Date: Sat, 3 Apr 1999 02:19:20 EST
Anyone tape this incredible show at the Knitting Factory on 4/2? I hope
someone got it!
rl
==============================
From: rdonovan@wyoming.com (Robert Donovan)
Subject: MMW 4-15-99
Date: Sat, 3 Apr 1999 00:34:15 -0700
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I'm going to be at the MMW show at the Fox in Boulder with my new D8 and =
was hoping to find someone willing to give me a patch and maybe a =
pointer or two (my first taping attempt ever). It would be much =
appreciated.
Robert
-"When the going gets weird, the weird turn pro"
Hunter S. Thompson
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<DIV><FONT color=3D#000000 face=3D"Tempus Sans ITC">I'm going to be at =
the MMW show=20
at the Fox in Boulder with my new D8 and was hoping to find someone =
willing to=20
give me a patch and maybe a pointer or two (my first taping attempt =
ever). It=20
would be much appreciated.</FONT></DIV>
<DIV><FONT color=3D#000000 face=3D"Tempus Sans ITC">Robert</FONT></DIV>
<DIV><FONT color=3D#000000 face=3D"Tempus Sans ITC">-"When the =
going gets=20
weird, the weird turn pro"<BR>Hunter S. =
Thompson</FONT></DIV></BODY></HTML>
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==============================
From: "Steve James" <ravnspac@borg.com>
Subject: Great Went
Date: Sat, 3 Apr 1999 09:17:23 -0500
ISO Great Went. Would like Schoeps if possible.
Thanks
steve james
==============================
From: "Anne" <capp@claramail.com>
Subject: Wouldn't it be Great???
Date: Sat, 03 Apr 1999 08:49:50 -0500
OK, we are going to give you the power! You have worked with other
companies or heard the sad tales of woe from frustrated networkers.
What if you could put together the ideal network marketing company?
What characteristics would you build into your company? How would you
treat your distributors? Let's see...
1) First you'd need products that people want, need, can afford, give
results, and are in demand. This is a must. (What if you had products
with 9 years of extensive double blind studies, worked in seconds or
minutes, and affordable! What if you could add products announced on
CNN and weight loss products that really work! Naw!! Really?? This is
only a dream, right?!)
2) Then, you would want a company who would be willing to expose
these
products thru the media, at their cost: TV and radio commercials,
newspapers, talk shows, etc., to help you get the word out. Offer
people the chance to purchase products thru an 800 number while
viewing or listening to the advertisement. (I haven't seen anything
like this before! Could you just imagine!)
3) Then you would want your ideal company to let you share in the
sales
generated from this media exposure. Imagine what kind of volume this
national exposure would generate. (What company would do this? We had
nothing to do with these sales! This would be radical!)
4) Wouldn't it be great if we were given the names and addresses of
the
people who ordered product this way, so that we could follow-up with
the customer to either sell more product as needed or introduce him
or her to our ideal business opportunity. That would take care of our
distributors having to constantly be finding their own qualified
leads. (Companies now let us find our own leads, they follow-up with
these people and THEY pocket the proceeds!)
5) You would want your company's compensation plan structured in such
a way that we wouldn't need hundreds or even thousands in our
downline before we start earning a decent check. Most people cannot
do this. (True, but who's going to tell you this when you start?)
6) Wouldn't it be great if we could share in the successes of other
distributors, and not just those that are in our downline. We would
want
everybody to be successful, not just some. (Nope - all we can do is
admire
the others' success!)
Yes, wouldn't it be great if a company like this existed? One that
confronted all the major drawbacks in this industry and actually
solved them....a company that was built by distributors, for
distributors..... a company that would want it's distributors to be
successful....wouldn't it be great?
Introducing the nation's first and only Wave5 company, a company that
has
done all that and more! For more information about this
unprecedented business opportunity -- please email:
mailto:starwave@mymail.com?subject=more_info
or mailto:starwave5@bigfoot.com?subject=more_info
now for complete details. You now have the power to achieve your
goals!
********************************************************
To be removed from our mailing list, please send an
email to mailto:caap@hotbot.com?subject=remove
********************************************************
==============================
From: "edward gryniuk" <eddiegeee@hotmail.com>
Subject: NEIL YOUNG TICKETS FOR SALE
Date: Sat, 03 Apr 1999 07:07:35 PST
Hi - I have 4 tickets in the 18th row center orchestra for "An Evening
with Neil Young" on 4-25-99 at 7:30PM at the Oakdale Theater in
Wallingford, CT. I'm only asking what I paid for them: $61.50 each
which includes all handling and phone-in-order fees. In addition to the
tickets I will provide my payment receipt as verification of what I paid
for the tickets. First person to arrange and make CASH PAYMENT IN
PERSON takes em. That's the only fair way I can figure to work this.
I'd like to keep one of the 4 tickets for myself but if you absolutely
need the 4th I'll labor over it and get back to you ASAP. Thanks, Ed.
Get Your Private, Free Email at http://www.hotmail.com
==============================
From: treizes1@mail-atm.nycap.rr.com
Subject: Re: best batts , 1 small B&P offer
Date: Sat, 3 Apr 1999 10:16:24 +0000
>From: Mitch Wiygul <mitchw@ketrontw.smart.net>
>Subject: Re: Best Batteries SBM1... D100/M1...
>Date: Fri, 2 Apr 99 08:37:02 PST
>treizes1@mail-atm.nycap.rr.com says
>> FYI, Consumer reports has done extensive testing of battery life
>>in high drain electronics (e.g. portable CD players, dat machines,
>>etc.) And have rated Radio Shacks _alakalines_ as the _BEST_.
Mitch responds:
>This is a crock. Consumer Reports rates all alkaline batteries
>as essentially equal.
The point I was making (although I guess I could have worded it
better)...
And if Mitch would have bothered to cut and paste the next
line of my post, this point would have been included and his post
rendered essentially moot...
Is that this is true b/c of the _quicker turn around_ and
_better handling of batts_ by RS than by most if not all
other large retail suppliers.
BTW, I had a few ideas of what Mitch can do with my _ crock_, but I
will spare the digest.
tftbw, peace, tr
Got an Extra set of Phish 10/31/98 on 2 Sony DGP60m for the first B&P
interested.
==============================
From: Jim Rehill <Jim.Rehill@digital.com>
Subject: SBM-1/Sony TCD-D3 Mic Input Question
Date: Sat, 3 Apr 1999 10:22:59 -0500
I have a pair of Neumann KM184 mics. I want to plug these intot he
Neumann BS 48i-1 power supply using the Neumann AC-21 cable.
This is a pair of 3 pin XLR cables, merged into a 5 pin XLR, which is what
the PS takes.
The output is an AC-23, which is a 5 pin XLR to 3.5 mm "unbalanced
stereo" plug.
I want to connect this to the jack on my SBM-1 labeled mic/plug in
power. Plugging a power suppy into t jack labeld plug in power just somehow
seems wrong.
Has anyone done this?
How about plugging the output of the power supply directly to the
TCD-D3? Its just labeled mic/line in.
Thanks,
Jim
==============================
From: "edward gryniuk" <eddiegeee@hotmail.com>
Subject: NEED DAVE MATTHEWS 8-1-98 HARTFORD, CT
Date: Sat, 03 Apr 1999 07:24:39 PST
Would anyone be willing to burn me a 3CD B&P copy of DMB in Hartford, CT
on 8-1-98? I'd really appreciate it and would post a B&P offer of my
own as my show of gratitude. Thanks alot. Eddie.
Get Your Private, Free Email at http://www.hotmail.com
==============================
From: Mike Straker <straker@mindspring.com>
Subject: Mics wanted
Date: Sat, 03 Apr 1999 10:38:15 -0500
Looking to buy a pair of AKG 480's with card or hypercard caps. I would
consider other high quality mics in a similar price range. Maybe Nuemann or
Geffell. Mainly just need the mics right now, but if anyone has a good deal
on mics and cables together that would be even better. Thanks for the
width. Kevin Straker
==============================
From: "Jason Lin" <jason@linkline.com>
Subject: Dance DJ Mixes anyone?
Date: Sat, 3 Apr 1999 07:52:40 -0800
Anyone on this list into collecting full-length DJ club mixes on
DAT? I'm interested in the major name DJ's like Paul Oakenfold,
Sasha, John Digiweed and circuit DJ's Victor Calderone, Julian
Marsh, Neil Lewis, Monty Q, Buc, Michael Fierman, Susan
Morabito, Warren Gluck
Thanks!
==============================
From: Beast914@aol.com
Subject: Sparklehorse 3/27/99
Reply-To: Beast914@aol.com
Date: Sat, 3 Apr 1999 11:39:47 EST
In reference to CH's comment:"However, I use minidisc, not DAT."
ssssssssssssssssssssss............
D
==============================
From: Chuck <crtb@capecod.net>
Subject: Computer DAT drives and audio DAT tapes
Date: Sat, 3 Apr 1999 09:33:56 -0500 (EST)
Newbie thought. I'd like to have a DAT drive for computer backup
as I know a lot of data centers use them. They're expensive, but
VERY fast. If anyone can tell me about their ability to read
audio DAT tapes, or point me to a FAQ, I'd like to hear about it!
TIA
Chuck Bacon -- crtb@capecod.net
ABHOR SECRECY -- DEFEND PRIVACY
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Wed, 28 Apr 99 09:15:01 EDT
Subject: DAT-Heads Digest #926
DAT-Heads Digest #926, Volume #4 Wed, 28 Apr 99 09:15:01 EDT
Contents:
help with my machine ("David Foley")
ISO : Greyboy Allstars setlists ("Eric T. Nelson")
testing my email ("Kevin Hatton")
Melbourne, Australia (Alexander W. Chin)
Please Read: Red Rocks Information (No DAT Content) (Bob Hardin)
-<{([trade?])}>- (Dasrite Byatch)
Re: CDR trade for phil and friends (Sean Cartwright)
REQ: Limp Bizkit album broadcast - Las Vegas ("Michael T. Olivier")
Johnny Cash tribute CDR (dan)
Searching for CDR and/or DAT trades (Scott Hudson Alumni)
FT Smashing Pumpkins 4-23 and 4-24-99 (Edward Davis)
CDRWin ("Bryan R. Fox")
Re: Bits and resolution, yet again....... Digest #923 (Alexander W. Chin)
Neil Young in Akron 4-27-99 ("Joe Ray Skrha")
GYBE! taping advice (Paul Skinner)
DAT equipment stores in the Atlanta area (Tim Dignam)
stealth shhhhh (Jeramy Daniels)
============================================================================
From: "David Foley" <david@djfol.freeserve.co.uk>
Subject: help with my machine
Date: Tue, 27 Apr 1999 21:53:37 +0100
Hi everyone,
I'm fairly new to the list and would appreciate some help/advice re: my
machine which no longer works, particularly as I have little technical
knowledge.
I have an AIWA XD-S260 recorder, which developed a fault. Either during
recording or playback, the tape would stop, the caution warning light up and
I couldn't unload the tape or do anything else with the machine. This would
happen at random. The only way of achieving anything was by turning off at
the main supply and turning back on again, Everythhing would then be fine
untilthe next time
I have had the machine sent away for repair - initially I was told it needed
a new motor at what seemed a fair price. Now I have been told that it is
unrepairable -that there is an intermittent mechanical fault and that they
are unable to complete a repair.
Does this machine have a history of problems?
Does anyone know of a reliable repair company in the UK who might help (at
fair prices?)
Has anyone had similar problems and had machines repaired?
Or do I have to consign it to the scrap heap?
If so, can anyone recommend a good machine? I'm on a fairly tight budget .
I have looked through the ads in the UK magazine 'Sound on Sound' and seen
decks within my price range but I don't know what their track record is.
Any help will be much appreciated.
Many thanks & best wishes
David Foley
==============================
From: "Eric T. Nelson" <tourcrew@javanet.com>
Subject: ISO : Greyboy Allstars setlists
Date: Tue, 27 Apr 1999 16:39:54 -0600
Does anyone out there know of any sort of GBA setlist archive that
exists. I am trying to label some tapes and would like a bit of help.
Thanks,
Eric
==============================
From: "Kevin Hatton" <kevinhatton@medmail.uky.edu>
Subject: testing my email
Date: Tue, 27 Apr 1999 19:46:21 -0400
hey...just testing to see if my stuff is mime-encoded or whatever...new
program so sorry if it is and sorry for wasting bandwith anyway...kev
==============================
From: alex@gerulf.acsu.unsw.edu.au (Alexander W. Chin)
Subject: Melbourne, Australia
Date: Wed, 28 Apr 1999 10:33:02 +1000
Hey all,
Sorry for the long silence. The technical DAT-Head Alex Chin has been a
lurker for a while.
Anyhow, just wondering if there were any DAT Heads in Melbourne. I'm
planning a trip there next month... perhaps I could bunk in.
If so, please drop me a line.
And, yes, I'm still here. Just haven't had any new toys to open up lately.
Cheers
Alex
=========================================================================
Alexander W. Chin CF Consulting Pty Ltd
Consultant
E-mail : alex@gerulf.acsu.unsw.edu.au 5/5 Blenheim St
Phone : +612 9399 8804 Randwick
Mobile : +61 0413 812 805 NSW 2031
Fax : +612 9399 8804 Australia
==============================
From: Bob Hardin <direwolf@psnw.com>
Subject: Please Read: Red Rocks Information (No DAT Content)
Date: Tue, 27 Apr 1999 18:00:15 -0700
Sorry for the lack of DAT content everyone, but this has some important
information that I figured a bunch of people on the digest list might be
interested in. Please save the following, read, sign, and pass along.
============================================================
Quick Sign Petition to Preserve Red Rocks Park &
Amphitheatre
If you'd like to learn more about this issue, please visit:
http://www.red-rocks.org
Red Rocks amphitheatre is an internationally renowned venue
in the foothills west of Denver, Colorado. Performers and
spectators alike have come from all over the globe to
participate in events at this amphitheatre. Its
unsurpassed beauty, and natural, near-perfect acoustics have
drawn millions to this site. It's a magnificent natural
treasure that should be preserved and protected.
On Feb 18, 1999, the City of Denver announced plans to
renovate this historic landmark. The City's first proposal
called for a number of "improvements" which they claimed
would make the amphitheatre more "user-friendly." A few of
their proposed changes included:
-removing existing landscape to add 400 new box seats
-building a new restaurant and trading post beneath and
behind one of the 400 foot Red Rock monoliths that this park is
known for, although the park already has a well-established
restaurant, trading post, and visitor's center.
-allowing corporate sponsors to display advertisements on the
magnificent red stone monoliths.
-adding more concessions stands at strategic locations.
These are just a few of the City's proposed changes which
would adversely affect not only the character of this historical
landmark, but dramatically impact the park in which it is located.
Red Rocks Park is 639 acres of designated open space, and
one of the last bits of undeveloped real estate on the
western edge of Denver. Any attempt to commercialize this
property goes against the very purpose and intent of
dedicating open space.
We treasure our historical landmarks, and we value our open lands.
On March 2, 1999, Denver's Landmark Preservation Commission
unanimously voted down the City's current proposal, but don't think
this is over yet.
One way that our representatives can be aware of our concern
for and our commitment to the preservation of this
historical landmark, and the open lands that surround this
amphitheatre, is by making our voices heard.
Please add your name to this list and forward it to your
family, friends, neighbors, and colleagues; anyone you feel
may have an interest in adding their names to this petition.
Please include your name, city, state, country (outside the
US), and a valid email address (or any portion thereof that you feel
comfortable sharing).
If you prefer not to sign, please forward this petition to
the email address indicated below, where the names will be
organized, and any duplicates removed before this petition
will be forwarded to the appropriate government officials.
If your signature happens to be the 150th, 200th, 250th,
name on this petition, please forward a copy to:
anna@red-rocks.org
NOTE: It is preferable that you SELECT the entirety of this
letter and then COPY it into a new outgoing message, rather
than simply forwarding it. In your new outgoing message,
add your name to the bottom of the list, then send it on.
Or if option is available, do a SEND AGAIN.
Thanks for your support!
1) Rob Gardner- Boulder, Co
2) Teri Runyan - Salt Lake City, UT
3) Jason Sharpe - Nederland, CO
4) Kellen SImpson - Boulder, CO
5) Richard Galdieri - Boulder, CO
6) Sharon Levy - Boulder, CO
7) Mark North - Steamboat Springs, CO
8) Michael Miracle, Boulder, CO
9) Charles F. Glass, Jr. - Boulder, CO
10)Sharon Gibbons, New York, NY
11)Holly Forrester, NY, NY
12)Turner Grant, San Francisco, CA
13)Colin Rowan, San Francisco, CA
14)Laura Wolf, San Francisco, CA
15)Lindsey Miller, San Francisco, CA
16)Mike Erikson, San Francisco, CA
17)Tom Engelman, Aspen, CO
18) Tony Clark, Richmond, VA
19)Mark Lynn,Richmond,Va
20) Zia Iampietro, Altadena, CA
21) Erik Spring, San Luis Obispo, CA
22) Eric Angel, Davis, CA
23) Matt Siegle, Hanover, NH
24) Bob Hardin, Visalia, CA direwolf@psnw.com
==============================
From: Dasrite Byatch <jghow@conncoll.edu>
Subject: -<{([trade?])}>-
Date: Tue, 27 Apr 1999 21:43:37 -0400 (EDT)
Hello, DATfolk. I'm sending this in hopes of facilitating some trades. I
apologize ahead of time if you think this is inappropriate or a waste of
your bandwidth (for sure, this is better than those whole digest
forwards!). I'll try to keep this short. Thanks for your time.
This is my list of complete shows available for trade. I send CDs, you
send CDs or DATs (in cases for protection). Things that I refuse to deal
with include incomplete shows and recordings with cuts or skips (during or
between songs). The analog-source shows are listed here because I
recorded most of them; therefore you won't find them elsewhere. If you
see something you are interested in or want to send a list, ask a
question, send a comment, etc., I can be reached at jghow@conncoll.edu
The Allman Brothers Band, 8/8/97, dsbd, A+
The Black Crowes, 3/11/95, daud, B+
The Black Crowes, 12/19/95, daud, A-
The Black Crowes, 10/16/96, daud, A
The Black Crowes, 7/1/97, aaud, B+
The Black Crowes, 7/4/97, aaud, B+
The Black Crowes, 7/9/97, dsbd, A+
The Black Crowes, 7/16/97, dsbd, A+
The Black Crowes, 6/19/98, aaud, A
Brother Cane, 7/23/98, aaud, B+
Busta Rhymes, 7/24/98, aaud, B-
Cypress Hill, 7/24/98, aaud, B
Tanya Donelly, 10/10/97, aaud, A-
Frogwings, 2/7/99, dsbd, A+
Golden Smog, 12/12/98, dsbd, A+
The Jayhawks, 12/3/97, aaud, B+
The Jayhawks, 12/27/97, dsbd, A+
The Jayhawks, 9/11/98, dsbd, A+
The Jayhawks, 9/12/98, dsbd, A+
Pearl Jam, 7/14/93, daud, A-
Pearl Jam, 11/5/93, daud, A-
Pearl Jam, 3/29/94, daud, A
Pearl Jam, 9/15/98, aaud, A-
Soul Asylum, 5/28/98, aaud, B+
Victoria Williams and The Jayhawks, 8/5/95, aaud, A-
==============================
From: Sean Cartwright <cart1@eznet.net>
Subject: Re: CDR trade for phil and friends
Date: Tue, 27 Apr 1999 22:31:48 -0400
>From: Davidlown@aol.com
>Subject: CDR trade for phil and friends
>Reply-To: Davidlown@aol.com
>Date: Mon, 26 Apr 1999 20:59:08 EDT
>I have a lot of phish to trade
>>>>>>>12/31/99<<<<<<<<<<<
I'd LOVE to trade for this, do you have a setlist 8^)
Peace,
Sean
==============================
From: "Michael T. Olivier" <mto@pobox.com>
Subject: REQ: Limp Bizkit album broadcast - Las Vegas
Reply-to: mto@pobox.com
Date: Tue, 27 Apr 1999 22:06:55 -0500
Did anyone record the Limp Bizkit new album broadcast in Las
Vegas from Saturday? Have lots to trade.
-Mike-
mto@pobox.com
==============================
From: dan <dan@intrepid.net>
Subject: Johnny Cash tribute CDR
Date: Tue, 27 Apr 1999 23:06:00 -0400
I have the Johnny Cash tribute on one CD...all of the talking and
commercials have been weeded out. If anyone is interested...send a
list...I'm really only interested in trading for other CDRs at the moment.
Thanks
Dan
<--End Of File-->
==============================
From: Scott Hudson Alumni <hudson@inst.augie.edu>
Subject: Searching for CDR and/or DAT trades
Date: Tue, 27 Apr 1999 22:23:47 -0500 (CDT)
There's a number of artists that I've been looking for recent shows by.
I'd be happy with DAT or CDR (including CDR clones of boots) for recent
shows by the following artists:
1. Lucinda Williams
2. Son Volt
3. R.E.M.
4. Neil Young
5. Bob Dylan
There's also a couple of Replacements boots that I'd like CDR copies of.
Scott
==============================
From: Edward Davis <niceguy1222@earthlink.net>
Subject: FT Smashing Pumpkins 4-23 and 4-24-99
Date: Tue, 27 Apr 1999 21:15:30 -0700
Hi,
I taped the Smashing Pumpkins shows at San Diego and LA. The San Diego
show was taped from 12th row on the far left. The Roxy show was taped
very close to the right stack. Both were taped with M1>CSBmod and came
out pretty well. I used to post from crazy_diamond@webtv.net. Please
let me know if you are interested.
Later,
Ed
http://www.geocities.com/SunsetStrip/Venue/5771
==============================
From: "Bryan R. Fox" <foxey@grendelnet.com>
Subject: CDRWin
Date: Tue, 27 Apr 99 22:00:05 -0500
-- [ From: Bryan R. Fox * EMC.Ver #2.5.02 ] --
I use the old DOS version of this program, but it's the same principal.
There are two different ways to set pregaps: you can take time out of the
file itself, or you can add 2 seconds to the file. If you are doing this
with one .wav file, then there is no way to "cut" the file so that you
lengthen the time of the disc by 2 seconds. But if you are using two
distinct .wav files, you can use the PREGAP command to add two seconds to
the beginning of a track without taking time out of it. I think this would
accomplish what you are trying to do. In my DOS version, there is a file
called DAO.TXT that explains all of the commands and gives examples, I'm
sure there is something similar in the windows format that you have. Check
it out and see what it says.
Bryan
==============================
From: alex@gerulf.acsu.unsw.edu.au (Alexander W. Chin)
Subject: Re: Bits and resolution, yet again....... Digest #923
Date: Wed, 28 Apr 1999 15:09:36 +1000
Hi all,
I've been overseas for a while, and now am clogged with heaps of backlog of
digests.
>From: Seth Breidbart <sethb@panix.com>
>Subject: Re: Bits and resolution, yet again....... Digest #923
>Date: Mon, 26 Apr 1999 21:12:47 -0400 (EDT)
>
>> COMMENT: While everything in the Sony manual is not correct as stated, their
>> DAT recording instructions (Consistently for many models, but who reads
>>these
>> anyway!) do say to keep average levels at or about -12 dB VU without really
>> telling the why's of this.
>
>Much music has peaks around 12dB over the average level. (At least,
>that's the assumption Sony used when writing those instructions.)
>
>> Using any 16 bit A/D system anywhere within it's input
>> range_is_still_using_a_full_16 bit system with all the benefits and
>> limitations of having 16 bits of signal resolution accuracy.
>
>That doesn't make sense. Suppose you set the levels to where the peak
>is at -90 dB; do you still think your signal has 16 bits of
>resolution? Try it some time, and see if there's any signal at all
>(there should be around 1 bit worth, possibly enough to identify the
>song if you know it well).
I agree with Seth. Although in real life, you get a lot of electronic
noise, which sorts of counts as dither. That'll actually give you a higher
'perceived' resolution.
>> With the same microphone input, running conservative VU levels will indeed
>> allow recording quality to be virtually indistinguishable from other much
>> more complex systems costing 10 times more and requiring a cart to transport
>> in.
>
>Peaking at -12dB is equivalent to using 14 bits and peaking at 0dB
>(assuming perfection of pre-amps, A/D converter, etc.).
That is only during the peaks. Assuming the normal level is -12 dB below,
you only have 12 bits of effective resolution. I tend to go over, peaking
at 0, or close to it. So what if I clip a minor few peaks, less audible I
reckon than less resolution.
>> If you must, 'normalizing' levels later in Post, on a DAW in .wav format.
>> This is all it takes to have VU signal levels hitting zero without suffering
>> master tape'd permanent quality loss.
>
>Once you've made a tape with only 14 bits of information (by peaking
>at -12dB), there's no way you can increase the amount of (useful)
>information on the tape. Normalizing will make it louder, but the
>quantization noise will be made corresponding louder (staying the same
>relative to the signal).
This depends on the A/D. Some have noise shaping already in the 14/12 bit
signal, so the actual useful signal can be even one bit less. Normalising
will break the noise shaping, leaving you even worse off.
>Seth
Once again, sorry for the long absence.
Cheers
Alex
=========================================================================
Alexander W. Chin CF Consulting Pty Ltd
Consultant
E-mail : alex@gerulf.acsu.unsw.edu.au 5/5 Blenheim St
Phone : +612 9399 8804 Randwick
Mobile : +61 0413 812 805 NSW 2031
Fax : +612 9399 8804 Australia
==============================
From: "Joe Ray Skrha" <joeray@ptialaska.net>
Subject: Neil Young in Akron 4-27-99
Date: Wed, 28 Apr 1999 02:15:54 -0800
Greetings Friends,
Alaska is starting to melt from the 6+ feet of solid ice/snowpack on my
property this year. This week promises mid 50's and sunny with 30+ mph
winds from the south. Here in Alaska we call it the Chinook winds since
these winds are known to bring fresh King "Chinook" Salmon to our rivers to
start their spawning runs. and yes, several in the upper 40's low 50's were
caught off Deep Creek this past few days.
I hope to be out this Friday. it is said that King Salmon tremble at the
mention of my name...but I think they start trembling cause I often play
Neils acoustic music in my boat while fishing. I guess only time will
tell...
My main reason for writing to you all is that I would like to get a
DAT (or minidisc) recording of Neil Youngs show at Akron, Ohio last night
4-27-99. I have many master recordings including 12 of Neils tour this year
on the west-southwest coast. Anyone with a recording of Neil in Akron, let
me know and I will email to you my updated list.
Pray for Peace everyone, From the southshore of the Kenai River,
Alaska...Joe Ray at: joeray@ptialaska.net
==============================
From: Paul Skinner <paulskinner@paulskinner.com>
Subject: GYBE! taping advice
Date: Wed, 28 Apr 1999 13:34:43 +0100
Happy to say I finally caught Montreal post-rock outfit Godspeed You
Black Emperor! last night (@ Embassy Rooms, London). Sadly I wasn't able
to tape the show. Only other taper I found managed to hit erase on his
MD deck 5 minutes after the show finished (I'm not making this up!).
Anyhow - apart from an obvious grovel for any folks who've been a bit
luckier to come forward, I figured I'd share some info that might help
folks planning on taping upcoming shows...
First off, GYBE! have a ton of kit on stage. There's nine of them (3
guitars, 2 bass, 2 drummers, cello, violin). Not everything is mic'ed
for the PA so desk feeds are *out*. Logical extension of this is that
get the whole sound down, you'll need to position somewhere centre -
stack hugging is a big no no. The stage I saw them on had amps layed out
the full width of the stage - binaurals might sound good here?
I'd been warned that they were fairly loud. They were, but not to Mogwai
levels. Shouldn't be a problem. They did get louder as they went on...
Final thing to note is that the band started playing while the 'between
bands' music was on (in fact you could here the tape playing for a good
90 seconds into the set!). Start recording as soon as anyone picks up a
guitar!
If you've not heard GYBE! check them out - some sound clips are at
http://www.gybe.cx/
Thanks for the bw
Paul
==============================
From: Tim Dignam <timdignam@yahoo.com>
Subject: DAT equipment stores in the Atlanta area
Date: Wed, 28 Apr 1999 05:49:51 -0700 (PDT)
I will be investing in my first DAT recorder along with all needed
paraphernalia this summer. Does anyone know of a store(s) in the
Atlanta area where I can go browse
and receive knowledgeable info. about DAT recorders and equipment?
Thank you, Tim
_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com
==============================
From: Jeramy Daniels <jeramy@abcpolymers.com>
Subject: stealth shhhhh
Date: Wed, 28 Apr 1999 09:03:18 -0400
hey I was wondering sense the location is so large, something like 14sq
blocks if it would be possible to slide some equipment under the fences. I
know last year there were so many people that once you get in you can do
whatever you want. However the amount of people could be a problem, but if
I remember correctly they had the sound board on a very large scaffolding
setup, so you could set up in FOB. I am working right now with the guy that
does the lights for panic, brian to get a possible patch sense in essence
they are not allowing taping. He said he is going to talk to Mary Armstrong
from brown cat, and Houser to get approval, but this is still tentative. If
I hook it up i'll let ya know.
jeramy
Please contact me if you'd be interested in helping tape some bands.
It costs $30 for a 3-day ticket, but it is well worth it! And
remember, you are more than likely going to have to stealth. So if
you have some Core Sound, Sonic Studios, or wanna sneak in say,
AKGs/Neumanns->pre-amp->DA-P1 -- go for it!!! Just as long as you
can get it through the front gate!
And KindTaper@aol.com, if you're out there, get a hold of me too! I
think I remember you have stealthing capabilities, plus you're a
local taper dude like me! :)
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Mon, 17 May 99 10:15:01 EDT
Subject: DAT-Heads Digest #961
DAT-Heads Digest #961, Volume #4 Mon, 17 May 99 10:15:01 EDT
Contents:
mic thoughts (Rick Shaich)
Re:DAT>Hard drive question (=?iso-8859-1?Q?Hawker=99?=)
For Sale: Sony Remote RM-ED100 (Kurt Vogel)
Getting DAT-Heads in other formats? (=?iso-8859-1?Q?Hawker=99?=)
Black crowes Lenny Kravitz Nashville Plea ("tim lowery")
extra dats for sale or b/p (inipi@att.net)
DAT to CD-R Via PC ("Simon Griffin")
Help ("mike railey")
john peel, tuesday (GaoBest@aol.com)
Santana Trades??? (Lotusong@aol.com)
CD BURNER??? (Mikeyled36@aol.com)
extra Philesh 4/17/99 + ISO (JahVoluntr@aol.com)
tom tom tom (hambone@javanet.com)
Re: DDS vs DAT tapes (Andrew Haley)
"CDR Pen" and other mysterious CDR accessories (Jonas)
B+P (Scott Mogol)
Re: Fostex CR300 & HHB CDR 850 ("B Baier")
Sony CDRs at Office Max ("B Baier")
looking for DAT trades (Dave DuBois)
============================================================================
From: Rick Shaich <Rick.S@XiChron.com>
Subject: mic thoughts
Date: Sun, 16 May 1999 19:15:40 -0400
Hey folks. Just jumping back here after a 1y leave.
I'm looking to upgrade my mics and am looking for opinions and names of other
mics I should check. I am also willing to accept quotes/bids from any lurking venders.
Details.
I'm willing to spend about $2k for a pair.
They will mostly be used in ORTF and NOS configurations for recording
field sounds, including campfire music, nature sounds and occasional small/medium venue concerts.
I currently mostly record MS with a Sure VP-88 but want a better mic, as well as need a solution to
when MS is not appropriate (still plan on mostly MS recording). I'm mostly recording Directly to a DAP-1.
What I want is FLAT and ACCURATE. Bass Roll-off and PAD is nice to have.
Removable capsules are nice incase I want to get a fig-8 or hyp-card down the road.
Low self noise is also VERY important. Stealth is not an issue as I have to much
respect for the musicians to EVER record without permission.
Mostly I seem to like Senheiser MKH40.
The only drawback is non changeable capsules, $$$, and the are a bit big (heavy).
The Neuman KM140 looks nice but is not as flat, nor has the bass roll-off (which I use allot).
Are there any other mics I should consider?
How about zeppelins and shock mounts
I would want one that could be used for XY, NOS, ORTF & MS
that would have some sort of elastic suspension or similar.
Unfortunately out here there are no places where I could go to listen to
mics of this caliber so I am hoping for folks thoughts on this.
Thanx for you help
Hawker
==============================
From: =?iso-8859-1?Q?Hawker=99?= <Hawker@Connriver.net>
Subject: Re:DAT>Hard drive question
Date: Sun, 16 May 1999 18:46:40 -0400
>I'm just trying this out for the first time and can't find this info
>anywhere,
>but how do you set input levels when recording to your hard drive
>from DAT? My setup is a Tascam DA mkII -> Lucid PCI24 -> PC.
>
>It seems to me the only way to change the levels is by editing the file
>with software after it is recorded to the hard drive. Are there any
>other options?
>
I assume that the Lucid is a digital in to PC interface?
(what do I know - I'm using custom AKM based A/Ds and D/As and a Gina card)
If this is so you are (and should be) digital all the way from the
Tascam to the PC. Since there is no analog going on here
what the computer gets is an EXACT copy of what is on the DAT,
which is what you want. Anything from there changes things.
This is why you want to do any level changes, compression, nominalization
etc after the transfer from the computer in the PC domain (unless you have
digital mastering equipment - but I assume you are not at that level)
The only thing to watch out for now is quantization artifacts.
Since the PC will use floating point math there will always be some
error besides jut level control. Some PC programs do all math at 16 bits
which can be bad news, some are 24 bit (like sound forge) and some are
32 bits (like Cool Edit) the more bits the less error and the less quantization noise
you will here.
Hawker
==============================
From: Kurt Vogel <kwvogel@yahoo.com>
Subject: For Sale: Sony Remote RM-ED100
Date: Sun, 16 May 1999 16:32:58 -0700 (PDT)
This is the remote that comes with the D-100 but not
the M1 (and works with either the D100 or M1).
Retails for $99 and you can see a picture and
description at:
http://www.american-digital.com/rmed100.html
You can monitor levels on the remote while your deck
is safely tucked away (though the remote is not
back-lit). Controls on the remote include:
ff/rew/play/stop/hold/counter mode/volume/clock/AVLS.
You can also plug headphones into the remote but they
are not included.
It works fine, but aside from making sure it works, I
have never used it.
$50, I'll pay priority mail shipping in the US.
Thanks
Kurt
_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com
==============================
From: =?iso-8859-1?Q?Hawker=99?= <Hawker@Connriver.net>
Subject: Getting DAT-Heads in other formats?
Date: Sun, 16 May 1999 20:01:34 -0400
Is there any way to get DAT-Heads in any format other than digest?
it would be much easier if I could get it in "Normal list-serve" format
with a unique e-mail for each post.
Thanx
Hawker
==============================
From: "tim lowery" <dattrek@email.msn.com>
Subject: Black crowes Lenny Kravitz Nashville Plea
Date: Sun, 16 May 1999 19:25:56 -0500
Help
I had deck trouble in Nashville and I need the Lenny Kravitz and Black
Crowes from nashville tn 5-15-99. If you have these please respond, my list
is large and varied and i am sure we could trade
thanks tim
==============================
From: inipi@att.net
Subject: extra dats for sale or b/p
Date: Sun, 16 May 1999 20:32:10 -0500
I have a few extra shows on dat that I would like to pass on. They are:
Allman Bros.
5.12.96 sbd>dat 2x60m KAO
Gov't Mule
8.30.97 sbd>dat 90m unlabeled maxell from "I must be crazy" tree
Grateful Dead
3.1.69 sbd>reel>?>dat 60m sony dg
4.21/22.69 all of both shows sbd>reel?>dat 3x60m KAO
Warren Haynes
6.26.97 early&late sbd>dat 90m unlabeled maxell from "I must be crazy"
tree
Radiators
10.4.97 sbd>dat 90m unlabeled maxell from "I must be crazy" tree
Ominous Seapods
10.25.97 sbd>dat 60m & 90m KAO
Zambiland Orchestra
6.16.97 schoeps>awesome setup>hhb 2x60m 3M dds
Zero
9.23.97 mg m300 cards>dat 2x60 KAO from DooDah trees
All of these tapes are of excellent quality. These are all tapes from
botched trades or tapes I just don't listen to anymore. I would prefer
not to split them up. They go to the first person willing to pay $45
plus shipping or send 15 new, blank maxell or sony labeled 60m tapes.
Thanks.
seth
http://home.att.net/~inipi
==============================
From: "Simon Griffin" <powercon@bit.com.au>
Subject: DAT to CD-R Via PC
Date: Mon, 17 May 1999 11:29:27 +1000
This is a multi-part message in MIME format.
=======_NextPart_000_0037_01BEA058.85B8CE80
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hi,
I would like to make digital copies of my DAT recordings on CD-R via my =
PC.
Can anyone please suggest the best possible sound card to enable me to =
do this. I have Windows 95 but can upgrade to Windows 98 if necessary
I have been told that the SoundBlaster Live card has limitations and I =
would be very grateful of any help that anyone can tell me of the best =
card and/or system to let me make digital copies of my DAT recordings on =
CD-R using my PC.
Best wishes,
Simon Griffin
powercon@bit.net.au
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<DIV><FONT size=3D2>Hi,</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>I would like to make digital copies of my DAT =
recordings on=20
CD-R via my PC.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>Can anyone please suggest the best possible sound =
card to=20
enable me to do this. I have Windows 95 but can upgrade to Windows 98 if =
necessary</FONT></DIV>
<DIV><FONT size=3D2></FONT> </DIV>
<DIV><FONT size=3D2>I have been told that the SoundBlaster Live card has =
limitations and I would be very grateful of any help that anyone can =
tell me of=20
the best card and/or system to let me make digital copies of my DAT =
recordings=20
on CD-R using my PC.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>Best wishes,</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>Simon Griffin</FONT></DIV>
<DIV><FONT size=3D2><A=20
href=3D"mailto:powercon@bit.net.au">powercon@bit.net.au</A></FONT></DIV>
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==============================
From: "mike railey" <mrailey@hotmail.com>
Subject: Help
Date: Sun, 16 May 1999 21:51:10 EDT
Hello All,
I was hoping someone out there could give me some advice. I'm looking into
purchasing a CD Burner & Sound Card. I'm looking into the Yamaha CRW-4416EZ
& the Yamaha CRW-4416S. What I can't figure out is what is difference
between Interface E-IDE & Interface SCSI-2. That is the only difference
between the 2 models as far as I can tell. I'm also looking into purchasing
the Ziafro ZA-2 Sound Card. Was wondering if anyone is currently using that
setup & what they thought of it. Also curious if anyone could recommend a
place that is currently selling these items at a low low price. The lowest
price I've gotten on the burner was $349. Last but not least, wondered if
anyone could recommend a brand of CD's to buy. Currently I'm buying Memorex
74 min. Cd's. Comp USA by me is selling 15 packs w/ jewel cases for $24.99.
I have a couple of friends who use Memorex, so this is the only brand I am
familiar w/. I guess that's all the questions I have for now. Thank You for
the Help!!!!
Mike
_______________________________________________________________
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==============================
From: GaoBest@aol.com
Subject: john peel, tuesday
Date: Sun, 16 May 1999 22:35:12 EDT
Hi, I need a favor from someone - Marine Research (featuring some former
members from Heavenly/Talulah Gosh) will do a Peel Session on Tuesday's Peel
Show, and I'd appreciate if someone can record all of Peel's Program (is it 2
hours?) on SP, 120minute (60meter) DAT/DDS for me, so I can hear the session
as well as the rest of Peel's program.
I do have analog tapes (several low gen) of Talulah Gosh/Heavenly shows from
1986 to 1996, and many of my 1986-1987 shows are very decent, and most TG
fans know how hard it is to find good low-gen copies of those shows since
most were taped on cheap tape recorders by fans of the band who weren't as
concerned with sound quality.
if anyone can help, please let me know. i also tape shows using D100, and
I'm expecting a new pro deck next week (so that i can FINALLY copy those
Rufus shows to those who are waiting) so can make SCMS-free clones etc. I
just taped Modern English on Saturday, plus still try to tape/trade most
UK-indie bands...
any help is appreciated, thanks!
mike
gaobest@aol.com
==============================
From: Lotusong@aol.com
Subject: Santana Trades???
Date: Mon, 17 May 1999 01:18:35 EDT
Looking to trade for the Santana(4/18/99) show with Trey and Page.Lots of
tapes to trade including Merlefest '99,SCI Spring '99, and Phil & Friends,to
name a few.Please respond privately, I'll send you my list.
Chris Ventura
==============================
From: Mikeyled36@aol.com
Subject: CD BURNER???
Date: Mon, 17 May 1999 02:14:50 EDT
Hey I was wondering if anyone could help me figure out what CD burner to get
at the cheapest price?? I have a Compaq 5204 computer with Windows 98.
Could someone help me???
Mikey
==============================
From: JahVoluntr@aol.com
Subject: extra Philesh 4/17/99 + ISO
Date: Mon, 17 May 1999 07:41:02 EDT
I've got an extra copy of Phil and Phriends 4/17/99 Schoeps MK4 to trade or
for B+P possibly. Also ISO Max Creek 5/7/99 from New Cheers Pub in
Binghamton, NY.
Jim
==============================
From: hambone@javanet.com
Subject: tom tom tom
Date: Mon, 17 May 1999 08:05:50 -0400
howdy kids
im looking for tom waits set at sxsw
preferably scheops or neuman
but any and all would be appreciated
toms hitting the road
all should tape and get in touch to trade
i was setting up this trade with dwb but lost your e-mail
thanks
dave
==============================
From: Andrew Haley <aph@pasanda.cygnus.co.uk>
Subject: Re: DDS vs DAT tapes
Date: 17 May 1999 12:22:45 -0000
> From: "Paul Chrostowski" <pchrosto@gate.net>
> Date: Thu, 13 May 1999 19:59:30 -0400
>
> | > This guy isn't much of a guru if that's what he's saying about 90M
> tapes
> | > in the R500 and M1. In the real world it's just not true. Everyone I
> | > know with either of these decks or other Sony decks, this includes
> myself,
> | > know that when you FF or RW 90M tapes in either of those decks things
> come
> | > to a grinding halt.
> |
> | My M1 does no such thing.
>
> How old is it?
About a year. There aren't any M1s much older than that, are there?
> How many hours of use does it get with 90M tapes?
No idea.
> How long does it take to FF a 90M tape?
2:25. But it *is* a tiny portable, so that's really not so bad.
> | > My D8 bit the dust a long time ago, solely because I used 90M tapes
> | > in it.
> |
> | People do say the strangest things on this list! How on earth could
> | you possibly know that it was soley due to using 90m tapes?
> | Everything wears out eventually, y'know.
>
> Explain why it only happened with 90M tapes? I could still play 60M tapes
> and FF/RW them with no problem on the D8.
Your logic seems to be that it stopped working with 90m tapes, so the
cause of the problem must have been the 90m tapes. Erm.
Andrew.
==============================
From: Jonas <jlb20@duke.edu>
Subject: "CDR Pen" and other mysterious CDR accessories
Date: Mon, 17 May 1999 08:55:53 -0400 (EDT)
I generally believe that a company trying to sell a $5 pen is probably
not the best source of info, esp not when that $5 pen competes with good
ol' Sharpie.
Of course, I admit, I quit writing on the discs with
sharpies after I heard about this, opting only to write on the inner
ring. I also use a Neato CD labeler (another supposed "deadly glue
solvent") so we'll see what happens with that.
What I really wonder is, can anyone here definitively say THEY PERSONALLY
have had a disc mysteriously stop playing due to solvent-based ink?
Clearly,m if you put a sticky note on a fragile surface, it will yank
some of it off. That's not rocket science. I'm only interested in pen
ink. I have some discs with sharpie on them, and I'm wondering now if I
ought to seriously consider backing them up. I'm hopeful that no sane
person who handles discs properly can say they blame the ink. Thus far
in my foray into the CDR world, it appears what really destroys them is
good old fashioned negligence and misuse.
an unusual question/opinion mix? I thought so.
Jonas Blank
DAT/CDR List: http://www.duke.edu/~jlb20/live.htm
Nirvana Setlists: http://www.duke.edu/~jlb20/nirvgd.htm
==============================
From: Scott Mogol <smogol@intr.net>
Subject: B+P
Date: Mon, 17 May 1999 08:43:50
I've got these 2 tapes available for blanks plus return postage. Both on
60m Maxell HS-4 tapes...would like the same (new, in wrapper) in return. If
you can send out blanks today or tomorrow, they're yours.
Phish 6/22/97 Germany DSS->DAT
Grateful Dead 3/1/69 SF,CA SBD
==============================
From: "B Baier" <baierb@hotmail.com>
Subject: Re: Fostex CR300 & HHB CDR 850
Date: Mon, 17 May 1999 06:47:36 PDT
In DAT-Heads Digest #959, Rick Rombak <rick@knight-barry.com>
asked:
>does anyone have any information on either of these units? what to >pay?,
>how does it record, sound?, what is comparable?, any
>information is appreciated.
I bought an HHb CDR-850 a month ago and am currently one happy puppy.
Here's a quick list of the machine's features:
- Analog XLR and RCA inputs and outputs.
- Analog XLR inputs and outputs can be switched +4dBu / -10dbu
from the front panel.
- S/PDIF coax and optical inputs and outputs.
- AES/EBU XLR input.
- Wired remote control input.
- Wireless IR remote provided, can be disabled on front panel.
- Can use CDR and CD-RW blanks, computer or consumer.
- Ignores SCMS on input. You can set the SCMS code on the CD
you are recording.
- Built-in sample rate convertor. Will automatically convert
32 or 48 kHz to 44.1 kHz. If set to "Sample Rate Converter
Off", will not resample 44.1 kHz input. If set to "Sample
Rate Convertor On", will resample 44.1 khz input (useful for
44.1 kHz Varispeed input).
- Digital recording modes: 1-track synchro (record 1 track, stop
when the next Start-ID is encountered), all-track synchro
(record multiple tracks and convert Start-IDs to track marks),
manual record (mark tracks yourself).
- Built in digital fader 6, 9, 12, 15, 18 seconds.
- Auto or manual finalize
- Multiple erase options on CD-RW: unfinalize, erase last song,
erase all songs, wipe entire disc.
- Digital output can be switched off.
- Auto-stop on digital recording after 0 or 10 seconds of digital
silence, or ignore digital silence.
- OPCs every disc for recording.
- Can automatically insert track marks, from analog input, when
signal goes below a certain level (You set this level).
- Auto-pause on playback (paly one track, then stop)
- All functions can be controlled from the front panel.
All in all, IMHO, a very nice deck. I imagine the Fostex CR300 is
similar, except for maybe the A/D convertor quality. However, I
just saw the HHb CDR-850 Plus on their website. It has the following
additional features:
- Word clock in (for synchronized playback in a digital studio).
- AES/EBU XLR output (also transmits Start-IDs through that XLR).
Anyway, I paid $999 for mine. Klay Anderson and MasterpieceAV
both carry the CDR-850 for that price. Both are exceedingly
reputable and customer-friendly in my dealings with them.
Bruce Baier
baierb@hotmail.com
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: "B Baier" <baierb@hotmail.com>
Subject: Sony CDRs at Office Max
Date: Mon, 17 May 1999 06:50:34 PDT
Hi guys,
I just saw a Sunday ad for Office Max. They have:
Sony 10-pack CDR blanks $22.99
Instant rebate 3.00
------
Final price $19.99
The 10-pack has 5 extra CDR blanks as a bonus. So, that's
15 CDRs for $19.99 plus tax.
Bruce Baier
baierb@hotmail.com
_______________________________________________________________
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==============================
From: Dave DuBois <earcandy@netscape.net>
Subject: looking for DAT trades
Date: 17 May 99 07:06:27 MST
I'm desperate!!!!
Check out my homepage for my list at www.geocities.com/SunsetStrip/Lobby/3015
Specializing in Neil Young, Son Volt, Wilco, Uncle Tupelo, Steve Earle, Pearl
Jam, Todd Snider, Bottle Rockets etc.
Thanks,
Dave
____________________________________________________________________
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==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Fri, 21 May 99 07:15:00 EDT
Subject: DAT-Heads Digest #967
DAT-Heads Digest #967, Volume #4 Fri, 21 May 99 07:15:00 EDT
Contents:
Taping @ The Vet for DMB (Keith Cetera)
ISO Hornsby shows from '99 (John Kellogg)
ISO: Trey Fillmore Opener (Bill Snyder)
Recharageable Batteries (Matt Edlhuber)
DA-30 mk II question ("T W")
ISO: DJ Shadow ("Frank Snyder")
Any Rainbow Gathering Tapers out there (Hawker)
Re: Clicking sound through headphones (Seth Breidbart)
A?D converters (Eric Reichenbach)
Terrance Blanchard 5.16.99 Artsplosure, Raleigh, NC ("sbt")
FS: Ecocharge for tascam da-p1 ("J. Turner")
Extra MMW 4.1.99 & 4.3.99 (al young)
Seth ("Scott/ Deb McPherrin")
FS: Lunatec V2 w/ Eco-Charge battery and charger (Kevin Lally)
(no subject) (Salvatore Lee)
Re: get a clue... (Seth Breidbart)
LENNY KRAVITZ....... (AASHES@aol.com)
Mis -load ("William Tatina")
Trey in Denver; Schoeps Tube offer ("Aldo Torre")
Hole 99 trades (ACR7@aol.com)
Re: best cd booklet and label program? (jpff@maths.bath.ac.uk)
============================================================================
From: Keith Cetera <kcetera@erols.com>
Subject: Taping @ The Vet for DMB
Reply-To: kcetera@erols.com
Date: Thu, 20 May 1999 17:49:47 -0500
Could some kind person tell me what the taping situation was @ the DMB
concert at the Vet, Phila PA for Thurs (tonight). I just want to make
sure taping from seats is okay before I bring dat/mics.
Also, looking for some Counting Crows (from August and Everything
After-era), trade or B&P.
thanks,
Keith
http://members.tripod.com/~kcetera/ <---My DATlist
==============================
From: John Kellogg <phishjam@earthlink.net>
Subject: ISO Hornsby shows from '99
Date: Thu, 20 May 1999 18:22:09 -0400
Hey,
I caught the last part of Austin City Limits on PBS the another night
and I was blown away by Hornsby and his band. So now I need to get some
shows and I would prefer to get shows from his current tour or the one
before. I only have one Hornsby show to trade from '93 but I have dead,
phish and others to trade. If anyone can help me out e-mail me and I'll
send you my list.
thanks,
John Kellogg
==============================
From: snyder@gwha.com (Bill Snyder)
Subject: ISO: Trey Fillmore Opener
Date: Thu, 20 May 1999 16:44:55 -0600
Looking to acquire the Fillmore opening(5-19-99).
Contact me if you are willing to trade.
Thanks,
Bill
==============================
From: Matt Edlhuber <edlhubermj18@uwwvax.uww.edu>
Subject: Recharageable Batteries
Date: Thu, 20 May 1999 17:57:22 -0500
I was wondering what the best recharable batteries(D-cells) work the best
in conjunction with a home-made battery pack for a Sony D8? Anyone have
any pros/cons of certain brands? Thanks for the bandwith.
-Matt Edlhuber
http://www.prairefuture.com/Matt/home.html
==============================
From: "T W" <cgsbean@hotmail.com>
Subject: DA-30 mk II question
Date: Thu, 20 May 1999 16:47:47 PDT
Does anyone have a remedy for an "ERROR 3" message on the display of a DA-30
mk II?
I have moe. and String Cheese Incident DATS that work on other decks, but
are giving me an "Error 3" message on this one. The machine will not allow
any playback, rew, ff, or skip searches.
Thanks in advance.
Bean
Seattle, WA
_______________________________________________________________
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==============================
From: "Frank Snyder" <fsnyder@atl.mediaone.net>
Subject: ISO: DJ Shadow
Reply-To: "Frank Snyder" <fsnyder@atl.mediaone.net>
Date: Thu, 20 May 1999 20:28:45 -0400
This is a multi-part message in MIME format.
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I'd like to get some more European radio shows (cause they sound so =
good). I have a couple
of his performances now and a lot of his rare and remixed stuff. Please =
contact me if you
or someone you know has some DJ Shadow shows (even if they aren't =
fantastic sounding).
Thanks for the space..
Much Appreciated,
-Frank
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<DIV><FONT color=3D#000000 size=3D2>I'd like to get some more European =
radio shows=20
(cause they sound so good). I have a couple</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>of his performances now and a lot of =
his rare=20
and remixed stuff. Please contact me if you</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>or someone you know has some DJ =
Shadow shows=20
(even if they aren't fantastic sounding).</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Thanks for the space..</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Much Appreciated,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>-Frank</FONT></DIV></BODY></HTML>
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==============================
From: Hawker <Hawker@Connriver.net>
Subject: Any Rainbow Gathering Tapers out there
Date: Thu, 20 May 1999 20:31:46 -0400
Hello again.
Are there any Rainbow DAT-Heads out there amongst us.
Things are gearing up for the National Gathering in PA this year
and I would love to make contact with other DAT-Heads who will
be there besides myself.
It would be nice for us to coordinate on charging, mics, batteries etc.
I will have a 200ah battery and 150W of solar panel for other DAT-Heads to use.
Looks like we may have some funding to do a full-production FREE CD for next
year.. kinda in the vain of the Rainbow Spirit video. It would be nice
to have as many contributors as possible.
Also the CD I did of Campfire music I did from last years National in AZ
is basically done. I intend to pass out as many free CDRs of this as I can
burn with my trusty CDR. If anyone is interested in helping me copy more
CDRs to pass out (who will be in PA of course) please e-mail me.
Hawker
P.S. if you are wondering what rainbow is check out
http://www.welcomehome.org
or
Alt.Gathering.Rainbow
==============================
From: Seth Breidbart <sethb@panix.com>
Subject: Re: Clicking sound through headphones
Date: Thu, 20 May 1999 23:55:07 -0400 (EDT)
> I recently added an SBM-1 to my rig, and while taping the last two
> concerts at the local high school I noticed a clicking sound in the
> headphones.
> The SBM-1 is connected to my D7 via the
> digital input. The clicking sound is not evident when I plug the
> headphones into the SMB-1 headphone jack, only the headphone jack of the
> D7, and is not affected by the volume setting on the D7.
When the D7, or D8 get digital input, they don't synch their D/A
converters to the input's clock, resulting in clicks on the analog
output. This does not affect the tape in any way; when you later play
that tape (on that or another deck), the clicks won't be there.
Seth
==============================
From: Halfstep-2@webtv.net (Eric Reichenbach)
Subject: A?D converters
Date: Thu, 20 May 1999 23:59:31 -0400 (EDT)
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I am trying to learn more on the conversion process. What makes some
coverters better than others? For example, what makes the DA-P1's or
HHb's A/D better than the D7/8? Hmm, perhaps someone thinks it is the
other way around??? What is it about the external converters, e.g.
ADC-20 or A/D-1000. that make them superior to internal?
What deck(s) on the market have the best converters?
Thank you,
Eric
--WebTV-Mail-261068448-817
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==============================
From: "sbt" <sbtyrole@interpath.com>
Subject: Terrance Blanchard 5.16.99 Artsplosure, Raleigh, NC
Date: Fri, 21 May 1999 00:21:38 -0400
w/ Mark Turner on tenor, Aaron Fletcher on alto, Eric Harland on drums,
Edward Simon on piano, and David Pulpus on bass). CoreSound heb->m1.
outdoors appr. 35 ft from stage. 90 min set. Pretty good stealth recording,
tenor & piano are a bit weak, and A. bass lack definition (gets better as
soundman gets it together), but good clarity on trumpet, alto & cymbals.
Also recorded Roomful of Blues, Ray Vega Latin Jazz 4tet, and Kevin
Mahogany, but Terrance Blanchard was the smoker. I haven't heard a jazz set
this good in a long time. Aaron Fletcher (alto) is only 19 years old and
sounds like a cross between an Paul Desmond and Cannonball Adderly. A really
lyrical improviser. Each member is a monster. Can't say enough good things
about 'em. See them if they come your way.
Looking for good jazz (or interesting other) for trade. I'll be out of town
until Monday PM (going to Asheville, NC to see Hornsby).
- steve
==============================
From: "J. Turner" <JPTurn1@ibm.net>
Subject: FS: Ecocharge for tascam da-p1
Reply-To: <JPTurn1@ibm.net>
Date: Fri, 21 May 1999 00:39:45 -0400
Purchased new in 1996. Rarely used. $100
includes battery>DA-P1 cable
1 battery; 5 hours fully charged w/out phantom power, 4 with pantom power
1 wall wart charger.
Email if interested.
Thanks
Jim Turner
Director - East Region
Interskill Services, Inc.
Phone: (301) 490-7600
Fax: (301) 490-7622
http://www.interskill.com
==============================
From: al young <sugarcrafty@juno.com>
Subject: Extra MMW 4.1.99 & 4.3.99
Date: Thu, 20 May 1999 21:49:56 -0700
hey all,
i have an extra copy of 4.1.99 moore theater seattle & 4.3.99 roseland
theater portland; earthworks sr71 > da-p1. I would prefer to trade them
but will take two blank sony dg or labelled maxell hs/4 (90m).
thanks
al
___________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com/getjuno.html
or call Juno at (800) 654-JUNO [654-5866]
==============================
From: "Scott/ Deb McPherrin" <hippies@frontiernet.net>
Subject: Seth
Date: Fri, 21 May 1999 00:02:42 -0500
hey y'all
Seth asked me what was up with the Teddy GoodBear Trees:
i responded like this:
open letter to Seth B.
to Seth:
PLEASE READ:
i reiterate what i sent to you previously...others seem to be fine with the
arrangement...
to qoute my message directly:...as was sent to you last week...
hey guys,
i was orig to be a DAT Trunk on this tree, but had to place myself in CDR
land instead...
therefore, i have the round 1 on DAT, but my D>CDR capabilities are giving
me fits right now...(long story)...
Teddy is going out of town in a few days, so there was no time to get
another batch of seeds spun in time...
sooo...the big question...
would y'all be willing to recieve round 1 on DAT instead?...of course,
converting to CDR for your children...
if for some reason this won't work for any of you, that's fine, i will have
to get these converted, and then i will simply pick something else from you
and trade the CDRs as normal...
if this will work for you all...i will get these sent off to each of you by
this weekend (give you some extra time to do your conversions)...Teddy has
listed all the CDR timings on the web pages, and this should be an easy
conversion...(except for me!)...
so sorry for the inconvenience...things will be cleared up by round 2, i
promise...;-)/
thanks in advance...
OF COURSE I HEARD NOTHING FROM SETH ON THIS ONE...
===========================================================
of equal importance, Seth, is why are you jacking around your kids on OUR
01's Tour Tree '98?...
Al Zeffer and i have MANY complaints about you having 7 shows in your
possesion,and not releasing them to the masses...
what gives, bro?...
and another pertinent deal...
why did you OFFER assistance with the pending 12/31 tree when you were not
ready or willing to come forth with any goods?...a simple note saying "not
interested" would have been fine...instead, we heard NOTHING!...
enuf of this HOLIER THAN THOU CRAP!...
if you don't have something constructive to offer...please keep the
condesending comments to yourself, eh, bro?...
just a little FYI:
you're "quoting" of every damn comment on DAT-Heads is quite
redundent...give someone else a chance, eh? ...or do you figure no-one else
would be able to answer with your clarity, and forethought?...
ever get out of your apartment and tape/see a damn show?... think about
it...it's great fun...just ask anyone on the list...oh, yeah, you don't need
to ask any questrions......that's right, you're the answer man...i forgot...
peace
scott
peace
scott
=====Original Message=====
From: Seth Breidbart <sethb@panix.com>
To: hippies@frontiernet.net <hippies@frontiernet.net>
Date: Thursday, May 20, 1999 10:25 PM
Subject: GoodBear Aud Tree #1, 4/25/77, 4/26/77
>You're my parent on this tree. How do you want to handle it?
>
>Thanks,
>
>Seth
>
==============================
From: Kevin Lally <lally@mail.worldlynx.net>
Subject: FS: Lunatec V2 w/ Eco-Charge battery and charger
Date: Fri, 21 May 1999 01:39:25 -0400
Hey all->
I am parting with my Lunatec V2 preamp and an Eco-Charge battery system to
power it. Reason for selling: upgrading to Apogee AD1000:)
Lunatec V2 new: $1495
Eco-Charge Sigma Plus system: ~$179. Includes BP-50 battery with y-cable
to power the Pre-Amp and a Sony D8/7 and Smart Charger. Record time using
both outs=8hrs. You can use the battery by itself on the Lunatec not
powering a Sony portable for ~12hrs.
The Lunatec has been great and sounds great. It hurts me to part with it,
but IMHO the Neumann KM140>Lunatec V2> Apogee AD1000 rig sounds better than
that without the V2, but just not $1500 better. I have taped probably
about a dozen shows with it and it is in mint condition with original
paperwork, Serial#V045. Purchased new in September '98 from Sonic Sense
and extremely babied.
Asking $1300obo for package. I think it's a fair price for the package, so
don't make a ridiculous offer or it will be deleted wihtout hesitation. If
you have questions about my credibility or whatever, I think there may be a
few people here willing to back me up. Please reply via private e-mail to
this address and thank you for your support.
May the Force be with you,
Kevin
==============================
From: Salvatore Lee <chefsal1@gateway.net>
Subject: (no subject)
Reply-To: chefsal1@gateway.net
Date: Fri, 21 May 1999 01:42:48 -0400
Sorry about the whole digest, hit the wrong button!
==============================
From: Seth Breidbart <sethb@panix.com>
Subject: Re: get a clue...
Date: Fri, 21 May 1999 02:20:30 -0400 (EDT)
> would y'all be willing to recieve round 1 on DAT instead?...of course,
> converting to CDR for your children...
I can if I have to, but it would be a major hassle. (I expect the
quality would be OK, but I can't guarantee it.)
> if for some reason this won't work for any of you, that's fine, i will have
> to get these converted, and then i will simply pick something else from you
> and trade the CDRs as normal...
That would be better for me.
> OF COURSE I HEARD NOTHING FROM SETH ON THIS ONE...
Job-hunting has priority. There is a real world, you know.
> of equal importance, Seth, is why are you jacking around your kids on OUR
> 01's Tour Tree '98?...
Just which tree is that?
> Al Zeffer and i have MANY complaints about you having 7 shows in your
> possesion,and not releasing them to the masses...
> what gives, bro?...
Which shows? The only Other Ones tree I know of (that I'm on), I've
sent 11 shows to each of my children as of last month.
> why did you OFFER assistance with the pending 12/31 tree when you were not
> ready or willing to come forth with any goods?
I'm not _ready_ to, because I haven't made duplicate copies yet. I'll
be able to; tell me specifically which of the tapes you want, and I
should be able to get them out next week. (In fact, you could even
get them in trade for this tree; see how easy it is sometimes?)
> a simple note saying "not
> interested" would have been fine...instead, we heard NOTHING!...
So, ping me again. I don't have time to keep up with everything, and
stuff gets lost in my inbox.
> you're "quoting" of every damn comment on DAT-Heads is quite
> redundent...give someone else a chance, eh? ...or do you figure no-one else
> would be able to answer with your clarity, and forethought?...
I quote the stuff I'm responding to in order to keep some context. If
people think I'm posting too much I'll cut down.
> ever get out of your apartment and tape/see a damn show?
Planning on it tonight and tomorrow. That soon enough for you?
Seth
==============================
From: AASHES@aol.com
Subject: LENNY KRAVITZ.......
Date: Fri, 21 May 1999 03:13:42 EDT
does anyone know the taping policy for lenny?
==============================
From: "William Tatina" <bmtatina@email.msn.com>
Subject: Mis -load
Date: Fri, 21 May 1999 01:36:11 -0600
Field Question. Your stealth out in the sacred sweet spot. The Pyramid, You
get levels after hitting pause, then record. Hit pause again and check
levels, then put on hold. At the end of the show I rewound to the beginning.
When I got home hit eject and come to find out the tape is pulled out of the
case. I replaced the tape back in the cartridge and the played the tape with
no recording in sight at all. So I guess the Question is: Is this tape shot
now, can the music ever be recovered.What can I do to prevent this mistake
again?Thanks Bill
==============================
From: "Aldo Torre" <darkstar@shineline.it>
Subject: Trey in Denver; Schoeps Tube offer
Reply-To: "Aldo Torre" <darkstar@shineline.it>
Date: Fri, 21 May 1999 11:07:02 +0200
hi all,
subject says it all.
I'm receiving that show from Marc Nutter (thanks so much)
(thanks also to James Scott : how you doin, hope all is well).
As I promised I'll take 6 ''Minestroni'' from USA
and 4 ''Minestroni from Europe''
Tape info :
Schoeps m222 tube mics and Mk. 4V capsules
1x90m
Peace
once again thanks Marc and James
Aldo Torre <darkstar@shineline.it>
)><///''> ** <''\\\><(
on the deck :
==============================
From: ACR7@aol.com
Subject: Hole 99 trades
Date: Fri, 21 May 1999 07:04:46 EDT
I am looking for Hole shows from 1999, especially Boston. I have the NYC
shows to trade.
Andrea
==============================
From: jpff@maths.bath.ac.uk
Subject: Re: best cd booklet and label program?
Date: Fri, 21 May 99 12:10:19 BST
Message written at 21 May 1999 11:19:47 +0100
--- Copy of mail to dwb@ameritech.net ---
For CD booklets I have to admit that I use Micro$oft Publisher. I
created a 12 page booklet with ease. Similarly for CD labels I use
Publisher. For back sheets I use EasyCD which has basic functionality.
==John ffitch
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Fri, 21 May 99 19:15:01 EDT
Subject: DAT-Heads Digest #968
DAT-Heads Digest #968, Volume #4 Fri, 21 May 99 19:15:01 EDT
Contents:
Teddy the Tape Nazi ("derek herzog")
Consumer Audio CD Recorders (Joshua Nicotra)
Trey Denver,CO offer closed ("Aldo Torre")
No Soundboard, No Dancing Policy ("Bob Silver")
Verbow in Chicago Sat. 5/22 (Erik Flannigan)
ISO Dave Matthews "Patch" Source ("Bob Silver")
Pavement Taping Policy ("Chris Rees")
Phish taper tix available (Joshua Whitley)
Wanted: opinions on the Pioneer PDR555 CDR (Clark Ritchie)
[no subject] (Jeff Ishaq)
Re:Recharageable Batteries (Matt Edlhuber) (Jeff Anderson)
(NDC) FS/T 2 Phish Alpine Valley Tickets (Bob Hardin)
small P&F 4-15-99 weed! (Stuart Gerber)
(NDC) ISO: Great Woods, both nights (Bob Hardin)
small P&F 4-15-99 weed! -Addition to previous (Stuart Gerber)
Recommend source for 4-CD binder pages? (Jeff Ishaq)
ISO:Bruce Springsteen shows ("Marcello Gasperini")
ISO RHCP @ first ave MN 5-20-99 ("jesse volner")
FS: equipment case (Coopers)
FS: aes/ubu interconnect (Coopers)
Get a clue...... ("Al Zeffer")
Ebay D8 ("Klay Anderson")
FS: AKG C3000's (Chad Klausing)
============================================================================
From: "derek herzog" <suckdahead@hotmail.com>
Subject: Teddy the Tape Nazi
Date: Fri, 21 May 1999 07:08:56 PDT
Since I first heard about this tree from this forum, I thought I'd share
with everyone how the admin treats people. This is NOT a bad trader alert or
a warning not to sign up for any of the "GoodBear aud" trees. It's just what
happened to me. I made a simple, fairly polite request to be moved in the
structure and this is the response I got. Oh, and for you non-fishheads,
Suckdahead is a Radiators tune, it's about eatin crawfish.
>From: "Teddy GoodBear" <GoodBear@GeoCities.com>
>To: "David Sorochty" <scarletfire@erols.com>, "derek herzog"
><suckdahead@hotmail.com>, "Scott McPherson"
><hippies@frontiernet.net>
>CC: <sotm53092@aol.com>
>Subject: Re: "final" structure?
>Date: Fri, 21 May 1999 01:17:45 -0400
>
>Since your email addy is officially:
>suckdahead@hotmail.com
>
>And as OWNER of "GoodBear AUD trees" your banned & off the tree. So go
>suckdahead@hotmail.com or suck it any other place you want fucker, cause
>your history.
>
>Dave & Scott, I saw this coming last week when I saw his email addy.
>
>Brett, the good news is you can enjoy the music, you do not have any kids
>now to make music for :-) .
>
>Teddy :^)
>----- Original Message -----
>From: David Sorochty <scarletfire@erols.com>
>
>
>: derek herzog wrote:
>:
>: > David-
>: > I just got back in town from a funeral and saw that the "final"
>structure
>: > had been posted. I am really disappointed to see that I am on a
>CD>Analog
>: > branch. If I wnated this stuff chopped up into 74 minute segments I
>would
>: > have signed up for CD spot.
>:
>: Sorry to see that you're so upset. If you're an analoger you'll just
>have to
>: take what you can get. There are no songs or sequences of songs which
>are cut
>: but the time limits on the CDs. So it wouldn't make a difference if your
>: cassettes came from DAT tapes or CDs
>:
>:
>: > It's absurd to do CM>DAT>CD>Analog,
>:
>: What is so absurd about that? People do things like that all the time.
>You are
>: the one who signed up to get cassettes! Your tapes will be 1st gen -
>what's the
>: big deal?
>:
>: > why not just
>: > put a Beta gen in there too.
>:
>: I don't inderstand what you mean.
>:
>:
>: > Also, how do we know this guy isn't just
>: > running this from some $100 CD player with a 1-bit D>A converter?
><snip>(meaning my parent)<snip>
>:
>: "this guy" - do you mean Teddy? :
>:
>: > Please
>: > move me under a D>A parent or to a CD leaf spot.
>: >
>:
>: NO.
>:
>: First of all the structure is done and its too late to bother Teddy with
>your
>: petty bullshit now (he was making the adjustments to the preliminary
>structure -
>: not me).
>:
>: Secondly - I'd be happy if you just quit! I have a feeling that you will
>be
>: kind of a pain in the ass to deal with to whoever is running the tree,
>your
>: parents, etc.
>:
>:
>: > Thanks-
>: >
>: > Derek Herzog
>: > suckdahead@hotmail.com
>:
>: Sure. Have a nice day!
>:
>: --
>: Dave Sorochty
>:
>:
>:
>
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: Joshua Nicotra <opermgr@cigarsavor.com>
Subject: Consumer Audio CD Recorders
Reply-To: Joshua Nicotra <opermgr@cigarsavor.com>
Date: 21 May 99 10:13:38 -0500
Does anyone out there know which of the commercially available cdr machines (standalone audio, i don't have a computer at home, nor do i have enough money for one right now) allows the recording of live music without pauses between tracks? I went to a store and they told me all of their machines (philips, pioneer) would put a gap between tracks. Obviously, i would want to be able to make a mike's->groove into three tracks, but have them flow seamlessly, much like the way it works on a dick's picks segue..... any info would be much appreciated...
TIA
Joshua Nicotra
Operations Manager
Cigar Savor Enterprises
www.cigarsavor.com 800 372-2069
==============================
From: "Aldo Torre" <darkstar@shineline.it>
Subject: Trey Denver,CO offer closed
Reply-To: "Aldo Torre" <darkstar@shineline.it>
Date: Fri, 21 May 1999 17:32:57 +0200
Subject says it all.
It seems there are not European interested on the tape so
I've taken 12 American traders.
They are :
1- Todd Guite <direwolf@maine.rr.com>
2- Steve : Tflood@aol.com
3- Brian Fitzsimmons <bpfitzsi@home.com>
4- nathaniel spelich <spelich@theramp.net>
5- Paul Glace <glace@cwix.com>
6- Dave Pecoraro <dave_peck@snet.net>
7- Cass Blackshear <cblackshear@wbltd.com>
8- Dan : TIMBER13@aol.com
9- Jerome Meyer <anhisr@ibm.net>
10- Mike Pelczarski <pella@javanet.com>
11- fritz moriarty <fritzmor@hotmail.com>
12- Jake Clemens <breakdown887@hotmail.com>
Aldo Torre <darkstar@shineline.it>
)><///''> ** <''\\\><(
on the deck :
==============================
From: "Bob Silver" <rsilver@gate.net>
Subject: No Soundboard, No Dancing Policy
Date: Fri, 21 May 1999 12:49:29 -0400
Hey John,
I got to see Hornsby last night, They gave me the biggest run around, I
first got there about 45 mins early. The guy at the Board said no patches,
I explained the letter. And he said Alan was back stage and would be back at
show time. When I got back before ShowTime no one would admit to being
Allan, so I said to myself, to forget it. I had plenty of friends that had
mics set up. I went and took my seat (Amex Gold 4 row center) I used my
coresounds, and proceeded to enjoy what I perceived to be pretty good show,
train song started and I started to get that itch to stand up and dance to
that boogie feeling that Bruce can so much do with those ivories of his. We
looked around to see if we were disturbing anybody, and all we got back were
smiles, so we continued to enjoy the show, right up until Bruce ruined the
night, for my wife at least. I don't mind being embarrassed or degraded, but
Bruce started sing about moving to the side of the amphitheater if we wanted
to dance, which was fine w/ me, but I paid for good seats and didn't want to
go over to the GA portion of the show, so I sat down! which was a good waste
of dancing music.
Not to leave it at that, Bruce proceeds to chastise us, for being
inconsiderate, and not thinking of our neighbor, "being in our own trip" as
he put it. Saying we should be kind to our neighbors, Me being the guy that
I am might think of MYSELF once in a while, but far from inconsiderate to my
neighbor. And my wife, never thinks of herself first. She really wanted to
go the side to dance by herself.
I know that I was not disturbing anybody around me, due to the fact that,
that most of the people that were behind us decided to move to the side of
the place to dance.
To really top it off Bruce, people behind us later in the show yells out to
Bruce, "Can we dance Yet!" Were as Bruce then says sure if you want to
dance, Dance. Seeing people get up and dance gets Bruce to offer everyone
up on stage to dance on stage.
We sat the rest of the night!
By the way my tape on the coresounds, came out nice up until Bruce chastises
us, which then has conversation on it with my wife stating that she feels
insulted, and embarrassed .
But I do have a clean tape of this show, E-mail for details.
Peace, and if you know how to warn others of this no dancing in your seat
area, let others know of this (I believe New)Policy.
Thanks, Boca Bob Silver
PS Don't get me wrong, very Tight, and enjoyable show. But I was just
surprised!
> -----Original Message-----
> From: jflannery@excite.com [mailto:jflannery@excite.com]
> Sent: Friday, April 02, 1999 10:51 PM
> To: Bob Silver
> Subject: Re:
>
>
> Bob,
> Bruce has given a letter to the sound man (Alan Miller) which was
> generated
> by me explaining me pulling all the Hornsby tapers together for a project
> called the "Hornsby Circle of Tapers Network". I explained that we were
> organizing this to make things easier for Alan so he could give us a patch
> and not have to think about it anymore after that. Just make sure to have
> your own power and have a cable or adaptor that can convert from XLR to
> whatever your in's are on your deck. They could be RCA's as well but best
> to be prepared. A attenuator would help since Bruce runs pretty
> hot most of
> the time and that is why a professional deck is nice to have. Just be
> polite and let Alan know you are a part of the "Circle" and you should be
> fine. Look for a good time to speak to him which would be early
> before the
> show. Showing up at the last minute will make things more difficult since
> he is into getting the sound right for the first 10-15 minutes.
> Get in touch and thanks for offering up your services!
> Peace,
> John Flannery
> http://www.tapetrading.com/lists/j/f/jflannery@excite.com.html
==============================
From: Erik Flannigan <Erik.Flannigan@infoseek.com>
Subject: Verbow in Chicago Sat. 5/22
Date: Fri, 21 May 1999 10:03:00 -0700
If anybody in Chicago tapes Verbow tomorrow night at Schubas, I'll be happy
to reciprocate in kind. Drop me a note if you record. Plenty to trade.
Erik
==============================
From: "Bob Silver" <rsilver@gate.net>
Subject: ISO Dave Matthews "Patch" Source
Date: Fri, 21 May 1999 13:03:10 -0400
I am trying to find the very kind fellow that was running two sets of
Neumans, at the Dave Matthews show a couple weeks ago, at the Coral Sky, in
West Palm Beach, Fl.
Thanks you for the patch, I'm trying to see if I can get the exact source,
I know you were running two decks on two different mics, from DFC, in the
front section.
Are you out there!!!!
Does anybody know who I'm talking about????
Thanks, again.
Boca Bob Silver
==============================
From: "Chris Rees" <boilerman@tdi.net>
Subject: Pavement Taping Policy
Date: Fri, 21 May 1999 13:19:10 -0400
Any one know of Pavements 'official' taping policy? I can't seem to find out
any info at all.
CR
==============================
From: Joshua Whitley <sprung598@yahoo.com>
Subject: Phish taper tix available
Date: Fri, 21 May 1999 10:29:48 -0700 (PDT)
A buddy of mine has taper tickets that he won't be
using for these shows - he's looking for a straight
trade, one taper ticket for that show, for one regular
seat (pavillion preferred) for that same night. He'd
also like to be able to do a DAT b&p for a copy of the
show. Additionally, he wants to split the tickets on
nights that he has two taper tickets available
(instead of both taper tix going to the same
individual), so that as many people with equipment as
possible are able to get in.
Don't reply to me - his email addy is carp1@siu.edu
and he'll be able to check his email this coming
Sunday.
atlanta July3-4 - 2 taper tix for each night
virginia beach - two tickets for that night
mansfield - one ticket each night
holmden - one for each night
_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com
==============================
From: Clark Ritchie <clark@ritchie.com>
Subject: Wanted: opinions on the Pioneer PDR555 CDR
Date: Fri, 21 May 1999 10:47:29 -0700
http://www.american-digital.com/pdr555.html
I am seeking opinions on the Pioneer PDR-555 CDR deck. If you have one
I am very interested in hearing your thoughts. What discs work
well? Please email me directly as I don't always get a chance to read
this list, thanks. My objective is simple, start spinning DATs to CDR
and this unit appears supports sample rate conversion + fade in/out.
--
Clark D. Ritchie
clark@ritchie.com
warn if ($^O ne "linux");
==============================
From: Jeff Ishaq <ishaq@wwg.com>
Date: Fri, 21 May 1999 11:09:32 -0700
subscribe digest
==============================
From: Jeff Anderson <janderson@texas.nustats.com>
Subject: Re:Recharageable Batteries (Matt Edlhuber)
Date: Fri, 21 May 1999 13:56:37 +0000
Hey Matt,
I build rechargeable battery packs for D7/D8's and a couple of pre-amps
for much cheaper than other's. Do you have Word
97'...I can send you some info and a pic of my battery pack (in word 97'
or .txt)...I sell the
D8 pack for $100 delivered. Let me know and I will send you some info
on it!
Jeff
==============================
From: Bob Hardin <direwolf@psnw.com>
Subject: (NDC) FS/T 2 Phish Alpine Valley Tickets
Date: Fri, 21 May 1999 13:46:44 -0700
Hey Now-
Sorry for the lack of DAT content, everyone, but I figured someone on
the list might be interested in this one... I just got two Alpine Valley
Lawn tickets through Phish Mail Order, but I'm unable to use them :-(
:-( :-(
Also, I didn't receive any Great Woods (Tweeter Center) tickets from
either night...So, if anyone wants my Alpine Valley tickets + cash,
trade, etc. for some Great Woods tickets, or if anyone wants to buy the
Alpine Valley tickets for cash/trade/etc, then drop me a line...
Peace and happy taping,
-Bob
==============================
From: Stuart Gerber <stuart@mindspring.com>
Subject: small P&F 4-15-99 weed!
Date: Fri, 21 May 1999 17:05:17 -0400
ok i now have a viable setup to clone DATs.. i have a cheap card with
24-bit capable spdif i/o
i use a Active Oade cable and a D8 for recording..
If you are chill with this i will take the first 2 off digiphish and first
2 off dat-heads
2x60m
I prefer Maxell , Sony, KOA gold , DDS type tapes of these are kewl (no
unlabeled please)
Peace,
Stuart
stuart@mindspring.com
http://stuart.home.mindspring.com
ACiD RC5 Team
http://rc5.distributed.net
"Set the gearshift for the high
gear of your soul, you've got to run like
an antelope out of control" - Dude Of Life
==============================
From: Bob Hardin <direwolf@psnw.com>
Subject: (NDC) ISO: Great Woods, both nights
Date: Fri, 21 May 1999 14:04:46 -0700
Hey Now!
(sorry for the lack of DAT content)
Just got my Phish MO back, but didn't get ANY Great Woods (though I did
get tix for Oswego & Alpine Valley). My brother & I are taking a train
trip back East for the two runs (Oswego & Great Woods) and would really
REALLY appreciate it if anyone could help us find 2 tickets for both
nights of Great Woods(either night would be great!). We've got plenty to
trade, including our Alpine Valley tix that we can't use, tapes, DAT's,
more tapes, live CDR's, stickers, cash, a Kenwood CD Player, and even
another tape or two. Anyhow, thanks in advance to any kind souls who can
help us out!
Peace and happy taping,
-Bob
==============================
From: Stuart Gerber <stuart@mindspring.com>
Subject: small P&F 4-15-99 weed! -Addition to previous
Date: Fri, 21 May 1999 17:07:55 -0400
Forgot, the phat sounds are from the source of: Microtech Gefell
300>V2>G-Patten ADC20>D7
peace,
stuart
thanks for the extra bw
stuart@mindspring.com
http://stuart.home.mindspring.com
ACiD RC5 Team
http://rc5.distributed.net
"Set the gearshift for the high
gear of your soul, you've got to run like
an antelope out of control" - Dude Of Life
==============================
From: Jeff Ishaq <ishaq@wwg.com>
Subject: Recommend source for 4-CD binder pages?
Date: Fri, 21 May 1999 14:26:15 -0700
Hello everyone. After a long hibernation, I'm ready to start putting my
DATs onto CDR and start trading again. I've decided to try using big 3-ring
binders to store my CDs. Jewel cases are annoying, expensive, and they
always break; plus, you need shelves to store them in quantity. For me, a
big-assed 5" 3-ring binder with a ton of those little 4-CD-per-page binder
sheets seems like the best solution. Mobile, lightweight, small,
effective... a show a page, plus a place to stick the setlist. Perhaps even
a 'check-out card' for loaning pages (shows) to people. Man, is that anal
or what?
Does anyone know where I can order these sheets? Some of them are kind of
cheap (the plastic tends to rip at the sides, etc) -- any word on quality of
the sheets? The ones in my caselogic CD thing are nice, but I suspect
caselogic charges an arm and a leg for them. I'm thinking maybe office depo
or something like that, I haven't spent too much time poking around town to
find them yet.
Thanks!
-Jeff Ishaq
==============================
From: "Marcello Gasperini" <nfgas@tin.it>
Subject: ISO:Bruce Springsteen shows
Date: Fri, 21 May 1999 23:53:21 +0200
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Hi all,
I'm looking for old(analog master) and '99(UK) Springsteen shows.I have =
about 350 hours to trade.
Thanks,Marcello Gasperini
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<META content=3D'"MSHTML 4.72.2106.6"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Hi all,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>I'm looking for old(analog master) =
and '99(UK)=20
Springsteen shows.I have about 350 hours to trade.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Thanks,Marcello =
Gasperini</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV></BODY></HTML>
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==============================
From: "jesse volner" <mentholiptus@hotmail.com>
Subject: ISO RHCP @ first ave MN 5-20-99
Date: Fri, 21 May 1999 15:15:38 PDT
Did anybody get the red hot chili peppers at first ave last night in MN? I
tried to tape, but got busted.
jesse
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: Coopers <cooper@lightlink.com>
Subject: FS: equipment case
Date: Fri, 21 May 1999 18:41:39 -0400
hey all,
one hard shell case for all your gear, inside dim. approx. 17 x 13 x 5
very heavy duty. was originally an electronics tech. toolkit. includes
foam you can cut to desired shapes and all original dividers.
$60 includes ups ground
thanks for the bw, thom
==============================
From: Coopers <cooper@lightlink.com>
Subject: FS: aes/ubu interconnect
Date: Fri, 21 May 1999 18:44:25 -0400
hey all,
one 1 meter ballanced digital interconnect, canare DA-206 cable w/
neutrik gold pin xlrs. $30 includes priority mail
thanks for the bw, thom
==============================
From: "Al Zeffer" <flstc93@concentric.net>
Subject: Get a clue......
Date: Fri, 21 May 1999 17:47:34 -0500
> of equal importance, Seth, is why are you jacking around your kids on OUR
> 01's Tour Tree '98?...
>Just which tree is that?
This is the tree where Mark Houston <MToaste@aol.com> is your parent, whom
has not had a response from his emails to you since Feb. 27, 1998 and to
whom you owe 7 tapes as your end of a trade for some of the treed shows.
>Which shows? The only Other Ones tree I know of (that I'm >on), I've
>sent 11 shows to each of my children as of last month.
Seth, How many Other Ones trees are you on? If you have only sent 11 tapes
to your kids, your 10 or so behind as the tree was completed a couple of
months ago.
snipped crap...
> see how easy it is..
even easier when you return an email on occasion....
Do all of us a favor Seth, don't sign up for any trees, you don't seem to be
able to hold up your end.
Al Zeffer
==============================
From: "Klay Anderson" <klay@klay.com>
Subject: Ebay D8
Date: Fri, 21 May 1999 16:53:15 -0600
I have placed one of my rental D8's up for auction. It has new heads and
has been factory serviced for your satisfaction.
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=107157571
Regards,
Klay Anderson
Klay Anderson Audio, Inc.
http://www.klay.com
==============================
From: Chad Klausing <chadk@hal.com>
Subject: FS: AKG C3000's
Date: Fri, 21 May 1999 16:06:07 -0700
Greetings everybody-
As the subject says, it looks as though I'll be
parting with my pair of AKG C3000's. Reason? Well, I just
got my bonus check from work, and I'll be upgrading to a pair
of Neumann KM184's:) I purchased the AKG's only a few months
ago as a "starter" setup to make sure I'd enjoy taping as much
as I thought I might, before investing more money in equipment.
Well, I learned quickly just how much fun it was going to be, and
I'm ready to commit more cash now. The AKG's have served me very
well, and I hope that they will find a good home and bring somebody
else the enjoyment they've brought me.
I would like to get $400 for the pair, but will consider slightly
lower offers if I can't find somebody to meet that price. I paid
$600 for them only a few months ago, but I got a few accessories
with the package that I'd like to keep. These mics are in excellent
condition, and include the swivel mounts and hard-shell padded
cases they came with. I'll also throw in a pair of 20ft cables and
clamp on mounting arms if desired. So...if you've been meaning to
jump into the pit with the rest of the loonies and start making tapes
for yourself instead of begging for a patch at every show, by all
means, get in touch with me and we'll work something out! If need
be, I'll gladly spin a show I've recorded with these mics if you
need convinced as to how good they sound.
For those that don't know, these are large diaphram mics with built-in
windscreens and shock-mounts. They have three switches (bass-rolloff,
pad, and card/hyper-card polar pattern) and require phantom power.
I'd also like to take a second to thank Phil Nazzaro, who sold me
these mics and is probably personally responsible for getting me
hooked:)
Thanks for the space!
chad
--
======================================================
= Chad Klausing || HaL Computer Systems =
= chadk@hal.com || 1315 Dell Avenue =
= (408) 341-5233 || Campbell, CA 95008 =
= http://www.hal.com/users/chadk =
======================================================
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Sat, 22 May 99 04:15:01 EDT
Subject: DAT-Heads Digest #969
DAT-Heads Digest #969, Volume #4 Sat, 22 May 99 04:15:01 EDT
Contents:
Re:Mis -load (pkmin@rsc.rockwell.com)
Digital i/o Soundcards (Ryan Ellingson)
Zero-3-22-98 (FLECKFAN@aol.com)
British tapers heads-up!!!!!! (Edward B McGrath)
re:FS: aes/ebu interconnect (Coopers)
RE: A?D converters (Rick Shaich)
Try It You Might Like It! (gregp@bimamail.com)
anyone catch hornsby & marsalis?? ("Osman Balkan")
getting digital audio to/from a g3 mac... any ideas? (Brett)
Cranberries LA 5/19 DAT master ("mail.earthlink.net")
============================================================================
From: pkmin@rsc.rockwell.com
Subject: Re:Mis -load
Date: Fri, 21 May 1999 16:30:25 -0700
(the typical D7/8 misload/tape snaggage upon eject/blank tape syndrome)
" At the end of the show I rewound to the beginning.
When I got home hit eject and come to find out the tape is pulled out of the
case. I replaced the tape back in the cartridge and the played the tape with
no recording in sight at all. So I guess the Question is: Is this tape shot
now, can the music ever be recovered.What can I do to prevent this mistake
again?Thanks Bill"
The following may or may not work, but it can't really hurt if you want to take
every precaution possible. If you are the owner of a D7/8(especially an older
one which seem to have this problem more frequently), do not eject the tape
after the show. Instead leave it in and clone it(all the time keeping the deck
powered) Then make sure the clone turns out. Once you know you have a backup,
then eject the master. If it comes out snagged and "blank", it won't matter
since you have a backup. I have a suspicion (so take the following with a
grain of salt)that the times a tape misloads in a D7/8 or those times when it
doesn't come out snagged, and the music is fine for a while but then slowly
drifts into dropping out/blank mode, is encouraged when the door isn't shut
solidly/quckly enough(ie not closing it quickly/solidly increases the
probability for this to occur). A few weeks ago I was running late at a show
(like usual)had my D8/SBM in my fanny pack and was hurrying to get everything
going. I wasn't satisfied with how I closed my D8 (I like to quickly slam it
closed(you give the door a quick push from the fully open position and it ends
up "slamming" itself closed in a single quick motion), this time was a real
slow closing(since I had a bunch of stuff crammed in a small fanny pack which
made it difficult to slam closed)- pushing slowly until you hear the "click"),
but they were starting so I left it (and the whole show was thinking this tape
isn't gonna turn out bc I didn't slam the door shut). My suspicions were right
- the tape plays fine for a while then starts dropping out more and more until
finally its nothing but "blank" after about 40 minutes....Pete (can you say
"crappy loading mechanism")
==============================
From: Ryan Ellingson <rellings@earthlink.net>
Subject: Digital i/o Soundcards
Date: Fri, 21 May 1999 16:48:39 -0700
Hey Guys,
A couple of days ago, I claimed to have Word Document with comments
about Digital Soundcards on it and took requests to mail it to people.
I got many requests so I put some time into it to make it look nice and
read well. If you want a copy, or requested one but did not receive
one, please let me know and I will send it out.
I still would like more information about Digital in and out
soundcards. Any comments about them would be great. If anybody would
like to share a few must do's and must dont's about buying a digital i/o
soundcard, I sure would appreciate it. Has anybody used the Ego
Sys/Klay Anderson card yet, any comments?
Take it easy
Ryan
==============================
From: FLECKFAN@aol.com
Subject: Zero-3-22-98
Date: Fri, 21 May 1999 20:03:14 EDT
i have an extra copy of this show for trade. would really like to get a nice
dead show. e mail me if interested.
==============================
From: Edward B McGrath <sac19854@saclink.csus.edu>
Subject: British tapers heads-up!!!!!!
Date: Fri, 21 May 1999 17:20:17 -0700 (PDT)
PLEASE! PLEASE! Somebody tape this and get in touch with me. Especially
the Pavement. I just got this from the Matador News list so hopefully
someone can catch it. thanks- Barin
Attention, British! CORNELIUS, MOGWAI, and PAVEMENT recorded
live at the recent Bowlie weekender and will be aired on
Steve Lamacq's show on BBC Radio 1 this Monday, May 24th
from 8pm - 12am GMT. You can expect to hear Cornelius' set
around 9pm. Or if you live in the States, you can expect to
hear none of this.
==============================
From: Coopers <cooper@lightlink.com>
Subject: re:FS: aes/ebu interconnect
Date: Fri, 21 May 1999 21:44:16 -0400
correction to my FS: posting should read AES/EBU interconnect
my bad thom
==============================
From: Rick Shaich <Rick.S@XiChron.com>
Subject: RE: A?D converters
Date: Fri, 21 May 1999 22:18:46 -0400
Well that's a long question but here is a start.
There are two types of AD converters R2R and Delta Sigma..
There are other types, but they are all basically variations of those two.
R2R tend to be older.. or more audiophile market.. they require more
outboard parts to make them work. They are based on laser trimmed resistors..
The quality of the ADC is based on quality of the conversion process.
They tend to be more linear but higher distortion do to trimming errors.
Analog Devices used to be king of the R2R ADC.. lately most of them
are coming from Burr Brown.
Since there are not to many R2R ADCs floating around anymore I
won't discuss them right now.
Delta sigma ADCs are the newer ADCs.
The big difference here is over sample number.
Early ADCs are 4x... the latest are 128x with every 2^x in between.
Oversampling modulation pushes the frequency of modulation over the
nyquest frequency.. for example (assuming 44.1Khz sample)
a 8x modulates at 8xFS (352.8Khz) a 128FS is 5.6448. What this
does is push the noise out of the audio band. the higher the oversampling
number the further out of band the noise and distortion components are.
Further refinements come from dual bit ADC (two ADCs running in
push - pull) for lower noise.. The latest ADCs like the AKM 5392/5393
and Crystal 5396 use Noise shaping technology.
Early ADCs were known to display Birdies and Idle tones, by using
noise shaping and high oversampling rates these Birdies and Idle
tones have been mostly eliminated creating a "white" noise floor which
is more desirable.
Further refinements are made by more accurate references and lower noise
references in the ADC. Noise on the Reference can show up on the output.
Some folks like Crystal have made separate dies in the ADC for left, Right and
Digital sections. While this improves cross-talk and noise a bit it makes the
ADC much more expensive. Folks like AKM are using a smaller micron process
for more space and a single wafer for lower cost.
Also AKM ADCs are single ended requiring an external reference, but only
one power rail. Crystal is bi-polar supplied which eliminates the need
for an external reference, but requires a negative rail.. this makes the
Crystal ADC easier to design with in the AC studio world but harder
for battery powered situations where the negative rail either takes a second
battery or a switching power supply (which can be noisy).
Lastly some ADCs have balanced inputs, while some are single ended.
A single ended input will transfer all noise throughout.
A balanced input assumes that any noise is "common mode" and
will cancel out on the differential front end.
Hope this gets you started..
Try reading some Data sheets from AKM, Crystal, Burr Brown and Analog Devices
for more info.. perhaps start with AKM as they pretty much own the market these days.
Hawker
P.S. Just finished a design with the AKM5392... got boards back a week ago...
can't wait to hear how it sounds!! The DAC (4392) was VERY impressive.
Also while we are at it... does anyone reading this have a data-sheet
for the Tascam ADC (the AKM 5340). Since that is a Japanese AKM
product I can't get the datasheet from AKM USA. (The Jap/USA issue
is another long story) I could really use this data sheet!
>I am trying to learn more on the conversion process. What makes some
>coverters better than others? For example, what makes the DA-P1's or
>HHb's A/D better than the D7/8? Hmm, perhaps someone thinks it is the
>other way around??? What is it about the external converters, e.g.
>ADC-20 or A/D-1000. that make them superior to internal?
>What deck(s) on the market have the best converters?
>
>Thank you,
>
>Eric
************************************************
Rick Shaich KD4TPB CET
Rick.S@XiChron.com Hawker@Connriver.net
WWW.XiChron.Com
(802) 291-6131 voice (802) 291-6132 Fax
(910) 251-9140 Home Office Voice & Fax
************************************************
==============================
From: gregp@bimamail.com
Subject: Try It You Might Like It!
Date: Fri, 21 May 99 21:13:01 EST
Hi Perhaps this might be of interest to you. If you need to make a few
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Read the following and you will agree this is a very exciting
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IT'S OUTRAGEOUS!!! With two hours of work I have made over US$11,000 in
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ARE YOU IN NEED OF MONEY RIGHT NOW? HOW DOES $10,000 IN TWO WEEKS SOUND?
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*************************************************************************
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************************************************************************
Here's How It Works
Unlike many other programs, this three level program is more realistic
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************************************************************************
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************************************************************************
1- Julie Solheim 1468 Greentree Circle, Lake Oswego, OR 97034
2- Matisha 519 Redbud Lane, Mt. Shasta, CA 96067
3- Sevan 1215 S. Kihei Rd., Ste 0-139 PO Bx 959 Kihei, Hi. 96753
************************************************************************
Wishing you the best in all you do!
You probably don't believe this will work, but if you don't try it you
will never know. That's the way I felt. Try it. You won't be sorry.
////////////////////////////////////////////////////////////////////////////////
Please remove at mailto:frank345123@yahoo.com?subject=remove
////////////////////////////////////////////////////////////////////////////////
==============================
From: "Osman Balkan" <obalkan@borg.com>
Subject: anyone catch hornsby & marsalis??
Date: Sat, 22 May 1999 00:46:59 +0300
Hey all,
I caught the last 15 or so seconds of Bruce and Branford Marsalis doing the
national anthem for the opening of an nba game.. I was just curious to see
if anyone might have taped it?? I'm not really extremely interested, i just
it would be nice to have... even on an analog tape or something...
thanks for the space!
-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
Osman Balkan
Obalkan@borg.com
-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
"We are all driven by an invisible whip. Some run, some have fun, some are
hip, some tip, some dip, but we all must answer to the invisible whip."
- Rahsaan Roland Kirk, 1969
==============================
From: Brett <phabel@nsw.bigpond.net.au>
Subject: getting digital audio to/from a g3 mac... any ideas?
Date: Sat, 22 May 1999 16:23:28 +1000
hi all,
i am looking at doing a bit of editing/mixing/mastering on my beige g3
mac, i am a pretty much clueless when it comes to what type of cards etc.
i would need in order to achieve this, so if anyone has this type of
setup or knows how i would go about it your suggestions/comments would be
greatly appreciated...
i would want to transfer the audio from my dat deck digitally onto my
mac, then edit/mix/master it, and then transfer it back to dat
digitally...
any ideas?
thanks,
Brett
================================
http://users.bigpond.net.au/bah/
==============================
From: "mail.earthlink.net" <carmel@earthlink.net>
Subject: Cranberries LA 5/19 DAT master
Date: Sat, 22 May 1999 01:01:49 -0700
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recently taped the cranberries at LA's wiltern theatre with an AT831b =
mic. very nice clean sounding tape. runs 100 min or so.
looking for stone roses, verve, oasis, ian brown, charlatans uk...
thanks.
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http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>recently taped the cranberries at =
LA's wiltern=20
theatre with an AT831b mic. very nice clean sounding tape. =
runs 100=20
min or so.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT color=3D#000000 size=3D2>looking for stone roses, verve, =
oasis, ian=20
brown, charlatans uk...</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><FONT color=3D#000000 size=3D2>thanks.</FONT></DIV></BODY></HTML>
=======_NextPart_000_0004_01BEA3EE.AC206260==
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Sun, 23 May 99 00:15:00 EDT
Subject: DAT-Heads Digest #970
DAT-Heads Digest #970, Volume #4 Sun, 23 May 99 00:15:00 EDT
Contents:
Rechargeable Batteries ("Howard Johnstone")
ISO Big Pig (brian)
FS: Sony TC-158SD w/n.g.motor (DATJAMS@aol.com)
FS: 2 Halliburton Aluminum Equipment cases #103C (DATJAMS@aol.com)
Extra John Mellancamp ("William Tatina")
RE: A?D converters (Gordon Gidluck)
I need DMB tickets July 28th, Atlanta (ElTortuga4@aol.com)
DEADHEAD NEWBIE OFFER!!! (ChillyBe@aol.com)
iso: philharmonia 12/97 (Stu Jones)
"new" sony/fostex decks ("tom bloch")
news story on the net... (Jay Lyons)
looking for Tom Petty 99 shows on dat/cdr (RBERG51@aol.com)
Grrrrrrr........ (ChillyBe@aol.com)
WTB: Audiomedia III / Lucid PCI24 card for mac (Brett)
Who cares... Trees suck... (ChillyBe@aol.com)
FS: AKG C1000s ("Daniel Loevy")
Tascam DA-20 odd behavior (Paul Lucente)
Digi soundcard - Waveterminal (al young)
============================================================================
From: "Howard Johnstone" <h_johnstone@hotmail.com>
Subject: Rechargeable Batteries
Date: Sat, 22 May 1999 02:18:37 PDT
As there seem to be a confusion as to which batteries are the best,
here are the currently (990401) best cells available for DAT use:
Size AA (R6): NiCD: 1100mA Sanyo KR-1100AAU
NiMH: 1600mA Toshiba TH-1600AAH
Size D (R20): NiCD: 5700mA Energizer EC-5700D
NiMH: 7000mA Energizer (Available August/September-99)
(Observe: The Toshiba battery is a foamed cell type, for sintered
cells, use energizer 1200mA NiMH, if the Sanyo product is
not available. Sintered cells are used for fast-charge.)
Primary: Size AA: Li/FeS2 Energizer L91 (AA 1.5V replacement)
An excellent product, well worth trying out!
Web sites: Sanyo: http://www.sanyo.co.jp/energy/english/ca2.htm
Toshiba: http://www.tbcl.co.jp/TB_e/index_e.htm
Energizer: http://data.energizer.com/
Sincerely, Howard Johnstone
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
==============================
From: brian <misterb@hilarious.com>
Subject: ISO Big Pig
Date: Sat, 22 May 1999 13:17:06 +0100
Went searching thru old cds yesterday... this band was GREAT. Only made
one release, I think. But I saw them at the Roxy, LA and they ROCKED!
anyone have any live shows????
cheers,
brian
==============================
From: DATJAMS@aol.com
Subject: FS: Sony TC-158SD w/n.g.motor
Date: Sat, 22 May 1999 09:21:13 EDT
The precursor to the D-5 cassette unit. Similar to some of the larger
Marantz protable field decks. Runs on 4 D-Cells, Mic in, Line in and out. I
have been unable to find a replacement motor. All else ok. I didn't put
much mileage on it, previous owner was the local school system. 1st $75
takes it. e-mail privately. Thanks! Carl
==============================
From: DATJAMS@aol.com
Subject: FS: 2 Halliburton Aluminum Equipment cases #103C
Date: Sat, 22 May 1999 09:32:11 EDT
Aircraft aluminum, Heavy duty latches and combination lock, lugs for shoulder
strap. Brushed aluminum finish. Foam inserts you cut to fit; new ones still
available. Dimensions 13 x 18 x 6, should hold a DAP-1, etc. w/some
accessories. Good condition. Price new 259.00 each retail. 110.00 each
shipped UPS ground. e-mail privately. Carl
<A HREF="http://www.zerocorp.com/hal/zhcust.htm">Click here: ZERO Halliburton
Speciality Cases - Custom Us...
</A>
==============================
From: "William Tatina" <bmtatina@email.msn.com>
Subject: Extra John Mellancamp
Date: Sat, 22 May 1999 09:16:48 -0600
05/19/99 John Mellancamp Red Rocks. CO. csb>d8, Great Show, 3rd row center.
Send List. Bill
==============================
From: Gordon Gidluck <ggidluck@artelco.com>
Subject: RE: A?D converters
Date: Sat, 22 May 1999 11:40:42 -0700
> From: Halfstep-2@webtv.net (Eric Reichenbach)
> Subject: A?D converters
> Date: Thu, 20 May 1999 23:59:31 -0400 (EDT)
>
>
> --WebTV-Mail-261068448-817
> Content-Type: Text/Plain; Charset=US-ASCII
> Content-Transfer-Encoding: 7Bit
>
> I am trying to learn more on the conversion process. What makes some
> coverters better than others? For example, what makes the DA-P1's or
> HHb's A/D better than the D7/8? Hmm, perhaps someone thinks it is the
> other way around??? What is it about the external converters, e.g.
> ADC-20 or A/D-1000. that make them superior to internal?
> What deck(s) on the market have the best converters?
>
> Thank you,
>
> Eric
I am going to try to discuss the external converters to some extent.
This is by no means an exhaustive treatment, but it is an attempt to
expose the issues. I am by no means an expert on this subject, but I
will offer what I have learned thus far. What makes an external
converter perhaps better than an internal one? Part of it is the analog
front-end and part of it is the digital components. Then also you have
options like 16/20/24-bit word sizes, and dither. The addage "you get
what you pay for" certainly holds true for digital systems also.
On the analog side, some analog circuits are better than others. This is
very evident in the electronics industry. Studios will spend thousands
of dollars on a Class-A preamp when they can use the excellent circuits
in their studio console. There is a difference. Regarding converters,
the Symetrix 620 manual says about theirs, "the extra attention to
detail taken in the design of the 620 is typified by features such as
the direct coupled signal path. There are no capacitors in the 620's
analog signal path." So analog design is a important part of a good
converter. Generally, superior designs require more engineering and
testing, and manufacturers recoup this cost as a part of the price.
Let's talk about the digital side. As I recall, Apogee makes statements
about "stable clock" sources in their converters. A stable clock source
is vital to minimize jitter. According to Ken C. Pohlmann's book,
regarding the sample/hold circuit which is a fundamental component of
any A/D converter, "Variations in absolute timing, called jitter, create
modulation noise". Principles of Digital Audio, 2nd Ed. (p.84). Apogee
makes the selling point that they search for stable clock sources (ie.
on a crystal by crystal basis???) to find stable clocks to use in their
converters.
Electronics aside, you also get extra features in a good converter.
Choices in output word size are one. Soft-limiting (analog) might be
another. And, there are choices in dither (what a converter does to
quantize those least significant bits at lower levels.) Apogee has a
proprietary process they call UV22 which encodes a 20-bit converted word
down to 16-bits and adds dither. Sony has Super-Bit Mapping (SBM) which
is their proprietary noise-shaping method which attempts to conceal
noise. All DAT recorders and most standalone A>D converters have dither
(either as fixed or optional), but there are exceptions to that rule
like the MidiMan Flying Cow. Anyway, arguably, some dithering methods
are better than others.
That's the external converter side of your questions. Perhaps someone
else will respond on the D7/DAP1/HHB question or the decks with the best
converters. Someone with a lot of experience with different machines
will have to deal with that. I hope you get a response. I have been
thinking that a Panasonic SV-3800 might be my next machine.
Gordon Gidluck
==============================
From: ElTortuga4@aol.com
Subject: I need DMB tickets July 28th, Atlanta
Date: Sat, 22 May 1999 15:11:03 EDT
If you have any reserved tickets to the 7.28.99 DMB show in Atlanta, then I'm
interested
thanks
Daniel
ElTortuga4@aol.com
==============================
From: ChillyBe@aol.com
Subject: DEADHEAD NEWBIE OFFER!!!
Date: Sat, 22 May 1999 15:23:47 EDT
The following (15) GRATEFUL DEAD DAT tapes are available to the first person
willing to trade me 15 new Panasonic 124's or Sony DT-120's ( NOT DG's ) No
splitting the group... No complaining... Serious responses only. All tapes
are properly labled, setlists, and all pertanent information, via computer
made j-cards. Quick, reliable, honest. Please e-mail me privately. Thanks
in advance.
Brian
chillybe@aol.com
12/16/68 partial 60m
2/28/69 all 90m
4/21/69 all 90m
7/1/80 all 90m
4/21/84 all 90m
10/12/84 I,IIp 60m
5/14/83 all 90m
5/15/83 I 60m
6/28/83 all 90m
9/4/83 all 90m
9/6/83 all 90m
3/25/86 all 90m
4/13/86 all 90m
2/19/91 all 90m
6/16/91 all 90m
==============================
From: Stu Jones <gr8ful@kardworx.com>
Subject: iso: philharmonia 12/97
Date: Sat, 22 May 1999 13:53:32 -0600
does anyone out there have tapes of the philharmonia
show from dec 97?
many thanks and
peace
stu jones
--
***********************************************************
"Give me the beat boys, and free my soul......
I wanna get lost in your rock 'n roll and drift away..."
Dobie Grey
Peace from Stu Jones
Visit the ABB Listserv homepage:
http://www.kardworx.com/abblist
and my tape site:
http://www.kardworx.com/list
==============================
From: "tom bloch" <tbloch2@mindspring.com>
Subject: "new" sony/fostex decks
Date: Fri, 21 May 1999 15:21:23 -0400
This is a multi-part message in MIME format.
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fellow dat-heads:
=20
ok. this time i really do have some dat-related content/questions.
=20
while surfing some web sites today, i came across 3 very interesting =
decks that were new to me. they were the sony pcm-r700, pcm-7040, and a =
fostex pd-4. i believe all of these were 4-head decks. the 2 sonys are =
home units and the fostex is clearly a portable.
my question is, and cost is not the most important factor here, should i =
try to use either of the sonys as my other home deck, and will it have =
compatibility problems with my flawlessly-working da-30mk2? i am =
assuming that scms will not be involved here. they both look and appear =
to be the shit. are they 24-bit? i do not think they are.
also, is the fostex in competition with the hhb? it is beefy and the =
specs would indicate that it is a worthy challenger. i figured my next, =
and final, portable would be the classic hhb. perhaps it is time to =
rethink that?
does anybody actually own and use any of these decks?=20
=20
to check these decks out, go to http://masterpieceav.com/pg_3.htm and =
scroll=20
down. i am not affiliated in any way with masterpiece av.
=20
thanks and i look forward to your all's thoughts.
=20
tom
<tbloch2@mindspring.com>
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<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3D"Times New Roman">fellow dat-heads:</FONT></DIV>
<DIV><FONT face=3D"Times New Roman"></FONT> </DIV>
<DIV><FONT face=3D"Times New Roman">ok. this time i really do have some=20
dat-related content/questions.</FONT><FONT face=3D"Times New =
Roman"></FONT></DIV>
<DIV><FONT face=3D"Times New Roman"></FONT> </DIV>
<DIV><FONT face=3D"Times New Roman">while surfing some web sites today, =
i came=20
across 3 very interesting decks that were new to me. they were the sony=20
pcm-r700, pcm-7040, and a fostex pd-4. i believe all of these were =
4-head decks.=20
the 2 sonys are home units and the fostex is clearly a =
portable.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=3D"Times New Roman">my question is, and cost is not =
<EM>the</EM>=20
most important factor here, should i try to use either of the sonys as =
my other=20
home deck, and will it have compatibility problems with my =
flawlessly-working=20
da-30mk2? i am assuming that scms will not be involved here. they both =
look and=20
appear to be the shit. are they 24-bit? i do not think they =
are.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=3D"Times New Roman">also, is the fostex in competition =
with the=20
hhb? it is beefy and the specs would indicate that it is a worthy =
challenger. i=20
figured my next, and final, portable would be the classic hhb. =
perhaps it=20
is time to rethink that?</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=3D"Times New Roman">does anybody actually own and use =
any of these=20
decks?</FONT> </DIV>
<DIV><FONT face=3D"Times New Roman"> </FONT></DIV>
<DIV><FONT face=3D"Times New Roman">to check these decks out, go to <A=20
href=3D"http://masterpieceav.com/pg_3.htm">http://masterpieceav.com/pg_3.=
htm</A></FONT> <FONT=20
face=3D"Times New Roman">and scroll </FONT></DIV>
<DIV><FONT face=3D"Times New Roman">down. i am not affiliated in any way =
with=20
masterpiece av.</FONT></DIV>
<DIV><FONT face=3D"Times New Roman"></FONT> </DIV>
<DIV><FONT face=3D"Times New Roman">thanks and i look forward to your =
all's=20
thoughts.</FONT></DIV>
<DIV><FONT face=3D"Times New Roman"></FONT> </DIV>
<DIV><FONT face=3D"Times New Roman">tom</FONT></DIV>
<DIV><FONT face=3D"Times New Roman"><<A=20
href=3D"mailto:tbloch2@mindspring.com">tbloch2@mindspring.com</A>></FO=
NT></DIV></BODY></HTML>
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==============================
From: Jay Lyons <jayl@southeast.net>
Subject: news story on the net...
Date: Sat, 22 May 1999 16:49:13 -0400
Here's a story I found of interest... along with the headline of;
Longest-Playing, Most Versatile MP3 Internet Music Recorder Launched by
Sensory Science Corporation - raveMP Rocks With up to 96MB of Expandable
Memory (102 Minutes of Digital <>
,...just thought some might find it of interest.
http://www.pixelite.com/windaw/forum_main_frame_syn.html
Later,
Jay
* * * * * * * *
http://users.southeast.net/~jayl/
for my tapers list and link
to the Dat Ring
* * * * * `* * *
==============================
From: RBERG51@aol.com
Subject: looking for Tom Petty 99 shows on dat/cdr
Date: Sat, 22 May 1999 18:57:57 EDT
Looking to Tom Petty 99 tour on dat or cdr. Lots of stuff to trade
check out my web page: http://www.cdrs.tsx.org/
thanks
Neil
==============================
From: ChillyBe@aol.com
Subject: Grrrrrrr........
Date: Sat, 22 May 1999 19:52:59 EDT
OK guys and girls... I think the Phil & Friends CD/Dat/Whatever offers for
your first born are enough... if one more person offers me Phil & Friends
(which evryone has/can get/or don't want) I am gonna start taping Phish
shows, from the section, with radio shack mics... run them anaolog out to
CDR, label them as schoeps FOB's and start tree's... advice to jonesers..
offer something new? that no one has..
Besides.. I still haven't heard ONE good recording from those shows... maybe
I am too critical... lots of SHIT floating around... regardless... you people
seem as desperate as the dudes that need every DMB show... and claim the one
he went to was THE BEST... oh god... and peple wonder why I won't trade....
Please no flames... just wondering if anyone feels the same way!!!!
Got Ricky Martin DSB's on the way... with 85' Menudo demo sessions... j/k
B-
B-
==============================
From: Brett <phabel@nsw.bigpond.net.au>
Subject: WTB: Audiomedia III / Lucid PCI24 card for mac
Date: Sun, 23 May 1999 10:42:04 +1000
hi all,
anyone out there wanting to sell their audiomedia III card for mac? here
in australia they retail for around AUS$1695, a little out of my price
range... ;)
so i was hoping someone here on dat-heads may have one they would be
willing to sell at a reasonable price, if that sounds like you, i'd love
to hear from you :)
Brett
================================
http://users.bigpond.net.au/bah/
==============================
From: ChillyBe@aol.com
Subject: Who cares... Trees suck...
Date: Sat, 22 May 1999 20:54:03 EDT
From: "Al Zeffer" <flstc93@concentric.net>
Subject: Get a clue......
Date: Fri, 21 May 1999 17:47:34 -0500
> of equal importance, Seth, is why are you jacking around your kids on OUR
> 01's Tour Tree '98?...
>Just which tree is that?
This is the tree where Mark Houston <MToaste@aol.com> is your parent, whom
has not had a response from his emails to you since Feb. 27, 1998 and to
whom you owe 7 tapes as your end of a trade for some of the treed shows.
>Which shows? The only Other Ones tree I know of (that I'm >on), I've
>sent 11 shows to each of my children as of last month.
Seth, How many Other Ones trees are you on? If you have only sent 11 tapes
to your kids, your 10 or so behind as the tree was completed a couple of
months ago.
snipped crap...
> see how easy it is..
even easier when you return an email on occasion....
Do all of us a favor Seth, don't sign up for any trees, you don't seem to be
able to hold up your end.
Al Zeffer>>>
After reading this whole scenario.. why would anyome want to deal with a
freakin tree!!! Tree's suck, nothing but whiners and complainers... and
faulty pedigree's. Blah blah blah... By the way Seth thanks for all the
good info you post.. although I do not agree with evrything you say... you
rarely waste my time... keep up the good work... Moral of the story... don't
do tree's... Save your flames for someone who cares...
TREES = WAY TOO MUCH TIME ON ONE'S HAND
B-
==============================
From: "Daniel Loevy" <dloevy@hotmail.com>
Subject: FS: AKG C1000s
Date: Sat, 22 May 1999 18:06:32 PDT
I have for sale, one pair of akg c1000s in perfect condition, 1 1/2 years
old, with all original accesories and manual. Reason for selling: Upgrading.
Price $300 firm.
Dan
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: Paul Lucente <plucente@blast.net>
Subject: Tascam DA-20 odd behavior
Date: Sat, 22 May 1999 23:23:16 -0400
My DA-20 has developed an annoying and odd problem, I am wondering if anyone
else has seen this before, with a DA-20 or any other deck. Here's what's
happening:
When I record on 90m tapes, just recently, I've noticed a low, but steady
stream of errors on the right channel when I play back the tape. Now, I
understand that 90m tapes are not recommended for use with the DA-20, but I
have not been having any difficulty until recently, and the problem is
strangely consistent, IOW it _always_ does the same exact thing with no
variance whatsoever: the error count on the right side flickers at 06 and 13
steadily throughout playback. If it was just general flakiness, I'd expect
to see maybe higher rates of errors every so often, or some error activity
on the left channel, but this never happens.
Now, here's what's really throwing me: If I have my D8 and DA-20 connected
(or my ZA2 and DA-20) and I record blank space on the tape in the DA-20,
there are ZERO errors on playback. The errors only appear once there is a
signal coming from the playback device. Its like clockwork, as soon as
there's sound coming from the playback device, the error count begins to
flicker.
This would seem to indicate that its not a head-related problem, but I don't
experience this at all with 60m tapes. Recording with 60m tapes has been
flawless.
The problem occurs with every brand of 90m tape I've tried (KAO, Sony DGP,
Ampex, Maxell DDS), and dry cleaning the heads did not make any difference
at all.
Any ideas? Is it a slight head misalignment that for some reason only
manifests itself with 90m tapes? Has _anyone_ seen this pattern before?
TIA
Paul
==============================
From: al young <sugarcrafty@juno.com>
Subject: Digi soundcard - Waveterminal
Date: Sat, 22 May 1999 20:23:19 -0700
hey all,
was wonderin' if anyone on the list had any personal experience with the
wave-terminal digi sound card that Klay Anderson is selling. I have all
the specs and technical info, but does anyone actually have this card?
I'd like some feedback from someone who currently has this...
thanks
al
___________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com/getjuno.html
or call Juno at (800) 654-JUNO [654-5866]
==============================
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-heads-request@fedney.near.net, and then if needed postmaster@fedney.near.net,
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Mon, 24 May 99 00:15:00 EDT
Subject: DAT-Heads Digest #971
DAT-Heads Digest #971, Volume #4 Mon, 24 May 99 00:15:00 EDT
Contents:
ISO; Audio Alchemy ("William Tatina")
tree annc: Vertical Horizon 4.29.99 (Will Foy)
shows wanted (les gordon)
ISO: crazy_diamond@webtv.net (Edward Davis) (MLavallee@aol.com)
looking for Black Crowes FM (RBERG51@aol.com)
ISO: Leonard Cohen ("Osman Balkan")
(Not) All Good Festival (RRadmanesh@aol.com)
Todd Bitterman please contact me (Eric Romano)
Hunter, Cruz, Medeski, Moses - 05/22/99 (Michael Hackett)
Extra Phish DATs for newbie or unidecker ("Terrapin Station")
Taping at Villa Montalvo? (sbrown@nnbt.com)
DAT and Digital Audio CDR Sale (Cassette House)
P&F 4-15-99 WEED! Last offer (taking 4) (Stuart Gerber)
ISO:Springsteen shows ("Marcello Gasperini")
Denny Gene?? ("Jim Muriceak")
ISO - Neil Young '99 DATs ("Jim Muriceak")
FS: Sony D7 w/ Misc. Cables (Jacob)
New Trades ("William Tatina")
extra Acoustic Junction Pittsburgh 1/16/99 (Clay Caroselli)
Mic stand/ recording questions. (John31666@aol.com)
Bad Company PPV ("William Tatina")
============================================================================
From: "William Tatina" <bmtatina@email.msn.com>
Subject: ISO; Audio Alchemy
Date: Sun, 23 May 1999 01:00:33 -0600
Does anybody know where I can get a used" Audio Alchemy D.T.I." the
original.
==============================
From: Will Foy <willfoy@pobox.com>
Subject: tree annc: Vertical Horizon 4.29.99
Date: Sun, 23 May 1999 04:33:52 -0400
announcing the multi-recording-media tree for Vertical Horizon 4.29.99 at
Ziggy's, Winston-Salem, NC.
all the relevant info and sign up doo-dads are on
http://www.pobox.com/~willfoy/trees/vh990429.html
namaste, will
"Now I know the difference between gold and brass" - Ben Harper
Will Foy - willfoy@pobox.com Davidson '96 - Phi Gamma Delta __
will.home -> http://www.pobox.com/~willfoy GoHeels GoWildcats GoBraves / \
GibbDrollVerticalHorizonEverythingSealAgentsOfGoodRootsEdwinMcCainBand |e:|
TimReynoldsGratefulDeadDaveMatthewsTrainThanksToGravityBluesTravelerRush\__/
SamplesPatMcGeeBandGusterJumpLittleChildrenUnderfootTR3NilLaraAngieAparo
==============================
From: les gordon <lesg@microserve.net>
Subject: shows wanted
Date: Sun, 23 May 1999 07:42:15 -0400 (EDT)
hello all, i'm really looking for the following groups,
n'sync, backstreet boys, britney spears, ricky martin,
if anyone has any live shows or outakes/demos please email me i'd like to
set up a trade. thanks in advance /les.
email lesg@microserve.net
==============================
From: MLavallee@aol.com
Subject: ISO: crazy_diamond@webtv.net (Edward Davis)
Date: Sun, 23 May 1999 07:59:37 EDT
Hey Edward...
Please get in contact with me, I've emailed you personally and got no
response, I mailed your tapes out to you a month ago, and still haven't
received mine.
Please mail me - Mark
==============================
From: RBERG51@aol.com
Subject: looking for Black Crowes FM
Date: Sun, 23 May 1999 09:14:25 EDT
Looking for The Black Crowes 4/4/99 The Fox Theater, Atlanta, GA FM
soundboard broadcast on dat or cdr
lots to trade. check out my page
http://www.cdrs.tsx.org/
thanks
neil ruttenberg
==============================
From: "Osman Balkan" <obalkan@borg.com>
Subject: ISO: Leonard Cohen
Date: Sun, 23 May 1999 09:46:36 +0300
Hey All,
I am looking for any live dats or cdr's that might be floating around out
there of Leonard Cohen, as a present for my father... Please email me if you
have anything, stellar sound quality is not the issue in this case...
Thanks
-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
Osman Balkan
Obalkan@borg.com
-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_
"We are all driven by an invisible whip. Some run, some have fun, some are
hip, some tip, some dip, but we all must answer to the invisible whip."
- Rahsaan Roland Kirk, 1969
==============================
From: RRadmanesh@aol.com
Subject: (Not) All Good Festival
Date: Sun, 23 May 1999 11:29:17 EDT
Here's an interesting story. Saturday was a hot and dusty day at
Wilmer's Park, Maryland. Everyone was dancing and having a good ole time and
trying not to get too burnt by the sun. The afternoon bands played strong one
hour sets: Sector 9, Calobo, The Slip, Vipor House, and the All Mighty
Senators.
It was during Deep Banana Blackout's set that the trouble began.
Within minutes the weather changed and a storm rolled in. A huge gust of wind
blew over the main light tower, which crashed to the stage, just missing the
drummer. The band scattered off the stage and the crowd scattered for
shelter. Although there was no official announcment while I was there, word
from backstage and the soundboard was that power had been lost and the show
was over. The four bands that were still to go on that night were: The Disco
Biscuits, Lake Trout, Karl Denson's Tiny Universe and moe.
The pisser is that my tapes from the board of the bands that
afternoon sound great. Ironically, the weather for SCI on Fri. night was
awesome.
==============================
From: Eric Romano <Eric.Romano@mail.tju.edu>
Subject: Todd Bitterman please contact me
Date: Sun, 23 May 1999 12:24:04 -0400
Looking for Todd Bitterman. Todd please email me.
Sorry for the non-DAT post.
Eric
eric.romano@mail.tju.edu
==============================
From: Michael Hackett <mhackett@supercity.ns.ca>
Subject: Hunter, Cruz, Medeski, Moses - 05/22/99
Date: Sun, 23 May 99 13:28:42 -0500
If anyone taped the Hunter, Cruz, Medeski, and Moses show in Somerville,
MA, on Saturday night (or any other show, if there were others), I would
be deeply indebted if you dropped me a line. I'm dying to hear what that
sounded like! Nothing much to trade yet, but let me know what you want
and I'll see what I can do. Thanks!
-- Michael
==============================
From: "Terrapin Station" <deadhead@terrapinstation.net>
Subject: Extra Phish DATs for newbie or unidecker
Date: Sun, 23 May 1999 13:05:13 -0400
Have these Phish Dats that I just don't listen to anymore. They came
from the Phish OE tree from a couple of yrs ago.
8/2/96, 8/5/96,8/6/96,8/10/96,8/12/96,8/13/96,8/14/96,8/16/96, and
the 3rd sets from 8/16-17/96.
These are 90m DATs that came from Terrapin Tapes (with their j-cards).
Just looking to trade for blank 90m DATs, or CD-R's
mike :) http://www.TerrapinStation.net
==============================
From: sbrown@nnbt.com
Subject: Taping at Villa Montalvo?
Date: Sun, 23 May 99 11:25:31 PST
Anyone ever taped at Villa Montalvo (near San Jose)? I'm specifically
interested in experiences at the Mountain Winery venue. Thanks.
Steve
==============================
From: Cassette House <artmunson@tape.com>
Subject: DAT and Digital Audio CDR Sale
Date: Sun, 23 May 1999 15:01:49 -0500
Hi Folks
We have a sale on Maxell HS4/60 (60 meter, 120 minute) at $32.50 per 10 pack
and HS4/90 (90 meter, 180 minute) also at $32.50 per 10 pack.
We also have Fuji 60 *minute* DAT tape at $29.50 per 10 pack.
And finally we have a 100 spindle pack of 80 minute CDR's at $199.00. These are
for those of you with those Phillips, Pioneer etc.. decks that need consumer,
music only, digital audio CDR's. They are silver/blue and we have sold a few
thousand of these, so far, without any problems.
You may order these by going to our specials page at http://www.tape.com/specials.html.
You will also find them at our new, secure, store at http://www.cassettehouse.com
under Internet Specials. No telephone orders please, the operators will not have
this sale in their database.
Of course we always have a moneyback guarantee. If you are not happy with your purchase,
just return for a credit or refund.
Thanks!
Art
**************************************************************************
* Cassette House Blank DAT tape - CDR's - Cassettes *
* Order 24 Hours A Day, 7 Days A Week! *
* Voice:800-321-5738 * Fax: 800-848-5738 * Web Site: http://www.tape.com *
* e-mail:art@tape.com Direct Line 615-952-4993 *
**************************************************************************
==============================
From: Stuart Gerber <stuart@mindspring.com>
Subject: P&F 4-15-99 WEED! Last offer (taking 4)
Date: Sun, 23 May 1999 17:12:41 -0400
Hey all .. this is my final offer to the list before i take it to RMP and RMD..
phat clone of 4-15-99 ...
source is : Microtech Geffel 300 -> Lunatec V2 -> Graham Patten ADC20 -> D7
will take first 2 from digiphish and first 2 from dat-heads
i take Maxells (Audio and Data grade), Sony (Audio and Data grade), KOA
Gold are fine too. .. no one passes , or unlabeled please
peace,
stuart
Thanks for the BW
stuart@mindspring.com
http://stuart.home.mindspring.com
ACiD RC5 Team
http://rc5.distributed.net
"Set the gearshift for the high
gear of your soul, you've got to run like
an antelope out of control" - Dude Of Life
==============================
From: "Marcello Gasperini" <nfgas@tin.it>
Subject: ISO:Springsteen shows
Date: Mon, 24 May 1999 00:30:05 +0200
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Hi all,
I'm looking for old(analog master) and '99(UK) Springsteen shows.I have =
about 350 hours to trade.
Thanks,Marcello Gasperini
=20
=======_NextPart_000_0016_01BEA57C.9246E500
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>
<DIV><FONT color=3D#000000 size=3D2>Hi all,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>I'm looking for old(analog master) =
and '99(UK)=20
Springsteen shows.I have about 350 hours to trade.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Thanks,Marcello =
Gasperini</FONT></DIV>
<DIV><FONT color=3D#000000 =
size=3D2></FONT> </DIV></DIV></BODY></HTML>
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==============================
From: "Jim Muriceak" <jimmuriceak@classic.msn.com>
Subject: Denny Gene??
Date: Sun, 23 May 99 22:37:50 UT
Hi everyone,
Well it seems this guy is gone. He set up many 1 tape
trades. And. Has not followed through after repeated
attempts at contacting him. If anyone knows of his
whereabouts. Please relay your knowledge to the list.
Or. Have him get in touch with me. I'll spread the word.
As there are many others who might like to know what
has happened to him. Thanks for the space. Peace. - Jim
==============================
From: "Jim Muriceak" <jimmuriceak@classic.msn.com>
Subject: ISO - Neil Young '99 DATs
Date: Sun, 23 May 99 22:46:16 UT
Hello again,
Is there anybody interested in trading Neil '99 shows?
I have many. But. Looking for more. Email me for my
Neil list. Thanks. Hope to be trading some Neil soon.
I'm especially looking for MSGT 4/22, Chicago 4/28,
4/30 & 5/1 & Milwaukee 5/17.
Please get in touch.
Peace. - Jim
==============================
From: Jacob <jhall1@ic3.ithaca.edu>
Subject: FS: Sony D7 w/ Misc. Cables
Date: Sun, 23 May 1999 21:21:14 -0400 (EDT)
I've got a used D7, fresh out of Pro Digital with a clean bill of health
for sale. Included is the infamous Oade 7pin > coax and a plethora of
other useful cables (mail me for more details.) Price...$450, mail me if
you have any questions.
Take Care,
Jacob
jhall1@ic3.ithaca.edu
http://members.tripod.com/c0ltrane/
==============================
From: "William Tatina" <bmtatina@email.msn.com>
Subject: New Trades
Date: Sun, 23 May 1999 19:22:05 -0600
Looking for trades for the following; John Mellancamp 05/19/99 Red
Rocks, CO. csb>d8, 3rd row center. Sounds great. Send list if interested<
Thanks Bill
==============================
From: Clay Caroselli <carosellic@clpgh.org>
Subject: extra Acoustic Junction Pittsburgh 1/16/99
Date: Sun, 23 May 1999 21:28:45 -0500
As the subject says.... I have an extra copy of this show. It is a soundboard
and sounds quite fine. The show covers a 60M. Looking for a blank in return.
Let me know.
-Clay
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Clay Caroselli
Carosellic@clpgh.org
107 Pennwood Ave.
Pittsburgh, PA 15218
http://members.aol.com/crcst26
"Speak of wisdom like a child directly to the heart"
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
==============================
From: John31666@aol.com
Subject: Mic stand/ recording questions.
Date: Sun, 23 May 1999 22:39:42 EDT
Ok guys, lemme know your opinions of the following:
Bogen or Manfrotto? The Bogen is 17' and the Manfrotto only 13', but the
Manfrotto is "air cushioned", whatever that means. Only $10 in price
difference.
2nd- What are the most popular mic mounting techniques? XY, AB, or
something spaced like ORTF? I was talking with someone recently and he said
you can get phase cancellation using the AB technique when there isn't much
space between the mics and the sound source. BTW, I _have_ read the mic faq.
Thanks,
~Js
==============================
From: "William Tatina" <bmtatina@email.msn.com>
Subject: Bad Company PPV
Date: Sun, 23 May 1999 20:43:54 -0600
Can anyone help me out with a B+P for the Pay Per View special Bad Company
Friday night in Orlando. Even better a dat copy. Thanks Bill
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Mon, 24 May 99 14:15:00 EDT
Subject: DAT-Heads Digest #972
DAT-Heads Digest #972, Volume #4 Mon, 24 May 99 14:15:00 EDT
Contents:
MOE. - NEWBIE OFFER (ChillyBe@aol.com)
Sale on "Consumer" CD-r blanks (SAlpert5@aol.com)
Is this good gear? ("Chris M. Hickman")
FT: METALLICA 05.22.99 FM broadcast (Sebastian Boschert)
cheesy stuff (GaoBest@aol.com)
Re: Rechargeable Batteries, Tascam DA-20 odd behavior (Alexander W. Chin)
Jeff Beck in JPN ("toshitaka kuniyoshi")
FS: dat tape storage (Coopers)
Core Sound/Sound Pro BINAURALS WANTED ("MINIBOOT")
Re: Mic stand/ recording questions (Tom McCreadie)
RE: Mic stand/ recording questions. (Hawker)
HHb 90 meter tape ("Rob Bertrando")
Maxell HS/4 Series Observation (Ernie Voegtlin)
Looking for 2/16/72 ("Dave Dawkins")
Maceo Parker (Bill Mitchell)
EXTRA: Phil 4/16 set2 (Erik Spring)
Looking to get rid of phish tape (Csberend@aol.com)
ISO: Garbage (Bill Shaw)
============================================================================
From: ChillyBe@aol.com
Subject: MOE. - NEWBIE OFFER
Date: Mon, 24 May 1999 00:45:45 EDT
The following (7) moe. dat tapes are available to the first person willing to
send me (7) brand new Panasonic 124's. No splitting, take one take all...
All tapes are properly labled w/computer j-cards. All tapes are of subperb
sound quality. Just liquidating some things that aren't making their way
into the rotation very often... Reliable, Honest, and Prompt... are you?
Thanks in advance...
Brian
(1) 4/25/96 all The Haunt- Ithaca, NY S:D 90m
(1) 6/27/96 all The Paradise - Boston, MA S:D 90m
(1) 3/6/97 all Berbatis Fan - Portland, OR S:D 90m
(1) 4/7/97 all Jack Straw's - Charlotte, NC S:D 90m
(1) 4/8/97 all Jack Straw's - Charlotte, NC S:D 90m
(2) 10/15/97 all Barrymore Theatre - Chicago, IL M:D 2 x 60m
==============================
From: SAlpert5@aol.com
Subject: Sale on "Consumer" CD-r blanks
Date: Mon, 24 May 1999 00:48:24 EDT
I happened to notice that this week (5/23/99-5/30/99), the "BEST BUY" chain
is offering a 3-pack of Maxell "audio" CDR-74 discs for $9.99.
For those of you with "consumer" model CD recorders, that only use the
tax-paid "consumer audio" discs, this may be a good price.
But of course it doesn't touch the "free after rebate" typical prices of the
computer CD-r's....
==============================
From: "Chris M. Hickman" <gomer67@xoommail.com>
Subject: Is this good gear?
Date: Sun, 23 May 1999 23:13:48 -0700
Hello, I'm new to the world of DAT and had a question on
equipment. I've read the DAT-H FAQ and price/specs
shopped, and this is what I came up with for a stealth
recording rig:
sony PCM-M1
coresounds High-End Binaurals
I will be recording loud rock acts in rooms ranging from
small banquet rooms that hold anywhere from 100-500 to a
big theater that holds 2200 including balcony, with an
occasional trip to places like the Peoria Civic Center
(12,000, 4 levels), the Kiel Center (St. Louis), Braden
Auditorium (Normal) or Aragon Ballroom, Rosemont Horizon
(Chicago). Also will be taping close-range outdoor shows,
similar to the 100-500 banquet hall shows. If this is too
trivial to reply to the digest about, feel free to email
me, any advice would be appreciated. Thanks.
*************************
*****Chris aka GOMER*****
*************************
==============================
From: Sebastian Boschert <boschert@STUTTGART.NETSURF.DE>
Subject: FT: METALLICA 05.22.99 FM broadcast
Reply-To: Sebastian Boschert <boschert@STUTTGART.NETSURF.DE>
Date: Mon, 24 May 1999 12:00:47 +0200
Hi!
Just recorded the following directly from FM:
Metallica - 05.22.99
Rock am Ring Festival; Nuerburgring, Germany
Here's the setlist:
Intro / Breadfan / Master of Puppets / Of Wolf and Man / The Thing That Should Not Be / Fuel / The Memory Remains / The Four Horsemen / Bass/Guitar Solo / For Whom the Bell Tolls / King Nothing / Wherever I May Roam / One / Fight Fire With Fire / Nothing Else Matters / Sad But True / Creeping Death / Die, Die My Darling / Enter Sandman / Battery / Pre-show FM Interview
130 mins total @ 48kHz
I'd be happy to trade this for any other cool Metallica shows or anything else that it listed on my Wantlist (check my signature for the url).
---
Sebastian Boschert
E-Mail: boschert@stuttgart.netsurf.de
Web: http://sebastian.2007.org/boots/
ICQ: 2010141
==============================
From: GaoBest@aol.com
Subject: cheesy stuff
Date: Mon, 24 May 1999 06:02:57 EDT
In a message dated 5/23/99 3:02:52 AM, DAT-Heads-Request@fedney.near.net
writes:
<<Please no flames... just wondering if anyone feels the same way!!!!
Got Ricky Martin DSB's on the way... with 85' Menudo demo sessions...>>
ack - i really want this shit! no seroiusly, does anyone on this list collect
garbage music like this:
Ricky Martin
Celine Dion
Backstreet Boys
Michael Sambello
Scooter
Wham!
I remember seeing Spice Girls audience tapes on lists, which I still want one
of these days, but I really would love to get some of this stuff. especially
Celine. No i'm not kidding, and i do like a lot of shit, i probably have
something decent in exchange. um, let me know or osmething privately, i'm
not sure if the majority of the listmembers are ready to see a plethora of
DATheads starting to acknowledge their guilty pleasures.
ciao
mike
==============================
From: alex@gerulf.acsu.unsw.edu.au (Alexander W. Chin)
Subject: Re: Rechargeable Batteries, Tascam DA-20 odd behavior
Date: Mon, 24 May 1999 21:14:30 +1000
At 12:15 AM 23/5/99, Digestifier wrote:
>From: "Howard Johnstone" <h_johnstone@hotmail.com>
>Subject: Rechargeable Batteries
>Date: Sat, 22 May 1999 02:18:37 PDT
<snip>
>Size AA (R6): NiCD: 1100mA Sanyo KR-1100AAU
> NiMH: 1600mA Toshiba TH-1600AAH
Ok... where may I buy some of these Toshiba batteries? I want want want.
Perhaps somebody can buy me a few.
>From: Paul Lucente <plucente@blast.net>
>Subject: Tascam DA-20 odd behavior
>Date: Sat, 22 May 1999 23:23:16 -0400
<snip>
>Now, here's what's really throwing me: If I have my D8 and DA-20 connected
>(or my ZA2 and DA-20) and I record blank space on the tape in the DA-20,
>there are ZERO errors on playback. The errors only appear once there is a
>signal coming from the playback device. Its like clockwork, as soon as
>there's sound coming from the playback device, the error count begins to
>flicker.
Very very good one.
>This would seem to indicate that its not a head-related problem, but I don't
>experience this at all with 60m tapes. Recording with 60m tapes has been
>flawless.
>
>The problem occurs with every brand of 90m tape I've tried (KAO, Sony DGP,
>Ampex, Maxell DDS), and dry cleaning the heads did not make any difference
>at all.
>
>Any ideas? Is it a slight head misalignment that for some reason only
>manifests itself with 90m tapes? Has _anyone_ seen this pattern before?
>
>TIA
>Paul
I could be misalignment, or tension, but it would manifest itself in uhm...
both channels. It never manifests itself in one channel due to the way DAT
information is recorded.
Well, I tell a lie, I've seen a channel drop out with the other *really*
distorted in an extreme case. But never before have I seen one perfect
channel and the other not.
I'm guessing it could be a firmware bug which causes the de-interleave to
fail under certain conditions.
Cheers
Alex
=========================================================================
As soon as you're born you start dying, so you might as well have
a good time!
Alexander W. Chin (alex@gerulf.acsu.unsw.edu.au)
==============================
From: "toshitaka kuniyoshi" <thrak@mocha.ocn.ne.jp>
Subject: Jeff Beck in JPN
Date: Mon, 24 May 1999 21:09:48 +0900
Hello DAT Heads,
Jeff Beck is now playing here in JPN.
My friend taped his first show in Chiba yesterday.
*Jeff Beck:Tokyo Bay NK Hall,Chiba
DAUD,100min.
Sonic Studios DSM-6S/L -> PA-6LC2-> D8
He would like to trade it for recently Jeff Beck tape or Bruce
Springsteen tape only.
Of course, he is planning to tape the other Jeff beck shows.
If you would like to contact with him, please mail me.
Look forward to hearing from you.
Peace, Toshi.
toshitaka kuniyoshi thrak@mocha.ocn.ne.jp
"the world without taping and trading is chaos"
==============================
From: Coopers <cooper@lightlink.com>
Subject: FS: dat tape storage
Date: Sun, 23 May 1999 21:22:46 -0400
hi all,
I have 12 dat tape storage wall racks similar to the "datrax"
product that hold 50 dats each. 4 are made of pine and the rest are
reclaimed philippene mahogany. All are finished in clear poly.
These are my own design and manufacture. My day job keeps me too
busy to devote time to producing them any longer.
I am asking $25 ea. for the pine and $30 ea. for the mahogany.
These prices do not include shipping. (averages $8-12 ups ground
depending on quantity and distance. You pay only actual ship cost.)
I also have a oak cabinet that holds 400 dats. It has 4 drawers, 100
dats each. full extension, heavy duty ball bearing drawer guides
handle the weight of the tapes with ease. this is also my own design
and manufacture. finished in clear poly, it is a peice of fine
furnature.
I am asking $350 plus shipping.(It is heavy, 35+ lbs. you pay
actual ups cost) photo available on request.
I intended to produce these on a "by order" basis, but again the day
job keeps me busy enough. Plus, i have a card catalog for all my
cassettes & dats so it has been empty for about 3 years.
Thanks for the bw, thom
==============================
From: "MINIBOOT" <mdqs@malek.freeserve.co.uk>
Subject: Core Sound/Sound Pro BINAURALS WANTED
Reply-To: "MINIBOOT" <mdqs@malek.freeserve.co.uk>
Date: Mon, 24 May 1999 13:39:48 +0100
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If anyone's willing to part with theirs, please give me a shout. I don't =
want the low cost ones BTW, only the more expensive, standard ones.
--MINIBOOT--
ICQ # : 32326301
http://www.malek.freeserve.co.uk
mdqs@malek.freeserve.co.uk
=======_NextPart_000_0043_01BEA5EA.E4A80720
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<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>If anyone's willing to part with =
theirs, please=20
give me a shout. I don't want the low cost ones BTW, only the more =
expensive,=20
standard ones.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT color=3D#000000 size=3D2>--MINIBOOT--<BR>ICQ # : =
32326301<BR><A=20
href=3D"http://www.malek.freeserve.co.uk">http://www.malek.freeserve.co.u=
k</A><BR><A=20
href=3D"mailto:mdqs@malek.freeserve.co.uk">mdqs@malek.freeserve.co.uk</A>=
</FONT></DIV></BODY></HTML>
=======_NextPart_000_0043_01BEA5EA.E4A80720==
==============================
From: Tom McCreadie <mccreadi@simplex.nl>
Subject: Re: Mic stand/ recording questions
Date: Mon, 24 May 1999 16:10:23 +0200
Js in #971:
>
>...Bogen or Manfrotto? The Bogen is 17' and the Manfrotto only 13'.....
Don't fixate on length <g>. You can only get two out of the three variables
- portability/sturdiness/height - and in my view sturdiness should be your
main priority. A flimsy vibration-prone rig is next to useless. I am
pleased with a 4 section Manfrotto "Master stand" (art.no. 004; max ht 3.85
m = 12.6 ft; min ht 1.09 m; wt 2.15 kg). Even then I prefer to add weights
to the legs. For more height or maneuverability, I add a counterweighted
light boom (art no 024; 3 sections; 2 m max).
Manfrotto carry a large range of well-built adaptors, C- and swivel-clamps
etc. I don't know the US Bogen stuff...had half surmised that Manfrotto,
Italy was OEM'ing for them?
--
Tom
==============================
From: Hawker <Hawker@Connriver.net>
Subject: RE: Mic stand/ recording questions.
Date: Mon, 24 May 1999 10:20:02 -0400
Manfrotto and Bogen are the same thing/company..
They were called Bogen in the US and Manfrotto in Europe..
now they just call themselves Manfrotto.
There more than 50 stands in there line and they are all different.
Basically they have a lightweight line (ala the famous 3374 etc)
and a heaver, sturdier line.. If you goto your local camera shop
ask for a Manfrotto catalog and it will spell them all out.
You also need two adaptors to make these work with regular microphone
holders.
Lastly about this time last year we had EXTENSIVE discussion on the differences
between the stands.. I suggest scanning the archives. I also posted a chart
with all the light-weight stands by model number with all the relevant info and price.
I don't have time to dig it up right now.. but you should be able to enter
BOGEN and find it easily.. if not write me back and I will dig it up.
Hawker
>Ok guys, lemme know your opinions of the following:
>Bogen or Manfrotto? The Bogen is 17' and the Manfrotto only 13', but the
>Manfrotto is "air cushioned", whatever that means. Only $10 in price
>difference.
==============================
From: "Rob Bertrando" <rbbert@earthlink.net>
Subject: HHb 90 meter tape
Date: Mon, 24 May 1999 08:11:48 -0700
Hate to bring this up again, but HHb sells a 90 meter "DDS" tape for use in
its "pro" DAT decks. Also, a quote from their booklet "A Guide To Choosing
and Using Digital Audio Recording Media"..."The only advantage of using DDS
tapes in a DAT recorder is that a DDS90 tape will allow 180 minutes of audio
recording. However, DDS tapes are much thinner and not so reliable when
spooling and playing at high speeds."
==============================
From: Ernie Voegtlin <crpediem@ix.netcom.com>
Subject: Maxell HS/4 Series Observation
Date: Mon, 24 May 1999 11:42:38 -0400
Hey y'all. I've noticed in all recent batches of Maxell HS/4
Series (both the 60 & 90m) I've encountered that there is a fine
white particle dust lightly spread over the cartridge. I was curious
if anyone else had come across this & what their thoughts may
be on potential causes or damage factors.
I have stopped using them myself, preferring to err on the side
of caution. The ones I receive in trade, I religiously wipe down
before each use(as it does seem to re-accumulate somewhat).
My obvious concern is that this "dust" is not only on the outer shell,
but finding its way inside to potentially affect the tape as well. Am I
just too paranoid for my own good or do you feel this to be a
legitmate cause for worry?
I welcome any input either privately or via a reply posting &
thank you for the bandwidth.
Ernie V
==============================
From: "Dave Dawkins" <digit@win.bright.net>
Subject: Looking for 2/16/72
Date: Mon, 24 May 1999 10:46:14 -0500
This is a multi-part message in MIME format.
=======_NextPart_000_000E_01BEA5D2.A51CDD00
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Garcia, Saunders, Kahn, Kreutzman
Feb. 16, 1972
KSAN, San Francisco
I was introduced to an analog copy of this fine show in the car on the =
way home from the Neil Young show last night and was amazed!
Does anyone have a nice copy on DAT of this performance that I could do =
I quick trade for?
Thanks,
Dave
=======_NextPart_000_000E_01BEA5D2.A51CDD00
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.2106.6"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Garcia, Saunders, Kahn, =
Kreutzman</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT><FONT size=3D2>Feb. 16, =
1972</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT><FONT size=3D2>KSAN, San=20
Francisco</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT color=3D#000000 size=3D2>I was introduced to an analog copy =
of this fine=20
show in the car on the way home from the Neil Young show last night and =
was=20
amazed!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT color=3D#000000 size=3D2>Does anyone have a nice copy on DAT =
of this=20
performance that I could do I quick trade for?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT color=3D#000000 size=3D2>Thanks,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT color=3D#000000 size=3D2>Dave</FONT></DIV></BODY></HTML>
=======_NextPart_000_000E_01BEA5D2.A51CDD00==
==============================
From: Bill Mitchell <bill.mitchell@sabre.com>
Subject: Maceo Parker
Date: Mon, 24 May 1999 17:26:29 +0100
Did anyone tape Maceo Parker in London Friday night at the Forum? Went
but have yet to get mics, would love a copy.
Also, anyone in UK interested in doing B+P for a newbie. Have 150 cdrs,
just got a DAT recorder. Would love to get some stuff to listen to.
It's tough starting over...
thanks
bill mitchell
==============================
From: Erik Spring <espring@calpoly.edu>
Subject: EXTRA: Phil 4/16 set2
Reply-To: espring@calpoly.edu
Date: Mon, 24 May 1999 10:16:49 -0700
Sub. says it all. I only have an extra of set 2 though. Just send a 60m
and return postage and it's yours.
--Erik
<<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>>
My Home Page: http://www.geocities.com/yosemite/rapids/5455/index.html
DAT list: http://www.geocities.com/yosemite/rapids/5455/tapelist.html
<<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>><<{{ }}>>
==============================
From: Csberend@aol.com
Subject: Looking to get rid of phish tape
Date: Mon, 24 May 1999 13:23:53 EDT
I want to get rid of 11.18.98 which is on a 90m tape...
I will do a trade for any other show on 2x120's.
This was done on schoeps mk-41-sonasax-teac.
Craig
==============================
From: Bill Shaw <bshaw@skyway.com>
Subject: ISO: Garbage
Date: Mon, 24 May 1999 10:47:43 -0700
Time to take out the trash, or take IN the trash, as GARBAGE is on tour again in
Europe...
Please all European tapers (DAT, MD, etc) let me know if you have any Garbage
shows. Many high quality Garbage masters for trade. Thanks!
shark@skyway.com
--
-Bill
GARBAGE TOUR DATES:
20 May 99 Aini Stadion Slavie - Prague, Czeck Rupblic
21 May 99 Rock Im Park - Nurnberg, Germany
22 May 99 Rock Am Ring Festival - Nurnbergring, Germany
http://www.stud.uni-siegen.de/joerg.schwille/
24 May 99 Spodek Festival - Katowice, Poland
28 May 99 Palacio de los Deportes - Grenada, Spain
29 May 99 Bullring - Murcia, Spain
30 May 99 Polideportivo Anoeta - San Sebastian, Spain
13 June 99 RAI Parkhal - Tibetan Freedom Concert - Amsterdam, The Netherlands
15 June 99 Bitan 11 - Tel Aviv, Israel
16 June 99 Bitan 11 - Tel Aviv, Israel
17 June 99 University - Be'er Sheva, Israel
19 June 99 Festival - Imola, Italy
22 June 99 Laugardalls - Reykjavik, Iceland
01 July 99 Princes St. Gardens - Edinburgh, Scotland
03 July 99 Ooserpoort - Groningen, The Netherlands
06 July 99 Quart Festival - Kristiansand, Norway
09 July 99 Midtfyn Festival - Midtfyns, Denmark http://www.mf.dk/
10 July 99 Jazz & More Festival - Hamburg, Germany
11 July 99 Highfield Festival - Erfurt, Germany
14 July 99 Rockwave Festival - Athens, Greece
16 July 99 Kapi Kredi Festival - Istanbul, Turkey
17 July 99 Beach Festival - Zeebrugge, Belgium
18 July 99 Superbock - Lisbon, Portugal
20 July 99 Les Voix Du Gaou - Six Four, France
21 July 99 Paleo - Nyon, Switzerland
22 July 99 Old Castle - Singen, Germany
24 July 99 St. Noiffs - Vannes, France
25 July 99 Warsteiner - Duisburg, Germany
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Mon, 24 May 99 23:15:01 EDT
Subject: DAT-Heads Digest #973
DAT-Heads Digest #973, Volume #4 Mon, 24 May 99 23:15:01 EDT
Contents:
RE: Rechargeable Batteries ("mark wilkins")
WTT: One Phish KS 19th row center for a taper ticket (KindTaper@aol.com)
Re: Cheap binaural mic (Len Moskowitz)
FS: Sonosax Battery Pack & XLR> RCA Cables (Taylor)
P&F 4-15 weed closed (Stuart Gerber)
6/30 1n3 7/1Phish pavilions for trade (ANTIMEDIC@aol.com)
Greg Allman @ Ventura Theatre (Jeff Bowen)
Extra Dats For trade (robert rivello)
FS SONY DTC 700 dat deck (robert rivello)
I really need tickets to Atlanta for the 4th of July!!!!! (Info468@aol.com)
Cranberries taping policy? (John31666@aol.com)
FS: Zefiro Inbox (Jay Reitz)
Ominous Seapods - Digi Poop ("nick@tapetree.com")
Re: "new" sony/fostex decks (Jeff Lester)
Anyone here living in/from Salt Lake City, Utah? (caesar glebbeek/univibes)
Super Jam (Robert Donovan)
Bogen info from Archive. (Hawker)
Sonicport ("Christopher T. Carfagno")
da-20 trouble (randy@monkeybiz.Stanford.EDU)
ISO: Any Sonosax SX-M2 -> Sony SBM-1 users (Delano)
All Good Music Festival - Wilmer's Park (David Sorochty)
============================================================================
From: "mark wilkins" <wilkinsmd@hotmail.com>
Subject: RE: Rechargeable Batteries
Date: Mon, 24 May 1999 11:57:46 PDT
>From: "Howard Johnstone" <h_johnstone@hotmail.com>
>Subject: Rechargeable Batteries
>Date: Sat, 22 May 1999 02:18:37 PDT
>
>As there seem to be a confusion as to which batteries are the best,
>here are the currently (990401) best cells available for DAT use:
[snip]
Available where?? The Ni-MH batteries listed on the Toshiba and Sanyo web
pages aren't available for sale there. A little while back a couple vendors
here were talking about sourcing a AA Ni-MH battery somewhere in the 1500mAH
range but so far nothing. Seeing it on a web page and actually being able
to buy it (in quantities <1000) are two different things. If you've bought
them somewhere please send a pointer.
Thanks
Mark
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: KindTaper@aol.com
Subject: WTT: One Phish KS 19th row center for a taper ticket
Date: Mon, 24 May 1999 15:07:08 EDT
This is a great seat for the tour opener if you don't want to worry about
taping or just want a patch and have a taper ticket to trade. I can patch you
into my AKG 414 tl-2's>oade>sbm-1>d8. Please e-mail me if you are interested.
thanks,
Wes
Kindtaper@aol.com
==============================
From: Len Moskowitz <moskowit@panix.com>
Subject: Re: Cheap binaural mic
Date: Mon, 24 May 1999 15:28:38 -0400 (EDT)
<walter_wlodarski@radio-canada.ca> wrote:
> Binaural head mics (i.e Neumann KU-100 and other) are way to costly for me. Did
> someone try to make a binaural mic by himself and obtain good results for less
> than 500$?
We offer a wide range of binaural mics. For details, please see our Web
page, or send email.
Len Moskowitz Stealth Microphones (tm), Cables, Interfaces
Core Sound http://www.stealthmicrophones.com
Teaneck, New Jersey http://www.core-sound.com
moskowit@core-sound.com Tel: 201-801-0812, FAX: 201-801-0912
==============================
From: Taylor <taylorc@mindspring.com>
Subject: FS: Sonosax Battery Pack & XLR> RCA Cables
Date: Mon, 24 May 1999 14:33:03 -0500
The subject says it all...
I have one Sonosax 24v battery pack (that has never been used) for sale.
&
I have a pair of CustomCanare XLR> RCA Cables (that have never been used)
for sale.
Let me know if you are interested.
-TaylorC
==============================
From: Stuart Gerber <stuart@mindspring.com>
Subject: P&F 4-15 weed closed
Date: Mon, 24 May 1999 15:32:58 -0400
subject says it all .. congrats to those i contacted as being the winners
look for more weeds of P&F in the future
peace,
stuart
ps-thanks for the bw
stuart@mindspring.com
http://stuart.home.mindspring.com
ACiD RC5 Team
http://rc5.distributed.net
"Set the gearshift for the high
gear of your soul, you've got to run like
an antelope out of control" - Dude Of Life
==============================
From: ANTIMEDIC@aol.com
Subject: 6/30 1n3 7/1Phish pavilions for trade
Date: Mon, 24 May 1999 15:56:24 EDT
I have 8 tickets all pavilion to the First American Music Center. 6 section
105 row DD and 2 tickets section 203 row SS. And I have 4 tickets to Bonner
Springs in the pavilion. I am looking for tapers tickets or pavilion tickets
so I can get a patch easier to the E Centre through Indiana minus Oswego and
Toronto. I will patch anyone who sends me a tapers ticket for any show
between E Centre and Indiana. My rig is Nak CM 300 with shotguns and
cardiods>MX100 ( Nak Mixer )> SBM-1>D100. Hope I can make someone as happy as
they can make me. This wil be my last posting before I put them up for sale.
PLEASE HELP Thanks again for the BW.
Peace
Mark
==============================
From: Jeff Bowen <jbowen@slonet.org>
Subject: Greg Allman @ Ventura Theatre
Date: Mon, 24 May 1999 12:59:24 -0700 (PDT)
Hi all,
anyone else going to be at the Greg Allman concert at Ventura Theatre this
week? I'll be there with Neumann KM-140's->Beyer MV-100->DA-P1.
Is Greg still allowing taping on the solo tours? I think the BTAT list
mentioned it would be on a tour by tour basis. Anyone taped him recently?
This tour?
Thanks a bunch, :)
Jeff
==============================
From: robert rivello <stjohns4u@yahoo.com>
Subject: Extra Dats For trade
Date: Mon, 24 May 1999 14:30:16 -0700 (PDT)
Extra copies of shows
all are on sony dpg 90
geneology
http://www.gdlists.org/lists/r/rrivello@yahoo.com.shtml
3-1-69
4-9-75 Lom
1-15-79
2-29-80 b JGB
4-3-82
1-13-83 JGB
9-6-83
6-28-85
9-7-85
7-16-90
5-31-92
phish
11-27-98
4-5-98
Jmp
8-7-98 60m
I am looking for High Quality Dead 77-87 and Phish 98
and other interesting stuff.
email at rrivello@hotmail.com
_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com
==============================
From: robert rivello <stjohns4u@yahoo.com>
Subject: FS SONY DTC 700 dat deck
Date: Mon, 24 May 1999 14:35:37 -0700 (PDT)
For sale
Sony home unit
Low hours, meticulously cared for
mint condition, with box and plastic
400.00 offer?
WILL INCLUDE A COUPLE OF RECORDED DATS FOR A UNIDECKER OR NEWBIE
email at
stjohns4u@yahoo.com
_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com
==============================
From: Info468@aol.com
Subject: I really need tickets to Atlanta for the 4th of July!!!!!
Date: Mon, 24 May 1999 17:54:44 EDT
If anyone has tickets to the 4th of July show in Atlanta for sale I really
need some and would really appreciate your help!!!!!!!!!! Please write me
back and let me know the price! Thanks Phish heads!
==============================
From: John31666@aol.com
Subject: Cranberries taping policy?
Date: Mon, 24 May 1999 18:52:49 EDT
Anyone know it?
thanks for the b/w,
~Js
==============================
From: Jay Reitz <jayr@leland.Stanford.EDU>
Subject: FS: Zefiro Inbox
Date: Mon, 24 May 1999 16:08:08 -0700 (PDT)
I'm selling my recently purchased Inbox to free up some cash for summer.
It is almost new, without even cosmetic damage. Here's the propaganda:
Input is through high-quality balanced 3-pin XLR
Long battery life of over 8 hours from a single 9-volt alkaline battery.
Low noise 125.4dB EIN unweighted at max gain (-46.4dB from digital 0dB).
Dynamic range at minimum gain (-5.2dB from digital 0dB) is 98dB unweighted.
Individual gain pots for left and right channels.
44.1 kHz sample rate with SCMS=00.
Belt clip included for field work.
Low battery indicator LED.
Asking $250/obo
-Jay
==============================
From: "nick@tapetree.com" <tapetree@msn.com>
Subject: Ominous Seapods - Digi Poop
Date: Mon, 24 May 1999 16:37:02 -0700
Hey Now,
I remastered the Ominous Seapods Econobrain Outtakes known as "Poop"
recorded on 1/18/94 @ Bogies. The entire recording (60 minutes) is online
commercial free right now on Tapetree in Real Audio at
http://www.tapetree.com
Along with tape information, autographed JCard and a Digi Poop Tree.
Peace, Nick
==============================
From: lester@gandalf.sp.trw.com (Jeff Lester)
Subject: Re: "new" sony/fostex decks
Date: Mon, 24 May 1999 17:06:26 -0700 (PDT)
"tom bloch" <tbloch2@mindspring.com> asks:
>ok. this time i really do have some dat-related content/questions.
>while surfing some web sites today, i came across 3 very interesting
>decks that were new to me. they were the sony pcm-r700, pcm-7040, and a
>fostex pd-4. i believe all of these were 4-head decks. the 2 sonys are
>home units and the fostex is clearly a portable.
>
>my question is, and cost is not the most important factor here, should i
>try to use either of the sonys as my other home deck, and will it have
>compatibility problems with my flawlessly-working da-30mk2? i am
>assuming that scms will not be involved here. they both look and appear
>to be the shit. are they 24-bit? i do not think they are.
>
>also, is the fostex in competition with the hhb? it is beefy and the
>specs would indicate that it is a worthy challenger. i figured my next,
>and final, portable would be the classic hhb. perhaps it is time to
>rethink that?
The PCM-7040 and PD-4 are really a whole nother league. You don't mention
what you would do with such decks, but they quite possibly have feaures that
you don't need. From the Market Posting:
[9/28/97] Sony PCM-7040. Replaces PCM-7030 and PCM-7050.
SMPTE/EBU/FILM time code. 9-pin serial control port. Varispeed
record & playback. RS-232 control port. Weighs 10 kg. 424(w) x
132(h) x 360(d). Auto start-id with settable level. Automatic
time-stampting. 37-pin parallel remote can eject. ISR support.
Memory start. External Synchronization, chase synchronization. Read
After Write and Read-Modify-Write capabilities with electronic
crossfade. Level adjustment on digital input, -infinity to +12dB.
XLR analog IO, -4dBs, AES/EBU digital io. (0 dBs = .775V)
(BTW, the 7030 retail was $8000, the 7050 ~$11,000, as a price comparison)
[3/24/98] Fostex PD-4 portable. $7000 list, $5176 Dealer Cost, $5400
[Dat Store 3/22/98], $5450 [Full Compass 3/22/98], $5500 [Location
Sound 3/22/98], $5600 Coffey Sound [3/22/98], $5950 [TAI Audio
3/22/98], 3-channel mixer, all inputs pannable. One digital input,
AES/EBU or S/PDIF. SMPTE in and out. Same size as PD-2, twice the
battery life, half the weight. Less software functions than PD-2.
4-heads. Samples at 44.1, 48, 48.048, 6 different frame rates.
Now, the PCM-R700 is a little more normal of a machine. It would probably
do well along side your DA-30mkII.
[12/28/97] Sony PCM-R700. 4-head version of PCM-R500. $1594 [Dat
Store, demo, 8/12/98], $1694 [Dat Store], $1775 [Masterpiece Audio,
incl. shipping]
-Jeff Lester
==============================
From: univibes@indigo.ie (caesar glebbeek/univibes)
Subject: Anyone here living in/from Salt Lake City, Utah?
Date: Tue, 25 May 1999 01:30:42 +0100
I would be very interested if somebody here could tell me anything about
the "Lagoo" or the "Lagoon Opera House" venue in Salt Lake City. Jimi
Hendrix played there in August 1968 and I am gathering info about vevnue,
gig, etc..
Anyone???
Thanks in adcance.
Saluti!
Caesar Glebbeek
========================================================================
* Visit our Jimi Hendrix "UNIVIBES" WWW site at: http://www.univibes.com
* SUBSCRIBE to "UNIVIBES - International Jimi Hendrix Magazine"!
- Details at: http://www.univibes.com/uvsubscribe.html
* "It's kaput, it's Philips!"
- C. Glebbeek Sr.
* "Life's a job you're fired from, unless, of course, you quit..."
- Loudon Wainwright III
* "It never hurts to be a little nice..."
- Richard Thompson
* "Het oproer kraait, maar legt geen ei.."
- Drs. P.
========================================================================
==============================
From: rdonovan@wyoming.com (Robert Donovan)
Subject: Super Jam
Date: Mon, 24 May 1999 19:00:30 -0600
If anyone can download the superjam on Darkstar.etree.org and put it on to
dat or cd-r I wuld be super greatful. I'm stuck out in WY with a slow
connection and cn't get it myself.
Thanks in advance
Robert
==============================
From: Hawker <Hawker@Connriver.net>
Subject: Bogen info from Archive.
Date: Mon, 24 May 1999 21:11:47 -0400
O.K.. folks Bogen questions again.. I scrounged up the post I made here about a year ago..
It is below...
Let me also say that I agree with the last poster that you can only get two of the three listed needs.
(Height, portability, sturdiness)
I also found that the more sections (smaller it folds two) the less stable.
Less sections is more stability but folds less.
I two use counter weights to help. I use those weighted jogging ankle cuffs at the bottom.
also I ended up finding a fantastic selection/price from ProCam in VT
Pro-Cam.com...
If the person who spoke with me last year about ProCam could reach me
again I would appreciate it.. You mentioned another brand you got
that was more compact then the 3373... I would like to know what that was again.
Hawker
Thanx for the tip on the Bogen stands!
I just got back from the local camera shop and purchased the perfect
stand. I thought I would share what I found, since many are asking questions.
First some general observations, then I will list the models available.
First we are talking there light stand series. These stands are VERY
light weight and portable, at the expense of stability. They are a
little wobbly, but good enough. If portability isn't a concern
consider there heavy duty pro line.
Note most stands are available in Aluminum and Black. Black is a few $$$
more. I will list model numbers as xxxx/xxxx where this is
aluminum/black. All prices listed are retail, my local shop averaged 20%
less for selling price (example 3373 lists 72.00 was $58 at local store).
All stands require two adapters to make them fit a microphone.
You need the model 3103 ($3.95) 1/4-20 to 3/8 adapter
then the model 3366 ($6.50) 3/8 to 5/8 mic thread adapter.
I found the 3373 to be a little too wobbly and too short (is 6' not 8' as
stated b4). In general the more sections and the smaller folded length
the more wobbly.
I settled on the 3372.
Here are the selections from 6 to 11 feet (there full range is from 1.5
to 17 feet with booms beyond that).
Model a/b Lngth Extented Lngth folded foot print sections
price
===========================================================================
3330/na 6'2 28" 37" 3 50.00
3089/3375 6' 25" 37" 3 58.00/65.95
3353/3373 6'3 19" 39" 5 65.00/72.00
3097/3372 7'6 26" 37" 4 69.00/78.50
3333/na 9"4 34" 42" 4 54.00
3336/na 11'4 39" 43" 4 74.00
3078QL/3364QL11'2 32" 42" 4 110.00/125.95
other chat
Model alum/blk Lngth Extented Lngth folded foot print sections
price
===========================================================================
======
3330/na 6'2 28" 37" 3 50.00
3089/3375 6' 25" 37" 3 58.00/65.95
3353/3373 6'3 19" 39" 5 65.00/72.00
3097/3372 7'6 26" 37" 4 69.00/78.50
3086/3361 8' 36" 43" 3 64.00/73.95
3333/na 9"4 34" 42" 4 54.00
3336/na 11'4 39" 43" 4 74.00
3078QL/3364QL 11'2 32" 42" 4 110.00/125.95
Note Bogens Web E-ddress is ww.bogenphote.com (haven't checked it out yet)
Hope this helps all.
Hawker
==============================
From: "Christopher T. Carfagno" <soundpro@cyberenet.net>
Subject: Sonicport
Reply-To: chris@soundprofessionals.com
Date: Mon, 24 May 1999 20:59:40 -0400
Hello everyone:
Just a quick note to let those of you who had contacted us regarding the
Opcode SONICport. They are back in stock (for now, anyway!), and are
available here:
http://www.soundprofessionals.com/sndcards.html
Thanks for your time and bandwidth.
--
Best regards,
Chris Carfagno
The Sound Professionals
1-800-213-3021
chris@soundprofessionals.com
http://www.soundprofessionals.com
==============================
From: randy@monkeybiz.Stanford.EDU
Subject: da-20 trouble
Date: Mon, 24 May 1999 19:19:42 -0700 (PDT)
about a year ago my da-20 was recording one head perfectly (B, i think)
and the other completely screwed up (?94 on the "error" meter).
ended up replacing the whole assembly.
tapes made with the wonky heads were just barely listenable, but not
really worth keeping....
just adding my $0.02 to the da-20 discussion.
-rand0m
==============================
From: Delano <bluesky@mindspring.com>
Subject: ISO: Any Sonosax SX-M2 -> Sony SBM-1 users
Date: Mon, 24 May 1999 23:02:57 -0400
Hi
Just rec'd a SBM1 today. A few questions for any SX-M2 -> SBM1
users...
1) What do you use to patch the SX-M2 into the SBM1? What provides the best
sound?
(i.e. some XLR -> coax, mini -> coax, mini -> mini, etc?)
2) When using the Sonosax to amplify the sound, what volume setting do you use
on the SBM1 (and D8 - I would assume around 4 or 5 for the D8)
3) I am thinking of finding some 90 degree attachments for my mic's XLR cables
and then possible a 90 degree attachment for the SBM1 and D8 also, do these add
noise).
4) Are there any tips or pitfalls of which I should be wary with this
combination?
Thanks, and...
Take Care,
Delano
http://www.mindspring.com/~bluesky/index.htm
http://www.geocities.com/CollegePark/Center/3834/index.htm
DAT List:
http://www.geocities.com/CollegePark/Center/3834/Tapelist.htm
==============================
From: David Sorochty <scarletfire@erols.com>
Subject: All Good Music Festival - Wilmer's Park
Date: Mon, 24 May 1999 23:14:35 -0400
Hey everyone:
A friend of mine took some pictures at the All Good Music Festival this
past weekend. He has some before and after shots of the stage equipment
collapse.
Check it out:
http://members.xoom.com/lanehartle/gallery.html
--
Dave Sorochty
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Tue, 25 May 99 15:15:01 EDT
Subject: DAT-Heads Digest #974
DAT-Heads Digest #974, Volume #4 Tue, 25 May 99 15:15:01 EDT
Contents:
Extra phish 11/2/98 ("Dan Sisler")
Behringer Ultramatch SRC2000 ("Jim Peckham")
`repairing` clipping? (Udo van den Heuvel)
new e-mail address for crazy_diamond@webtv.net (Edward Davis)
Re: Cheap binaural mic ("Jonas Palm")
Dave Matthews Taping? (Todd Guite)
more D8 wierdness (Aaron Westendorf)
WTT Phish Alpine Valley tapers... ("Christopher and Anne Gillespie")
mmw @ the orpheum in boston (lets trade tickets) (hambone@javanet.com)
Re: get a clue... ("Jeff Frank")
ISO: July 4th Phish (its worth a try) (Stuart Gerber)
CDR for sale ("David Koehler")
ISO: Eek-A-Mouse (MODY Aashish)
ISO PHISH Taper 7-8-99, 7-9-99,7-10-99 ("john")
questions re tascam da 30mkII (dwb)
Re: Aerosmith Chicago ("Neil Corkindale")
ISO: Keziah Jones (Carlo Wijnen)
For Sale: Sony DTC-690 (Brian Dowling)
Virginia Beach, Columbia, Camden (Rick.Ground@irrc.org)
ISO: new 7-pin Active Input-Output cable ("'Bebop' Pete Heilig")
sonosax->sbm (daniel.estrin@chadbourne.com)
ISO/WTB: sonosax sx-m2 (coleman)
ITEMS FOR SALE (dan clark)
Trade Bait ("Jerome Williams")
============================================================================
From: "Dan Sisler" <dans@wenet.net>
Subject: Extra phish 11/2/98
Date: Tue, 25 May 1999 09:25:33 -0700
i have 2x124min MasterDats with the captioned show...i'd like to offer it up
to a unidecker ..the show is via the recently run tree with B&K4011's...drop
me a note if interested.....peace, dan
==============================
From: "Jim Peckham" <jim-peckham@worldnet.att.net>
Subject: Behringer Ultramatch SRC2000
Date: Mon, 24 May 1999 22:35:50 -0700
Hi,
Does anybody have any experience with this sample rate converter? How is it?
Where can you buy them?
Thanks,
Jim
==============================
From: udo@dinges.xs4all.nl (Udo van den Heuvel)
Subject: `repairing` clipping?
Date: 25 May 99 07:23:42 +0100
Hello All!
I have a a tape with slight audible clipping. I know that this means I have
lost some data which is more or less inrecoverable but is there software that
can do some tricks to lessen the audible effects?
Please let me know!
Greetz,
Udo
--
==============================
From: Edward Davis <niceguy1222@earthlink.net>
Subject: new e-mail address for crazy_diamond@webtv.net
Date: Mon, 24 May 1999 14:35:18 -0700
Hi,
I used to be at crazy_diamond@webtv.net. I rarely check that e-mail any
more. So, if you want to get a hold of me please e-mail me at
niceguy1222@earthlink.net Also, I am behind on some trades right now.
My last month of school has taken a greater toll on me than I ever
thought it would. I finish in two days and assure anyone I owe tapes to
that they will be sent no later that next Monday. Thanks for your
patience. Sorry for the lack of DAT content.
Later,
Ed
==============================
From: "Jonas Palm" <jonasp@spyken.lund.se>
Subject: Re: Cheap binaural mic
Date: Tue, 25 May 1999 11:26:53 +1
> From: Len Moskowitz <moskowit@panix.com>
> <walter_wlodarski@radio-canada.ca> wrote:
>
> > Binaural head mics (i.e Neumann KU-100 and other) are way to costly for me. Did
> > someone try to make a binaural mic by himself and obtain good results for less
> > than 500$?
>
> We offer a wide range of binaural mics. For details, please see our Web
> page, or send email.
Len doesn't really answer the question, and even if he did, you might
suspect that he painted too rosy a picture since he sells mics for
the purpose.
I've done binaural recordings with his battery box binaurals, and for
my purposes (acoustic environments/non-electrified music) the
results (with the exception of self noise) was as good as any I've
heard.
>From a 3-D localization standpoint, recording just outside the
ears makes more sense than recording in the ear canal, unless
you replay the recording in the ear canal _without any equalization
applied_. And of course, the recording should preferably be made in
your own ear. In reality, this scenario never occurs. Recording
inside an ear canal, real or artificial, is a dead end IMHO and is a
remnant from the research context. For sonic reproduction, recording
outside the ears gives better results, both from a theoretical and
from a practical standpoint as far as my experience goes.
Len's battery box binaurals do a good job at this.
I can't comment on their high SPL performance as I didn't use them
for those purposes, but the only real limitation I found was self
noise. If you want to record quiet music, such as solo guitar, or if
you want to make ambience recordings this could be important
to you.
(Obligatory name dropping: I once almost bought a dummy head
setup from Ken Kantor. I didn't want to ask how much he wanted
for it, because I would have felt obliged to buy it. I have regretted
that sorely, because it would have been great fun to fool around
with freely, and it would have made a great conversation piece
at home! I was in a very tight spot economically though. Still, the
home decoration aspect shouldn't be neglected even if the dummy
heads don't make much sense from a recording standpoint. )
I passed Len's mics on to someone who needed them better,
and he has improved his product in various ways since then.
They fit the bill for a sub $500 binaural setup. Be your own dummy
head. :-)
Binaural recording is a great way to capture the atmosphere of
a performance. The best way, possibly. If you want to record the
_music_ however.... :-) But binaural is fun, and a great way to
learn about the limitations of stereo, and about how our localization
works.
Enjoy!
Jonas Palm
==============================
From: Todd Guite <direwolf@maine.rr.com>
Subject: Dave Matthews Taping?
Date: Tue, 25 May 1999 07:45:17 -0400
Anyone know the current situation?Can you still tape from seat?Can you
Legally tape Santana?How long are both of their sets?Thanks for any
help!Todd
==============================
From: Aaron Westendorf <westea@rpi.edu>
Subject: more D8 wierdness
Date: Tue, 25 May 1999 07:57:48 -0400
Ok, so I had Sony send my deck back without making any repairs since
they weren't going to charge me the flat rate. It arrived on Friday,
and so I took it home and threw in a tape, just to listen to something,
and expected the same old problems I had before (DN, DO, etc.). To my
astonishment, it worked flawlessly!! Naturally, I assumed it was dumb
luck, so I decided to test out tapes that were particularly bad before,
and they played perfectly too! Next, I tested out a tape that I had
recorded just before I sent the deck in for new heads, which I figured
was worthless, and it was perfect too! The only thing different is that
the tapes I had recorded were the only ones to give me the
"blankety-blank" problem while FF.
What's going on here? They didn't charge me for any repairs, but is it
at all possible that, for some reason or another, they actually replaced
the heads? Is there any way that I can tell by looking at them? When I
sent it in, I specifically said that I wanted the heads replaced no
matter what, and I wanted an estimate on the cost of the display. Is it
possible that some service guy opened it up, changed the heads out of
necessity before/while generating the estimate, and since they're not
going to dig through the trash to put the old heads back in, just left
them there when I refused the estimate?? I'd really like to know, since
it means either a new deck or not.
-Aaron
--
====================================================
Aaron J. Westendorf
DAT List -> http://www.rpi.edu/~westea/dat
"Our greatest fear is not that we are inadequate, but
that we are powerful beyond measure"
====================================================
==============================
From: "Christopher and Anne Gillespie" <dizziness@interlync.com>
Subject: WTT Phish Alpine Valley tapers...
Date: Tue, 25 May 1999 07:30:27 -0500
Looking for taper tix for the Alpine Valley show. I can offer face value plus a patch or CDR off my B&K 4011>Lunatec V2>DA-P1 rig. Thanks!
chris
===================
Chris Gillespie (dizziness@interlync.com)
http://www.curf.edu/~crf_gillesc/
==============================
From: hambone@javanet.com
Subject: mmw @ the orpheum in boston (lets trade tickets)
Date: Tue, 25 May 1999 08:51:16 -0400
i have tickets for the mmw orpehum show in boston
orch left center row LL
im looking to trade these for orchestra seats
in the center so i can run a better tape
if you have tickets in the center orchestra section
maybe we can make a trade and i can run your deck
or spin you copies later
let me know
ill be running akg 460 w?ck 61 cardiod caps> beyer mv100 > denon dtr80-p
my buddy will be running the schoeps cmc641>lunatec>apogee a/d1000 get up
please help us out
the show is friday
thanks
dave
==============================
From: "Jeff Frank" <jeff-frank@mediaone.net>
Subject: Re: get a clue...
Reply-To: "Jeff Frank" <jeff-frank@mediaone.net>
Date: Tue, 25 May 1999 08:28:26 -0500
>From: Seth Breidbart <sethb@panix.com>
>I quote the stuff I'm responding to in order to keep some context. If
>people think I'm posting too much I'll cut down.
Keep them coming. They are always short and to the point and definitely add
value. I'm surprised they got so riled up at you. It's probably frustration
that has built up from trying to keep a tree alive that had a noble goal,
but many participants who realized it was TOO much once the tapes started
flowing (I was lucky enough that all of my kids bailed so I could TOO).
==============================
From: Stuart Gerber <stuart@mindspring.com>
Subject: ISO: July 4th Phish (its worth a try)
Date: Tue, 25 May 1999 09:48:32 -0400
Hey iknow it is in a way still early to attempt to find tix for this show
.. however my friends have been screwed by ticketbastard and were unable to
get them at on sale.
It is my friend's birthday and we had plans to basdically havea birthday
party for her at the show (not some big extravaganza but you know .) and
her 2 best friends were suppose to come up to see the show and myself
(havnt seen em in a while) anyways myself as well as other of her friends
wont even be in town in july when her real birthday roles around (TOUR!)
IF anyone at any point and time can help me out with even just 1 ticket
lawn, pavilion i dont care.. i have cash, can clone some stuff (im very
limited in this area )
peace out,
stuart gerber
PS- thanks forthe BW and for letting me post the grovel hah
stuart@mindspring.com
http://stuart.home.mindspring.com
ACiD RC5 Team
http://rc5.distributed.net
"Set the gearshift for the high
gear of your soul, you've got to run like
an antelope out of control" - Dude Of Life
==============================
From: "David Koehler" <djkoehler@worldnet.att.net>
Subject: CDR for sale
Reply-To: "David Koehler" <djkoehler@worldnet.att.net>
Date: Tue, 25 May 1999 09:50:26 -0400
I have two of these for sale
Yamaha CDR400it
internal
tray
about 15 or 16 months old w/ manual,
as it came, which means no cables
Upgraded to Plextor 8x ( awesome )
Best offer
djk
Check out my homepage at :
http://home.att.net/~djkoehler/davek.html
==============================
From: MODY Aashish <AMody@CBSINC.com>
Subject: ISO: Eek-A-Mouse
Date: Tue, 25 May 1999 10:04:05 -0400
Looking for some Eek-A-Mouse... Have many goodies to trade. DAT or CD.
-Aash
amody@cbsinc.com
Open your ears, your mind will follow
==============================
From: "john" <john@datrack.com>
Subject: ISO PHISH Taper 7-8-99, 7-9-99,7-10-99
Reply-To: <john@datrack.com>
Date: Tue, 25 May 1999 10:03:57 -0400
For the 1st time ever, since PHISH Ticket's By Mail was started for Summer
Tour 95', I have been shut out. I have mailed ordered religiously for shows
on every tour since 95' & have always followed the instructions to the T
with the US Postal Service Post Mark always being the 1st date of mail
order, but this summers tour, my luck ran out. As the subject say's, I am
looking for tapers tickets for the following shows. I run either a set of
Gefell SMS M200's or M210's > Oade M248b or Schoeps CMC6 > VMS 021B into a
HHb PDR 1000 (modified), so a quality recording is pretty much guaranteed
and a digital or analog patch will be there for you. I appreciate the
considerations. If you have an extra(s) tapers for one or all of these
shows, please email me @ john@datrack.com to work out the details. Thanks
for the consideration.
7-8-99 Virginia Beach Amphitheatre, Virginia Beach, Virginia.
7-9-99 Merriweather Post Pavilion, Columbia, Maryland.
7-10-99 E Center, Camden, New Jersey.
==============================
From: dwb <dwb@ameritech.net>
Subject: questions re tascam da 30mkII
Date: Tue, 25 May 1999 10:50:30 -0400
looking for some user feedback on the da 30mkII, which i can get a good
deal on.
i understand there's a serious 90m tape issue. how have people resolved this?
who's liking or disliking their machine and why?
dwb
==============================
From: "Neil Corkindale" <neilc1@home.com>
Subject: Re: Aerosmith Chicago
Date: Tue, 25 May 1999 07:52:00 -0700
Does anyone have a good recording of Aerosmith from Chicago earlier this
week?
Thanks
Neil
==============================
From: Carlo Wijnen <lefonque@globalxs.nl>
Subject: ISO: Keziah Jones
Date: Tue, 25 May 1999 16:32:57 +0200
Subject says it all. I got the Brussels and Cologne shows for trade plus
various shows from previous tours.
Send private e-mail to lefonque@globalxs.nl
==============================
From: Brian Dowling <euphoria1@mindspring.com>
Subject: For Sale: Sony DTC-690
Date: Tue, 25 May 1999 10:42:09 -0400
For Sale: (1) Sony DTC-690. Good condition. It has optical in/out, coax in,
and analog in/out. Has wireless remote.
Very reliable deck. Been serviced once for cleaning.
Reason for selling. Getting married next month......
Asking $275.00 or best offer.
Please serious inquiries only. If interested , please email me.
Thanks,
Brian
==============================
From: Rick.Ground@irrc.org
Subject: Virginia Beach, Columbia, Camden
Date: Tue, 25 May 1999 11:54:54 +0000
I finally got my mail orders in. No Tapers.
I'd like to trade tix/cash for a taper-ticket to any of the above
shows. I have a nice rig and will be available for copies...
Schoeps CMC6-MK4 > Graham-Patton DMIC-20 > PCM-M1.
I also can pass on a digital signal via digital co-ax...
___________________________________________________
Rick Ground
Investor Responsibility Research Center (IRRC)
MIS Manager
(202) 833-0700 x133
Rick.Ground@irrc.org
eMail: RamblinBear@irrc.org
work : (202) 833-0700 x133
home : (301) 570-6227
==============================
From: "'Bebop' Pete Heilig" <bebop@imagine.com>
Subject: ISO: new 7-pin Active Input-Output cable
Reply-To: <bebop@imagine.com>
Date: Tue, 25 May 1999 12:15:51 -0400
I am seeking to purchase a new digital cable:
Active 7-pin Sony to coaxial input/output.
Expecting to pay between $110 and $150.
If you are a dealer who has this item IN-STOCK (not just "on-backorder"
please), or if you have a reasonably good referral to a dealer who can
deliver this item within a 2-weeks timeframe, please reply to
BEBOP@IMAGINE.COM
Thank you and good day,
-bebop Pete Heilig
mailto:bebop@imagine.com
==============================
From: daniel.estrin@chadbourne.com
Subject: sonosax->sbm
Date: Tue, 25 May 1999 12:37:47 -0400
Delano <bluesky@mindspring.com> wrote on Mon, 24 May 1999:
>>Just rec'd a SBM1 today. A few questions for any SX-M2 -> SBM1
users... 1) What do you use to patch the SX-M2 into the SBM1? What provides the
best sound? (i.e. some XLR -> coax, mini -> coax, mini -> mini, etc?)<<<
When I ran this same gear I used simple 1/2 meter monster 400 xlr->rca
interconnects. They worked just fine. I have always religiously avoided using
mini connectors for anything as I find the connection to be *way* too shaky for
field recording. You have the rca ins on the sbm...USE em!!!
>>>2) When using the Sonosax to amplify the sound, what volume setting do you
use on the SBM1 (and D8 - I would assume around 4 or 5 for the D8)<<<
All depends on the volume of the music you are recording and how hot your mics
are. As a general rule for rock shows using the u89s or the 64's, I would start
with the sonosax on low gain setting with the knobs at around 1 o'clock, and the
sbm1 dual knobs set around 6. From there, I would use the sonosax controls to
adjust left and right channels to make em as even as possible, and the sbm1
controls (which turn together) to raise or lower the overall levels once you
have left and right even. The setting on your D8 won't matter as you will be
feeding it digitally from the sbm1, i.e., the deck will slave to the levels you
set on the adc.
>>>3) I am thinking of finding some 90 degree attachments for my mic's XLR
cables and then possible a 90 degree attachment for the SBM1 and D8 also, do
these add noise).<<<
They shouldn't if they're done properly, but I never found such "attachments" to
be necessary.
Shalom,
Daniel Estrin, NYC
==============================
From: coleman <designer@fivefingerdesign.com>
Subject: ISO/WTB: sonosax sx-m2
Date: Tue, 25 May 1999 10:37:08 -0700
say,
I'm lookin' to buy a used sonosax preamp. who's got one to get rid of out
there...i'm sure somebody does....
many danks for the time.
-c-c-
==============================
From: dan clark <clarkda@one.net>
Subject: ITEMS FOR SALE
Date: Tue, 25 May 1999 13:32:29 -0400 (EDT)
I have these two items for sale:
1. Panasonic 3800, purchased new in April 1998 for $1050. Just spent
$425 putting new heads on it. In addition to the heads, the brakes,
rollers, basically the entire transport, is BRAND NEW from the Panasonic
repair center. Looking to get $650-700.
2. Lunatec V2 dual microphone preamplifier, purchased new in February
1999 for $1475. Used ~15 times, absolutely brand new. Looking to get
$1250.
Please e-mail me if you have any questions.
--Dan
==============================
From: "Jerome Williams" <straightbourbon@hotmail.com>
Subject: Trade Bait
Date: Tue, 25 May 1999 13:20:17 CDT
Hello,
I have been searching, but unable to find the following Grateful Dead shows
from Sound Board, on DAT:
10/10/80 - Warfield Theater - All
04/18/71 - Lusk Field House - Cortland, NY
Rosemont '88 (any or all of 3 shows - SBD)
04/13/89 - Rosemont Horizon
03/14/93 - Richfield, OH (SBD or FM)
06/22/91 - Soldier Field, Chicago, IL
Also interested in other 1980 Dead shows on SBD from Warfield.
Non-dead: Seeking
BB King - Saturday, March 27,1999 Las Vegas House of Blues
I have a list of DAT tapes for trade at:
http://www.execpc.com/~billf/tape.html
I also have a bunch more that I have not added to the official list yet.
Thanks,
-Bill
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
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questions about a subscription should be addressed first to dat
-heads-request@fedney.near.net, and then if needed postmaster@fedney.near.net,
never the list itself.
You can submit a message for inclusion in the next digest via this address:
Internet: dat-heads@fedney.near.net
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Tue, 25 May 99 22:15:00 EDT
Subject: DAT-Heads Digest #976
DAT-Heads Digest #976, Volume #4 Tue, 25 May 99 22:15:00 EDT
Contents:
tapers list (VAHCBFC@aol.com)
============================================================================
From: VAHCBFC@aol.com
Subject: tapers list
Date: Tue, 25 May 1999 21:47:24 EDT
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i got this a while back... dont know how many of you have it. I've just seen
alot of questions about who allows taping and whatnot, so i thought i would
resend it to help some kids out..
hope im helpin you out, and not bein a nusance!
take it easy
chris
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Fri, 1 Jan 99 04:15:01 EST
Subject: DAT-Heads Digest #684
DAT-Heads Digest #684, Volume #4 Fri, 1 Jan 99 04:15:01 EST
Contents:
Updated list of bands that allow taping (Kurt Andrew Kemp)
============================================================================
From: Kurt Andrew Kemp <kkemp@ccsf.cc.ca.us>
Subject: Updated list of bands that allow taping
Date: Fri, 1 Jan 1999 01:02:48 -0700
Dear fellow tapers: This is an updated version of the list that I last
updated on 11-01-98. You can expect my next update at the beginning of
February.
If you have additions or corrections to share with me, please email
me at <kkemp@ccsf.cc.ca.us> and I'll get your message. Also, if you know
of an appropriate newsgroup or discussion list for me to send it to,
please let me know and I can add it/them to the "to" field each time I
send it out.
Thanks again to all of you who have helped me update and add to
this list over the years. Without your help, it would not exist and would
not have grown exponentially as it has over time. BTW, I don't have any
"inside" info; all I do is organize the updated info that all of you share
with me.
The only ground rule I have for sending me information is that
it has to come from your own direct experience and cannot be mere
heresay. If a friend of yours saw a band and noticed a change in their
taping policy, please ask that friend to email me directly if possible.
If your friend doesn't have email, email me privately and I'll give you
my phone number so he can call me directly.
Please examine the list below and correct me if I have included
any misinformation. Also, updates are in order, as bands' taping
policies often change with time.
Note that (a) =3D audio taping allowed, (v) means video taping
allowed and (BA) means (sound)board access allowed. "Aud" refers to
analogue audio taping and "daud" refers to digital audio taping. <>
represents the present hometown(s) of the members of a band, not where
they used to live years ago. BTW, if you see <?> after a band's name,
please help me locate their present hometown(s). Finally, if you don't
see (BA) after a band's name, you can assume that their policy is to
disallow it, even if they occasionally do allow it.
I might also mention that Mike Wagner has gone to considerable
lengths to convert my updated list to html and to create links to the
websites listed under the bands. If you want to check it out, you can find
it at his URL, which is:
"http://www.enteract.com/~wagner/btat". If you want to create a link from
your webpage to his, please let him know first by emailing him at
<wagner@enteract.com>. He'll be honored.
Thanks to a suggestion by Eugene Hu, I have decided to create a
separate list of the bands that are very much against taping and actively
search out tapers during their shows. You will find this separate list
immediately following the regular list of bands that allow taping. If
you know of any others bands who fit this description, please let me know.
Finally, an * before a band's name represents new or modified info
since my last update (thanks to Gordon Gullahorn for suggesting this).
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
*BANDS THAT ALLOW TAPING* (as of 1-01-99)
Acoustic Junction <Boulder, CO> (a,BA) They have now changed their name
to Fool's Progress, but their taping policy is the same; they
allow aud and DAT BA, but you have to talk to the soundman early
for the latter.
Acoustic Syndicate <?> (a) They encourage daud taping. Their website
is at: "http://acousticsyndicate.com/"
Agents of Good Roots <Richmond, VA> (a,BA) All you need to do is talk
to their soundman, Phil Bowman. He is really cool about board
patches, and will ask you to send the band a copy. Expect the
show to run about 2:30:00. Check out their NEW website at:
"http://www.agentsofgoodroots.com"
Alejandro Escovedo <Austin, TX> (a,BA) Arrive early for BA. The band
has no problem with unobtrusive mic stands, but the venue may.
BA may be dependent on venue too.
Allman Brothers Band <Macon, GA> (a) If you ever have problems getting
your equipment in the door, tell security that Kirk West,
their road manager, has given you his personal permission to
tape. If they still give you a hassle, demand that they call
him on the walkie-talkie and he'll personally help you out.
Check out their website at:
"http://www.netspace.org/allmans/homepage.html"
All Mighty Senators <Baltimore, MD> (a,v,BA) For BA and v, arrive early
and ask Frank, their soundman, for a patch for BA. Check out
their new web site at: "http://www.clark.net/pub/senators"
American Horse <Dallas, TX> (a,BA) DAT BA OK, no video. This new band
is comprised of the remaining members of Jackopierce.
Amos Moses <Baton Rouge, LA> (a,BA), but ask early if you want BA.
Anal C*nt <?, MA> (a,v) They allow (d)aud and video, but don't have their
own soundman, so BA is not a sure thing. Beware, if the singer
is in one of his famous drunken blackouts, stay away from him.
Ancient Harmony <Atlanta, GA> (a,v,BA) This Allman Bros influenced jam
band encourages high quality taping of their shows and welcomes
newbies too! Board access is a possibility so get there early.
Speak to Hal M. ,the keyboardist,if you have any questions, and
make sure the band gets a copy of your DAT, Cassette or Video.
Their website is at: "http://home.rose.net/~gk108/ahpg.htm"
Anders Osborne <New Orleans, LA> (a,BA?) taper friendly. His new band
includes Kirk Joseph, Mark McGrain, Carlo Nuccio, Theresa
Andersson and of course, Anders himself. The band's policy
is "anything goes." If the soundman gives you a hard time,
tell the road manager: "Ruth (the manager) said to help me
get set up, when you have a chance." Any copies are greatly
appreciated. Send them to: Anders Osborne, P.O. Box 791324,
New Orleans, LA 70119.
Anders Parker <NYC> (a,BA) He is cool with aud and BA taping and wil=
l
want a copy as well.
Angie Aparo <Atlanta, GA> (a,BA) audience taping, mic stands OK. He
loves tapers! His mic is super hot, so attenuators are needed.
The Apples In Stereo <Denver, CO> (a) They encourage daud taping, with BA
being venue dependent but possible if you get there early. All
they ask is that you send them a copy.
Apricot Jam <Portland, OR> (a,v,BA) They allow audio and video taping,
and also allow soundboard patches whenever possible. In fact,
they *highly* encourage tapers of any kind (DAT, ana, SVHS, video,
etc.) to come to their shows. Their soundman is named Dave Hall
<dav_hal@hotmail.com>, and if you show up early enough to talk
with him, it'll make it easier to deal with the technical details.
Copies for them are not required, but they very much appreciate
any copies which come from taping their shows. For more info,
email Joshua at <webmonster@apricotjam.com> or Lew at
<ajlewi@beeline.nm.org> or check out their webpage at:
"http://www.apricotjam.com/"
Apt.. Q-258 (Jeff Sipe) <Atlanta, GA> (a,v) They encourage DAT taping!
Aquarium Rescue Unit <Athens, GA> (a,BA) They now allow SBD access again!
Aud taping is still very much allowed. Their manager's name is
Paul Easton. Their webpage is: "http://www.netspace.org/aru"
Archers of Loaf <Chapel Hill, NC> (a,v,BA) They'll let you tape them
with mics, video from the board if you send them a copy.
Arlo Guthrie <?> (a) At his official website, he says he allows taping,
short of bringing a soundtruck to the show. His website even
has a tape traders' board. Check it out at:
"http://www.arlo.net/forums/board.cgi". His main page is:
"http://www.arlo.net"
*Athenaeum <Greensboro, NC> (a) Relatively taper friendly, or at least
their engineer is. Former house man at Amos' in Charlotte, NC;
however, since the recording contract with Atlantic took
effect, no BA is permitted: Mic's only. Gerry, their engineer,
can be very helpful. You can reach him at <gerry@athenaeum.net>.
Stands OK.
AWARE TOUR <?> (a) The bands that make up this tour, especially Pat
McGee, are reported to be aud taper friendly, but their attitude
toward BA and video is uncertain. More info is needed.
Babe The Blue Ox <Brooklyn, NY> (a) Talk to them early and you may get
BA.
Backsliders <Raleigh, NC> (a,BA) They allow you to tape them from the
board or with mics if you send them a copy. Their video policy
needs clarifying.
*Bake McBride <Minneapolis, MN> (a,v,BA) Now (12/98) defunct.
Beausoleil <?> (a) They recently allowed folks to openly tape them at
a free festival (Taste of DC Festival). More info is needed
because a couple of years ago Michael Doucet was reported to
be quite anti-taper.
Bela Fleck & The Flecktones <Nashville, TN> (a) but it depends on the
venue; talk to the soundman before the show. He will usually
ask you to set up near the soundboard or at the back of the
hall. NO BA! For more info, email to <flecktones@aol.com>.
Bela and the bass player often thank those who tape them.
*Belizbeha <Burlington,VT> (a,BA) Chris Cate is no longer their tour
manager/FOH engineer, but the band is still open to taping.
Belizbeha's new road manager is Chris Cassidy, a real nice
guy. They presently have no soundman. Their website is:
"http://www.belizbeha.com"
Ben Folds Five <Chapel Hill, NC> (a) audience taping OK, DAT aud OK.
NO mic stands. NO video. Apparently, the previous contact email
address I was given for Doug Goodman, their tour manager, is
wrong. Please inform the list if you know it. BTW, if security
hassles you at the venue, ask to speak to Doug.
Better Than Ever <?> (a,BA)
Bevis Frond <London, UK> (a) Nick Salomon, one of the band members, likes
tapers. BA may be possible.
Big Ass Truck <Memphis, TN> (a) Aud DAT OK, board discouraged.
Big Blow & The Bushwackers <Salisbury, MD> (a,v) The allow you to tape
them provided that you swap names, addresses and phone #s
beforehand and then send the band a copy. Check out their
web page at: "http://www.intercom..net/local/music/" For more
email Ted Porter at: <tporter@shore.intercom.net>
Big Chicken <Portsmouth, NH> (a,BA) video? They are very pro-taping
and give out DAT board patches at practically every show. For
more info, contact their soundman, Brian, at <bvg@hopper.unh.edu>.
*Big Head Todd & the Monsters <Boulder? or Denver?, CO> (a) They allowed
open mic stand taping at several Spring 1998 shows, and their
engineer gave the tapers copies of his setlist, so taping does
appear to be permitted. No board access. Video is almost
certainly prohibited. Photography uncertain.
The Big Wu <Minneapolis, MN> (a,BA) They allow aud DAT, board patches
and SBD/mic mixes out of archivist Paul Hagen's DA-P1.
Bill Miller <?> (a) This native-American singer/songwriter not only
allows daud taping, but encourages it. His SBD policy is
unknown. He's a very open and nice guy. His web page is at:
"http://www.billmiller.net"
Black '47 <NYC> (a,BA) Their lead singer, Larry Kirwin, encourages
taping. Get permission in advance for aud or BA. Talk to the
soundman at least a half hour before the show and promise them
a copy in return.
Black Crowes <Atlanta, GA> (a) Taper fiendly band that encourages their
fans to audio record any performance from their seat for
personal, non-commercial, home use. The band does a good job of
informing the venues of this policy. Analog\DAT\consumer\pro
equipment are welcome, although mic stands have been venue
dependent on the recent tour. No SBD access, so bring your mics.
Under no circumstances is power available. Please stay out of
the way of the crew at all venues, and respect those around you
so that everyone has a good time. In particular, please do not
set up mic stands directly in front of the soundboard. If you
see someone setting up a stand right in front of the board,
please educate them kindly. For further info, check out their
web site at: "http://www.tallest.com/" which includes info about
the bootleg exchange, tour dates, how to subscribe to their fan
club, and a message board for tape trading.
Blindman's Holiday <Ithaca, NY> (a) This band no longer exists as of
12/96.
Blissninnies <Santa Cruz, CA> (a,BA) DAT aud OK, for BA, ask early. They
are very cool about folks taping them. One of the band members,
Nick, contacted me and said "people are welcome to tape us
anytime." You can contact Nick at <mooshie@earthlink.net>
*Blonde Redhead <?, New York> (a) Ask for audience recordings as they
are into the lo-fi sound. Video? Mic stands?
Bloodkin <Athens GA> (a,BA) They are flattered by folks doing daud tapes,
and have no problem with BA, as long as its under their control.
If you run into any problems with the venue, insist that they talk
to Danny Hutchens (lead singer) or Eric Carter (lead
guitar), who will help smooth over any problems. They will be
tickled pink if you offer to forward them a copy of the show.
*The Blotter Boys <?> (a,BA)This band, made up of Vassar Clements, Buddy
Cage (New Riders of the Purple Sage), Sammy Piazza (Hot Tuna),
and Boyd Albrition (Quicksilver Messenger Service) allow board
access and DAUD.=20
Blue Dixie <St. Louis, MO> (a,v,BA) They allow all forms of taping,
including DAT BA and video BA, but get there early.
The Blue Dogs <Virginia Beach, VA> (a,BA) mic stands OK, DAT BA OK.
Features Doug Wannamaker formerly of Indecision and the Gib Droll
Band.
Blue Honey <Portland, OR> (a,BA) They are VERY open to taping and
encourage it at their shows. They allow BA, but since they have
no definite soundperson, you should ask first. If Andrew is
running the board, DAT BA is definitely welcome. They also
welcome AUD and AUD/BA mixes, but cannot always provide a matrix,
so your own gear may be necessary. The band would be very
grateful for a copy of the show, DAT or analog, so they can
continue their archiving effort. If you have any questions, you
can email Andrew at <ajn@mngi.com> or <ajnelson@scf.usc.edu> or
Blue Honey at <bluhoney@teleport.com>.
The Blue Meanies <Chicago, IL> (a,BA) As you may have noticed, there
are two bands called "The Blue Meanies," one from Canada and the
other from Chicago, IL. The web site for the Chicago band is at:
"http://www.soundz.com/bluemeanies/"
The Blue Meanies <Winnipeg, Canada> (a,BA) They just signed a
new record contract, so their taping policy may change. Check
out their web site at:
"http://www.mbnet.mb.ca/freepress/MEANIES.html"
Blue Miracle <College Park, MD> (a,BA) At the Groovefest in Columbia,
MD on 5/24/98 they allowed DAT BA. Talk to them before the show
and send them a copy afterwards.
Blue Mountain <Oxford, MS> (a,BA) For BA, talk to the band early.
Blues Old Stand <Montgomery, AL> (a,BA)
Blues Traveler <NYC> (a) They allow daud taping, but not video or BA.
A recent fiasco with a video-taper has caused them to be wary
of board patches. Bo Mahoney, their new soundman is a nice guy
and will help you all he can. The practice of the soundman
approaching you and allowing a board patch has been suspended
indefinitely. If you have any trouble with the venue security,
ask to talk to Bo Mahoney, their soundman and he'll help you.
Blue Yard Garden <?> (a,BA) They are open to BA and daud. Their
Webpage is: "http://www.blueyardgarden.com". For further info,
contact their manager, Jay Zutant at <BYG@worldnet.att.net> or
301.881.2621/301.257.2263.
The Bobs <?> (a) DAUD OK. Video and SBD policy unclear. They've been very
friendly toward tapers in the past may even joke with you about
splittin' the profits. Good natured folks.
The Bohemian Swingers <Tampa, FL> (a) They will generally allow aud
taping, but ask first.
Boiled In Lead <Minneapolis, MN> (a) Ask for permission, you'll probably
get it. They're likely to want a copy of your tape.
Bottle Rockets <Festus, MO> (a) No more BA since signing w/Atlantic.
Bourbon Tabernachal Choir <Toronto, Canada> (a) mike stands OK. No BA.
For more info, see http://204.255.2335/ or email Jon Lay at
<jon@shift.com>.
Box Set <San Francisco, CA> (a,BA) BA depends on venue and situation.
Their sound engineer, Jason, sets up a real sweet mix for you.
Expect two sets, two 60 meter tapes or one 90meter per show.
Brad <Seattle, WA> (a) This band, made up of members from Pearl Jam and
Satchel, has no problem with you taping them, but venue
restrictions may apply. No BA.
*Brian Setzer Orchestra <?> (a) Although their official taping policy
has yet to be clarified, a fellow DAT taper was able to daud
tape them and trade the tape with BSO's soundman, who seemed
genuinely pleased that he taped them. Further info is needed.
Brides of Jesus <?> (a) They encourage taping. You can visit their site
at "http://www.communique.net/~bojfunk"
The Broadways <Chicago, IL> (a,BA) DAT OK. This is one of the two new
incarnations of Slapstick, who broke up in 2/97. The Slapstick
webpage is: "http://icarus.uic.edu/~mvyenil/slapstik.htm"
Brother Thump <Philadelphia/Manayunk, PA> (a,v,BA) DAT BA OK. Taping is
encouraged. Just show up and they will accomodate you. Speak
to Mike Sanfosso (lead guitar) or Jordan Marion (guitar tech/
roadie). Kim Kline, the person in charge of their mailing list,
will also relay messages to the band for you. Check out their
website at: "http://www.ikonman.com"
Broun Fellinis <San Francisco, CA> (a) Possible to get BA, talk with
their soundman, Kount Yansurak before the show. For more info,
email to Keith Yansurak at <yansurak@chromatic.com> or
<jandb@slip.net>.
Brown <Tom's River, NJ> (a), BA if soundman is in a good mood
Bruce Hornsby <Williamsburg, VA> (a,BA) Even at small gigs, you can
often get aud and BA. The soundman typically turns down the
first few who ask for patches and then gives in. They
generally allow mike stands and DAT aud too. Bruce's board is
super hot, so come prepared with several attenuators.
BR5-49 <Nashville, TN> (a) Taper friendly band that allows audience
taping of their performances. DAT ok, mic stands ok, no SBD
access. If you encounter a problem with the venue, ask to
speak with Adam (their Tour Manager) and he will inform
security. The band always does a meet & greet after their
shows, and love to get copies of past performances. For more
information, check out their website at:"http://www.br5-49.com/"
which includes info about tour dates, how to subscribe to their
fan club, album notes and show reviews.
Bucket <Louisville, KY> (a,BA) They are cool about taping.
Burlap to Cashmere <Brooklyn, NY> (a) DAUD OK, Video and SBD policy
unclear. They're really friendly folks; ask permission and
you'll probably get it.
Burning Airlines <Washington D.C.> (a,v) BA? Please send them a copy
of your tape.
Butterscott <Boston, MA> (a,BA) They like to be taped, but ask Mikey
Dee or Jonathan Scott first; they'll want a copy.
Cacklefruit <?> (a,v,BA) They encourage all types of taping. BA may be
venue-dependent. For further info, email to
<cacklefruit@mindspring.com>. Their website is at:
"http://www.mindspring.com/~rbricker/cackle.htm"
Cartoon Mary <Nyack, NY> (a) This new all original project, consisting
of Joe Pascarelle (lead guitar and vocals for The Machine)
debuted at the wetlands on Aug.20,1998 They allow aud taping.
Their BA policy is uncertain, but if you get there early, ask
the soundman nicely and have all the correct connectors (usually,
rca cables with rca>1/4" unbalanced for the -10db patch + other
connectors) you may get lucky. The band would appreciate copies.
As always, venue restrictions may apply.
Catfish Jenkins <?> (a,v,BA) have changed their name to "Pop Cycle" See
below.
Calobo <Portland, OR> (a,BA) DAT BA OK! For more info, their NEW URL
is: "http://www.calobo.com/", call (503) 342-7743,
write to: 8948 SW Barbur Blvd., Suite 141, Portland, OR 97219
or email to: <DCarson699@aol.com>.
Cardinal Woolsey <NYC, NY> (a,BA) Talk to Kris Woolsey.
Carpetbaggers <Mpls, MN> (a) BA a possibility if you talk to them first.
Caution Jam <Toronto, Canada> (a,v,BA) DAT OK. At least one member of
the band is an avid taper himself.
Chan Marshall (of Cat Power) <Seattle, WA?> (a,BA) When a fellow taper
recently asked her if he could tape her, she asked, "what for?"
When the taper answered "to listen to", she laughed and said,
"sure, no problem," and gave him a board feed. Your mileage
may differ.
Chaos Theory <San Jose, CA> (a) Jeff DiBartolomeo, their vocalist, has
no objections to fans taping their shows, but asks that you
please talk to him or someone in the band before setting up your
equipment.
*Charlie Hunter's Pound For Pound <NYC> (a) With his latest band, Pound
For Pound, Charlie Hunter has been allowing daud taping more
openly than in the past. He appreciates the interest from
the taping community and only asks that you don't bug the band
or sound crew for a board tape or bother them while doing
their job. He doesn't mind if you make your own audience tape
of them and trade it with other tapers, but no money should
change hands. They also ask that you be considerate and
discrete while audience taping. The last request Charlie has
that if you do tape him, please send him a DAT clone (or
cassette if no DAT was used) at this address: Charlie Hunter
Online, 348 Chestnut Street, San Francisco, CA 94133
His official website is at: "http://www.charliehunter.com".
Charlie Mars Band <Athens, GA> (a,v,BA) They allow all forms of
taping, just talk to the band early, especially Andy Sample,
the bass player, and he will help you out anyway possible!
Chelsea On Fire <Cambridge, MA> (a,BA) Talk to soundman Monte McGuire.
Chief Broom <Boulder, CO> (a,BA) They allow any kind of audio recording
you want, including DAT BA. For further info, contact Erik
Larson, a dedicated taper of theirs, at <tralfaz@qadas.com>.
Chills <Dunedin, New Zealand> (a,BA) For BA, first clear with Martin
Phillipps, who will want a copy.
Chris Duarte Group <Austin, TX> (a,v,BA) Very taper friendly, but always
ask first, especially if it's the first time you're taping them.
Fans are asked to send copies to the band's archives at CDG Fan
Club, P.O. Box 31516, Aurora, CO 80041. If you include an SASE,
they'll send you a comparable sounding tape in return.
Chris Leblanc Band <Baton Rouge, LA> (a,BA) for BA, ask Chris Leblanc
early.
Chris Whitley <?> <a,v) No BA, but they and their record label have
declared a very open taping policy with respect to aud recording
with DAT or analogue and video. Check out their website at:
"http://phpad.com/whitley/home.htm". Their record label website
can be found at: "http://www.messengerrecords.com". For further
questions, email David at <webpromote@sprintmail.com>.
Citrus <Chicago, IL> (BA) They broke up in March, '98
CIV <?, USA> (a,v) Talk to the soundman or the singer. May ask for a
copy.
Clan Dyken <Sonora, CA> (a) No BA. Unobtrusive mic stand. DAT aud OK.
Talk to Mark Dyken (drummer) or Bear Dyken (guitarist/vocals)
BEFORE taping.
Claw <Baton Rouge, LA> (a,BA) ask early for BA.
Clawhammer <Los Angeles, CA> (a,v,BA) Their soundman, Chris, has been
setting up a mix on two auxs to record onto his minidisc
recorder. Be sure to have a 1/8" stereo >1/8" stereo cable, as
well as a two RCA Y cables with one plug and two jacks. Open
video taping is venue-dependent.
COLD <Jacksonville, FL> (a,BA) video? BA may not be available at the
smaller venues. They are currently touring with Limp Bizkit.
*Colonel Bruce and The Fiji Mariners <?> (a,BA) They now allow soundboard
access.=20
The Connells <Houston, TX> (a) BA possible if you get there early and
if the soundman is in a good mood.
Cool Water Canyon <Santa Barbara, CA> (a) They are very cool with taping.
They appreciate a DAT clone if possible. Venue restrictions may
apply.
Corky Siegel's Chamber Blues Band <Chicago, IL> (a,BA) They allow taping
provided the venue doesn't object. Their soundman, Terry, will
give you a board patch if you get there early enough. Same
policy for the Siegel/Schwall Band.
*Cowboy Mouth <New Orleans, LA> (a) Audience-only taping encouraged.
Their engineer, Chuck Keith, once did sound for Jackopierce and
is a relatively taper-friendly guy. Stay out of his way, get
there early, and ask for his address to send him a copy. Be
prepared to provide your own power, but he may help when
possible. Shows run around 2 hours. Taper emptor!
Craw <Cleveland, OH> (a,v,BA) BA depends on venue and how good the board
is. They also allow video.
Crazy Alice <Boston, MA> (a,BA) They'll probably ask for a copy.
Critters Buggin' <Seattle, WA> (a,v,BA) Their drummer, Matt Chamberlin,
was the second drummer for Pearl Jam. They are very pro-taping.
Their sax player, Skerik, has gone on record as saying that they
have no problem with BA, but check with the soundman first. If
the board is substandard, they prefer not to give out BA. Also,
they are very happy to get a copy of the show, so please send one
to them. The name of their soundperson is Melanie (Mel) Detmer,
who openly allows all taping, but you must ask Mel early for BA.
The Cure <?> (a?) The band has apparently said in interviews that they
don't mind folks taping them, but they never inform the venues of
this mindset, so its stealth or nothing.
Curious Ritual <Malden, MA> (a,BA) Talk to Sean O'Brien.
*Currently Nameless <Burlington, VT> (a,BA) They are very taper friendly
and allow board patches on a first come, first served basis.
Their soundman is Eric, who is a great guy and will always
accomodate a DAT-Head. Board patches are dependent on the
venue's equipment and will usually be run out of Eric's DA-P1.
Daddy Longlegs <?, MI> (a) They encourage taping. BA and video are
decided on a show-by-show basis and must be OKed ahead of
time. Aud taping is always allowed. Mic stands are permitted
but please show the courtesy of not putting it right between
the soundman and the band. DAT OK. Their website is:
"http://daddy.longlegs.com"
Dah-veed <Austin, TX> (a,BA) ask early for BA.
Dan Bern <?> (a,v,BA) DSBD and DAUD OK. He has given permission on
several occasions for video, DAUD and DSBD taping. Your best
bet is to contact his management in advance as they are aware
of his permissive stance, and will go out of their way to help
out. His webpage is found at: "http://home1.gte.net/danbern/"
The Dance Hall Crashers <Berkeley, CA> (a,BA) DAT OK.
The Dark Horses <St. Louis, MO> (a,v) DAT aud and video are usually OK.
Check first by emailing Randy, their webmaster at
<700083@fs3.law.missouri.edu>. Their webpage is at:
"http://www.thedarkhorses.com"
Darlahood <?> (a) They believe the music is meant to be shared. Check
out their website at: "http://www.darlahood.com"
Dave Matthews Band <Charlottesville, VA> (a) No BA. No video. Mic stands
OK. DMB's stance on taping is the following: the band supports
taping, the sound people have instituted a taping section at many
west coast venues and are working on setting one up at all venues
in the near future. Right now though, it's a transitional period.
Unless it's a rare non-taping event, you may still record from
anywhere in the venue--even when there is a taper section
designated. Most tapers tickets can only be purchased at the box
office and many are obstructed view seats. At some venues,
there's a special entrance for those with tapers tickets. It's
a good idea to call before you get there and get the scoop. Make
sure to get the name of someone in charge at the amphitheater so
that if there is a problem, he/she can be called and you can get
in without the hassle. This taping policy holds true for Dave and
Tim shows too. Their website can be found at:
"http://www.dmband.com"
David Crosby <?> (a) David Crosby has recently been saying (in online
discussion groups) that he encourages aud taping, trading and
treeing of his shows, as long as no ones profits off it.
David Gans and the Broken Angels <Oakland, CA> (a,BA) DAT & mic stands
OK. BA is sometimes available, depending on the venue and the
sound person. They play now play once or twice a month at the
Ashkenaz, 1317 San Pablo Ave., Berkeley, CA. Their new website
can be found at: "http://www.trufun.com/angels/broken.html"
David Grisman Band <SF, CA> (a), No BA! Larry Cummings, their soundman,
prefers that you be subtle while taping. Its best to contact
the venue 3-4 days before the show to confirm that there's no
venue prohibition of taping.
*David Nelson Band (of the original New Riders) <?> (a) BA often
possible if you get there ahead of time and speak to Mookie
(keyboards) or Steve or Tim, the bands sound techs.
Day By The River <Athens, GA> (a,v) DAT OK. Ask their new manager,
Andy, about a board patch. If the venue has a nice board and you
won't be in the way, he'll generally agree. They'd appreciate
a copy, so get their address from Andy before the show. Check
out their website at: "http://www.daybytheriver.com/tapers.html"
*DayInTheLife (Yes one word!)<NYC> (a,v) BA is possible, but venue-
dependent. Talk to the band or tour manager.
Deep Banana Blackout <?, CT> (a,BA) DAT BA OK, DAT aud OK. Their video
policy needs clarification. Check out their website at:
"http://www.deepbananablackout.com"
Deloris Telescope <St. Petersburg> (a)
Delta Hurricanes <Memphis, TN> (a) They love folks to tape them and
encourage you to daud tape rather than BA, which often sounds
worse. Their sound engineer is Rhonda, who is very nice and
helpful. She allows BA depending on the quality of the board.
DemBoyz <Indianapolis, IN> (a,v,BA) This reggae band encourages taping
of all kinds and gives out BA whenever possible. See their
website at: "http://www.iquest.net/~dbudzak" For further info,
contact their keyboard player, Doug, at <dbudzak@iquest.net>.
Derek Trucks Band <Atlanta, GA> (a,v,BA) The doesn't mind folks
taping their shows, but they would REALLY like to get a copy
of their shows. To date, no one has given them a copy.
*Dial-7 <?> (a) The bassist and lead guitarist of this metal/rap/reggae
band said that they didn't care if folks tape them, but they'd
like to hear the tape. Their video and SBD policies are unknown.
Dire Straits <London, UK> (a) This was officially announced by their
management company, Damage Management. It is assumed that Mark
Knopfler solo concerts are also OK to tape. Please confirm.
Especially in Europe, venue/country law restrictions may apply.
Disco Biscuits <Philadelphia, PA> (a,BA) They are cool about aud and BA,
and their soundman, John Lesser, is very accomodating and will be
happy to set you up with a DAT SBD patch. Their website is at:
"http://www.discobiscuits.com/"
Don Caballero <Pittsburgh, PA> (a,v) They are cool with aud and video
taping, occasional BA if you get there early. Please send them
a copy of your tape.
The Donna Jean (Godchaux) Band <?> (a,BA) They have been allowing aud
and BA, DAT and ana, at their recent shows.
Donna The Buffalo <Ithaca, NY> (a,BA) Soundman's name is Tomas
(pronounced to-MAS). Taping encouraged, but BA may depend on
venue. Arrive early. Permission may be required to use DAT.
Check out their website at: "http://www.donnathebuffalo.com"
or contact their archivist Tim at <Tim@RockBass.com>.
The Doughnut Prodjekt <Buffalo, NY> (a,v,BA) DAT everything OK,
depending on the venue. All they ask is that you don't hassle
the venue soundman if he says no and that you don't block others'
view if you bring your mic stand. Send them a copy and talk to
Daiv after the show if you can. Email him at
<x-jiff-x@geocities.com> if you have any questions or want to tape
them. They love tapers.
*Doxy's Kitchen <Chapel Hill, NC> (a,BA) Now (12/98) defunct.
Dr. Didg <Cambridge, UK> (a,BA) They are *very* open to daud taping and
usually to BA too. Just ask for Graham Wiggins (the Didg player)
before the show and let him know you'd like to tape. He'll
approve a board feed, but will (of course) want you to send him a
copy. The band is very pro-taping.
Drivin' n' Cryin' <Atlanta, GA> (a,BA) Mic stands OK. BA needs to be
cleared first with either Warren, the road manager, or Bill, the
soundboard operator. If further questions, contact Todd, the
fan club manager at <Pruta@aol.com>..
*Ebeling Hughes <Detroit, Michigan> (a) They allow daud taping; their
video and sbd policies are unknown.
Echolyn <Philadelphia, PA> (a) if you ask before the show.
Eddie From Ohio <Arlington/Alexandria, VA> (a,v,BA) Talk to Bob
McNichols, their soundman, and he'll set you up. He's one of
the nicest guys out there. Check out: "http://www.efohio.com"
*Edwin McCain <Atlanta, GA> (a,BA) The latest word (12/98) from their
webmaster is that board taping is again possible, but it is
doubly important to be at the show EARLY! Ask to speak to
Phillip (the soundman) or Edwin himself, who is sympathetic
to taping. Mic stands are OK as long as they don't obstruct
others' view. Bring your own power. Check out his website at:
"http://www.edwin.com"
*Eek-a-mouse <Los Angeles, CA> (a) After a good deal of pleading, the
manager said he had to get Eek's permission. The manager even
said "you guys have quite a community" so he does know about
taping. Eek was OK w/DAUD, and actually gave me the sweetest
spot in the house. The only condition was that I give them my
master and my address. To date I haven't got my DAT back.
The key here is to bring two decks. There are also many Eek
SBD/AUD going around.
Ekoostic Hookah <Columbus, OH> (a,BA) they allow both audience and board
access. However, board access is only allowed when the venue is
large enough for a decent mix to be possible and this is at the
discretion of Bill, the sound engineer. Everyone is welcome to
a board patch if Bill thinks it will come out well. Check out
their homepage at: "http://www.ekoostik.com/".
Elderberry Jam <Portland, ME> (a) DAT OK. They may give out a board
patch, or video, if you ask early. Their new website is:
"http://www.envelopment.com/users/eberry"
Electric Woodshed <Blacksburg, VA> (a,BA) DAT BA OK!
Elements <Baton Rouge, LA> (a,BA) DAT OK. Talk to Sam Staub.
Emmet Swimming <Fairfax, VA> (a) If you talk to Tamer (the drummer)
or Andy (the road manager), BA may be allowed if the soundman
is cool. The band will want a copy of your tape if Tamer
doesn't tape it as well.
Entombed <Stockholm, Sweden> (v)
Eugene Chadbourne <Greensboro, NC> (a,BA)
Everything (logo =3D e: with a circle around it) <Woodville, VA> (a,BA)
They encourage fans to tape them and trade tapes. BA usually
available if you get there early and talk real nice to Ryan
Nichols, their sound engineer. No video taping allowed.
According to Randy Reed, the manager of the band, it's OK to use
a hi-fi VHS deck to record the audio signal. AC power is usually
available, but in limited quantity. For more info, check out
their website at: "http://www.ecolon.com"
*Failure <Los Angeles, CA> (a,v,BA) They allow audio, video & BA taping.
Fancy Lizards <Indianapolis, IN> (a,v) DAT aud OK. BA possible at
right venue. Their new home page is:
"http://www.fancylizards.com"
Farid Haque Quartet <Chicago, NY> (a) They recently opened for Gary Lucas
and the Charlie Hunter Quartet and allowed aud taping then.
Please report back re: their taping policy on their own, as well
as their BA and video policy.
*Farmer <LA, CA> (a,BA) Now (12/98) defunct.
Fat Cats <Guelph, Ontario, Canada> (a) DAT OK. Mic Stands OK.
Fat Mama <?> (a) Daud OK. Video? BA? Mic stands?
*Fear Factory <?,CA> (a,v) They allow audio and video taping, but be
sure to talk to the band beforehand. They are pretty good
about boards but that depends on who they are touring with.
*Fuel <?> (a,v) During their early '97 tour, they were allowing taping but
they are on Sony now, so ask ahead of time.
FFudd <Bloomington, IN> (a,BA) BA encouraged! However, don't ask the
soundman; ask Drew, the recording tech. He usually offers
board/room mic mixes.
Figgs <Albany, NY> (a,BA) For BA, check with Guy Lyons first.
Fighting Gravity <Richmond, VA> (a)
*Fiji Mariners <Atlanta, GA> (a,BA) See http://www.fijimariners.com
*Fishbone <Los Angeles, CA) (a,v,BA) Talk to Angelo Moore, the Lead
singer and between shots of Jagermeister will get you set up.
Flamin' Harry Blues Band <Philadelphia, PA> (a,BA) Mic stands OK, as
long as they don't get in the way. BA with contact prior to
the show; email to <blueta2@enter.ent> for such permission.
If you get there early, talk to Jeff Krause, the road manager,
or sit near Greg, "the mad taper" at the show. DAT OK. Snail
mail at McGonigal Music and Art Studios, 531 Chestnut St.,
Perkasie, PA 18944 (215) 257-1006
Flat Duo Jets <Chapel Hill, NC> (a) Ask first. Occasional BA too.
Ask for Crow, the drummer.
Fly Fantastic <London, Ontario, Canada> (a) This band, who was very
pro-taping, is reported to now be defunct.
Flying Mice <Chapel Hill, NC> (a), BA if venue's soundman is willing.
Fool's Progress <Boulder, CO> (a,BA) Formerly Acoustic Junction, their
taping policy is to allow aud and DAT BA, but you have to talk to
the soundman early for the latter.
Foxtrot Zulu <Ashaway, RI> (a,v,BA) They allow all taping at their shows,
just get to the venue early for BA. The band would appreciate a
copy, so talk to someone at their merchandise counter to get the
address.
Freakopotamus <Columbia, SC> (a) Ask about video and BA early.
The Freddy Jones Band <Chicago, IL> (a) No SBD patches are allowed, but
mics are welcome. Check out their website at:
"http://www.rockweb.com/bands/freddy-jones/index.html".
Friends of Dean Martinez <?> (a,BA) Will want a copy.
*From Good Homes <Sparta, NJ> (a,v,BA) DAT OK. They are still really
cool about taping. One of their friends, John, usually runs a
nice-sounding SBD/AUD mix that you can usually get a patch
from if you get there early enough. If John is not there, Rob
will generally give out a straight SBD patch, but not always.
Bring all the appropriate cables and adapters. Mic stands and
AUD taping is always allowed. If a venue's security ever
stops you, ask them to check with the band (this could mean
with Cal, or any of the band members, especially Todd, who's
gone to bat for tapers numerous times and is a great guy).
Rob Calabrese is still their soundman. If running dat, use
a 90 meter. Many times they play one long set of 120-140
min. Bring extra batteries. http://www.fromgoodhomes.com/
Fugazi <D.C.> (a,v) but no tripods allowed. They ask that the video-
tapers congregate at the rear of the venue.
Fungus <Pittsburgh> (a,v)
The Further Festival (Ratdog, Mickey Hart's Mystery Box, Bruce Hornsby,
Los Lobos and Hot Tuna) <San Rafael, CA> (a) official taping
section on lawn. FOB taping generally tolerated as long as you
are discrete and don't affect anyone else's line of sight. For
more info, check out their web page at: "http://www.dead.net"
Fuzzy <Boston, MA> (a) Sometimes allow BA; talk to Winston.
G. Love and the King's Court <Philadelphia, PA> (a,BA) Expect most
shows to run around 2hrs (not three) with no break.
G. Love (and Special Sauce) <Philadelphia, PA> (a,BA) Expect most
shows to run around 2hrs (not three) with no break. FYI,
G. Love is cool about taping, but sometimes don't inform the
venue, soundguy, or even their own crew! If you're persistent
and can get the venue manager to ask one of the band members,
they'll usually back off and let you tape.
Galactic <New Orleans, LA> (a,v) No BA on current tour, just (d)aud and
video/pictures. For video, contact Dan Prothero ahead of time, at
Fog City Records; his email address is <fogcity@fogworld.com>.
They do ask for a good copy of the show if you tape them. To date,
they have received very few copies, so folks, please keep up your
end of the bargain and send them a copy! Their website is at:
"http://www.fogworld.com/galactic" Their tape trading page is at:
"http://www.fogworld.com/tape" Their next gig listings are at:
"http://www.grooveguide.com/galactic" The Galactic Setlists
Archive is at: "http://www3.pgh.net/~sgilmour/gset.html"
You can join the Galactic Syncopage at:
"http://www.fogworld.com/galactic/listserv"
Galactic Cowboys <Houston, TX> (a,v) They allow open video as well as
audio recording. The sometimes even allow you to get up on
stage with them and video tape them. However, no BA.
Gals Panic <Austin, TX> (a,BA) ask early for BA.
Gary Gates Band <Santa Cruz, CA> (a,v) No BA. Band encourages taping
and trading.
Gary Lucas (ex-Captain Beefheart's guitarist) <NYC> (a) inconsistent BA.
The Gathering Field <Pittsburgh, PA> (a) Occasional BA, but analog only.
The soundman, Brian, is nice, but very against DAT BA.
Gene <Watford, England> (a) Althought they can't guarantee you'll be able
to get your equipment in the door, they encourage aud taping and
ask you to send a copy to: Automatic Publicity c/o Jerry Smith,
3 Wansdown Place, Fulham, London, England SW6 1DN
Geraldine Fibbers <San Francisco, CA> (a,v,BA) For any sort of visible
taping, talk to Si (pronounced 'cye'), the soundman, or
Bill, the bassist, who often works at the merchandise booth,
during the soundcheck (5-7pm).
Gibb Droll Band <VA Beach, VA> (a,BA) Devon is no longer their soundman,
but Gibb himself is very cool about aud and BA, just talk to him
before the show. He really appreciates it when folks send him a
copy afterwards.
Glenn Hughes <?, USA> (a,v) Get to the venue early and talk to the
soundman, Glenn. He also collects videos of the band.
Glenn Phillips Band <Atlanta, GA> (a,BA?) Aud taping allowed, more info
needed on their BA policy.
Godrays <Brooklyn, NY> (a) Talk to Phoebe or Alex.
*Godspeed You Black Emperor! <Montreal, Canada> (a,v) They will allow
anything audience. Ask for dave, one of the guitar players.
God Street Wine <NYC> (a,BA) ana BA, no DAT BA. You no longer have to
flip when the soundman flips; the band is now taping their shows
on two SV-3800s. Check out their webpage at:
"http://www.netspace.org/gsw".
Goldfinger <Los Angeles, CA> (a) DAT BA possible if you contact the band
ahead of time. It seems to depend on the manager's/soundman's
mood at the time.
Gong <London, England> (a)
Gordon Stone Band <Burlington, VT> (a,v,BA) DAT OK. Mic stands OK.
All taping is encouraged. Their publicist, Pete Gershon, has
posted to DAT-Heads asking tapers to come to their shows and tape
them. Check out their URL at: "http://www.gordonstone.com".
Gov't Mule <Macon, GA> (a,BA) They enthusiastically encourage daud
taping and they allow mic stands. The band generally does not
allow SBD patches, simply because they don't believe the tapes
will sound as good as coming off high-quality mics. Their deal
with Capricorn Records has NOTHING to do with their taping policy.
Like the band ZERO, they run a permanent tape tree, with both DAT
and analog branches, with several SBD seeds. This is done on the
fan email list, run by Karl Kubicza at <memphiskat@aol.com>.
Their soundman's name is Brodie. Their website is:
"http://hmt.com/music/GM/index.html"
Grant Hart <St. Paul, MN> (a,v,BA) Allows BA after you get to know him.
Grant Lee Buffalo <LA, CA> (a) Cautiously taper-friendly (no see/no
enforce) but BA is out since they signed with Warner Bros.
*Gran Torino <Knoxville, TN> (a,BA) They allow aud taping and usually BA
too. Video policy? For further info, email <GTORINO@aol.com>.
The Grapes <Atlanta, GA> (a)
Gravel Pit <Boston, MA> (a,BA) Check with Ed or Jed for BA.
Great White <Hollywood, CA> (a,v) Michael Lardie, one of the band
members, has stated that the band encourages everyone to bring
their DAT recorder and video camera to their concerts. However,
it is unclear if this is an official policy or not.
Greg Brown <?> (a,BA) DAUD, DSBD OK, video policy unclear. Probably best
to ask regardless, but he granted access recently indicating
that he really didn't care.
Gregg Allmans & Friends <Macon, GA> (a) NO BA, just like ABB. This tour
audience taping will be at the discretion of each venue on a case
by case basis. To know for sure about a specific venue, call the
club ahead of time or email Lana, the day of the show at
<lanam@haht.com>. She'll contact the band and get back to you. It
sometimes helps to print out ABB's webpage where it talks about
their taping policy and bring it to the venue. For the record,
their tour manager is Kenny Silva.
Greg Brown <Iowa City, IA> (a,BA) Ask first. DAT OK. Mic stands OK.
It's best not to ask to patch into the board unless you know the
soundman.
The Greyboy Allstars <San Diego, CA> (a,BA) They are very cool about
daud and BA, and Jamie Landry, the person who usually runs the
bands' 3700, is very into taping and is the guy to talk to if you
want a board patch. Their webpage is at:
"http://www.greyboyallstars.com/"
The Grifters <Memphis, TN> (a,BA) Their soundman, Martin, will OK
any kind of audio taping, including DAT BA, although the overall
sound is usually better using mics since not all the instruments
are miked to the board. They play real loud, so line-in is
usually better than mike-in with them.
Grinch <Newark, DE> (a,v) DAT OK. Mike stands OK. For video, you must
contact the band first. Call the Grinch hotline at (302) 455-
9125 and ask for Stacey, the band's audio engineer. Check out
their web site at: "http://www.dtcc.edu/~davidm/grinch.html".
If you wish to subscribe to their email list, put
"Grinch-subscribe" in the body of the message to David Muddiman
at: <davidm@hopi.dtcc.edu>.
Groove Thangs <So. FL> (a,v) DAT aud OK. They occasionally allow BA,
so ask early.
Guided By Voices <Dayton, OH> (a,BA) Catch any band member early to
request BA; by show time they'll all be too drunk to understand
the question.
Guster <Somerville, MA> (a,BA) DAT OK. Mike stands OK. Formerly "Gus".
Hamell On Trial <NYC> (a,BA) Just talk to him before the show. He's
bald and well-rounded. BA isn't always the best as he often
talks to the audience without the mic.
*HateBreed <NYC> (a,v) Talk to the band for video.
The Hatters <Atlanta, GA> (a,BA) DAT BA strongly encouraged!
Headstone Circus <Richmond, VA> (a,BA) DAT BA OK.
*Hed <?> (a,v,BA) They allow audio, video and BA, but BA is venue-
dependent. They are friendly; talk to the band first.
*Helmet <NYC> (a,v,BA) They allow audio, video & BA taping.
Henry Rollins <Los Angeles, CA> (a) but venue-dependent
His Name Is Alive <?, MI> (a) Check with Warren D., himself a trader/
collector.
Hitmen <?, MO> (a,BA) DAT OK.
H.O.R.D.E. tours <?> (a) If you have a problem getting your equipment in
the door, insist on talking to the head of security. Taping is
allowed from your seat, but mic stand must be kept low. Be there
early, at 3:15 or so to catch Neil Young's solo acoustic set in
the small tent. You will not have enough time to get from the
second stage to the main stage without missing part of the latter,
so plan your taping accordingly.
Hot Tuna <Athens, OH> (a) Although in the past they have allowed taping
sporadically and inconsistently outside of the Further Festivals,
in '98 they have been more open to it and have been allowing it
more regularly. No guarantee the venue will know, however. No
BA. For Hot Tuna/Jorma Kaukonen setlists, check out:
"http://www.users.interport.net/~mykescot/".
Huffamoose <?> (a?) Picture taking OK. Aud taping is a "don't ask, and
we won't hassle you" policy because of their contract with the
record company. Stealth is required. No BA.
*Hum <Champaign, IL> (a,v) They are now better about informing the
venues about their pro-taping stance. They would like you to
send them a copy if it comes out well. Send to: Matt Talbot
c/o Parasol Records, 905 S. Lynn St., Urbana, IL 61801-5205
Check out their web site at: "http://www.prairienet.org/~hum/"
Human Waste Project <Los Angeles, CA> (a,v) Most of the band members are
cool with taping. Jeff is especially pro-taping. Management
attitude is unclear. Their website is at:
"http://www.humanwasteproject.com".
Humpers <Long Beach, CA> (a,v) They allow aud taping and video, with
permission. The like a copy of the tape to be sent to them at
the record label address, which they'll give to you at the show.
Hybrid Children <Helsinki, Finland> (v)
Hypnotic Clambake <Boston, MA> (a,BA) DAT OK. Audio taping encouraged,
but NO video without prior permission from band before each
particular show. Board patches are available if the club's
board will allow it, both analog and digital are fine. The
current soundman's name is Mark and he is very friendly and
helpful. The band's road manager is no longer Pickle, it is
now Dan. For further info, contact their publicist/propagandist,
Stacey, at <claminfo@aol.com>. For tour dates and such, check out
their new website at: "http://www.hypnotic-clambake.com/"
Ian Moore <Austin, TX> He is cool with taping but his manager, Jan
Mirkin, is not. Steer clear of her at all costs. Stealth is
required. Ian recently was quoted as saying: "We don't
necessarily discourage taping, though it is conditional on people
being ethical. In other words, no selling, or in any way making
money off our music. So far everything has been cool."
Idle Hands <Little Rock, AK> (a,v,BA) They allow BA, but aud FOB usually
sounds better.
Iguanas <New Orleans, LA> (a,BA) for BA, ask Joe Cabral early.
Iko-Iko <Miami, FL> (a) Ask Graham Drout, the lead singer, for
permission. Board patches are allowed, if available. DAT OK.
Video allowed, if possible.
Illuminati <NYC> See under "Joe Gallant's Illuminati".
*Incubus <?> (a) They encourage and allow daud taping and trading of
their shows. They sometimes allow BA too. Talk with the band,
the tour manager or Mark Shoffner, their soundman, before the
show and offer to make him a copy.
Independents <?, Northern CA> (a,BA) DAT OK.
Invisible Lisa <Muskegon, MI> (a,v) The band allows daud taping and
photos. Talk to the drummer before the show. Band would like
copies.
I Radio Iodine <?> (a) aud DAT OK, according to their singer. Talk to
her before the show to get permission.
Jabber <Vancouver, British Columbia, Canada> (a,BA) BA is allowed only if
the band feels the board is good enough to produce a good sbd tape.
Jackopierce <Dallas, TX> (a,BA) DAT BA OK, no video. They have
announced that their New Years show will be their last. Thus,
they'll be defunct as of 1/1/98. Until then you should continue
to ask Chuck Keith, their soundman, for BA several days ahead of
time if possible. His email address is <chuckkeith@aol.com>.
Also, it is highly encouraged that you get there at sound check at
5-6pm. He is very cool about taping and really appreciates it
when tapers make a copy for him and the band. You can contact
their management (Robinson-Wood, Dallas) by calling (214) 747-9663.
Their website is: "http://www.jackopierce.com"
Jambay <San Francisco, CA> (a,BA) Please note that this band is now
defunct. They played their last show on 11/09/96. Three of the
ex-members are currently playing as the Jambay Trio and they still
very much encourage taping. The fourth ex-member, Shelley L.
Doty, performs solo or with a drummer and is very enthusiastic
about taping.
Jangowood <Rochester, NY> (a,v,BA) They allow all forms of taping and
offer SBD patches. Just talk to Danny, their soundman well
before the show.
Jason White and the Dying Breed <Cleveland, OH> (a,BA) They'll allow
you to set up your own SBD/aud mix if you have all the requisite
equipment. Check out their web site at:
"http://www.en.com/jasonwhite"
Jawbox <D.C.> (a) Jawbox broke up in early '97, but J. and Bill have a
new band called Burning Airlines. See their entry above.
Jazz is Dead <?> (a,v,BA) DAT BA OK. Daud is no problem; mic stands OK.
Video OK. Running time is a little under 2hrs. Lots of tapers
at their shows. For tour dates and other info, see:
"http://www.jazzisdead.com/tour.htm"
*Jazz Mandolin Project <Burlington, VT> (a) They are very pro-taping
but no longer allow BA. They still let you set up your mikes
in the sweet spot. Of course, mic stands have a lot to do with
the venue. Their URL is: "http://www.netspace.org/jmp"
Jeff Sipe (AKA Apt. Q-258) <Atlanta, GA> (a,v) They encourage DAT taping!
Jenn Wertz & Lovechild <Pittsburgh, PA> (a) Taping policy is still
unclear, but they have been enthusiastic about taper requests in
the past. Be sure to talk to Jenn Wertz first, and let her know
how she can get a copy. BA may be venue-dependent. Permission
may be required for DAT. Mic stands OK if they do not obstruct
the view of others. For more info, check out their website at:
"http://www.angelfire.com/pa/Lovechild" or email at
<gamb1t18@erols.com>.
*Jerry Douglas <?> (a) Jerry, who is currently playing w/Tim O'Brien and
Maura O'Connell, has a sound engineer who is VERY picky about
mic stands in seats. At Davidson College in Nov, 1998, he
insisted the taper not block ANYONE's view or he'd be forced to
move or take down entirely. 10 minutes prior to the show, after
having been setup, and ready to go, he was forced to move and set
up again near the console area. Be sure to be careful where and
how you setup, as the soundman mentioned growing more frustrated
with tapers and was considering discontinuing taping this tour
due to several other people who frustrated him. Even though the
taper tried to be nice after he moved, the soundman was still
angry. His shows tend to run around 1:55:00.
*Jerry Joseph & the Jackmormons <?> (a,BA) Jerry (formerly of Little Women
and author of Widespread Panic's "Climb to Safety") actively
encourages audience taping and board patches when his soundman
Steve is working. Check http://www.ipeg.com/~kbender/jm.html
for tour dates.
Jess Klein <Rochester, NY> (a) DAUD OK, ask about SBD access. Video policy
unclear, but she's friendly, just ask.
Jesus Lizard <Chicago, IL> (a) They are no longer on Touch and Go, they
signed with Capitol Records last year. They now have a new
soundwoman and have been allowing a few board patches this current
tour, with permission. Of course, they do allow aud taping at any
level, including stands. Stands must be cleared first with their
new soundwoman.
*The JGB Band <San Francisco, CA> (a) They definitely allow aud taping,
barring any venue restrictions. Check with the venue first and if
they give you trouble, ask them to contact the band. No BA.
Jiggle The Handle <Boston, MA> (a,v,BA) They encourage audio and video
taping and allow BA if you show up early and talk to either Larry,
their new sound & light engineer or Chuck, their Merchandise man
& Archivist, but it also depends on the venue and how good the board
sounds there. Their website is: "http://www.jigglethehandle.com"
If further questions, you can contact Larry at <ltlg@mindless.com>.
*Jimmie's Chicken Shack <Annapolis, MD> (a,BA) Arrive early and speak to
Drew, their merchandise man,for permission to tape. Board access
is venue-dependent. See Jamie, their soundman, for a board patch.
Their website is: "http://www.fowl.com"
Annapolis, MD, see Jamie (soundman) for board patch.
Jimmy Clinton & The Mean Red Spiders <Marietta, OH> (a,BA) For BA you
must clear it with the soundman before the show.
Jim's Big Ego <Boston, MA> AKA Jim Infantino <Boston, MA> (he does a
bunch of solo gigs) (a) DAUD OK, video and SBD policy unclear.
They've always been very permissive and friendly - just ask.
You can find their webpage at: "http://www.bigego.com"
Jim White <NYC> (a,BA) Just talk to him before the show. He's tall &
always has a cowboy hat on.
J.J. Cale <Oklahoma City, OK> (a). J.J. doesn't seem to mind if folks
tape him, but this may be venue-dependent.
Joe Gallant's Illuminati <NYC> (a,BA) Taping is encouraged. They have a
mixer separate from the PA board for your taping pleasure. Mics
always welcome. They play Grateful Dead music arranged for big
band and tend to play mostly in NYC and SF. Email them at
<Gallant@panix.com>.
John Scofield <Katonah, NY> (a) occasional BA. No video. John would
like to receive copies of all shows that are taped, and they can
be sent to: John Scofield, 194 Katonah Ave., Box 189, Katonah, NY
10536. For further questions, his email is <sco4it@aol.com>.
John Southworth <Toronto, Ontario, Canada> (a,BA) Will allow aud and BA,
but you need to talk to his manager, Campbell Webster beforehand.
He'll probably want a copy.
Johny Vegas <?> (a,BA) They encourage taping and trading. Their video
policy needs clarifying. Check out their website at:
"http://www.johnyvegas.com/"
John Wesley Harding <San Francisco, CA> (a)
Jonas Hellborg <Sweden> (a,v) They encourage DAT taping!
The Jongleurs <Miami, FL> (a) Very pro-taping. BA depends on venue
soundman.
Joseph Arthur <?> (a) Will allow aud taping, sometimes BA too.
Josh Smith & The Frost <?, FL> (a,v) They allow daud and video as long
as you talk to Josh before the show. BA is venue dependent. If
you have any problems, ask for Joel Smith, Josh's dad and manager.
*Juggling Suns <New Brunswick, NJ> (a,BA) DAT BA OK. This is a new
incarnation of the now defunct band " Solar Circus," whose lead
guitarist and vocalist, Mark Diomidi, is the leader of this new
band. They are very pro-taping and play tons of original Solar
tunes, as well as some Grateful Dead, JGB, etc. DAT BA or mics
are very welcome. Ask soundman, Rodger, for a patch.
Jump Little Children <Charleston, SC> (a) They are now aud & daud only.
They no longer allow video or BA. They will ask you to send them
a copy of your tape. Mike stands OK. See an explanation of
their new taping policy at "http://www.jumplittlechildren.com"
Jumpsuit Jerry <Weymouth, MA> (a) Venue restrictions notwithstanding,
they are very pro-taping. BA depends on the venue soundman.
Before bringing your mic stand, email Doug at <SmallPaul7@aol.com>
so the band will be expecting it. Otherwise, handhelds are fine.
The band wants you to send them a copy if possible. Any further
questions can be answered at the above email address.
*June of 44 <Chicago,IL> (a,v) They allow daud, video and mic stands. Ask
for Jeff Mueller before the show and he'll hook you up. BA?
They appreciate a copy.
June Rich <Philadelphia, PA> (a) DAUD OK, video and SBD policy unclear.
You can find her webpage at: "http://www.voicenet.com/~junerich"
Jupiter Coyote <Macon, GA> (a,v,BA) Linn Clegg is their soundman and is
the person you need to talk to to get permission to tape.
KAI KLN <Sacramento, CA> (a) It is always possible to tape them with your
mics. BA may also be possible if you contact them ahead of time
at <aloper@earthlink.net>. They ask you to send them a copy at:
KAI KLN, P.O. Box 566, Carmichael, CA 95609. Hotline is at:
(916) 334-1985.
Keller Williams <Steamboat Springs, CO> (a,BA)
Kelly's Heroes <New Orleans, LA> (a,BA) for BA, ask Lance or Josh early.
*Kenny Blue Ray <Menlo Park, CA> (a,BA) This musician, who does Stevie
Ray Vaughan and Elmore James covers as well as his own blues
numbers, allows daud and DAT BA, but aks him for permission first
at "http://home.earthlink.net/~blueray/". He would really
appreciate a CD clone or cassette copy of the show.
Kevin So <Boston, MA> (a) DAUD OK, video and SBD policy unknown. Someone
at his merch table indicated that he really appreciates the
efforts of traders spreading the word.
Kicking Harold <Tempe, AZ> (a,v) Band members don't mind taping if venue
has no problem with it.
Kickstand Travolta <London, Ontario, Canada> (a) Sadly, they broke up and
formed a new band called Fly Fantastic. See their entry.
*Kilgore <?> (a,v,BA) They are not real good about informing venues, so
if you want to do video or a board, talk to the band/tour manager
ahead of time.
Kilgore Trout <Seattle, WA> (a) Mic stands OK. For BA, you must ask the
soundman that night. If you have problems, ask to talk to someone
in the band (like Linder or Dan Moore) and they'll let you. Their
website is at: "http://www.kilgoretrout.com".
Kilmo and The Jazz-Blues Project <So FL> (a,v,BA) DAT OK. Contact # =3D
(954) 568-0175. Ask early for a board patch.
King Black Acid & The Womb Star Orchestra <Portland, OR> (a,v,BA) SBD OK
but won't sound as good as running mikes or a SBD/AUD mix. Fully
taper friendly, just don't get in the way and "don't shackle
anyone's buzz" and you'll be allowed to do pretty much whatever
you want.
Kojikiri <Charlotte, NC> (a,v) They allow daud and video, but no BA for
now. All they ask is that you don't get in the way of the
audience and that you buy their CD. DAT is encouraged and they
will help you find a good spot to tape from. Their website is at:
"http://www.crosswinds.net/charlotte/~kojikiri/home.html". If you
have any questions, direct them to: <skinner_john@furman.edu> or
<kojikiri@charlotte.crosswinds.net>.
*Komeda <?> (a) Depending on who they are touring with, they allow taping.
In early '98 with Ivy, no taping was allowed, but later in '98
with His Name is Alive, daud was allowed next ot the board. BA?
*Kristin Hersh <Providence, RI> (a,BA) This musician, formerly of the now
defunct band Throwing Muses, has been allowing soundboard taping;
just talk to her husband and manager, Billy O and he'll help you
out.
The Kudzu Kings <Oxford, MS> (a) BA is often possible if you get their
permission prior to the show. If you have any questions, contact
Frank at <frankg@watervalley.net>.
*KVHW <?, CA> (a,v) DAT aud OK. No BA. Video OK. Mic stands OK. Stage mics
OK. Don't video the soundcheck. The band is: Steve Kimock, lead
guitar; Bobby Vega, bass; Ray White, rhythm guitar & vocals; Alan
Hertz, drums. They are very nice to tapers. Band info can be
found at: http://www.studioemusic.com/KVHW.html
*LA Guns <Los Angeles, CA> (a,v,BA) They are very open to taping of all
kinds and their manager, Chris is good about telling security
about their pro-taping policy. DAT BA is OK. Just talk to Chris
first and he'll be real accommodating!
*Lake Trout <Baltimore, MD> (a,BA) Speak with Matt, the
sax/flute/keyboardist, or talk to Steve, the bands soundman, for
further info. Their webpage is:
"http://www.sbachman.com/laketrout"
Lambchop <Nashville, TN> (a,BA) Talk to Kurt, the lead singer, if
there's any problems.
Lancaster Bombers <?, Australia> (a,v) Talk to Alan or their manager
before the show.
Larry <Austin, TX> (a,BA) DAT aud and DAT BA OK. They play Colorado
all the time.
Laura Love <?> (a) DAUD OK, SBD and video policy unclear. Great band of
friendly people - ask about taping. They've allowed it in
the past on several occasions.
Lazy Cowgirls <LA, CA> (a) Talk to Pat Dodd. These guys aren't as
scary as they look.
Left Hand Jack <Baton Rouge, LA> (a,BA) For BA, ask early.
Leftover Salmon <Boulder, CO> (a,BA) They fought hard with their new
record label to keep taping and still allow DAT BA.
They deserve a lot of credit for sticking up for us. Their
soundman, Steve, is very accomodating and provides a very nice
board feed. The Leftover Salmon discussion list is at:
<leftover@lists.colorado.edu>. You can subscribe to it at:
<listproc@lists.colorado.edu>. For further questions about
taping policies, etc., contact Marcie at <taz@nowhere.net>.
BTW, if LS is in your town, they really appreciate folks lending
them their extra set of wheels so they don't have to take the
tour bus to go one mile down the road for a 6-pack. Their new
webpage is at: "http://www.leftoversalmon.com/"
Lenny Kaye <?> (a) Patti Smith's long-time guitarist, he doesn't mind
tapers or even bootleggers and feels that they allow a band
to put out music that might have technical flaws or mistakes,
but also things of interest, without worrying about being
responsible for such releases. For further information, see
the 2/98 issue of Live! Magazine, Music Review section.
Leon Russell <?> His taping policy is tentatively "no see, no enforce,"
after a fellow taper taped him in VA with a mic stand 15' from
the stage in plain view and was not stopped. More info needed.
*Less Than Jake <Gainesville, FL> (a) The FAQ on their website
http://www.lessthanjake.com/ states that they do allow daud
taping. Video? BA?
Let's Go Bowling <Fresno, CA> (a,BA) For BA, ask Tom Mattot early.
Little Feat <?> (a,BA) They are now allowing BA, as well as daud.
Jerry, who is still their sound engineer, and Roz, the stage
manager, are very helpful getting tapers set up. They have a
SBD patchbay, but it only has XLR. In some cases, Jerry will
let you patch out of his D8 at the board. Get there early!
Little Sister <Dallas, TX> (a,BA) See "Sister 7" (name change)
+LIVE+ <York, PA> They have very strong anti-taping sentiments, as
reported in DAT-Heads #261, Vol #3. Tapers beware!
Los Lobos <Los Angeles, CA> (a,BA) Los Lobos does indeed allow DAT BA
& DAT aud taping. Louie, the soundman gives out a single XLR or
coax patch, no patch bay, so a chain is necessary. Mic stands OK
as long as they are low, near the soundboard and out of the way
of other patrons. If you have problems getting your equipment in
or setting up should ask for Louie Stetzel, their soundman, the
road manager or the head of security. Louie and the sax player,
Steve Berlin, love to get copies of tapes. They are much better
now at informing the venues of their pro-taping policy, but the
head of security is not always perfect at informing his workers.
Love/Hate <?> (a,v) The lead singer and lead guitarist have gone on
record as being cool with aud and video taping. BA?
*Madball <NYC> (a,v) Ask ahead of time for a video pass and they'll
likely put you on the guest list too.
Major Lingo <Phoenix, AZ> (a,BA) DAT BA but ask soundman first.
Manchild <Miami, FL> (a) Ask D. Brown, lead guitar player, for
permission. DAT OK. Video possible. No board access.
Man or Astroman <?, GA> (a,v) They allow aud video and aud DAT but no BA
because in their estimation it doesn't sound as good. Mic stands
are venue-dependent. Photos OK.
Marcy Playground <?> (a,v)
Mark Eitzel <SF, CA> (a) Very unpredictable. Sometimes allows BA,
sometimes won't even allow aud taping, so take nothing for
granted. But even if he does allow BA, its usually better to tape
him with mics, as he often talks/sings to the audience without a
mic.
Marshwiggles <Cincinnati, OH> (a) They encourage daud. Check out their
webpage at: "http:\\Bluejordan.com"
Martin Zellar <Minneapolis, MN> (a), no see, no enforce policy.
Mary Lou Lord <Seattle, WA> (a,BA) If you ask her before the show for a
board feed and explain that it's just for your listening pleasure,
she'll most likely allow you to patch in or tape with your mics.
Max Creek <Collinsville, CT> (a) They always allow taping unless there
are special circumstances that prevent it (which is extremely
rare). BA is generally available, space permitting. Their concert
hotline is (203) 653-7616 or write to them at P.O. Box 198,
Collinsville, CT 06022 to contact the band. Their web site, which
includes a tape trading message board, is
"http:www.moonsite.com/maxcreek/"
Meat Puppets <?, AZ> (a) BA if Dave, their soundman is in the right mood.
Medeski, Martin & Wood <Boston/NYC> (a) They do not allow BA, but daud
is allowed from ANYWHERE in the venue, provided that you are
respectful and venue personnel have no problem with your mic
stand location. Venue security have the final say on where mic
stands are allowed. DATs, MDs and Cass are ALL allowed. No AC
power provided. Please don't ask for a board patch; they are not
allowed. No video; videos will be confiscated. If you tape their
show, PLEASE send them a DAT clone/copy at: MMW Archives, c/o
Federico Cribiore, P.O. Box 311, Closter, NY 07624-0311. Liz Penta,
their manager, has said that they almost NEVER receive tapes of
their shows. Their new official website is at:
"http://www.mmw.net". Brian Whitman's MMW webpage (containing
some resources the official page doesn't) is at:
"http://www.netspace.org/mmw".
Melanie Sparks <Greenville, NC> (a,BA) but no DAT aud or BA; ana aud &
BA OK.
*Merle Fest <?> (a) This bluegrass festival, named after the late Merle
Watson, is held in Wilkesboro, NC during the last weekend of
April. It allows daud taping at only three of the 10 stages:
the main stage, the Hillside stage and the Walker Center. A
special tapers ticket is needed and you can call 800-343-7857
or check it out at "http://www.merlefest.org" for further info.
Merle Saunders & The Rainforest Band <San Francisco, CA> (a) Due to his
new Live CD, Merle is not allowing BA or video of any kind at
this time, but there's no problem with (DAT) aud recordings with
a mic stand. Both Boots, the road manager and Edwin,the soundman
will tell you no if you ask for BA or video.
The Mermen <San Francisco, CA> (a,BA) BA is venue-dependent.
Metallica <San Francisco, CA> (a,v) Taping tickets available on the
regular on-sale date. No equipment allowed in without such a
taper ticket. Mic stands are generally not welcome however.
The entire Load tour has had a taping section near the stage,
with tickets being sold via regular ticketmaster outlets.
However, ticket salespeople are often clueless as to the
existence of taper tickets and it's often safer to get them
from the box office. These do sell out quickly.
Michael Ray & The Cosmic Krewe <VT/New Orleans, LA> (a) BA? Michael &
Krewe are open to daud taping. Their BA/video policy is unknown.
*Mike Keneally/Beer For Dolphins <?> (a) This Zappa cover band has an
open attitude toward daud taping. Their guitar tech, Thomas
would appreciate patching out of your setup with his minidisk.
Mike Watt <San Pedro, CA> (a,v) likes aud tapers and allows video too.
Millencolin <Durebro, Sweden> (v) allow video-taping, possibly aud too.
The Miracle Orchestra <?> (a,v,BA) The encourage aud, video and BA, with
the only stipulation being that if you tape them, please contact
a member of the band about getting/trading a copy of the show
with the band's official archiver, Jason. You can contact Jason
via email at <truffela@tiac.net>. The band's website is at:
"http://users.aol.com/miracleorc".
The Misfits <Vernon, NJ> (a) The band members allow aud taping, but their
manager, Rocky, is against it. Check with one of the band members
(Michael, Jerry, Doyle or Chud) before attempting to get your
stuff in the place if security is tight. Their snail mail address
is: Misfits Fiend Club, P.O. Box 310, Vernon, NJ 07462. Email
them at: <FIENDCLUB@aol.com>. Their webpage can be found at:
"http://watt.seas.virginia.edu/~msk4m/"
*moe. <Albany, NY> (a,BA> Audio taping is allowed at all moe. shows for
personal, non-commercial, home use only. Video is no longer
allowed. They recommend that you bring your own mics and deck.
Board patches are given out on a first-come, first-served basis
at the discretion of the audio engineer. Although they often
have a patch bay for board tapers, some times this is not the
case. If they have it, it will usually consist of XLR right
and left, 1/4 TRS L&R, and rca left and right. At times, the
soundman will give one SBD feed to their merchandise guy who runs
an old DAT deck that everyone else patches out of. If this is
the case and if you want to be first or second out of him, you
MUST get there early. Although it may occasionally be available,
do not expect power. Please stay out of the way of the working
crew at all venues. Steve Young, their new FoH soundman, is
currently allowing ONE mic stand to be set up in front of the
board. Three pairs of mics will be allowed to be set up on the
stand, then lots of folks can patch out of each of the three
setups. As long as this doesn't get out of control all will be
fine. If mic stands get set up in front of the light board then
the sbd patch and the front of soundboard stand goes away. Be
nice to Chris Ragan, the lighting director. In particular, please
do not set up your mic stands in the "sweet" spot without
checking first with Chris. He continues to be frustrated with
newbies setting up mic stands directly in the way of his line of
sight. If you see someone setting up a stand right in front of
his lighting board, please explain to him kindly and gently the
policy of not impeding his line of sight. It's also wise to set
up your mics 5-10' from the soundboard, as the soundman and the
lightman tend to talk to each other a lot during the show, which
can come out on your tape. Some things that are never allowed at
moe. shows are: camcorders, large mixers, reel-to-reel, home
decks, long extension cords, etc. They ask you to cooperate with
them so they can continue to provide as cozy a taping environment
for everyone as possible. For further info, contact Steve Young,
their Front of House Audio Engineer/Production Manager at
<moe767@aol.com>. Check out their web site at:
"http://www.moe.org/" which includes info about taping, tour
dates, how to subscribe to their fan-based mailing list, how to
contact the band, etc. BTW, their Road Manager is Ken "Scippi"
Richman.
Mono Puff <Brooklyn, NY> (a) DAUD OK, video and SBD policy unknown. This
is John Flansburgh's (of TMBG) side project. John gave permission
to tape and trade a couple recent NYC shows. He seems very open
to the idea of non-profit trading to spread the word. Send him a
copy!
Moon Boot Lover <Woodstock, NY> (a,BA)
Morgans <Wilkes-Barre, PA> (a,v,BA) They allow everything, but soundboard
taping may not be there if no outputs are available. You can
write to the band at: Morgans, P.O. Box 1571 Plains, PA 18705.
You can email Jay Morgans at <blueboywb@aol.com>; Jesse Morgans
at <bareknkles@aol.com>. Their homepage is at:
"http://home.earthlink.net/~blueboy75".
The Mother Funkers <Montreal, Quebec, Canada> (a) DAT OK. For BA, talk
to the band before the show and they'll make it easier for you
than going straight to the club's soundman. Video is possible,
but ask Thierry, the drummer, or any of the other band members,
beforehand. They're really cool and love meeting fans. If you
want to give them a copy, they can even arrange a trade for some
of their other shows. Their webpage is at:
"http://www.aei.ca/~funkers".
*The Mother Hips <Chico, CA> (a,BA) In addition to having an open
attitude toward daud taping, they also allow board patches if
the venue is OK with it.
Motley Crue <?> (a,v) Their recent pro-taping stance has been confirmed
in a interview with Webnoize. Tommy Lee has stated that you can
audio or video tape them from your seat. He encourages everyone
to go home with a video/audio memory of the show. His label is
cool with this stance. Taping is for personal use, not profit.
*Mountain Express Band <Columbia, SC> (a,BA) They allow BA and DAUD. =20
Moxy Fruvous <Toronto, Ontario, Canada> (a) Although venue-dependent, if
you get there early and talk to the band, they'll usually let you
tape them. They only ask that the tape be for your own personal
use and that it not be treed. For further info, email the band
directly at <moxy@passport.ca>.
Mr. Blotto <Chicago, IL> (a,BA) BA if you go to venue early and talk to
their lead guitar player and soundman, Bob
Mu330 <St. Louis, MO> (a,BA) DAT OK.
Mudd Brothers <Nashville/Murfreesboro, TN> (a) Mic stands and DAT aud OK.
BA? Website: "http://crescentmoontalent.com"
Mullins Band <Columbus, OH> (a,BA) BA is venue-dependent.
Mustard Plug <Grand Rapids, MI> (a) No BA! DAT aud OK.
Nada Surf <NYC> (a) Matt, their singer/guitarist is pro-taping. Venue
restrictions may apply.
Natalie Cortez and the Ultraviolets <Davis, CA> (a,BA) The band is okay
with taping and usually appreciates a copy. All taping is venue
dependent.
Nels Cline <Santa Monica, CA> (a,v,VA) tapers can sometimes sit on the
stage.
*Neutral Milk Hotel <Athens,NY> (a,v) They are very taper friendly.
No BA.
The Newcastle Boys <Charlotte, NC> (a,BA) They love tapers and would
love a copy of the show.
New Model Army <Bradford, UK> (a) Their video and BA policy needs
clarfying. They, like Ween, aren't real good about letting the
venues know about their taping policy, so venue restrictions
definitely apply.
New Riders of the Purple Sage <Larkspur, CA> (a) BA often possible if
you get there ahead of time and speak to a band member.
The Next Step <Washington DC> (a) They enthusiastically encourage taping.
The Nields <Northampton, MA> (a) DAUD OK, but no SBD access as a rule.
Video policy unknown. They're really friendly folks - just ask.
Their webpage is at: "http://pobox.com/~nields"
Nighthawks <Washington DC> (a,BA) Ask Mark, their lead singer and harp
player. May depend on club's policies.
Nil Lara <Miami, FL> (a,v) No BA. They want to hear a copy of your tape
before allowing you to trade it. Mike stands OK as long as they're
not in someone's way. They want to view your video tape before
letting you keep it.
No Fun At All <Norberg, Sweden> (a,v) Talk to Ingemar, the singer; he
will allow it as long as they get a copy.
Old Dead Bug <San Jose CA> (a,v,BA) This high-energy band allows BA,
given enough time to for them to deal with it, as well as video.
They generally recommend audience taping, as the board is often
merely re-enforcing the stage sound, and may not provide an
adequate mix.
Old 97s <Dallas, TX> (a,v) A fellow taper was given board access in
Feb. of '98 by their tour manager, but your mileage may differ.
Olivia Tremor Control <Athens, GA> (a) They very much encourage daud
taping and have been known to invite tapers to hang out with
them after the show so they can hear your tape.
Ombre Players <?, NY> (a) taping is encouraged.
Ominous Seapods <Albany, NY> (a,v,BA) DAT and analog taping is welcome
for SBD and AUD. For a SBD patch, please arrive early enough to
ensure a spot in line. Speak to the Front Of House engineer
Marty Racine ahead of time before plugging in. All SBD patches
are on a first-some first-serve basis. In the near future, we
will have a SBD/AUD Mix with an accessible patch bay. AC power
may not be accessible, so bring your battery packs and own cables
if possible. BA will not be allowed if the SBD patch is not good
and/or the mix is not suitable. Always bring microphones for aud
taping as a backup. Check out the OS website at:
"http://www.netspace.org/seapods" for current tour schedule,
taping connections and lists of past shows available. For
further info, email Jesse at <bourbon.cowboy@dartmouth.edu>, Joel
at <bdseapod@albany.net>, Nick at <nick@tapetree.com> or Linda at
<PodTour@aol.com>.
Open Souls <?> (a,BA) video? They are a taper-friendly group who
encourages Dat BA. For more info, contact Jeff Bragg at
<jbragg@igc.org> or go their website at:
"http://tuned_universe.covesoft.net/opnsouls.htm".
Orange Whip <Washington DC> (a) Occasional board patches and video
taping. The band requests a copy. Talk to Jason, the lead
guitarist, ahead of time or email him at <whip@slipknot.com> to
secure permission ahead of time. Check out their web page at:
"http://slipknot.com/orangewhip"
Oroboros <Cleveland, OH> (a,BA) DAT OK. Mic stands OK, but not on dance
floor. TAPER laminates also available. Aud is always available;
BA is almost always available; video can be arranged by contacting
John Abbott before the show. Their soundman's name is "Swampy."
Check out their web site at:
"http://www.infinet.com/~ikaros/oroboros". Email to:
<abbottja@rtlpo2.usaclu.msnet.bp.com>
Oteil & The Peacemakers <Birmingham, AL> (a) He is Oteil Burbridge of
Aquarium Rescue Unit fame. He allows daud taping, and
occasionally BA is the conditions are right. Although he is
currently playing with the Allman Bros, he still plays with his
own band. His website is at: "http://www.nilerecords.com"
Other Half <NYC> (a,BA)
Ozric Tentacles <London, England> (a,BA) DAT BA allowed freely in the
USA, however in the UK taping them must be done very covertly
because of venue rules.
Page/Plant <?> Indications are that they are NOT allowing open taping
during the summer '98 tour.
*The Pat McGee Band <Richmond, VA> (a,BA) for BA talk to Paul their
sound engineer. Paul is very cool with tapers, but please
try to stay out of his way during the show. For digital
folks, please send the band a clone. Venue restrictions may
apply. Ask to speak to Paul, their sound engineer or Jeff
Caldwell, their road manager, if a venue gives you flack about
getting your equipment in. Their shows usually run a little
over two hrs., but at times runs close to three especially
their two set shows. Check with Jeff or Paul about that.
Pavement <?> (a,BA) Their official policy is to disallow pro-taping, but
to allow their fans to make recordings. They have recently given
out DAT BA to a D-7. Your mileage may differ.
Peabody <New Orleans, LA> (a,BA) DAT OK.
Pearl Jam <Seattle, WA) (a) They allow aud DAT & analog taping
and inform the venues of this policy, but recorders are
restricted to hand-held walkman types (Sony D7/8/100/M1 OK)
and they usually disallow external mics, preamps, mixers, etc.
Most venues do not allow mic stands. There is NO tapers'
section, so you're expected to tape from your seat. BTW, they
no longer transmit a SBD mix of their concerts on FM. No
video-taping allowed. Their official (Sony) website is at:
"http://www.music.sony.com/Music/ArtistInfo/PearlJam/index.html".
Percy Hill <Durham, NH> (a,BA,a/BA mix)
Perfunctory This Band <Springfield, IL> (a,v,BA) Video and BA are
venue-dependent. Get there early or call ahead. For more
info, check out their web site: http://www.cnsnet.net/
arts/ptb/ They have tapes available from their vast archives.
PermaFrost <Boston, MA> (a,BA) Check with Ed Frank or Linda Bean for BA.
Pete Fitzpatrick <Cambridge, MA> (a,BA) Ask him first.
Peter Himmelman <?> (a) This improvisational songwriter allows daud
taping. He even once wrote a song about the people taping,
invited them on stage, and when the tapers gave the usual
speech about being for trading only, he said, "Go ahead sell
them and make a fortune." Good sense of humor.
Peter Mulvey <Boston, MA> (a) DAUD OK, video and SBD policy unknown.
Someone at his merch table indicated that he really appreciates
the efforts of traders spreading the word.
Peter Rowan <Blanco, TX> (a,v,BA) but venue restrictions may apply.
For video or BA, ask early. Check the calendar pages at:
"http://www.PeterRowan.com" for further info. Taping policy
may vary at festivals, so it's best to arrange in advance.
Direct questions to <xhouk@gte.net>.
Phish <Burlington, VT> (a) They have an official taping section and
anyone can be in it for general admission concerts, but you
have to have a taper's ticket to tape at reserved seating
concerts. Taping will be allowed on their European tour, but
no tapers tickets will be needed to tape. For more info, their
hotline # is (802) 860-1111; their web site is at :
"http://www.phish.com". To be on the Phish mailing list, send
your address on a postcard to: Phish mailing list, P.O.. Box
4400, Burlington, VT 05406. Shelly Culbertson will answer any
further questions at <shell@phish.net>..
Pierce Turner <NYC> (a,BA) Get permission at least a half an hour before
the show for both aud and BA.
Pilfers <NYC> (a) They allow daud, and usually, if you ask ahead of
time, you can get a board patch. Their homepage is at:
"http://www.pilfers.com"
Pinfold <Columbia, MD> (a,BA) DAT BA OK. Ask early.
Plato's Cave <Erie, PA> (a) THEY ARE NOW DEFUNCT. If they reunite in the
future, note that DAT BA encouraged, but be there before show.
Email to <DTOSTROW@CENTRECO> for more info.
Poison <?> (a) A few years ago, Rikki Rocket stated in a chat group that
he didn't have any problem with folks taping the band, but this
was two years ago. An updated policy statement is needed.
Pop Cycle (formerly Catfish Jenkins) <Richmond, VA> (a,v,BA) DAT BA OK.
The Posies <Seattle, WA> (a,BA) Ask the soundman early. Aud taping may
depend on the venue.
Poster Children <Champaign, IL> (a) They are cool with taping, as long
as you give them a copy. If you have any problems at the door,
ask for Rose, the bass player. Further questions? Email them
at <posterkids@prairienet.org>. Their tour dates can be found at:
"http://www.prairienet.org/posterkids/tour.dates.html" They also
have a electronica/ambient side band called Salaryman.
Pound For Pound <Berkeley, CA> (a) This is a new side project for
Charlie Hunter, who usually allows aud taping if you're subtle.
Please report back to the list with further info on them.
Preverts <Austin, TX> (a) Aud taping may be possible, depending on the
venue, Talk to Wally early if you want to tape. He archives the
shows.
Project NIM <NYC> (a,v,BA) All forms of taping allowed, unless restricted
by the venue. Check out their website at:
"http://www.projectnim.com". For further questions, email to
<band@projectnim.com>.
Project Object <New Brunswick, NJ> (a,v,BA) This Zappa cover band allows
daud, video, mics stands and BA. Get there early for BA or video.
They are very taper friendly.
PSOAS <Pittsburgh, PA> (a,BA) Ask Kevin, the guitarist, before the show.
DAT BA is encouraged. Video taping may be permitted with prior
permission from the band. BA is venue-dependent. Mic stands OK.
Purple Schoolbus <Greenville, NC> (a,BA) no DAT aud/BA; ana aud/BA OK.
Radar Rose <?, VA> (a) BA? Email to <Radarose@aol.com>. Web site =3D
"http://www.mindspring.com/~water/rose.html"
Radiators <New Orleans, LA> (a,BA) They encourage DAT BA and even have
a special patch bay for your use. It contains six pairs of RCAs,
one set of 1/4" tip-ring jacks and two sets of XLRs. The
XLRs are the first to go, then the RCAs. If you use the XLRs,
your deck must have a preamp to provide enough gain for
adequate levels. The decks that are known to do this are:
HHB Portadat, Panasonic SV250 & 255, Sony D10 Pro-II,
Tascam DA-P1 and Teac DA-P20. BTW, they also have an AC power
strip for your AC needs. One caveat: the level off the patch
bay is *very* low, so prepare your record level accordingly.
First come, first served. Typically, there are several chains
running.
*The Rachel's <Louisville, KY> (a,v,BA) They are very taper friendly,
will allow BA if you talk to Jason Noble.
Rainmakers <St. Louis, MO> (a) DAT OK, mike stands OK.
*Ratdog <San Rafael, CA> (a) While their taping policy is normally to
restrict daud taping to behind the board, there are times when
they allow you to tape FOB from your seat with a mic stand,
especially when the board is up against the back wall.
Board patches are not allowed. Venue restrictions may apply.
RatBase: "http://members.aol.com/VWdeadhedd/ratbase.html"
generally has very up-to-date and in-depth info about RatDog
dates and ticket info.
Rebecca Gates <Chicago, IL> (a) She says that aud taping is OK, just as
long as people are not selling the tapes. She also sings for a
band called "the Spinnanes."
*The Recipe <Morgantown, WV> (a,v,BA) The lead singers, Joe and Kristen,
are very cool about taping. The band allows all types of
recordings. Ask for Tim or Scott (FOH/moniter engineers) for a
patch.
Red House Painters <SF, CA> (a) Kozelek is as moody as his hero, Mark
Eitzel; unless you have a connection, play it safe and don't be
obvious.
*Refried Confusion <Orlando, FL> (a,BA) Part of the Homegrown Music
Network, they allow daud and BA taping, but BA depends on the
venue. They do not allow video. They tend to play all up and
down the east coast. If you contact them a couple of days or
more before the show, they will ensure security and soundguys
know to let you tape. If you tape them, they would really
appreciate a copy. You can contact them or find out more info
about them at: "http://www.refriedconfusion.com/main.html"
Refused <?, Sweden> (a,v) Talk to the band before the show.
Reptiles (w/David Gans) <Oakland, CA> (a,BA)
Reverend Billy C. Wurtz <Blacksburg, VA> (a,BA) but you must talk with
the soundman before the show if you want BA.
Reverend Nick Barry <Parkersburg, WV> (a,v) No BA. Nick is
the bass player for Jimmy Clinton and the Mean Red Spiders.
Rex <NYC, NY> (a,BA) Ask Phil about BA.
Rheostatics <Toronto, Ontario, Canada> (a) They consistently allow aud
taping and sometimes BA too. For further questions, contact
Martin Tielli, the guitarist, at <radamez@drog.com>.
Richard Buckner <?> (a) The latest info is that Richard himself has
no problem with taping, but his label does, so he is unable to
officially endorse it due to label politics. You are still
encouraged to ask him for permission and will often get it.
Richard Kirks Band <?> (a)
*Rick Danko <?> (a,v) This musician (from The Band) has recently (12/98)
allowed daud and video taping, but you have to talk to the
manager/tech/driver beforehand. Mic stands OK. BA?
Ridley Walker <Harrisburg, PA> (a,v,BA) DAT OK, 4 track recorders OK.
The band and crew are more than willing to HELP to insure you
can tape how you want.
Robert Hunter <San Rafael, CA> (a) Hold everything folks, Robert Hunter
is no longer allowing SBD patches, due to the overwhelming number
of decks at the SBD at Rochester. It is unclear if they will have
a BA patch bay next tour. Like before, aud recording is OK, and
mic stands are allowed.
Robyn Hitchcock <London, England> (a) as long as its discreet. No BA.
Rock The Vote Tour (featuring moe., Yolk, The Ominous Seapods and Moon
Boot Lover) <?> (a) They last toured in the Fall, 1996.
Roebucks <Baton Rouge, LA> (a,BA) For BA, ask Robbie Taylor early.
Roy Rogers and the Delta Rhythm Kings <SF, CA> (a), but ask first.
Expect them to ask you for a copy.
Rubberneck <Portland, OR> (a,v,BA) Fully taper friendly.
Rugburns <San Diego, CA> (a,v,BA) For BA or video, ask Steve Poltz (band
leader) early. (Rob is no longer with them.) For further info,
email Kris Reid at <ReidKr@mail.dec.com>
Rusted Root <Pittsburgh> (a,v) DAT aud and video OK, but no BA. Their
homepage can be found at: "http://www.rustedroot.com"
*Rustic Overtones <Portland?,ME> (a,BA) board access, mic's ok, stands
ok. Very encouraging of tapers in general.
Salaryman <Champaign, IL> (a) This is the electronica/ambient side
band of Poster Children. They are cool with taping, as long
as you give them a copy. If you have any problems at the door,
ask for Rose, the bass player. Further questions? Email them
at <posterkids@prairienet.org>. Their tour dates can be found at:
"http://www.prairienet.org/posterkids/tour.dates.html"
The Samples <Boulder, CO> (a,v,BA,minidisc) The Samples have apparently
not broken up, but have changed band members. Their open taping
policy still seems to be in effect. Their web site is:
"http://www.thesamples.com"
Sandoz <Pittsburgh> (a,v) More info is needed.
The Scalars <St. Louis, MO> (a,BA) DAT OK. Formerly called "Isaac Green
and the Scalars".
*Schleigho <Boston, MA> (a,BA) They encourage taping and allow DAT BA
if you show up early and talk to the soundman. BA may be
venue-dependent. Mic stands are OK. The band requests a copy of
the tape for their archives. For more info, check out their new
website at: "http://www.schleigho.com"
or email Darren at <bluebrief@aol.com>.
The Schwag <St.Louis, MO> (a,v,BA) This Grateful Dead cover band
encourages all kinds of taping (Aud, SBD, DAT, Video) and travels
within a 600mile radius of St. Louis. You can find more info
on their home page at "http://www.theschwag.com". Anything not
answered there can be directed to Tim at <tmarkham@hotmail.com>.
Scofflaws <NYC> (a,BA) DAT OK.
Screaming Cheetah Wheelies <Nashville/Murfreesboro, TN> (a) Mic stands &
DAT aud OK. BA? Website: "http://www.wheelies.com"
Second Sight <San Francisco, CA> (a) DAT OK. Band consists of Bob
Bralove (keys & sounds), Henry Kaiser (guitar), Bob Strickland
(sax) and Marc & Paul Van Wageningen (bass & drums). Taping is
encouraged. The website for Second Sight and Dose Hermanos is:
"http://www.seconddose.com"
Seks Bomba <Boston, MA> (a,BA) Check first with George Hall.
Seven Stones <Austin, TX> (a,BA) DAT BA and DAT aud OK.
Shack Daddys <Fort Lauderdale, FL> (a,v) DAT OK. Also allow BA when the
whole stage is miked and when they have a good soundman. It's
best to use mikes.
Shakedown Street <Denver, CO> (a,v,BA) They play 2 sets, a total of 2-3
hours.
Shankin' Pickle <San Francisco, CA> (a,BA) Alas, this band has broken
up. If they get back together, expect DAT BA only if you give
them a copy.
Shannon Worrell <Charlottesville, VA> (a), BA?
Shawn Lane <Memphis, TN> (a,v) They encourage DAT taping!
*The Shipping New <Louisville, KY> (a,v,BA) They are very taper friendly,
will allow BA if you talk to Jason Noble.
Shootyz Groove <NYC> (a) They allow daud, but no BA. Their URL is:
"http://groovyland.home.ml.org"
Shu <Glen Falls, NY> (a) They've got a huge library of tapes available
to anyone into trading. Check out their web site at:
"http://www.naples.net/~nfn03665/shu.htm"
Shudder To Think <NYC> (a,v) They are cool with aud and video taping.
Please send them a copy of your tape.
Silkworm <Seattle, WA> (a,BA) DAT tapers usually welcome. Talk to Tim
Midgett for BA.
Silos/Walter Salas-Humara <LA, CA> (a) Walter will likely allow DAT BA
if you promise him a clone. Their official website is:
"http://home.earthlink.net/~thesilos/"
*Sister Soliel <Chicago IL> (a,v) Talk to Stella, the lead singer for
permission. You'll want to ask at sound check as she tends not
to show up until the last second.
Sister 7 <Dallas, TX> (a,BA) For BA, ask the soundman first.
Skavengers Punk Rock Ensemble <New Orleans, LA> (a,BA) For BA, ask Ryan.
*Skeleton Key <NYC> (a,v) BA also possible, but venue-dependent.
Skin <Boulder, CO> (a) Taping is encouraged. Their web site, with all
their upcoming concert dates as well as the Shockra archives,
is at: "http://www.indra.com/~edwin/" The archives contain a
list of all their live DAT recordings since 1991, which are
available to the public. Skin plays in Boulder, CO, alternating
between the Fox Th. and the Boulder Th. every 5-6 weeks. If you
want to tape them at the Boulder Th., please call the theatre's
production manager (Glen) first, to secure permission. The
phone number there is (303) 786-7030 ext. 3. Please don't
abuse this number and don't call frivolously. If you have any
other questions about the band, feel free to email Edwin Hurwitz
the bass player for Skin, at : <edwin@indra.com>
Slapstick <Chicago, IL> (a,BA) DAT OK. Slapstick broke up in 2/97 and
formed two new bands: Tuesday and The Broadways. The Slapstick
webpage is: "http://icarus.uic.edu/~mvyenil/slapstik.htm" It is
assumed that their taping policies are similar to above.
*The Slip <Boston, MA> (a,v,BA) DAT BA OK, mic stands OK. They are really
cool about all kinds of taping, but board tapes can have hum.
Check out their website at: "http://www.theslip.com/main.htm"
Slipknot! <Boston, MA> (a,BA) They strongly encourage taping. You can
get a board feed at some gigs depending on the venue. Check
out their web page at:
"http://www.xensei.com/users/munzer/index.htm"
*Smokin' Grass <Burlington, VT> (a,v,BA) The soundman is very cool about
giving you a board patch and allows all taping. Their website is:
"http://www.smokin-grass.com"
*Snot <?> (a,v,BA) Talk to the band or tour manager for a video pass or
board access.
Solar Circus <New Brunswick, NJ> They officially broke up and performed
their last show on 2/08/97. Mark Diomidi (lead guitarist and
vocals) now has a band called "Juggling Suns." They are very
pro-taping and play tons of original Solar tunes, as well as some
Grateful Dead, JGB. They allow DAT BA and of course, mics are
always welcome.
Sonic Garden <Buffalo, NY> (a,BA) This Grateful Dead cover band allows
daud taping at their shows. Mic stands OK. The soundman
typically brings a DAT recorder, and will allow people to connect
to his DAT if they have cables. The bass player usually records
onto hi-fi videotape from the board as well, so stereo RCA cables
can go into the back of that if you get there early enough.
Remember, you need to bring your own cables! Check out their
website at: "http://www.freeyellow.com/sonic"
Sonic Youth <NYC> (a,v,BA) They currently have an unrestricted taping
policy and clearly inform the venues of this. They allow mic
stands, BA, video and still cameras, with the main rule being
that you must not be in anyone else's way. Their soundperson's
name is Diane and her board has RCA and XLR outputs if you want
the main mix (which seems pretty complete). Diane is very
friendly and helpful. Guitarist Lee Ranaldo greatly appreciates
copies of all tapes. To check out Lee Renaldo's response to a
query on taping SY shows, see the following URL:
"http://home.cdsnet.net/~michaelm/death/tapers.html"
Soul Coughing <NYC> (a) They are very pro-taping, and seem to inform the
venues of this. Contact the venue ahead of time to confirm.
Soulhat <Austin?, TX> (a) Last time, I reported to you that Soulhat was
defunct and changed their name to Shat Records. Here's the latest
scoop: they are still playing under the name Soulhat, but are now
a three-piece band without Bill Cassis, but have the same lead
vocals, bass and drums. Kevin, the lead singer, doesn't like the
sound of soundboard tapes from small venues, so don't expect BA at
most small places. He is cool about taping, if you have mics.
It's best to ask before setting up a mic stand. If you get a good
tape, let Kevin know, as his wife enjoys them.
Soundgarden <Seattle, WA> They broke up in early '97. RIP
Spacefish <Tuscon, AZ> (a,v,BA) DAT BA OK! They'd appreciate a copy.
Spain <Pacific Palisades, CA> (a,BA) Clear BA with Josh Haden, who will
probably want a clone of any DAT boards.
Spencer The Gardner <Santa Barbara, CA> (a,v) Please talk to *Spencer*
before the show to get permission to tape
Spent <Jersey City, NJ> (a,BA) Talk to the band about BA.
Spin Doctors <NYC, NY> (a) No BA. DAT OK. Mike stands OK. Although
they may not be that good about informing venues about their
policy, they are pro-taping.
Spoon <Austin, TX> (a,v,BA)
Star Drag <Baton Rouge, LA> (a,BA) Ask Matt, their lead singer, or their
managers Pete or Scott early for BA. They would like a copy
of the tape sent to Density Records, 1507 Lee Drive, Baton Rouge,
LA 70808.
*Stereolab <?, England> (a,v,BA) They usually tour the states about every
year and a half. They allow BA, but prefer audience recordings.
Their soundguy Simon is really nice and may let you have a spot
on the board, but the band prefers audience taping as the feed is
run through a moog rogue for extra processing. Video is also
allowed. Their manager, Martin, appreciates copies.
Steve Wynn <NYC> (a,v,BA) He encourages all types of taping, subject to
venue permission and rules of course. Although he won't
necessarily request one from you, he and the band would appreciate
a copy of your tape. His semi-official website is at:
"http://www.geofysik.aau.dk/~thomas/wynn/wynn.htm"
To go straight to his taping policy, go to:
"http://www.geofysik.aau.dk/~thomas/wynn/tour/1998_eu.diary.htm"
Stir <St. Louis, MO> (a,BA) DAT BA and all aud recording allowed.
Strangefolk <Burlington, VT> (a,BA) DAT BA OK! Check out their website
at: "http://www.rockweb.com/bands/strangefolk/" For further info,
contact their soundman, Nat Koren at <gnat@painfield.bypass.com>.
*Strapping Young Lad <?, Canada> (a,v) Talk to Gene the drummer and he
will bend over backwards to get you set up & plugged in.
*Strawberry Jam <Wilkes-Barre, PA> (a,v,BA) They strongly encourage
taping of all types; their new soundman, Henry Caruthers, will
give you a killer board feed, but please get there early. The
early bird gets the best setup. Check out their homepage at
"http://www.users.fast.net/~padeadhead/"
String Cheese Incident <Telluride, CO> (a,BA) For BA, talk to John,
their soundman. Their webpage is:
"http://www.stringcheeseincident.com/"
*Stuck Mojo <Atlanta GA> (a,v,BA) This band is taper-friendly with both
daud & video. BA is venue-dependent.
Subdudes <New Orleans, LA> (a) The Subdudes are now sadly defunct, but
two of their members are now playing in a band called "Tiny
Town."
Sugar Magnolia <Cleveland, OH> (a) This Dead cover band allows aud
taping. Their SBD policy is unknown. They allowed AUD taping
in Grand Haven MI, 8/22/98, and wanted copies of the tapes.
Talk to a band member.
Sunflower <Norwalk, CT> (a,v,BA) They allow full access to all kinds of
taping. Just speak to their soundman, John Bosco or any of the
members of the band and they will accomodate you. When they play
at a place too small to have a board, a dedicated taper named
Steven Kingsley will give you a digital or analog patch out of his
AKG 568eb's>Denon DTR80-P setup. Check out their website at:
"http://sunflower.base.org"
*Sunny Day Real Estate <Seattle, WA> (a) On this past tour, they posted a
notice on their website allowing taping. Video? BA?
Sunshine Spider <Ithaca, NY> (a,BA) Their soundman, Justin, is a really
nice guy and easy to work with.
Superdrag <Knoxville, TN> (a) They allow daud taping, as long as you do
not profit in any way from it. They encourage tape trading.
Their website is: "http://www.superdrag.com/links/links.html"
Susan James <?> (a) A fellow taper wrote to her management company, who
said it's no problem with them as long as the venue doesn't mind.
Her website is: "http://www.pacificnet.net/~susanj/"
Tara MacLean <Toronto, ON> (a) This Nettwerk artist seems to enjoy
being taped, but doesn't have an official taping policy yet.
Aud taping has been allowed lately, BA uncertain.
Thanks To Gravity <Portsmouth, NH> (a,v,BA) DAT OK. Mike stands OK.
Taping encouraged.
Therapy <?, Ireland> (a,v) Talk to the soundman and he will arrange for
you to get a special video pass.
Three Ring Binder <Pittsburgh, PA> (a,v,BA) They encourage DAT aud, video
and DAT BA! Ask for Shaun before the show for BA. They request
a copy be sent to: Three Ring Binder, 244 S. Highland Ave.,
Pittsburgh, PA 15206-3938. Their web URL is:
"http://www3.pgh.net/~sgilmour/trb.html" For further info,
email Shaun at <sgilmour@pgh.net>.
*Throwing Muses <?> (a,v) Although since Oct. '98 this band has been
defunct, Kristen Hersh is now allowing BA as well daud taping
in her solo shows.
Tim Reynolds <?, NM> Acoustic guitar. Runs a da-p20 on stage, which he
makes available for reasonable patching. Encourages taping.
Tindersticks <London, England> (a) They are OK w/aud taping. Talk to
James, their manager, before the show. He's a great guy, so be
friendly with him. He has big red hair. Their style is to be
low-key, so be discrete as you tape them. Probably best not to
use a mic stand. It's not clear if they allow BA, but be nice
when you ask and please report back to the list on it.
Tiny Lights <NJ> (a), BA if soundman is in the right mood
TJ Kirk <Berkeley, CA> (a) This is a Charlie Hunter side project.
Ask them first and you should find them very cool about taping.
They will appreciate a copy afterwards. The Charlie Hunter
Quartet also allows subtle aud taping.
Toadstool <Seattle, WA> (a,v,BA) This band allows and encourages taping.
Please check with the soundperson for BA, and with the venue for
any taping. The band would appreciate a copy of any tapes you
make. Their website is "http://www.toadstool.net"
*Toad The Wet Sprocket <Santa Monica, CA> (a,v) It has been reported that
this band has broken up.
Toasters <NYC> (a,BA) Analog BA only, as they are afraid of bootleg CDs.
If you get in touch with them, they will want to know what kind
of equipment you have. Taping can be venue-dependent. Mic stands
OK. Contact Moon Ska, their record company, for confirmations.
Todd Snider <Portland, OR> (a,BA) BA only with permission from soundman.
Ask early.
Tony Furtado Band <?> (a) DAT OK. Mic stands? Video? BA?
Tony Trischka Band <?> (a,BA) DAT BA OK. It has been confirmed that
they are very taper-friendly, but it's always polite to ask first.
Tortoise <Chicago, IL> (a) Jazz-oriented. No BA.
Tory Cassis <Toronto, ON> (a) DAUD okay, video and SBD policy unclear.
He's generally very willing to allow recording, and loves
getting copies of his own work.
*ToyBand <Chicago, IL> (a,v,BA) All forms of taping highly encouraged.
BA sometimes not available if venue has their own sound person.
For best results, get there an hour or so early and hook up with
the band. For gigs and contacts, check out their website at
"http://www.toyband.com/" or email them at <us@toyband.com>. If
you have any trouble getting in with your equipment, tell them
Toy is expecting you to set up with the band.
*Tragically Hip <?> (a) Since the summer of '98, they have been allowing
daud taping. The sound man's name is Mark Vreeken. If the guys
at the door give you any problems with getting your taping
equipment in the door, ask to see Mark Vreeken and he will get
you in the door with your equipment.
*Train <San Francisco, CA> (a,BA) taping encouraged. Analog, DAT, Hi-end
gear OK. Speak to Jerry, their tour mgr if there are problems
getting gear in the door. Mic stands OK. They like to have a
copy of their sets. Opening sets tend to run around 45 minutes.
Headlining sets < 90 min, but your mileage may vary. For further
information, see http://www.trainline.com, their website.
Trans Am <Washington D.C.> (a,v,BA) This three-member loud rock band
even allows BA and video! They appreciate a copy of your tape.
Trina Hamlin <New York, NY> (a) DAUD OK, board access has been granted
to trusted tapers. Video policy unclear. She's friendly.
Just ask. If you can get her a copy she'd certainly appreciate
it.
*Trout Fishing In America <?,AK> (a) Daud taping and trading encouraged,
but SBD taping discouraged since it's usually a house mix.
Tuesdays <Chicago, IL> (a,BA) DAT OK. This is one of the two new
incarnations of Slapstick, who broke up in 2/97. The Slapstick
webpage is: "http://icarus.uic.edu/~mvyenil/slapstik.htm"
Tugboat Annie <Boston, MA> (a,BA) They allow audience taping. For BA,
ask Tim (the drummer) *before* they start to set up and say you
know Daiv and he'll be more receptive. For more info, email
Daiv at <x-jiff-x@juno.com>.
Tyler P. Clifton <Austin, TX> (a) Tyler may allow you to patch into the
board, if there is one. However, sometimes Tyler can be a
bit ornery, so if you want to tape, its best to show up early
and buy him a beer. That usually gets him in a friendly mood.
Check out this Austin legend at:
"http://lonestar.texas.net/~wallyski/tyler.html"
TR3 <Charlottesville, VA> (a,BA) Mike stands OK. Analog and DAT BA OK.
Photos OK. Talk with Tim Reynolds before the show for permission
to tape.
Uberhythm <?, Montana> (a,BA) If you have any problems bringing in your
gear, go talk to the soundman and he'll help you. He will allow
BA if he thinks it will sound good, and if not, he'll help you
get a good spot to set up your mics.
Uncle Jon's Band <Chicago, IL> (a) BA?
*Underfoot <Annapolis, MD> (a,BA) DAT BA OK. Stands OK. Encourages taping.
See Steve (soundman) for taping permission.
Union Station <?> (a) Taping them seems to be venue-dependent
Urban Blight <NYC> (a)
Vance Gilbert <Boston, MA> (a) DAUD okay, video and SBD policy unclear.
Vance has allowed taping at times in the past - ask him about it.
He'll likely give you an okay.
Varnaline <NYC> (a,BA) They are cool with aud and BA taping and will want
a copy as well.
Vertical Horizon <Cape Cod, MA> (a,v) Vertical Horizon allows all forms
of audio taping, but no longer allows any soundboard patches.
However, they still allow daud and video taping. They are doing
their best to inform all venues of this new policy. They will
do their best to have AC power available to those who need it.
Check out their web page at: "http://www.verticalhorizon.com"
Vic Chestnut <?> (a) He'll allow aud taping and sometimes BA too, as long
as he's assured that it's not for profit. He can be moody, but
it's rare when he's not friendly.
*Victor Lamont Wooten <Nashville, TN> (a) The bass player for Bela Fleck
& The Flecktones, Victor currently allows daud taping. No BA
or video. He was previously listed as not allowing taping.
Victor Wooten <?> (a) Mic stands OK. No video. Photos OK. There will be
no SBD feeds this tour but DAT audience taping is allowed,
barring venue restrictions. If you stay after the show, you can
chat with Vic and get his autograph. His shows typically run
2:02:00; 1:58:00 before encore, so plan accordingly.
*Viper House <Burlington, VA> (a,v,BA) This 9 piece groove unit features
Heloise Williams on lead vocals; Heloise is the female vocalist
on the new Phish album. They are totally into taping. Just speak
with their soundman before the show and he'll hook you up.
Volunteer Fire Ants <Wimberly/Gruene/Austin, TX> (a) They can sometimes
accomodate video and DAT BA if you ask before the show.
*Voodoo Glow Skulls <NYC?> (a,v,BA) Very taper friendly. The band once
said: "Bands that don't allow taping are assholes!"
Walter Mitty <Dallas, TX> (a,v,BA) audio, video, DAT BA OK. Talk to
Brian, their manager.
WaterStreet Blues Band <Long Island, NY> (a) They allow and encourage
aud taping. They may allow BA if you ask first. Their homepage
is: "http://www.waterstreetbluesband.com"
Wayne Horvits <?> (a,BA) They are very pro-taping and all they ask for is
a copy of the show.
Wayne Kramer <?> (a) Founder of the legendary 60's band, The MC5, Wayne
has a very open taping policy. He's stated for the record that he
encourages taping of his shows. His BA policy is unknown.
Ween <New Hope, PA> (a,v) They actively encourage audience taping and
allow video taping, but their soundman is very against board
patches. Apparently they are not too good about informing venues
of their pro-taping policy, so good luck getting your equipment
past the door.
The Why Store <Bloomington, IN> (a) aud DAT OK, pictures (but no flash)
OK. You must contact Steve Spergl beforehand to get permission.
His email address is <PSERGL@aol.com>. No BA.
Widespread Panic <Athens, GA> (a), No BA. Their homepage can be found
at: "http://www.widespreadpanic.com"
Wilco <New Oleans, LA> (a) Since they are now on the Warner Bros label,
they can no longer give BA. Although their official aud taping
policy has been "no see, no enforce," their soundman Adam
Roehlke has been known to occasionally give folks permission to
aud tape them if you get there early and hang with him. BTW, their
soundman, Adam is very cool. Stop and chat with him if you can; it
may be worth your while. He especially likes folks with good mics
to make daud tapes and him a copy.
The Wild Colonials <Los Angeles, CA> (a,v) DAT aud OK, but no DAT BA.
For videotaping, you need to ask in advance.
Willard Grant Conspiracy <Boston, MA> (a,BA) Talk to Robert Fisher for
BA.
Willie Life <Baton Rouge, LA> (a,BA) Ask their managers Pete or Scott
early for BA. They would like a copy sent to Density Records,
1507 Lee Drive, Baton Rouge, LA 70808.
Wooden Leg <Boston, MA> (a,BA) Talk to Jimmy Ryan for BA.
Xanax 25 <NYC> (a,BA)
yeP! <Amherst, MA> (a,BA) If a good SBD patch is available, they enjoy
providing it. Otherwise, bring your mics. Their homepage is at:
"http://www.cs.umass.edu/~greene/yep.html" They also have a
discussion list for fans to discuss the band, its music, shows,
tape-trading, etc. You can find it at:
"http://list.org/mailman/listinfo/yep" For further questions,
email to <yep-admin@list.org>. Is it true they broke up?
Yo La Tengo <Hoboken, NJ> (a) They don't normally allow BA because they
don't like the sound of their board tapes, but they don't mind
aud taping. However, aud taping is very venue-dependent, and
they don't seem to be very good at informing the venue's security
about their pro-taping stance. Expect problems getting your
equipment past the door.
Yolk <Binghamton, NY> (a,BA) For visible taping or BA, just ask the
soundman before the show. It appears that he never turns tapers
down.
Zaemon <Baton Rouge, LA> (a,BA) For BA, ask Buck or Ricki Naqvi early.
Zakk Wylde <?> (a,v) He is the former guitarist from Ozzy. You must
secure permission first. If interested, email Randy, head of
webpage and fanclub at <700083@fs3.law.missouri.edu> so you can
clear taping ahead of time. Otherwise, your tapes may be taken.
When he allows taping, DAT OK, video OK, mic stands OK, but no
BA. The key is to get permission ahead of time.
Zen Tricksters <Los Angeles, CA> (a,v,BA) They will allow any kind of
taping if you get there early and ask one of the band members or
the soundman. Their NEW homepage is:
"http://zentricksters.com/".
Zero <Lagunitas, CA> (a) NO BA, except with prior permission. For
exception requests, contact Brian, their live recording engineer,
whose email address is <brianab@vnd.tek.com>. There is no real
tapers section, but aud tapers are encouraged to set up their
stands in a place where it won't inconvenience other. Aud taping
is encouraged! No video or flash cameras. FYI, this band is very
nice to us tapers and will work with you to give you the best
damn tape possible. There is now a permanent DAT and analog tree
structure off the rockweb band page for those who want to receive
the latest tapes (most of which are recorded Front of Stage).
Check out their new webpage at: "http://bands.hive.net/zero/"
Zony Mash <Seattle, WA> (a,BA) They are very pro-taping and all they ask is
that you send them a copy of the show. Check out their website at:
"http://www.zonymash.com". If you need further info on their
taping policy, email Toby Dodds at <tobyd@dusya.osd.com>.
Zoo People <Los Angeles, CA> (a,BA) They allowed BA at the High Sierra
Festival and are likely to allow it elsewhere, venue restrictions
notwithstanding. Check out their webpage at:
"http://www.rockweb.com/rwi/bands/zoo-people".
2 Skinnee J's <NYC> (a) They allow daud, and usually, if you ask ahead of
time, you can get a board patch. Expect to make them a copy.
*3 Minute Hero <Minneapolis MN> (a,v,BA) Talk to the sound man before
the gig .They would like a copy of the show if it turns out!
*24-7 Spyz <?> (a,v) Talk to Jimi Hazel, the guitar player. He will want
a copy of the show.
5000 Deep <Philadelphia, PA> (a) They just played the Summer Sun
Festival with Gov't Mule and Disco Biscuits. They welcome and
encourage taping of their live shows. You can check out their web
site at: "http://members.aol.com/deep5000"
*end of list as of 1-01-99*
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*BANDS THAT ARE AGAINST TAPING* (as of 1-01-99)
Alison Krauss & Union Station <?> At a recent show in which she opened
for Bela Fleck, she had the announcer say to the crowd: "Alison
Krauss does not allow audio or video taping. If you are caught
taping, the band will stop playing until someone comes down
there and breaks your tape." She is VERY anti-taping.
Barenaked Ladies <Toronto, Ontario, Canada> Their management company is
*very* anti-taping, so tapers beware! However, if you're able
to stealth them, the band members are OK with it.
Ben Harper <?> Ben's management group is very against taping and
doesn't allow it at all, but Ben himself has said that if you
get your equipment in, he personally has nothing against you
taping him. Stealth is required. Security has been busting
tapers left and right on his most recent tour.
Beth Orton <?> When a taper recently asked her tour manager if he could
tape, the answer was a big "NO".
*Better Than Ezra <New Orleans,LA> They are very anti-taping, so
tapers beware!
Bob Dylan <?> As is well known, you tape at your own risk at Dylan
shows and it seems that 10-20 tapers are busted at each of his
shows.
Bob Mould <NYC, NY> (a) His former band, Sugar, is now defunct. He is
no longer allowing taping of any kind at his shows. Spread the
word.
*Burning Spear <?> This reggae band does not allow taping unless you
offer the band and the manager the funky stuff (for real).
A soundman at a recent show allowed a friend of his to patch
into the board (DAT) with no problems. At the same show a
fellow taper asked the manager if he could record w/mics and
he said "No taping man" If the manager doesn't know, there
may be a chance you can tape them, especially since the lead
singer is reported to be taper friendly. However, it appears
that their management has a no taping policy.
*Carolines Spine <?> The band is ok with it but the tour manager and
label are VERY anti taping.
Cheap Trick <Rockford, IL> They absolutely do NOT allow taping. The
only time they ever allowed it was when they toured with Motley
Crue, who allows it. The band's policy is, and always was - NO
TAPING ALLOWED. And, that goes for video as well as audio.
*Coal Chamber <?,CA> Being Managed by Sharon Ozbourne (Ozzy's wife)
means you'll be pitched from the venue if caught.
Creed <?> They used to allow "underground tape trading" before they
were signed to Virgin. They personally don't care if you tape
them, but due to contractual obligations, they can't give you
permission to do so. The present situation is "no see, no
enforce."
The Cure <?> Although the band has said in interviews that they don't
mind taping, they never seem to communicate this to the venues.
Thus, the policy at the door will invariably be "no taping."
David Lindley <?> He allows no audio or video recording of his concerts
in great part because of his very strong anti-bootlegging stand.
However, Dan Mahoney, who's been in charge of busting David's
tapers over the last 12 years, has stated that if he sees a tape-
head who is obviously taping for his own personal stash, he never
hassles them. He busts those who equipment looks too "pro." It
is unclear what criteria the uses to draw this distinction. The
feeling that many tapers have gotten is that Dan values
David's music and sees the need for it to be documented on DAT,
but isn't at liberty to come out and openly encourage it out of
respect for David's negative feelings on the subject.
David Wilcox <Black Mtn, NC> While he appreciates tapers showing an
interest in his music, he has an audio archivist touring with
him and doesn't want additional folks to tape him.
*Deftones <Sacramento, CA> The band and manager are cool about taping
and tapers but the record label says no. It's stealth or nothing.
*Diamanda Galas <?> She has a very beautiful road manager who does not
like tapers and who is aware of DAT and analog decks-she will
not fall for the extra tape you carry just for such
eventualities! She will also ask for the DAT tape that you
carefully hid under your jacket! Believe it or not, this
happened at probably the most taper friendly place in the world,
the Knitting Factory in NYC.
Doo Rag <Tuscon, AZ> Digiphobes. They *might* allow analog taping, if
the gear is primitive enough to meet their standards. They claim
they've recorded some of their own shows directly to vinyl with a
record-cutting lathe.
Dream Theater <Long Island, NY> Although their drummer is into taping,
their lead guitarist and singer are not, so their official
policy is "no taping."
Duke Rollibard <?> It'll be a mistake if you ask Duke if he allows
taping, as he will most likely tell you, in a very beligerent
tone "absolutely not", as well as threaten to throw you out and
take your tape away if he catches you taping. Beware!
*Faithless <?, England> When asked what their taping policy was, their
tour manager was very polite, but said that in no way would
they allow taping because it would probably be bootlegged right
away.
*George Clinton & PFunk <?> His soundman has gone on record as saying that
he doesn't allow taping of any kind and will even take away
cameras if he sees them. Their Sony rep is even worse.
Great Big Sea <Newfoundland> They've indicated that they don't want
substandard hissy recordings to serve as an introduction of
their music to new listeners. They therefore do not allow taping.
If you happen to stealth them and get a great recording of a great
show, consider sending them a copy to convince them that not all
tapes sound as bad as they think: "http://www.greatbigsea.com"
Happy Apple <St. Paul, MN> No taping, they believe it hurts sales and
do not want any unauthorized recordings in anyone's hands. They
also claim that their current record label is very anti-taping.
They will bust you if they see you taping.
Indigo Girls <?> Although they have gone as record in the past as
saying that they don't mind aud taping and tape trading (but
disallow video, BA or mic stands), their FOH, Michele, has
recently said that they no longer allow taping of any kind.
Further clarification is needed from the band members themselves.
Jamiroquai <London, UK> The group's label, WORK, is against all taping,
but there is a good number of stealth tapers at most of their
concerts. Their website is: "http://www.jamiroquai.co.uk/"
Jayhawks <Minneapolis, MN> Their soundman is a nice guy, but will tell
you flat-out that they do not allow taping. They are worried that
a bootleg CD will get out. However, recently a few tapers have
talked to the band before the show and have been allowed BA, but
your mileage may differ.
Jewel <San Diego, CA> Although it was reported in the last update of
this list that she now allows audience taping, this has in fact
turned out to be misinformation. She still does NOT allow
taping. It is true, though, that open tape trading does occur on
the mailing list. This occurs because it is among list
members only. Check out "http://www.spectra.net/~ducksoup/" for
more info.
John Zorn (Masada, Cobra, all other projects) <NYC> He is VERY
anti-taping and anti-picture-taking. He actively seeks out
tapers, so it's best to avoid talking to other known tapers, as it
may give you away.
King Crimson <UK> Robert Fripp is very anti-taping, so tapers beware!
However, Belew doesn't seem to mind and the others could care
less.
Levon Helm <Turkey Scratch, Arkansas> After an intial report that he
allows taping, it has since been reported that he himself refused
to allow very polite folks to tape his concert in NY. Until
further notice, assume he has a no taping policy.
*Limp Bizkit <Jacksonville FL> VERY anti taping. Their tour manager Nick
looks for tapers and will grab tapes and batteries.
Maceo Parker <?> His men apparently search out tapers, so discretion is
advised. Several tapers have been busted at his shows.
Mark Eitzel <SF, CA> (a) Very unpredictable. Sometimes allows BA,
sometimes won't even allow aud taping, so take nothing for
granted.
Michael Hedges <?> RIP, Michael.
Michelle Shocked <?> Her management/record company seems to be strongly
against taping and has put up strongly worded signs prohibiting
it at all the entrances of venues normally allowing it. It
appears she lost a legal battle against a European bootlegger
and has understandably soured to all tapers.
Morcheeba <?>. When a taper recently asked their tour manager if he could
tape, the answer was a flat "NO".
The Neville Brothers <New Orleans, LA> They used to allow taping, but
no longer tolerate it. Stealth is now necessary.
Page/Plant <?> Indications are that they are NOT allowing open taping on
during the summer '98 tour.
Palace (Bros) <?, OH> Will Oldham, the group's leader, has been known
to be extremely volatile towards those asking to tape when in a
bad mood. Lately he has been saying an emphatic no to both BA
and aud when folks have asked.
*Pitchshifter <U.K.> No taping allowed.
*PJ Harvey <?> A fellow taper was busted by PJ's management in 11/98
during an in-store free performance at a Virgin Megastore. They
went so far as to demand that he erase it in front of them.
Although it's not clear if PJ herself is anti-taping, her
management certainly is!
Preverts <Austin, TX> The band is currently not allow any kind of
recording and if the singer catches you taping, he has been known
to give you a lot of grief. Check out their website at:
"http://www.eden.com/~wallyski"
Queensryche <Seattle, WA> They no longer allow taping, which started on
their last tour. The webmaster of their fan-page has declared
this as their new policy until further notice.
Red House Painters <SF, CA> (a) Kozelek is as moody as his hero, Mark
Eitzel; unless you have a connection, play it safe and don't be
obvious.
*Reverend Horton Heat <?> Forget about it! The band is cool but "The
Reverend" is very anti-taping so the policy is NO TAPING.
Richard Thompson <London, UK> He is very against taping and actively
enforces his no-taping policy. Tapers beware!
*Richie Havens <?> Unfortunately, Richie is very anti-taping.
Robert Cray Band <?> Robert and his band are against taping of any kind.
He regularly informs security of his anti-taping policy and many
tapers have been busted at this shows.
Robert Earl Keen Jr. <Austin, TX> He has switched record labels and can
no longer allow taping of any kind.
Robert Fripp <?> He is VERY anti-taping and will bust you in a heartbeat
if he sees you taping. He makes each venue sign a contract
promising that they will put out a big sign saying NO TAPING and
another stating that you will be escorted out of the venue if
caught with a camera or recording equipment.
Santana <San Francisco, CA> Although Carlos himself has a liberal
attitude toward taping, the group's manager is apparently
totally against it, so steer clear of him.
Sarah McLachlan <Vancouver, British Columbia, Canada> Her soundguy
recently duped a fellow taper when he asked for board access.
He soundguy apparently said, "Yeah, give me your stuff and
I'll plug you in." He then took the guy's batteries and
tapes, gave him back the deck and said, "Pick your stuff up
after the show." Tapers beware!
*Seven Dust <Atlanta GA> This band is now very anti-taping. In 11/98,
they gave a friend permission to tape a show and took his tape
after the show!
Sheryl Crow <?> No taping allowed at present.
Slayer <Los Angeles, CA> They are very anti-taping, so tapers beware!
Smog <NYC?> When a fellow taper asked him if he cared if he taped him a
few months ago, he said he would prefer that he didn't.
Son Volt <New Orleans, LA> They no longer allow taping of any kind, this
coming straight from the manager and from tapers.
Squirrel Nut Zippers <Efland, NC> They no longer allow ANY taping of ANY
kind, despite the good wishes of the band members, so it's
stealth or nothing at this point. The tour manager is VERY
anti-taping.
*Susan Werner <Philadelphia, PA> After being refused a board patch in
Albany, NY on Halloween '98, a fellow taper was caught stealth
taping her show. When Susan found out, she got very upset,
refused to hear the tapers arguments about the benefits of
allowing taping and expressed that taping is illegal and not
to waste her time about this. Tapers be aware.
Tea Party <?> The band prefers to be in control of what gets out to the
public, so they are against it. An apparent band member has
stated that if you're gonna tape, don't piss off the band by
being blatant about it. Stealth is the key.
Testament <?> They are VERY anti-taping and very unreasonable and have
threatened to break any recording equipment they find.
They Might Be Giants <Brooklyn, NY> Although their taping policy has yet
to be clarified, John Linell, one of the band members was quoted
as saying: "We appreciate the interest shown by tape-traders and
bootleggers, but we also appreciate the money from our record
sales. I guess you should let your conscience be your guide."
Tiny Town <New Orleans, LA> Although two of their new members are from
the Subdudes (now defunct), who used to allow taping, Tiny Town
has recently made folks take down their mike stands. Tapers
beware.
Urge <?> Their tour manager, Yanni, is VERY anti-taping and has his crew
on the lookout for tapers.
Verve Pipe <East Lansing, MI> No longer allow taping of any kind!
Willie Nelson <?> Willie doesn't mind, but his management is totally
against it. Taping not allowed.
Ziggy Marley <Jamaica?> Their management has stated: "Absolutely no
taping allowed."
*end of list as of 1-01-99*
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
Regarding the Grateful Dead and the surviving members' musical
efforts and corresponding taping policy, they have been allowing it in an
official taping section on the lawn of their ongoing festival called
"The Other Ones." FOB taping is generally tolerated if you don't
affect anyone else's line of sight or inconvenience others, but the
tolerance factor often varies from venue to venue. For the Summer '98
Tour, no tapers tickets are needed, but one has to have a lawn ticket (the
tapers section is limited to the lawn area) in order to get your taping
equipment in the door. The number of decks let in the door may be limited
by the venue, so get there early if you want to tape. Overall, your best
bet to tape the Other Ones Festival is to run a 90meter tape. For further
information, check out their web site at: "http://www.dead.net".
Joe, a soundman from the Blacksburg, VA area, has recently run
into a rash of problems with newbie tapers who don't know what equipment
they are expected to bring to be able to patch into the SBD and how to
treat the soundman for best results. He has asked me to share the
following with all of you in the hopes that it may reach at the eyes
and consciousness of at least one newbie taper. I think it is
representative of the problems and the concerns of most other soundmen
across the country. Please bear in mind that no matter how taper-friendly
a band is, if you act like a jerk and get on the bad side of the soundman,
you are much less likely to get any cooperation from him and may even be
told that they'll be no taping that night. Anyway, here it is, in Joe's
own words: "I work for a sound company that provides club sound for two
local clubs and a variety of road shows in the area. It seems every
other show or so, someone asks me if its OK to tape the band. Some
thoughts: I *will* ask the band if its OK, so don't try to lie and say
it's cool with the band. That's not happened to me, but it has happened
to co-workers. I can always use an extra tape. Always come prepared.
A mono 1/4 inch to stereo adaptor is a must. Bring 1/4 inch adaptors,
XLR adaptors, a 10+ foot cable (with a twistie/something to tie the slack
up with), a power extension cord, and 3 prong to two prong adaptor. I'm
not being paid to provide you with equipment. Please don't pester me.
Catch me before the show, ask me quickly, and then wait for me to get some
time to talk with you and get you set up. Just find a spot near the board
and hang out for a while. The show may start before I can help you, but
I've got my priorities to take care of. And please don't ask me to flip
your tape if you've just using a cassette deck - I've got more important
things to do." Editor's note: I can't say it often enough--get to the
venue early, 2 hours before showtime if possible, and get set up way in
advance of the show. In this way, you'll make life a lot easier for
everyone concerned. One more thing: even if a band allows board access,
tapers should not attempt to plug into the board without the assistance
of the sound engineer. There are shows where naive tapers help themselves
to the board thinking it will be OK and that always greatly upsets the
engineer and normally ruins the chance for a board patch for everyone at
that show. It takes the engineers a lot of time and effort to set things
up (and the house sound, not tapes, is always their primary responsibility)
and they don't need or want tapers plugging things in or out without their
knowledge.
Many newer/smaller bands will allow taping if you arrive early and
chat w/the band. You may find yourself promising the band a copy and
getting their address/phone # in return. Audio, video and soundboard
access are always possible, but in some cases the venue may have
restrictions or fees, even after you get permission from the band. At
some Los Angleles clubs, for instance, there is a $50 video fee and a $500
DAT SBD patch one (fees in your city may vary).
Just because a particular band is listed here, doesn't guarantee
that you'll be allowed to tape them. All it takes is one bootleg CD
from a recent taping-allowed show or one beer spilled into the soundboard
of a recent BA-allowed show and the band will often quickly regret their
decision to allow taping and disallow it from that moment on. It's also
not entirely uncommon for you to show up at the venue of a concert of a
band that allows taping, only to find that the security individual you
encounter wasn't informed by his boss that it's OK to let folks in with
their tape decks and mikes, thus denying you the access you deserve. In
such a case, there are several things you can do: 1) insist on talking
to the head of security, 2) try another entrance in the hopes of finding
a better informed security employee, 3) stealth it, 4) leave your taping
equipment in your car. Of course, the best thing to do is to contact the
band a week or so before the concert and make sure they have contacted the
venue and asked them to allow folks to bring their recording equipment
in to the show. If you call the venue, ask for the head of security and
confirm that the band has informed him that taping will be allowed and
that the security employees have been or will be informed of this, you'll
save yourself a lot of trouble later. This little act of initiative on
your part can make all the difference in the world. Another related
problem that you may encounter is a concert that is advertised as
allowing taping, but prohibiting "professional equipment." In this case
you are at the mercy of how and where the security personnel draw the
line between "consumer" and "professional" equipment. Many times
anything with XLR connections is deemed too "professional" to allow in.
Those who have encountered this problem have told me that they can
usually get past this hurdle by simply going in through a different gate
where the security individual isn't quite as knit-picky. In addition,
whatever the taping restriction might be, it seems to be slightly easier
to get your equipment in if you are either in the first wave of fans
getting in the door or the last. Finally, when a band has an official
taping section and doesn't require taping tickets for you to be able to
tape there (e.g., Phish), they often let folks bring their taping gear
in until the taping section fills up, and at that point they inform the
security not to let anyone else in with their mics and/or deck. Be ye
forewarned: if you fail to arrive early, you will most likely be told
that the taping section is now full and you'll have to take your taping
gear back to your car.
I want to make it perfectly clear that in no way does this author
or the people who have contributed to this list encourage or condone
the bootlegging of the recordings of the artists mentioned above. When
a band gives us their permission to tape their concerts, there is an
implicit understanding that we will do so only for our own listening
(and trading) pleasure and not try to profit from this by selling a
copy of the recording afterwards. 95% of all tapers are honest audio
hobbyists who are only looking to record a unique audio event for their
own listening enjoyment (i.e., to relive the live concert experience)
and have about as much in common with bootleggers as good doctors have
with quacks. The great majority of us tapers agree that the selling of
the music that a band allows us to tape for free is an extreme act of
back-stabbing and is considered taboo. Let it be known that the purpose
of this list is not to encourage or facilitate bootlegging in any way,
shape or form; it is to inform and instruct audio hobbyists as to which
bands have given us their permission to tape their live performances and
what, if any conditions or restrictions such bands choose to place on our
ability to tape them. It is also designed to help instruct newbie tapers
as to some of the do's and don'ts of live taping, as well as to help
band managers and record company executives consider some of the
potential advantages and benefits of allowing their fans to tape them..
While selling the live recordings of a band without their
permissionis heavily frowned upon by 95% of all tapers, trading the same
live tapes is a different story and is encouraged by most tapers and bands
(allowing taping) alike. There are several reasons why allowing taping
and encouraging tape-trading can be advantageous to a band, the most
important of which are outlined below. First, it tends to increase a
band's fanbase, mostly because the majority of fans feel more allegiance
or dedication to a band that freely gives something back to them without
asking for anything in return (other than following certain guidlines or
rules). Second, tape trading is one of the most effective modes of
word-of-mouth advertising that exist and tends to increase the
enthusiasm factor among fans and creates a sense of community among
those who tape and trade tapes. Many tape traders have become interested
in seeing a certain band in concert after enjoying a live recording of
theirs from a tape trade. In turn, this renewed interest often causes
tape traders to purchase the official CDs of a newly discovered band.
Third, when a band allows taping, it will usually increase its take at
the gate, in part because of the widening of its fanbase and in part
because it will attract the interest of more tapers in the area, many of
whom will choose to attend the concert of a newly discovered band if they
know they'll be allowed to tape them.
I'll be the first to admit that my statement that 95% of all
tapers won't bootleg is more my opinion and my guess than any kind of a
scientific conclusion based on hard research and surveys. The truth is,
there are some dishonest people in any human endeavor or field of human
interest and it's not that easy to come up with an exact number or
percentage of how many rip-off artists there are out there. It's true
that when you allow taping, you also open yourself to an increased
possibility that you will be bootlegged. But consider this: if you
allow taping and encourage your fans to trade your live recordings among
themselves, the most ardent ones (who would be a prime target for
bootleggers to sell their wares to) will already have a copy of all the
most sought-after shows. Therefore, the bootleggers will have fewer
potential buyers to peddle their illegal wares to. Another point is that
bootleggers tend to ignore laws and are not the kind of people who will
wait until you allow taping before deciding to bootleg you. We don't
close our banks because there are bank robbers out there and we certainly
don't close our churches because there are some priests who are
pedophiles; we do what we feel is right and take immediate action to weed
out the small amount of bad that comes with the overwhelming amount of
good.
Bootleggers are going to operate whether a band allows taping or
not and, in my opinion, the way to combat them is not through disallowing
taping but through legal channels. It certainly wouldn't hurt to impose
tougher penalites against record store owners and managers who choose to
buy this illegal merchandise.
If you have any questions or suggestions to improve this list,
please let me know. As always, if you know of any other groups allowing
taping that I haven't listed here, please let me know so I can share it
with all the others out there who might benefit from it. As I mentioned
above, I'm currently trying to complete the info on where each band
resides, i.e., where they play the most concerts, thus where one is most
likely to be able to catch them and tape them. Please help if you can.
Finally, you are encouraged to share this list with any and all
forums/newsgroups/lists that stand to benefit from it. If you want to
include this list in your webpage by establishing a link from your
webpage to Mike Wagner's at "http://www.enteract.com/~wagner/btat",
please be considerate enough to email him first at <wagner@enteract.com>.
He'll be truly honored. Finally, it goes without saying that the selling
of this list and/or any of the information contained herein, is strictly
forbidden.
In music there is peace,
and in taping there is documentation
of unique sound events,
Kurt <kkemp@ccsf.cc.ca.us>
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Tue, 25 May 99 22:15:00 EDT
Subject: DAT-Heads Digest #975
DAT-Heads Digest #975, Volume #4 Tue, 25 May 99 22:15:00 EDT
Contents:
DAT recorders for sale ("Eric D. Wobschall")
Nutters Trey show? (Duncan Oldham)
5-26-99 DMB (Salvatore Lee)
Kenny Wheeler in Boston & NYC (ROBERT703@delphi.com)
ISO: Chris Whitley boards (liverich)
Re: Greg Allman @ Ventura Theatre ("David D. Rogers")
Tapers needed for PRINCE/THE ARTIST gig in Vegas, May 29th !!! ("FJC")
Sony D7 life expectancy ("Lee, Tom")
Palm Pilot Application for Tape Traders (Tradedats@aol.com)
CD-R (Vernon A Webb)
Bubbapalooza, Old 97's ("Larry Slavens")
============================================================================
From: "Eric D. Wobschall" <eric@rainmedia.com>
Subject: DAT recorders for sale
Date: Tue, 25 May 1999 15:35:36 -0400
For sale:
Quantity 2 Panasonic SV-3900. Each unit has under 10 hours of use, and is in
perfect condition.
Also available: one SH-MK390 wired remote for one or more SV-3900 units.
Same condition.
Also available: one Apogee AD-1000 with PS-1000E and rack tray. Also perfect
condition.
Reasonable offers (considering condition) entertained.
Please contact Eric Wobschall at 716.688.1781 or email me at
eric@rainmedia.com
==============================
From: Duncan Oldham <duncan@epix.net>
Subject: Nutters Trey show?
Date: Tue, 25 May 1999 15:53:31 -0600
Sorry for the none dat related post" i,m looking for a quick trade for
Nutters
Recording of Trey in Denver, will trade a smokin Copy made at the palace
in Albany
front row dead nuts center Balcony Schoeps Hypers
>arco>D-8{5-15-99}Came out better than anything that was recorded in the
pit" Just want nutters copy quick trade on a 90 meter mine is already to
go",please no grovels
contact duncan@epix.net
Thanks for the space,,,,,,Dunc
==============================
From: Salvatore Lee <chefsal1@gateway.net>
Subject: 5-26-99 DMB
Reply-To: chefsal1@gateway.net
Date: Tue, 25 May 1999 15:49:38 -0400
Hello everyone,
I know this is late, but I just found out I was going. Is there anyone
out there that can give me a patch for this show if I bring my deck in.
I have most of the neccessary cables. Otherwise, would somebody be
willing to take tapes (in a postpaid mailer) at the show from me and
spin them back to me at their convenience.
Thanks for the bandwidth.
Sorry for the lack of dat content.
Sal
"Good tunes in the kitchen equal good food on the table"
==============================
From: ROBERT703@delphi.com
Subject: Kenny Wheeler in Boston & NYC
Date: Tue, 25 May 1999 15:53:32 -0400 (EDT)
Hey all,
I forwarded this in the hope that someone will be taping either of these
shows. I will trade 2 for 1 for either (or both!) of these shows.
Thanks
Jud Warren
San Antonio, Tex
Newsflag: rec.music.bluenote
From: Adam Good <gitor@hotmail.com>
Newsgroups: rec.music.bluenote
Subject: Kenny Wheeler in Boston & NYC
Date: Tue, 25 May 1999 02:48:11 GMT
Organization: Deja.com - Share what you know. Learn what you don't.
Lines: 40
Message-ID: <7id31b$q1$1@nnrp1.deja.com>
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THIS WEEK
Don't miss a rare opportunity to see Kenny Wheeler perform
Wed. May 26th
@ the RegattaBar, Charles Hotel, Cambridge, MA
call concertix 617-876-7777 for info and tickets
sets @ 8 & 10pm
KENNY WHEELER QUINTET
featuring:
andrew rathbun reeds
mark shilansky piano
jay anderson bass
jeff hirshfield drums
Thursday, Friday, Saturday May 27 - 29
@ Birdland, NYC. 315 West 44th St. btwn. 8th & 9th
call 212-581-3080 for reservations and info
sets @ 9 & 11pm
KENNY WHEELER'S Music for Large Ensemble
directed by Andrew Rathbun
with: reeds tmpts.
Adam Kolker Lisel Whittaker
Tony Malaby Lauri Frinck
Douglas Yates Alex Norris
Dick Oatts Taylor Haskins
Andrew Rathbun
tbns. rhy.
Joey Sellers Jay Anderson
Joe Fiedler Jeff Hirshfield
Elliot Mason John Abercrombie
Dave Taylor Mark Shilansky
voice
Luciana Souza
--== Sent via Deja.com http://www.deja.com/ ==--
---Share what you know. Learn what you don't.---
==============================
From: liverich <liverich@sunlink.net>
Subject: ISO: Chris Whitley boards
Reply-To: liverich@sunlink.net
Date: Tue, 25 May 1999 17:26:50 -0500
Anyone do Tin Angel in Phila.? Was board taping allowed? Anyone have any
Chris W. Boards for trade? I have some rare stuff of his and tons of
other stuff. Rich
==============================
From: "David D. Rogers" <drogers@pobox.com>
Subject: Re: Greg Allman @ Ventura Theatre
Date: Tue, 25 May 1999 17:30:53 -0400 (EDT)
>From: Jeff Bowen <jbowen@slonet.org>
>Subject: Greg Allman @ Ventura Theatre
>Date: Mon, 24 May 1999 12:59:24 -0700 (PDT)
>
>Hi all,
>
>anyone else going to be at the Greg Allman concert at Ventura Theatre
this
>week? I'll be there with Neumann KM-140's->Beyer MV-100->DA-P1.
>
>Is Greg still allowing taping on the solo tours? I think the BTAT list
>mentioned it would be on a tour by tour basis. Anyone taped him recently?
>This tour?
I can't say about Greg, but I can say that the Ventura Concert Theatre
doesn't allow taping of any kind. That being said, I don't think they
catch many tapers at the door.
Peace,
<> David
==============================
From: "FJC" <fjcalvo@mx3.redestb.es>
Subject: Tapers needed for PRINCE/THE ARTIST gig in Vegas, May 29th !!!
Date: Tue, 25 May 1999 14:42:09 +0200
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Looking for fellow DATheads to record Prince's show @ the MGM Grand in =
Las
Vegas, May 29.
Thanx.
F.
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<DIV>Looking for fellow DATheads to record Prince's show @ the MGM Grand =
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Las<BR>Vegas, May 29.<BR>Thanx.<BR><BR>F.<BR></DIV></BODY></HTML>
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==============================
From: "Lee, Tom" <tlee@geographix.com>
Subject: Sony D7 life expectancy
Date: Tue, 25 May 1999 17:03:39 -0600
How many hours should one expect to get out of a D7 before you need to start
replacing parts? I know their are probably a number of factors, but I am
trying to get a general range.
Thanks for any help
Tom Lee
==============================
From: Tradedats@aol.com
Subject: Palm Pilot Application for Tape Traders
Date: Tue, 25 May 1999 19:38:21 EDT
Hi everyone
I just wanted to let you know that I've developed a Palm Pilot Application
for Tape traders. I call it TradeMan! (v.1.0).
It will keep track of trader info such as address, phone, email, as well as
shows to send / receive, dates sent/received, media used, checkboxes if trade
completed, comment area, quick views. It's still in development but version
1.0 is at the following address and free for download. I'd love to hear what
you think. My next project will be TreeMan, but I don't think I can include
trees in this program cause it's limited to the number of screens I can
utilize in the app.
Anyway, hope you enjoy it.
Mike
==============================
From: Vernon A Webb <Vernon.Webb@webb-solutions.com>
Subject: CD-R
Date: Tue, 25 May 1999 20:31:09 -0400
Just purchased a CD-R and am looking for the best way to record from DAT.
How is everyone else doing it? Is there a special soundcard people are using
or are we still in the analog input stage? Is there any special software
people use. My CD-R came with Adaptec's Easy CD Creator, is this sufficient?
Thanks,
Vern
==============================
From: "Larry Slavens" <IArooster@earthlink.net>
Subject: Bubbapalooza, Old 97's
Reply-to: IArooster@earthlink.net
Date: Tue, 25 May 1999 19:53:19 -0500
If anyone's taping Babbapalooza in Atlanta this weekend,
I'd be interested in DATs of the Backsliders and Two
Dollar Pistols sets. Or other '99 sets by these bands.
Also looking for DATs of the current Old 97's tour and
especially the Ranchero Brothers (Rhett & Murry of the
97's).
Larry
IArooster@earthlink.net
==============================
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Message-Id: <199905261615.MAA18831@fedney.near.net>
From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Wed, 26 May 99 12:15:00 EDT
Subject: DAT-Heads Digest #977
DAT-Heads Digest #977, Volume #4 Wed, 26 May 99 12:15:00 EDT
Contents:
CDR Info ("Vernon A Webb")
Re: Cheesey stuff . . . ;) (swsmith@ix.netcom.com)
FT/FS: DMB June 14+15 Chicago tix ("Vikas Bhatia")
matt surfaced 80 min media (les gordon)
$620 Fostex D5 (Aaron Westendorf)
ISO: DMB 5/26 Giants Taper! Need Patch (KindBudGod@aol.com)
FS: 3 DMB 5/29 Tickets (KindBudGod@aol.com)
FT: DMB 5.22.99 (Keith Cetera)
Re: CD-R ("Patrick Hayes")
Remote power supply for the DAP1 ("Gary Smith")
FS: Maxell cleaning tapes (GOLDBERG)
Re: Remote power supply for the DAP1 (Seth Breidbart)
Mountain Aire 99 info needed (Random Gnome Generator)
Digital switcher box and ISO Phish TT (Kevin Lally)
Dave Matthews Band 5/29 (Todd Guite)
[Fwd: [digiphish] :FS Lunatec V-2 Serial # 001] (Bill Gardner)
ISO: Dave & Tim 3/5/99 Albuquerque (LenG58@aol.com)
Palm Pilot App URL - oops! (Tradedats@aol.com)
Those 5 Phil and Friends CD's up for Grabs again (BirdSongII@aol.com)
Ozric Tentacles Rescheduled ("Chris Rees")
Re: DAT-Heads Digest #975 (Robert Kane)
Social Chaos Tour ("Sam Hain")
re: questions re tascam da 30mkII ("Read, John")
looking for mic-pre schematics (Hawker)
Gov't Mule 6-14-96 (uncajohn)
WTD: Sony RM-D100K (Trapped)
============================================================================
From: "Vernon A Webb" <Vernon.Webb@webb-solutions.com>
Subject: CDR Info
Date: Tue, 25 May 1999 23:00:52 -0400
Just purchased a CD-R and am looking for the best way to record from DAT.
How is everyone else doing it? Is there a special soundcard people are using
or are we still in the analog input stage? Is there any special software
people use. My CD-R came with Adaptec's Easy CD Creator, is this sufficient?
Thanks,
Vern
==============================
From: swsmith@ix.netcom.com
Subject: Re: Cheesey stuff . . . ;)
Date: Tue, 25 May 1999 23:05:11 -0500 (CDT)
ROTFL! . . . Got Menudo? 'Nuff said.
<0 \\ swsmith@ix.netcom.com Stan Smith Dallas, TX 'boo-cat'
=) "...did a vehicle come from somwhere, just to land
<0 // in the Andes? Was it round, and did it have a motor
or was it something different?..." -'Inca Roads', F.Zappa
==============================
From: "Vikas Bhatia" <vikas10@hotmail.com>
Subject: FT/FS: DMB June 14+15 Chicago tix
Date: Tue, 25 May 1999 21:09:37 PDT
have 2 tix each for the June 14 and June 15 show at the New World Music
Theater in Tinley Park, IL which i will be unable to attend. would prefer
to trade these tix for tix to the June 26 or 27 shows at Alpine Valley. if
not, i would like to sell these to a taper. email me privately if
interested. thanks.
vikas
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: les gordon <lesg@microserve.net>
Subject: matt surfaced 80 min media
Date: Wed, 26 May 1999 00:12:26 -0400 (EDT)
hello all, i now have the new glossy matt surfaced 80 min media.
these are silver/blue cds. in spindles of 50 the price is $74 delivered.
thanks /les.
==============================
From: Aaron Westendorf <westea@rpi.edu>
Subject: $620 Fostex D5
Date: Wed, 26 May 1999 00:11:21 -0400
I've been meaning to post this, and keep forgetting. B&H Photo Video
down in NYC (www.bhphotovideo.com) has the D5 for sale now at $620!
Even more surprising, they list the usual retail at $650. If you're in
the market for a deck, I've heard great things about the D5, and this
price certainly can't be beat. No affiliation, blah blah blah, just
like the price, and it's a pretty cool store (and it's 420 Ninth Ave no
less =).
-Aaron
--
====================================================
Aaron J. Westendorf
DAT List -> http://www.rpi.edu/~westea/dat
"Our greatest fear is not that we are inadequate, but
that we are powerful beyond measure"
====================================================
==============================
From: KindBudGod@aol.com
Subject: ISO: DMB 5/26 Giants Taper! Need Patch
Date: Wed, 26 May 1999 00:15:37 EDT
Anyone going tonight to DMB @ Giants Stadium and whose gonna have a rig that
I can plug into, drop me an e-mail at: KindBudGod@aol.com
I'll be running d-8 digital in/out cable
Please e-mail where you'll be on the field and what you'll be running, I'm in
1A row 16
Thanks in advance!
peace
-hugh
ps- I know it's kinda last minute :-)
==============================
From: KindBudGod@aol.com
Subject: FS: 3 DMB 5/29 Tickets
Date: Wed, 26 May 1999 00:17:41 EDT
Hiya! I've got 3 tickets for DMB @ foxborro this saturday night. Looking for
face value. Can meet you @ Giants today (please e-mail your seat location and
how many you want), FedEx COD them, or have one of my friends meet you up
there on Saturday. Drop me an e-mail at: KindBudGod@aol.com
peace
-hugh
==============================
From: Keith Cetera <kcetera@erols.com>
Subject: FT: DMB 5.22.99
Reply-To: kcetera@erols.com
Date: Wed, 26 May 1999 00:22:15 -0500
I taped DMB 5.22.99 (and Santana opener) at Vet Stadium, Phila, PA, akg
c1000's, 10th row center... looking for trades especially DMB 2.24.95
and 1.29.94,
Keith
http://members.tripod.com/~kcetera/ <--- my DATlist
==============================
From: "Patrick Hayes" <pat@patrickhayes.com>
Subject: Re: CD-R
Date: Tue, 25 May 1999 23:09:37 -0600
For my new computer I spent a little extra to get a Soundblaster Live!
sound card, which does the usual sound card stuff (in/out, joystick,
etc.), but also includes MIDI, plus SPDIF (RCA cable) digital I/O.
Assuming your DAT has SPDIF (they look like ordinary RCA connectors,
except probably orange instead of red and white), this would probably
work just fine. I haven't gotten around to burning anything this way,
but your Adaptec software should work. Most burners come with that
same software.
Pat Hayes (long-time DAThead member; you haven't heard of me
because I'm not a tape trader, I'm one of the guys in the bands
getting recorded. Yes, we read this stuff too ;-)
===================================================================
| \|||/ |Patrick Hayes pat@patrickhayes.com |
| ____{0 -}____ |(801)-250-8967 cel.550-3387 fax 715-0336 |
| ( __| U |___ ) |Software engineer at CogniTech(801)322-0101).|
| \ \_\_o_/_/ / |Standards-based, portable solution design/ |
| \ _*****_ / |modeling/programming in C/C++, Java, Visual |
| ***** |Basic, SQL (JDBC/ODBC), CORBA, XML, medical |
| ##### |languages, etc. (any platform). Experienced |
| .oooO/ ### \Oooo. |in secure, large-scale web site design/impl. |
| ( ) / \ ( ) |(Also: I'm a husband, dad, churchgoer, movie |
| \ ( / \ ) / |fanatic, technology fanatic, poet, bilingual |
| \_) (_/ |(Spanish), play 12 instruments, composer...) |
| | ;-) :-) 8-) |
==[If the picture looks wrong use a fixed(e.g. Courier New) font]==
==============================
From: "Gary Smith" <flatpick@interlync.com>
Subject: Remote power supply for the DAP1
Reply-to: flatpick@interlync.com
Date: Wed, 26 May 1999 00:29:52 -0500
Hi,
I use phantom power from my DA-P1 to power 2 Neumann
TLM103's. The internal battery lasts no more than 1 1/2 hours at
best when I use phantom, about 2 hrs without.
(I have a spare & it holds up with the same time frame). I'd made a
battery out of two 4V 10Ah nicads in series but for some reason,
they don't seem to last much longer (a little over 2 hours) than the
standard Tascam batteries. I need something portable that I can
put in a knapsack with the DAP1 that will last for 6-10 hours at a
time without a recharge.
I was wondering how well the RayoVac Renewal D size alkaline
batteries hold up? I could use 10 of them in a series parallel & I do
have use of the microprocessor controlled RayoVac special
recharger for them.
Anyone have a good affordable suggestion? the stock DAP1
batteries are 7.2V at 1.4Ah.
Answers direct to me or on list are really appreciated.
Gary Smith
==============================
From: GOLDBERG <goldberg@comm-plus.net>
Subject: FS: Maxell cleaning tapes
Date: Wed, 26 May 1999 01:51:12 -0400
hey there,
i got a deal on some maxell HS-4/CL cleaning tapes through one of
my distrubutors at work. most places sell these for between $9-$12... i
am going to pass them along to people in the NG for what i paid for them
$6.50 (plus 75¢ per tape shipping)
let me know how many you want-
-goldberg
http://www.slipknot.net
==============================
From: Seth Breidbart <sethb@panix.com>
Subject: Re: Remote power supply for the DAP1
Date: Wed, 26 May 1999 01:52:28 -0400 (EDT)
I use Radio Shack 7.2v batteries for the DA-P1 (via the external power
jack).
1. Cut the power supply wire, and install mini-xlr connectors on both
ends.
2. Make a cable with mini-xlr on one end, Radio Shack locking molex on
the other.
3. Wire the batteries with RS locking molex connectors.
4. Make a cable with locking molex on one end, 2 locking molex (in
parallel) on the other. This allows switching batteries in a
make-before-break (that is, no-dropout) way.
(I'm leaving out a lot of info about connector gender, etc. because
I'm too lazy to go check. It should all appear in back issues of the
digest.)
Another possibility is 6 high-capacity D-cell nicads in series. (The
advantage of this is that in the absence of time or ability to charge
them, you can use 5 alkaline D-cells and short the holder for the
sixth.) (Be careful which D-cell nicads you get; some are just
C-cells in a larger box. RS's high-capacity are real.)
Seth
==============================
From: Random Gnome Generator <clhoo@rocketmail.com>
Subject: Mountain Aire 99 info needed
Date: Tue, 25 May 1999 23:06:26 -0700 (PDT)
Is taping allowed at this festival?
Thanks,
Cindy
===
clhoo@rocketmail.com / cinn@catholic.org
http://www.geocities.com/Baja/1700 - Homepage
http://www.angelfire.com/az/xtapes - Setlists
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com
==============================
From: Kevin Lally <lally@mail.worldlynx.net>
Subject: Digital switcher box and ISO Phish TT
Date: Wed, 26 May 1999 02:53:35 -0400
Hey all->
I am in the process of picking up an Apogee DA1000E-20 and was wondering
what I can use to connect three dat machines and a CD player to the unit
via rca coax. I have some info about video switchers which use 75ohm
circuitry which would pass the SPDIF along and let me switch back and forth
from different inputs. Any help would be appreciated. Looking to spend up
to ~$200 if the value is there.
*begin grovel*
To any one out there that has Tapers Tix for Phish 7/10, 7/15, or 7/16 I
am in search of TT and can offer my highly coveted lawn tix, cash, clones,
patch whatever for trade. I'll be running Neumann KM140> Apogee AD1000>
DA-P1. I can offer many references as to my character. Again, any help
would be appreciated. Team Neumann wants your support!
In celebration,
Kevin
==============================
From: Todd Guite <direwolf@maine.rr.com>
Subject: Dave Matthews Band 5/29
Date: Wed, 26 May 1999 07:22:32 -0400
Anyone get or hear of tapers tickets for this show,Have floor seats,I am
going to tape but want a backup plan if stopped at door or to meet
someone earlier?Thanks for all help on earlier post.Todd
==============================
From: Bill Gardner <bgardner@ind.cioe.com>
Subject: [Fwd: [digiphish] :FS Lunatec V-2 Serial # 001]
Date: Wed, 26 May 1999 06:51:46 -0400
Forwarded for a friend. Please do not reply to me. Reply to
tk4011@aol.com.
Thanks,
Bill Gardner
======== Original Message ========
Subject: [digiphish] :FS Lunatec V-2 Serial # 001
Date: Mon, 24 May 1999 16:35:23 EDT
From: TK4011@aol.com
To: digiphish@onelist.com
From: TK4011@aol.com
Subject says it all, purchased new from sonic sense when first available
last
year.
I am asking $1,200 w/battery cable (batterry not included), I will pay
for
shipping.
Sorry for non digital content, please e-mail me directly.
(tk4011@aol.com)
Thanks,
Tom Kingston
========================================================================
ONElist: the best source for group communications.
http://www.onelist.com
Join a new list today!
========================================================================
Digital Phish Mailing List Website:
http://www.bhm.tis.net/~rob/Digi-Phish.html
==============================
From: LenG58@aol.com
Subject: ISO: Dave & Tim 3/5/99 Albuquerque
Date: Wed, 26 May 1999 08:51:00 EDT
Hello All,
Sorry for the 2nd grovel for this show. My 1st attempt yeilded no respones.
I'm looking for the above show for my sister's (now belated) birthday
present. I have a bunch of Dead (and some other stuff) to trade. Would love
to surprise her with this.
Thanks again!
Len
==============================
From: Tradedats@aol.com
Subject: Palm Pilot App URL - oops!
Date: Wed, 26 May 1999 09:20:03 EDT
Hi again,
I forgot to pass on the address for the Palm Pilot App. D'oh!
Here it is!
http://www1.palmpilotgear.com/software/showsoftware.cfm?sid=929984199905240131
22&prodID=3227
Enjoy!
Mike
==============================
From: BirdSongII@aol.com
Subject: Those 5 Phil and Friends CD's up for Grabs again
Date: Wed, 26 May 1999 09:26:42 EDT
The first to respond never sent me anything, so I think he was looking for a
gift, but those 5 Phil and Friends CD's are back up for grabs, so drop me an
email if you want them, they are from the Schoeps source on the drink rail.
Ollie
==============================
From: "Chris Rees" <boilerman@tdi.net>
Subject: Ozric Tentacles Rescheduled
Date: Wed, 26 May 1999 09:37:23 -0400
It seems that the postponed May tour had been moved to mid July. Theres a
few dates up at the Ticketmaster site, but nothing complete yet. Lets get
together and get this whole thing taped. Please contact me at
ringo64@hotmail.com if you plan on taping any of their shows.
Chris
==============================
From: Robert Kane <rkane@mich.com>
Subject: Re: DAT-Heads Digest #975
Date: Wed, 26 May 1999 09:49:00 -0400 (EDT)
I picked up the Guillemot Maxi Studio Isis, it has an outboard box with 8
in/4 out analog jacks, and optical In/Out and SPDF In/Out. I have the Sony
optical I/O cord for my D7, I plug it into the optical ports and use
CoolEdit SE that came with the Maxi Sudio ISIS to record to wav files.
Once the songs are copied onto my PC as wav files, I use Adactec EZ CD
Creator to burn the disc. Works great.
Bob Kane
rkane@mich.com
On Tue, 25 May 1999, Digestifier wrote:
> From: Vernon A Webb <Vernon.Webb@webb-solutions.com>
> Subject: CD-R
> Date: Tue, 25 May 1999 20:31:09 -0400
>
> Just purchased a CD-R and am looking for the best way to record from DAT.
> How is everyone else doing it? Is there a special soundcard people are using
> or are we still in the analog input stage? Is there any special software
> people use. My CD-R came with Adaptec's Easy CD Creator, is this sufficient?
>
> Thanks,
> Vern
==============================
From: "Sam Hain" <samhain1313@hotmail.com>
Subject: Social Chaos Tour
Date: Wed, 26 May 1999 07:13:10 PDT
Anyone here taping this? It will have these bands on, if you don't know who
these groups are, dont ask. I hope to attend/tape the NJ stop. If you dont
like punk, good and loud, dont go.
T.S.O.L.
The Business
U.K. Subs
D.R.I.
The Varukers
Sloppy Seconds
Murphy's Law
D.O.A.
Anti-Hero's
Vice Squad
Chelsea
One Way System
The Vibrators
GangGreen
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: "Read, John" <John.Read@infores.com>
Subject: re: questions re tascam da 30mkII
Date: Wed, 26 May 1999 09:12:09 -0500
I picked up a DA-30MKII used from a professional studio who upgraded their
system to 24bit. They said they would never have given it up unless they
needed to upgrade. It is(was) the standard for mastering DATs for
transferring to CD. In my humble use of it, I find that it sounds
'quieter' and cleaner than any other deck I've used such as the Fostex D-5,
especially when using the analog outputs. I especially like and get a lot
of use out of the shuttle wheel for fast queing.. This machine has a lot of
pro features and is sure to have what you need for 16bit taping.
This machine does not handle 90m tapes. It won't play them unless you fool
it by covering the little hole in the bottom of the tape. (compare a 60m to
a 90m tape and you will see the different holes) Other people on Dat-heads
may know exactly what happens
to the deck but the manual states that the tape is too thin on a 90m and may
get crimped or broken if played. I have played a few 90m tapes on my deck
and they have played just fine when I cover the hole. I do notice that the
rewind and fast forward sound as if the tape is winding a lot faster than a
60m. I have heard that the 90m can damage the rollers in the deck but I'm
not sure so I am avoiding using 90m.
I haven't yet figured out all the features of the start ID's, auto-ids, abs,
etc. The manual isn't very helpful on this. It seems straightforward but
when I try to set and ID, it doesn't work. I think this is my own problem
though. The features seem to be the same
to other decks I've used.
What price are you getting for it?? I sometimes hear @700-800 is a decent
price. I got mine for a "friend's" price of $600 but some people on this
list told me I should've got it for less. Who knows?
happy taping,
-jr chicago
========================= in reply to =====================
From: dwb <dwb@ameritech.net>
Subject: questions re tascam da 30mkII
Date: Tue, 25 May 1999 10:50:30 -0400
looking for some user feedback on the da 30mkII, which i can get a good
deal on.
i understand there's a serious 90m tape issue. how have people resolved
this?
who's liking or disliking their machine and why?
dwb
==============================
From: Hawker <Hawker@Connriver.net>
Subject: looking for mic-pre schematics
Date: Wed, 26 May 1999 11:01:29 -0400
Hello again.
I am looking for schematics for discrete mic pre-amps
that would sound better than the Analog Devices SSM2117.
I am especially interested in seeing what the front end of
a Sonosax Mic Pre looks like.
If anyone could be of help I would be very grateful.
Thanx
Hawker
==============================
From: uncajohn <uncajohn@ruf.rice.edu>
Subject: Gov't Mule 6-14-96
Date: Wed, 26 May 1999 10:18:27 -0500 (CDT)
If anyone has an uncut copy of the Gov't Mule
show from 6-14-96 Tulsa, OK, would you give me
a holler. Pulled out my copy and had forgotten
how I got stuck behind a 60M DAT while taping
onto a 90M.
thanks,
unca
==========================================
"I can handle whatever, I stumble upon..."
Bob Dylan
==========================================
http://www.ruf.rice.edu/~uncajohn
==============================
From: Trapped <Trapped@pobox.com>
Subject: WTD: Sony RM-D100K
Date: Wed, 26 May 1999 17:51:02 +0200
As the subject says, I'm looking for a RM-D100K remote/system adapter unit.
The only local store that can get one wants $240(!), so I'm looking for
somewhere a little cheaper. Second hand considered if boxed/good
condition.
Thanks for any info.
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Wed, 26 May 99 21:15:01 EDT
Subject: DAT-Heads Digest #978
DAT-Heads Digest #978, Volume #4 Wed, 26 May 99 21:15:01 EDT
Contents:
ISO: phish deer creek tix (ndc) ("Matt Monaco")
Taping Cowboy Junkies? (sbrown@nnbt.com)
XLR->RCA (+4) line output - is this a problem for SX-M2->SBM1? (Delano)
FS: Sony D8 ("Segal, Dan S159")
looking to buy a used home DAT deck... (Brian Hammersley)
Re: Cheap binaural mic ("David Johanson")
Derek Trucks with Page ("Aldo Torre")
Re: Greg Allman @ Ventura Theatre (Eugene Hu)
gregg allman taping (Stu Jones)
Extra Shows for trade (robert rivello)
Horton Heat/Junior Brown at Mississippi Nights? (Joshua Whitley)
Seeking to trade 11.19.98 Phish (Csberend@aol.com)
nusance? well, yes (Greg Bossong)
Mic Pre-amps (Chad Klausing)
DA-P1 error code action? (coleman)
pal to vhs(ndc) (Ced420@aol.com)
Potential Items of Interest for DATHeads/Computer Geeks (Tflood@aol.com)
Apologies (VAHCBFC@aol.com)
Ozric Tentacles tour update (Mehool Patel)
ISO Dublin, IRE Springsteen 5/25 (brian)
Re: ISO Dublin, IRE Springsteen 5/25 (Seth Breidbart)
Who likes the Shure 151 mic stand? ("Michael")
Soundboard Patches - M1 ("John L. Dozier Jr")
Tom Kingston? ("Christopher and Anne Gillespie")
============================================================================
From: "Matt Monaco" <cactus420@hotmail.com>
Subject: ISO: phish deer creek tix (ndc)
Date: Wed, 26 May 1999 09:15:25 PDT
If anyone has any tickets for Deer Creek on the 25th or 26th of July, I
would be most glad to take them from you. I have cash, DATs, discs,
whatever for trade. Just hoping to avoid having to deal with the
ticketbastard....
Matt
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: sbrown@nnbt.com
Subject: Taping Cowboy Junkies?
Date: Wed, 26 May 99 09:38:59 PST
Anybody know what their current taping policy is? I'm hoping since
they're no longer on Geffen they might move into the btat category.
Anybody have any recent experience taping them? Thanks.
Steve
==============================
From: Delano <bluesky@mindspring.com>
Subject: XLR->RCA (+4) line output - is this a problem for SX-M2->SBM1?
Date: Wed, 26 May 1999 12:38:43 -0400
Hi
Yesterday I had asked about the best cables to connect the Sonosax
SX-M2
to the Sony SBM1(>D8). Most of the responses recommended XLR->RCA, however I
have been told by a reliable source that "the XLR outs are professional level
+4 output. This level into the SBM1 has potential for distortion."
Can this (+4) level output be countered with the volume on the
SBM1? Is
there a (-4) unit which can be used to dampen the (+4) of the XLR output? Keep
in mind that I want the best sound possible from my rig (MtG
2000->SX-M2->SBM1->D8).
Any info on specific cables and solutions are appreciated.
Take Care,
Delano
http://www.mindspring.com/~bluesky/index.htm
http://www.geocities.com/CollegePark/Center/3834/index.htm
DAT List:
http://www.geocities.com/CollegePark/Center/3834/Tapelist.htm
==============================
From: "Segal, Dan S159" <Dan.Segal@CIGNA.COM>
Subject: FS: Sony D8
Reply-To: dansegal@pcnet.com
Date: Wed, 26 May 1999 12:57:39 -0400
Brand new. Used only once. Perfect condition. $500 firm, I'll pay shipping.
mailto:dansegal@pcnet.com
Dan
==============================
From: Brian Hammersley <brinahamm@yahoo.com>
Subject: looking to buy a used home DAT deck...
Date: Wed, 26 May 1999 10:06:02 -0700 (PDT)
Hey there.
I am getting a meager tax return and really need to pick up another
deck. It will be running with a D3, so it must have it's SCMS
defeated, or at least ignore it. It will be the recording deck. If
you have any info, or an extra deck sitting around, please e-mail me
privately.
Thanks for the bandwidth.
Brian
_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com
==============================
From: "David Johanson" <wedfeb@hotmail.com>
Subject: Re: Cheap binaural mic
Date: Wed, 26 May 1999 10:07:30 PDT
>I've done binaural recordings with his (Len's coresounds) battery box
>binaurals, and for my purposes (acoustic environments/non-
>electrified music) the results (with the exception of self noise) was as
>good as any I've heard.
Another opinion: At the risk of offending Len, I've had much better luck
with coresounds in acoustic music than electric. Electric shows seem to be
shifted to the low end. However, I have not tried the mics with the bass
rolloff. Maybe Len can address this.
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
From: "Aldo Torre" <darkstar@shineline.it>
Subject: Derek Trucks with Page
Reply-To: "Aldo Torre" <darkstar@shineline.it>
Date: Wed, 26 May 1999 18:29:38 +0200
hi all,
just got the tape (thanks Rob B.)
info :
Derek Trucks Band 3/26/99 (KM184)
Higher Ground, Winoski,VT
Page played an organ solo.
filler 1: DTB 2/10/99 WetlandsSchoeps m222
filler 2 : DTB 2/8/99 Wetlands AKG 480
all three sets on
1x90m (sound really nice)
I'd like to trade for the following Trey's show I don't have
05/04/99 Murat Theatre Indianapolis,IN
05/07/99 American Thaetre St.Louis,MO
05/13/99 SUNY Concert thatre Binghamton, New York
05/14/99 State Theatre Portland,ME
05/15/99 Palace Theatre Albany,NY
05/17/99 Flynn Theatre Burlington,VT
I'll take also two B&P
thanks
Aldo Torre <darkstar@shineline.it>
)><///''> ** <''\\\><(
on the deck : Derek Trucks Band . Check them out!!
==============================
From: Eugene Hu <eugene@superpeter.west.enterworks.com>
Subject: Re: Greg Allman @ Ventura Theatre
Date: Wed, 26 May 1999 10:28:26 -0700 (PDT)
>I can't say about Greg, but I can say that the Ventura Concert Theatre
>doesn't allow taping of any kind. That being said, I don't think they
>catch many tapers at the door.
Is this a new policy? I've taped there many times in the past, stands
and all.
-Eugene
==============================
From: Stu Jones <gr8ful@kardworx.com>
Subject: gregg allman taping
Date: Wed, 26 May 1999 11:57:03 -0600
the official policy for the gregg allman and friends band with regard to
taping,
from the allman brothers band web site:
The Taping Policy for Gregg Allman & Friends is that they support and
encourage taping as long as the venue allows it..
peace
stu
--
***********************************************************
"Give me the beat boys, and free my soul......
I wanna get lost in your rock 'n roll and drift away..."
Dobie Grey
Peace from Stu Jones
Visit the ABB Listserv homepage:
http://www.kardworx.com/abblist
and my tape site:
http://www.kardworx.com/list
==============================
From: robert rivello <stjohns4u@yahoo.com>
Subject: Extra Shows for trade
Date: Wed, 26 May 1999 10:57:54 -0700 (PDT)
Extra copies of shows all are on Sony dpg 90m
dead
1-15-79 Nak 700's sony 150c 6th row center
2-29-80 b JGB PreFmR:D
6-28-85
9-7-85 oade aud
5-31-92
phish
4-5-98 schoeps cmc6 mk4
Jmp
8-7-98
I am looking for Dead 77-90 and Led zep, and Tony furtado, world music etc
_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com
==============================
From: Joshua Whitley <sprung598@yahoo.com>
Subject: Horton Heat/Junior Brown at Mississippi Nights?
Date: Wed, 26 May 1999 12:22:27 -0700 (PDT)
A buddy of mine mentioned this to me - I guess it
happened a few weeks back?
Two questions: Did it really happen?
Did it get taped?!? If so, I'd be very interested in
a copy...
tks! -Josh
_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com
==============================
From: Csberend@aol.com
Subject: Seeking to trade 11.19.98 Phish
Date: Wed, 26 May 1999 15:18:14 EDT
I have this tape on a 90m dds.. All interested please respond to my address
here.
Thanks,
Craig
==============================
From: Greg Bossong <gboss@voicenet.com>
Subject: nusance? well, yes
Date: Wed, 26 May 1999 16:55:16 -0400
Everyone on the list is sent the list of bands that allow taping on a
pretty regular basis. It is not necessary to re-send the entire thing to
the list, especially considering that it is rather large.
==============================
From: Chad Klausing <chadk@hal.com>
Subject: Mic Pre-amps
Date: Wed, 26 May 1999 14:14:44 -0700
Hey all-
I'm in the market for a pre-amp, and figured that I'd
ask around and see what opinions I can collect before making
a purchase. The final rig will be:
Neumann KM184's->???->DAP1
I've talked with a few people already, and most of them said
Sonosax without hesitation. There don't seem to be a whole
lot of choices out there: Aerco, BeyerDynamic, and Sonosax
seem to be what I'll choose between (Lunatec is just a bit
more than I really want to spend). So, if any of you would
be willing to share your thoughts (preferably those that
have used more than one of the above mentioned), I would
greatly appreciate it:)
Thanks-
chad
==============================
From: coleman <designer@fivefingerdesign.com>
Subject: DA-P1 error code action?
Date: Wed, 26 May 1999 15:15:54 -0700
say,
can't find this in my manual...when i hit FF and then play when i want to
play, i get a message in the display that looks like "e cut", then the tape
stops. and i can push play again and everything seems to be just fine. but
who knows what it is telling me since "format" doesn't really look like
"format"...what is going on? Everything seems to be working just fine,
otherwise, but would like to know if this is a precursor to a larger
problem...
danks fa da time,
-c-c-
==============================
From: Ced420@aol.com
Subject: pal to vhs(ndc)
Date: Wed, 26 May 1999 17:31:49 EDT
i can get the tom petty hamburg 99 video but it is PAL format.can anyone do a
PAL to VHS conversion?
any help is appreciated
carl
==============================
From: Tflood@aol.com
Subject: Potential Items of Interest for DATHeads/Computer Geeks
Date: Wed, 26 May 1999 18:20:03 EDT
Hey all,
Ok, first, the disclaimer...i have no association with either of these
companies...i merely came across these products which interested me, and i
felt they would probably interest a whole lot of you.
anyway, they're both standalone-type CD-Rs which are pretty flexible, and
particularly attractive to those who either aren't into big-time computer
tinkering, or have a sucky computer (like myself), where getting a CD-R means
upgrading your entire system...
soooo...take a look:
http://www.dupeit.com/
this one has both computer standalone burners (which can still be connected
to a computer if you want) and true standalones, but, unlike, say the HHB, it
can burn at read at 8x and burn at 4x.
http://www.octave.com/cdduplicators/cddupe.html
this one will make you a standalone system using a Teac CD-ROM and your
choice of about 5 different CD-Rs, including the now-famous Plextor 8/20.
Like the 1st one above, this can be connected to your computer if you want to.
take it easy
steve
==============================
From: VAHCBFC@aol.com
Subject: Apologies
Date: Wed, 26 May 1999 18:20:22 EDT
Well, do to the 20 some odd letters i got, all of which basically saying im a
moron, i thought i would apologize to the list for takin up your space.
Apparently, a kind gesture is pointless unless it doesnt take up your time...
to those of you who complained about what a large file it was... 4 seconds of
your time , and 120 k is almost like driving across the united states now
isnt it? Christ, a mistake is a mistake... no need to persiflage a guy to
death... and mail him all your little diatrons. Well, what a kind bunch of
folk we have on this list... thanks for sending all the hate mail ladies and
fellas!
Most profound apologies to Kurt Kemp, Didnt mean to jump in front of him and
resend that.
take it easy all...
chris
==============================
From: Mehool Patel <mehool@mvpdg.com>
Subject: Ozric Tentacles tour update
Date: Wed, 26 May 1999 18:41:25 -0400
The U.S. Ozric Tentacles Tour has been rescheduled and these dates just appeared on the website!
I believe a couple of other DAT-Heads are planning on taping some show(s) as I will be. These guys are worth checking out -- more info can be found at:
http://www.execpc.com/~mwerning
Please keep in touch if you plan on taping any of these shows. They have not toured the U.S. since 1994 (with the exception of one show at the Fillmore in San Francisco last June). The band is pro-taping and generally allows soundboard patches, but it may be nice to bring along mics just in case. :-)
I'm personally planning on Boston, and hopefully New York (one or both nights).
Ozric Tentacles: July 1999 USA Tour Dates
July 7 Boston, MA Paradise Rock Club (617-562-8801)
July 8 Philidelphia,PA Theatre of Living Arts (215-922-1011)
July 9 New York, NY Wetlands Preserve (212-966-4225)
July 10 New York, NY Wetlands Preserve
July 11 West Springfield, VA Jaxx Niteclub (703-569-5940)
July 13 Atlanta, Ga The Variety Playhouse (414-524-7354)
July 14 Winston-Salem Ziggy's (336-748-0810)
July 15 Towson, MD Recher Theater (410-547-7598)
July 16 Cleveland, OH Odeon Concert Club (216-574-6328)
July 17 Detroit, MI The Majestic (313-833-9700)
July 18 Chicago, IL House Of Blues (312-923-2011)
July 20 Milwaukee, WI Shank Hall (414-276-7288)
July 21 Minneapolis, MN First Avenue (612-338-8407)
July 22 St Louis, MO Mississippi Nights (314-664-1015)
July 24 Boulder, CO Fox Theatre (303-447-0095)
July 25 Boulder, CO Fox Theatre
July 27 Ventura, CA Ventura Theatre (805-965-2231)
july 29 West Hollywood , CA House Of Blues (323-848-5700)
July 30 Santa Cruz, CA Palookaville (831-454-0600)
Here is a brief paragraph that does a better job at dexribing Ozric Tentacles than I can...
===========================
It's Cosmic, Man
art-rock revivalists Ozric Tentacles
Using the word cosmic to describe anything other then the solar system, may
seem like a bit of a throwback. That said, however, the simple truth is
there's simply no better word to describe the music of Britain's spacy,
underground art-rock revivalists OT. The history on these guys dates back
to the early 80's when band members met at one of the now famous stonehenge
free festivals the same UK events out of which rose bands as Pink Floyd,
the Crazy World of Arthur Brown and Jethro Tull. When the "authorities"
brought an end to the festivals in 1985, bands like OT(not that anyone is
quite like these guys) began circulating on the underground scene. Having
absorbed influences from psychadelic, world punk and just about every other
genre they can work into their far out sound, Ozric just keeps evolving.
Their improvisational style has led them to be embraced by Phish-heads
stateside, and King Crimson fans throughout the world. No doubt about it,
the Ozric Tentacles alter consciousness.
===========================
Mehool Patel
mehool@mvpdg.com
==============================
From: brian <misterb@hilarious.com>
Subject: ISO Dublin, IRE Springsteen 5/25
Date: Thu, 27 May 1999 00:02:10 +0100
Hi all,
just got back from the show... and did it ROCK! I didn't tape it since all
you would have heard was me screaming and singing terribly off-key. But
if anyone gets it, PLEASE drop me a line.
cheers,
brian
==============================
From: Seth Breidbart <sethb@panix.com>
Subject: Re: ISO Dublin, IRE Springsteen 5/25
Date: Wed, 26 May 1999 19:22:23 -0400 (EDT)
> just got back from the show... and did it ROCK! I didn't tape it since all
> you would have heard was me screaming and singing terribly off-key. But
> if anyone gets it, PLEASE drop me a line.
People in the audience who scream and sing prevent those near them
from hearing the music. All they deserve to get is tapes of them
screaming, recorded on a Fisher-Price recorder with its built-in
microphone.
Seth
==============================
From: "Michael" <terrapin@wt.net>
Subject: Who likes the Shure 151 mic stand?
Date: Mon, 24 May 1999 21:17:02 -0500
This is a multi-part message in MIME format.
=======_NextPart_000_0012_01BEA62A.C47B3A40
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Used mine for four years with excellent results, I think that's the =
model number - its not on the stand or case... =20
=20
It's aluminum,compact, lightweight, sturdy, has a small footprint going =
up to 15 feet, and never leans or sways.
=20
I like that it's smooth all the way up the pole unlike the photographic =
stands, and requires no mic adapter.
I've been all over with mine - be sure to protect your stand (or any =
other) when traveling by air.
The only downside is the cost - about $150. No disrespect to the =
Bogen/Lowell stands as I use them in video production.
My apologies if this is old news in the stand discussion.
Michael Falwell
=======_NextPart_000_0012_01BEA62A.C47B3A40
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Used mine for four years with excellent results, I =
think=20
that's the model number - its not on the stand or case... =
</FONT></DIV>
<DIV><FONT size=3D2></FONT> </DIV>
<DIV><FONT size=3D2>It's aluminum,compact, lightweight, sturdy, has a =
small=20
footprint going up to 15 feet, and never leans or sways.</FONT></DIV>
<DIV><FONT size=3D2></FONT> </DIV>
<DIV><FONT size=3D2>I like that it's smooth all the way up the pole =
unlike the=20
photographic stands, and requires no mic adapter.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>I've been all over with mine - be sure to protect =
your stand=20
(or any other) when traveling by air.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>The only downside is the cost - about $150. No =
disrespect to=20
the Bogen/Lowell stands as I use them in video =
production.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>My apologies if this is old news in the stand=20
discussion.</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><FONT size=3D2>Michael Falwell</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV></BODY></HTML>
=======_NextPart_000_0012_01BEA62A.C47B3A40==
==============================
From: "John L. Dozier Jr" <jdozier@umich.edu>
Subject: Soundboard Patches - M1
Date: Wed, 26 May 1999 20:17:03 -0400
For soundboard patching, using RCA's to the M1's stereo mini-jack, should I record with the mic attenuation set to 0db or 20db?
Thanks,
John
==============================
From: "Christopher and Anne Gillespie" <dizziness@interlync.com>
Subject: Tom Kingston?
Date: Wed, 26 May 1999 19:57:51 -0500
Didn't Tom Kingston provide the B&K4011>Lunatec V2>A/D-1000>HHB seeds last fall? I wonder why he is selling his V2... Could there be something better??>?!?!?!
chris
===================
Chris Gillespie (dizziness@interlync.com)
http://www.curf.edu/~crf_gillesc/
==============================
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From: Digestifier <DAT-Heads-Request@fedney.near.net>
To: dat-heads@fedney.near.net
Date: Thu, 27 May 99 12:15:00 EDT
Subject: DAT-Heads Digest #979
DAT-Heads Digest #979, Volume #4 Thu, 27 May 99 12:15:00 EDT
Contents:
Re: Soundboard Patches - M1 (Seth Breidbart)
ISO: DMB 3 the 3 Michigan shows (JEFF TRAVITZ)
dat trades (CHansen856@aol.com)
Re: Greg Allman @ Ventura Theatre (pkmin@rsc.rockwell.com)
new clear silver/silver ink jet printable media (les gordon)
ISO--Recent Max Creek and DBB w/ Logic shows (JahVoluntr@aol.com)
just how good was/is the tascam da 30? (dwb)
Re: repairing clipping (walter_wlodarski@radio-canada.ca)
Re:Soundboard Patches - M1 (pkmin@rsc.rockwell.com)
WATCH Your Sales l Increase Overnight! ("ellen")
ISO: Stabbing Westward & Orbital (CK)
Mixers ("Klay Anderson")
Switch Position ("Klay Anderson")
Seeking to trade Phish 11.19.98 (Csberend@aol.com)
enjoying the show... (brian)
Digital EQ Recommendations? (Jonas)
Rental D8 For Sale ("Klay Anderson")
Re: ISO Dublin, IRE Springsteen 5/25 (Trapped)
Fastforward problem on my TCD-D8 ("Michael T. Olivier")
[no subject] (Javier Perea)
Charlie Hunter Tree is open (goldberg)
RE: Digital switcher box (Hawker)
RE: Remote power supply for the DAP1 (Hawker)
Is there a Baltimore taper for Freestylers WFHS B-cast? ("J. Ricci")
============================================================================
From: Seth Breidbart <sethb@panix.com>
Subject: Re: Soundboard Patches - M1
Date: Wed, 26 May 1999 21:28:57 -0400 (EDT)
> For soundboard patching, using RCA's to the M1's stereo mini-jack,
> should I record with the mic attenuation set to 0db or 20db?
Most likely, you need to go Line in, possibly with further attenuation
of the signal before it reaches your deck. Use the first of Line in,
mic in -20dB, mic in 0dB that gets you a high enough signal. (If you
have to the level below around 3 or 4 on Line in, you need further
attenuation.)
Seth
==============================
From: JEFF TRAVITZ <travitz@op.net>
Subject: ISO: DMB 3 the 3 Michigan shows
Date: Wed, 26 May 1999 21:50:16 -0400
Looking for FOBs of the 3 recent DMB Michigan shows tonds to trade
http://www.op.net/~travitz TRADE ONLY NO B & Ps
==============================
From: CHansen856@aol.com
Subject: dat trades
Date: Wed, 26 May 1999 21:51:51 EDT
i am currently looking to trade DATs with serious collectors. i am especially
looking for Bruce springsteen 99 shows if interested you can email me at
chansen856@aol.com
my web address is http://members.aol.com/chansen856/
peace,
Chris
==============================
From: pkmin@rsc.rockwell.com
Subject: Re: Greg Allman @ Ventura Theatre
Date: Wed, 26 May 1999 19:17:09 -0700
"I can't say about Greg, but I can say that the Ventura Concert Theatre
doesn't allow taping of any kind."
Over 2 years ago that was the case (it was a drag to have to sneak stuff in to
tape a group that was pro taping such as rusted root 11-20-96). However in the
past 2+ years I can't remember a single show where open audience taping wasn't
allowed if the band was cool with it (somewhere the management changed for the
better). The Ventura theater has about as mellow a taping scene as it gets(it
used to be the exact opposite, no taping period no matter what). Greg Allman
allows audience taping so the show this Thurs should not be a problem. Thank
you, Ardas at the Ventura Theater! Pete
==============================
From: les gordon <lesg@microserve.net>
Subject: new clear silver/silver ink jet printable media
Date: Wed, 26 May 1999 22:18:33 -0400 (EDT)
hello all, i now have a new 8x rated silver/silver ink jet printable cd.
it has a clear ink jet surface on the top so you can see the silver in the
cd. these are great cds. the price in spindles of 50 is $1.15 ea. plus
shipping.
any questions email me. or call 215/234-0726
thanks /les.
==============================
From: JahVoluntr@aol.com
Subject: ISO--Recent Max Creek and DBB w/ Logic shows
Date: Wed, 26 May 1999 22:31:19 EDT
Subject says it all...looking for any recent Max Creek and the DBB show w/ DJ
Logic. List at http://www.tapetrading.com/lists/j/a/jahvoluntr@aol.com.html
Jim
==============================
From: dwb <dwb@ameritech.net>
Subject: just how good was/is the tascam da 30?
Date: Wed, 26 May 1999 22:32:39 -0400
just how good was/is the tascam da 30? what's a fair market value for a low
hours machine?
dwb
==============================
From: walter_wlodarski@radio-canada.ca
Subject: Re: repairing clipping
Reply-To: walter_wlodarski@radio-canada.ca
Date: 26 May 99 23:15:00 EDT
I've used COOL EDIT PRO 1.1 with good results on slightly clip audio.
You can also try reconverting your digital audio to analog and back to digital.
But with heavy clipping, it won't work.
*******************
VValter VVlodarski
*******************
==============================
From: pkmin@rsc.rockwell.com
Subject: Re:Soundboard Patches - M1
Date: Wed, 26 May 1999 20:20:04 -0700
"For soundboard patching, using RCA's to the M1's stereo mini-jack, should I
record with the mic attenuation set to 0db or 20db?"
For SBD patching, go LINE IN(when going line in, the mic attenuation settings do
not apply), not mic in. To play it safe have an inline attenuator handy. In
your case, this is simply a stereo mini cable with a jack on one side and a plug
on the other(places such as Core Sound sell them). If you find that the output
of the SBD is too "hot"("hotness" is just a measure of the output voltages the
SBD is sending - you can tell how hot the output of the SBD is by where you must
set your record level knob to see good levels....personally if I was 4 or less,
I'd put in the inline attenuator then turn up the record level knob to get good
levels....Pete
==============================
From: "ellen" <briggs@claramail.com>
Subject: WATCH Your Sales l Increase Overnight!
Date: Thu, 27 May 1999 00:13:43 -0500
START ACCEPTING CREDIT CARDS
&
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********************************************************
==============================
From: CK <toen0013@tc.umn.edu>
Subject: ISO: Stabbing Westward & Orbital
Date: Thu, 27 May 1999 00:55:44 -0500
I know it's probably a lost cause to ask this, but i'm curious if anyone
here has any Stabbing Westward or Orbital DAT's? Specifically, i'm looking
for SW '93, '94, '95, '96, '98, and '99 shows and the other bands they
played with for any of those gigs (God Lives Underwater, Placebo, Depeche
Mode (94 or 98), Sponge, but NO Sex Pistols or KISS shows (i would like the
SW opening sets however.)) As for Orbital, i'm searching for ANY shows on
DAT - i've just been able to find a few shows on CDR... Have much to trade
on CDR and some on DAT including local Minneapolis masters.... Sorry to
clog the bandwith!
-Steve
==============================
From: "Klay Anderson" <klay@klay.com>
Subject: Mixers
Date: Thu, 27 May 1999 06:51:19 -0600
From: Chad Klausing <chadk@hal.com>
Subject: Mic Pre-amps
Asked:
<< I'm in the market for a pre-amp, and figured that I'd
ask around and see what opinions I can collect before making
a purchase.>>
If you need 2-channels of great stereo or two-channel audio plus little
things like, say metering, phantom power,low-cut filters, pads or just
headphones, don't get just a dorky passive input "adaptor" for your camera
or tape deck.
Get a USA-made mixer-preamp. I distribute the best little mixer going.
Only $949 and we include a free Portabrace-like case.
See it in all its glory and order on-line at
http://www.klay.com/datasheets/x2mixer.html
Thanks!
Regards,
Klay Anderson
klay@klay.com
http://www.klay.com
1.800.FOR.KLAY
==============================
From: "Klay Anderson" <klay@klay.com>
Subject: Switch Position
Date: Thu, 27 May 1999 06:53:53 -0600
"John L. Dozier Jr" <jdozier@umich.edu>
Subject: Soundboard Patches - M1
asked:
<<For soundboard patching, using RCA's to the M1's stereo mini-jack, should
I record with the mic attenuation set to 0db or 20db?>>
Neither; you should use the line in. Even then on hot board outputs you may
need an attenuator cable.
Regards,
Klay Anderson
Klay Anderson Audio, Inc.
http://www.klay.com
==============================
From: Csberend@aol.com
Subject: Seeking to trade Phish 11.19.98
Date: Thu, 27 May 1999 10:05:05 EDT
I have this tape on 90meters. It was done on schoepsmk-41s-sonasax-teac.
All interested please contact me at this address with your list enclosed.
Thanks,
Craig
==============================
From: brian <misterb@hilarious.com>
Subject: enjoying the show...
Date: Thu, 27 May 1999 15:01:09 +0100
As far as I'm concerned, if all you want is a clean, quiet version of the
show, stick with soundboards.
I prefer audience tapes since I can actually feel like I'm there. the
sound isn't nearly as good and there's always someone clapping, talking,
screaming, bitching or whatever... but that's why it's called a "live
audience recording".
It's too bad you don't understand, Seth. Maybe if you tried fighting your
way to the front, threw your arms around some strangers and sang your lungs
out, you'd understand.
But, then again, maybe not.
cheers,
brian
btw, if someone is recording and asks me to stop, I just move out of the way.
From: Seth Breidbart <sethb@panix.com>
Subject: Re: ISO Dublin, IRE Springsteen 5/25
Date: Wed, 26 May 1999 19:22:23 -0400 (EDT)
> just got back from the show... and did it ROCK! I didn't tape it since all
> you would have heard was me screaming and singing terribly off-key. But
> if anyone gets it, PLEASE drop me a line.
People in the audience who scream and sing prevent those near them
from hearing the music. All they deserve to get is tapes of them
screaming, recorded on a Fisher-Price recorder with its built-in
microphone.
Seth
==============================
From: Jonas <jlb20@duke.edu>
Subject: Digital EQ Recommendations?
Date: Thu, 27 May 1999 10:35:08 -0400 (EDT)
I've been thinking of purchasing a digital EQ to run with a standalone
CDR and a couple of DAT decks. What do these units cost? Are there any
models that are especially good? For that matter, are there any
analog-based units that do a decent job?
Jonas Blank
DAT/CDR List: http://www.duke.edu/~jlb20/live.htm
Nirvana Setlists: http://www.duke.edu/~jlb20/nirvgd.htm
==============================
From: "Klay Anderson" <klay@klay.com>
Subject: Rental D8 For Sale
Date: Thu, 27 May 1999 08:46:38 -0600
I have one of my excellent condition rental D8's with new heads at
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=107157571
Regards,
Klay Anderson
Klay Anderson Audio, Inc.
http://www.klay.com
==============================
From: Trapped <Trapped@pobox.com>
Subject: Re: ISO Dublin, IRE Springsteen 5/25
Date: Thu, 27 May 1999 16:45:42 +0200
>> just got back from the show... and did it ROCK! I didn't tape it since all
>> you would have heard was me screaming and singing terribly off-key. But
>> if anyone gets it, PLEASE drop me a line.
>
> People in the audience who scream and sing prevent those near them
> from hearing the music. All they deserve to get is tapes of them
> screaming, recorded on a Fisher-Price recorder with its built-in
> microphone.
...and those that get drunk and insist on shouting 'Born In The USA!' right
through the entire 3 hours (including a stunning accoustic rendition of
Meeting...), despite being asked repeatedly by those around them to cut it
out, deserve a damn good kicking. Scream and shout between songs if you must,
but let others listen to the music they've paid good money to hear.
(Sorry, I realise this doesn't really apply to most folks on this list, but
I just had to get that off my chest after ending up with a completely
unlistenable tape from 21/5. Grrr.)
==============================
From: "Michael T. Olivier" <mto@pobox.com>
Subject: Fastforward problem on my TCD-D8
Date: Thu, 27 May 1999 10:01:43 -0500
When I try to fastforward on my D8 on a recorded DAT, it says
Blank and will not fastforward. At first this was intermittent but now
it happens ALL of the time. Very annoying if I want to listen to the
10th song on a tape or something.
Looks the same as when you are unpacking a new tape. You hit
Fastforward. It flashes blank, then you hit Fastforward again and it
fastforwards. Well THIS works on my deck if it is a new
(unrecorded) tape. But if it is a tape that I have recorded on, I
cannot get it to Fastforward. Just flashes Blank when I hit
fastforward. I have also tried Music Skip (hitting Fastforward once
when it is Playing). No luck. Same problem.
I have cleaned the heads. No luck.
Anyone seen this AND solved it? Does it need a professional
cleaning? Any recommendations on where to get that done? How
much does that generally cost?
Thanks for any response this generates!
-Mike-
mto@pobox.com
==============================
From: Javier Perea <jpeream@correoweb.com>
Date: Thu, 27 May 1999 09:59:13 -0500 (added by postmaster@cwmailcore.correoweb.com)
Hola:
Hace unos días que estoy buscando la forma de ganar dinero extra en Internet, recorriendo grupos de noticias, tablones, avisos clasificados... En todos estos lugares encuentro mensajes como el que reproduzco más abajo. Me quedé pensando: Es simplemente una cadena, esto es algo que no anda... ¿y si funciona?. Esto no es algo nuevo, ya se hace desde décadas y no sé de nadie que haya hecho dinero... ¿Y si funciona?. Pensándolo bien es un verdadero trabajo... ¿Y SI FUNCIONA?...Al final me decidí y acá voy Si tu también te decidiste o estas dudando, sigue leyendo. No creas que va a ser fácil, es necesario colocar este mensaje en todos los lugares que se te ocurra publicarlo, news, tablones, avisos clasificados, etc. cuando mayor sea la cantidad de veces que lo repitas mejor para ti (y para mí por supuesto) por eso te digo que es un verdadero trabajo, te va llevar varias horas, va requerir de toda tu experiencia, también va a depender de tu constancia para seguir publicando !
!
!
y tu habilida
d para promocionarlo. La diferencia con lo que se hacía antes con el correo tradicional es que esta cadena no depende de cinco o diez personas a las que les llega el mensaje, sino que es para todo el m
undo, y en Internet hay miles de personas que verán el aviso y alguna (como yo) se va a decidir. Y por último¿ Pensaste cuánto puedes aprender en una tarea como esta, para aplicarla en trabajos futuros? Yo soy ahora el último de la lista que vas a encontrar y donde (si sigues adelante) vas a estar tú al repetir el mensaje, dejándome penúltimo, te deseo suerte, ya que también parte de esta suerte va a ser para mí. Este es el mensaje que encontré:
(NO ME HAGO CARGO DE LAS FALTAS DE ORTOGRAFIA DE LO QUE SIGUE):
Esto es lo que le pasó a un amigo:
"Días atrás, cuando "navegaba" por estas páginas de Noticias, así mismo como Ud. lo esta haciendo ahora, se me apareció un artículo similar a este que decia que uno puede ganar miles de dólares en pocas semanas con una inversion de $6.00!. Enseguida pensé, "Oh no! Otra estafa mas?", Pero como la mayoria de nosotros, la curiosidad pudo mas, y seguí leyendo. Y seguia diciendo que Ud. enviará $1.00 a cada uno de los 6 nombres y direcciones mencionadas en este artículo. Entonces Ud. anota su nombre y dirección al final de la lista reemplazando al #6, y envie o ponga este artículo a por lo menos 200 "newsgroups"(Hay miles de estos en todo el mundo). Ningún truco, eso fue todo. La gran diferencia entre este sistema y otros es que Ud. tiene una lista de 6 en vez de 5... Esto significa que su promedio de ganancia sera aproximadamente 15 veces mayor!!! Después de pensarlo una y otra vez, y consultar con unos amigos primero, decidí probarlo. Pensé que lo único que podria perder eran 6 !
!
!
estampi
llas y $6.00, verdad?. Como probablemente muchos de nosotros, estaba un poco preocupado por la legalidad de todo esto. Entonces consulté con el Correo Central de Chile y me confirmaron que en realidad
era legal!!. Entonces invertí mis $6.00......IMAGINENCE QUE!!!... a los 7 días, empecé a recibir dinero por correo!!!. Estaba sorprendido! todavia pensaba esto terminará enseguida, y no pensé mas en otra cosa. Pero el dinero seguia llegando. En mi primera semana hice unos $20.00 a $30.00 dólares. Para el final de la segunda semana tenia hecho un total de más de $1,000.00!!!!! En la tercera semana recibí más de $10,000.00 y todavia seguia llegando más. Esta es mi cuarta semana ya hice un total de más de $41,000.00 y esto sigue llegando más rapidamente(mi esposa e hijos se pasan abriendo los sobres y yo consiguiendo "Newsgroup"). Esto se puso serio!!!!
Todo esto realmente valió la inversión de $6.00 y 6 estampillas. Me gastaba más que esto en sorteos y loterias!!
Permítanme explicarles como funciona esto y lo más importante el porqué funciona. también, Ud. asegúrese de imprimir una copia de este artículo AHORA, para poder sacar toda la información a medida que lo necesite. El proceso es muy facil y consiste en 3 pasos sencillos:
PASO No. 1: Obtenga 6 hojas de papel y escriba en cada una de ellas "FAVOR DE INCLUIRME EN SU LISTA DE CORRESPONDENCIA O E-MAIL".
Ahora consiga 6 billetes de US$1.00 dolar e introduzca cada dolar en un sobre con la hoja de manera que el billete no se vea a través del sobre!! Mejor ponerlo encerrado en un papel de color oscuro para prevenir robos de correspondencia. Ahora Ud. deberia tener 6 sobres
sellados y en ellos un papel con la frase mencionada, su nombre y dirección, y un billete de
$1.00 dolar. Lo que Ud. esta haciendo con esto es crear un "servicio" y eso hace que esto sea ABSOLUTAMENTE LEGAL!! También puede mandar el equivalente de US$1 (1 dolar).
Enviar los 6 sobres a las siguientes direcciones:
#1 Ma. Teresa Medina Martinez
Ramon Noriega 55 Col. palo verde
Hermosillo, Sonora. Mexico
#2 Dora Perea Acosta
Privada compuertas 2024 Col Bachomo
Los Mochis, Sinaloa. Mexico
#3 Rita Murillo Beltran
Palma 229 sur Col. OLivos
Los Mochis, sinaloa. Mexico
#4 Antelmo Delgado Moreno
Morelos 1733 Pte. Col. Estrella
Los Mochis, Sinaloa,
México.
#5 Ismael Leyva Rosas
Rio Evora 402
Col Scally
Los Mochis, sinaloa
#6 Javier L. Perea Moreno
Morelos 1732 Pte. Col. Estrella
Los Mochis, Sinaloa, Mexico
PASO NO. 2: Ahora elimine él #1 de la lista de arriba y mueva los otros nombres un número para arriba (él #6 se convierte en #5, él #5 se convierte en #4, Etc.) y agregue SU NOMBRE y dirección como él #6 en la lista. RECUERDA, TENES QUE BORRAR EL PUESTO #1( NO ÉL #6), MODIFICAR ÉL NUMERO DE PUESTOS A LOS QUE QUEDAN, Y AGREGAR TU NOMBRE Y DIRECCION COMO EL PUESTO #6.
PASO No. 3: Cambie todo lo que crea conveniente de este artículo, pero trate de mantenerlo lo más posible cercano al original. Ahora ponga su artículo en por lo menos 200 "newsgroups"(existen mas de 24,000 grupos).
Solo necesita 200, pero cuando más cantidad lo ponga, mas dinero le llegará!!!. Aquí van a algunas indicaciones de como introducirse en los "newsgroups":
COMO MANEJAR LOS "NEWSGROUPS"
No.1> Ud. no necesita redactar de nuevo toda esta carta para hacer la suya propia. Solamente ponga su cursor al comienzo de esta carta, haga click y lo deja presionando y bájelo hasta el final de la carta y lárguelo. Toda la carta deberá estar "sombreado". Entonces, apunte y haga click en "edit" arriba de su pantalla, aquí seleccione "copy. Esto hará que toda la carta quede en la memoria de su computadora.
No.2> Abra un archivo "notepad" y lleve al cursor arriba de la página en blanco. Presione "edit" y del menu seleccione "paste". Ahora tendrá esta carta en el "notepad" y podrá agregar su nombre y dirección en el lugar #6 siguiendo las instrucciones de mas arriba. No.3> Grave esta carta en su nuevo archivo del notepad como un.txt file. Y cada vez que quiera cambiar algo ya lo puede hacer.
PARA LOS QUE MANEJAN NETSCAPE
No.4> Dentro del programa Netscape, vaya a la "ventana" titulada: Window" y seleccione "netscapeNews". Entonces elija del menu "Options", seleccione "Show all Newsgroups". En segundos una lista de todos los "Newsgroups" de su "server" aparecerá. Haga click en cualquier newsgroup. De este newsgroup haga click debajo de "TO NEWS", el cual deberia estar arriba, en el extremo izquierdo de la página de newsgroups. Esto le llevará a la caja de mensajes.
No.5> Llene este espacio. Este será el título que verán todos cuando recorran por la lista de un grupo en particular.
No.6> Marque el contenido completo del.txt file y copie usando la misma técnica anterior. Regrese al Newsgroup "TO NEWS" y Ud. Esta creando y empastando esta carta dentro de su programa o "posting".
No.7> Presione "send" que está en la parte superior izquierda. Y UD. HA FINALIZADO CON SU PRIMERO!...CONGRATULACIONES!!! .
LOS QUE USAN INTERNET EXPLORER
PASO No. 4: Vaya al Newsgroups y seleccione "Post an Article.
PASO No. 5: Carge el artículo. PASO No. 6: Repita el No.6> mas arriba.
PASO No. 7: Presione el botón "Post".
--------------------------------------------------------
ES TODO!. Todo lo que tiene que hacer es meterse en diferentes "Newsgroups" y empastarlos, cuando ya tenga práctica, solo le tomará unos 30 segundos por cada newsgroup! **RECUERDE, CUANTOS MÁS NEWSGROUPS CONSIGA, MAS RESPUESTAS (Y DINERO) RECIBIRA!! PERO DEBE DE ENTRAR EN POR LO MENOS 200** YA ESTA!!!.... Ud. estará recibiendo dinero de todo e l m u n d o, de lugares que ni conoce y en unos pocos días!. Eventualmente querrá rentar un P.O.Box por la cantidad de sobres que irá recibiendo. Si prefiere usar sobrenombres, puede crear un nombre toda vez que el cartero entrege donde debe. **ASEGURESE DE QUE TODAS LAS DIRECCIONES ESTEN CORRECTAS Ahora él POR QUE de todo esto: De 200 enviados, digamos que recibo solo 5 respuestas (bajísimo ejemplo). Entonces hice $5.00 con mi nombre en la posición #6 de esta carta. Ahora, cada uno de las 5 personas que ya me enviaron los $1.00 también hacen un mínimo 200 newsgroups, cada uno con mi nombre en él #5 de la lista y solo responden 5 person!
!
!
as a ca
da uno de los 5 originales, esto hace $25.00 mas que yo recibo, ahora estas 25 personas pone un mínimo de 200 Newsgroups con mi nombre en el #4 y solo se recibe 5 respuesta de cada uno. Estaria haciend
o otros $125.00 adicionales.
> Ahora esta 125 personas ponen sus mínimo de 200 grupos con mi nombre en él #3 y solo recibe 5 respuestas cada una, yo recibo un adicional de 625.00!. OK, aquí esta la parte mas divertida, cada una de estas 625 personas ponen sus cartas en otros 200 grupos con mi nombre en él #2 y cada una recibe solo 5 respuestas, esto hace que yo reciba $3,125.00!!!.
> Estas 3,125 personas enviarán este mensaje a un mínimo de 200 Newsgroups con mi nombre en él #1 y si solo 5 personas responden de los 200 grupos, estaré recibiendo $15,625.00!!. De una inversion original de $6.00!! Mas estampillas. FABULOSO! Y como dije antes, que solo 5 personas respondan muy poca, el promedio real seria 20 o 30 personas!. Asi que pongamos estos números más a calcular. Si solo 15 personas responden, esto hace: en la #6 $15.00 en la #5 $225.00 en la #4 $3,375.00 en la #3 $50,625.00 en la #2 $759,375.00 en la #1 $11,390,625.00 .....si, mas de ONCE MILLONES DE DOLARES!!!
Una vez que su nombre ya no esta en la lista, saque él ultimo anuncio del Newsgroup y envie otros $6.00 a los nombres en esa lista, poniendo su nombre en él #6 y repetir todo el proceso. Y empezar a ponerlos en los Newsgroups otra vez. Lo que debe recordar es que miles de personas mas, en todo el mundo, se conectan al Internet cada día y leerán estos artículos todos los días como USTED Y YO LO HACEMOS!!!. Así que creo nadie tendria problemas en invertir $6.00 y ver si realmente esto funciona. Algunas personas llegan a pensar..."y si nadie decide contestarme?" Que!! Cuál es la chance de que esto pasé cuando hay miles y miles de personas honestas (que como nosotros) buscan una manera de tener independencia financiera y pagar cuentas!!!., y estas dispuestas a tratar, pués "No hay peor lucha de la que no se hace". Se estima que existen de 20,000 a 50.000 nuevos usuarios TODOS LOS DIAS! (En todo elmundo) *******OTRO SISTEMA PARA COMUNICARSE ES CONSIGUIENDO E-MAIL DE PERSONAS PARTI!
!
!
CULARES
, DEBE SER POR LO MENOS 200 DIRECCIONES, Y ESTO TIENE UNA EFECTIVIDAD DE MINIMO 5% AL 15%. SI SOLO BUSCAN PERSONAS QUE HABLAN EN ESPANOL, VAYAN A UN PROVEEDOR DE E-MAILS E IMPRIMAN UN APELLIDO LATINO Y
YA.
**********Recuerde de hacerlo esto en forma CORRECTA , LIMPIA Y HONESTAMENTE y funcionará con toda seguridad. Solamente tiene que ser honesto. Asegurese de imprimir este artículo AHORA, Trate de mantener la lista de todos los que les envian dinero y siempre fíjese en los Newsgroups y veasi todos están participando limpiamente. Recuerde, HONESTIDAD ES EL MEJOR METODO.
No necesitas hacer trucos con la idea básica de hacer dinero en esto! BENDICIONES PARA TODOS, y suerte, juguemos limpio y aprovechar esta hermosa oportunidad de hacer toneladas de dinero con el internet.
**Dicho sea de paso, si Ud. defrauda a las personas poniendo mensajes con su nombre y no envia ningún dinero a los demás en esa lista, Ud. recibirá casi NADA!.
He conversado con personas que conocieron personas que hicieron eso y solo llegaron a colectar unos $150.00, y eso después de unas 7 semanas!.
Algunos decidieron probar otra vez, haciendo correctamente, y en 4 a 5 semanas recibieron mas de $10.000. Esto es la mas limpia y honesta manera de compartir fortuna que yo jamás haya visto, sin costarnos mucho excepto un poco de tiempo. El TIEMPO ES IMPORTANTE!, No dejar pasar mas de 7 días del momento que vea este artículo!. También puede conseguir lista de E-MAIL para extra dólares. Sigamos todos las reglas del negocio! Recuerde Mencionar esta ganancias extras en sus declaraciones de impuestos.
Gracias otra vez y BENDICIONES A TODOS!!..
Enviado desde el centro de mensajes de CorreoWeb!
Obten tu correo electrónico con múltiples beneficios totalmente GRATIS!!
http://www.correoweb.com
==============================
From: goldberg <goldberg@comm-plus.net>
Subject: Charlie Hunter Tree is open
Date: Thu, 27 May 1999 11:23:32 -0400
The Charlie Hunter tree from last nights show will be open later today
on tapetree.com... it was a smokin show and as always i hope you all
signup and enjoy-
peace on pluto-
-mike
==============================
From: Hawker <Hawker@Connriver.net>
Subject: RE: Digital switcher box
Date: Thu, 27 May 1999 11:27:46 -0400
I think what you are referring to is DATS, A.K.A AES3id-1995
What this is is a way to run AES digital audio through a video switcher.
It modifies the voltage from around 5V to 1V and adds 30ns of slew to the signal
so that it can be run over a BNC cable and through a video switcher.
Grahm Parsons makes these adapters.. one direction is a Model 21.. I think
the other is Model 11.. but I could have the Part number wrong.
Hawker
<<<<<Hey all->
I am in the process of picking up an Apogee DA1000E-20 and was wondering
what I can use to connect three dat machines and a CD player to the unit
via rca coax. I have some info about video switchers which use 75ohm
circuitry which would pass the SPDIF along and let me switch back and forth
from different inputs. Any help would be appreciated. Looking to spend up
to ~$200 if the value is there.
*begin grovel*>>>>>>>>
==============================
From: Hawker <Hawker@Connriver.net>
Subject: RE: Remote power supply for the DAP1
Date: Thu, 27 May 1999 11:22:41 -0400
Well I have tried it all, I think.
Gel Cells were too heavy, High End Nic-Cads and Disposable Ds were too expensive.
What I settled on was RC car batteries. They give me 3 hours of record time each, are
light weight, and are fairly cheap. While a bit of a compromise in some ways it was the
best i could come up with.
I cut my DAP-1 cord, put mini-XLRs on it and made an adapter to the RC car battery plug.
Trying several brands I found the best bang-for-the-buck was the new Radio Shack one.
Note not all RSs have this yet. It is 2000Ma 7.2V and gives me about 3 hours record time
with Phantom on. To optimize time I made a plug consisting of a RC plug and 5 ohm 25Watt
resistor to fully discharge the pak b4 charging. I then charge it on my DAP-1 charger.
When running the external battery I keep the internal for swap outs only.
In this way I can unplug the external battery and the deck will keep running
on the internal while I change batteries. I then can hot-plug the external
battery back in.
I also modified my DAP-1 charger by adding a cigarette lighter cord
after the bridge rectifier inside it so that I can power/charge my DAP-1 from 12V.
Hawker
> I need something portable that I can
>put in a knapsack with the DAP1 that will last for 6-10 hours at a
>time without a recharge.
==============================
From: "J. Ricci" <allinthemind@hotmail.com>
Subject: Is there a Baltimore taper for Freestylers WFHS B-cast?
Date: Thu, 27 May 1999 08:48:06 PDT
dat heads-
The Freestylers (dub/scratch/some rap) are playing a live set on the
WHFS Radio Show May 29 in Baltimore, MD
I don't know what time it is being broadcasted at, but if you can tape it
for me, I would be _extremely_ grateful since live freestylers recordings
are pretty much non-existent.
So, that said, I'd love a dat clone of it if you can score it.....
Lots to trade - verve, spiritualized, orb, dj shadow, etc...
Thanks!!
John
_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com
==============================
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Date: Fri, 28 May 99 00:15:00 EDT
Subject: DAT-Heads Digest #980
DAT-Heads Digest #980, Volume #4 Fri, 28 May 99 00:15:00 EDT
Contents:
Re: CDR Info (Len Moskowitz)
Re: Re: Cheap binaural mic (Len Moskowitz)
Re: Mic Pre-amps (Len Moskowitz)
Used D7 price? ("Spice, Reid")
AT853s WANTED!!! (Mikeyled36@aol.com)
DAT Storage Racks? ("Tim Murray")
Derek Trucks and Page offer closed ("Aldo Torre")
WANTED: mem shannon WWOZ/NOJF9