DAT-heads Digest #249

Contents:

Phil, Willie and Tenacious D Taping Policy (john.clarke@saltlake2002.com) Jazz Is Dead taping policy? (Tim Newman) FT: GD 7/17/89 S:D ("Conor M. O'Reilly") ISO: Mic Stand ("Runaway Jim") FS: 40 Used Dats ("Tom Morrison") SXSW TAPERS NEEDED!!! ("eD") John Denver - one of his last shows for trade (JAGABRIELJR@aol.com) RE: The Death of DAT? ("mark wilkins") question about powering the at853... (William Draper) WSP Coming To Europe ("DRider") FS - Allmans @ Beacon 3/16 (Eric C Zlotogura) active cables (Doclazzaro@aol.com) Bruce Cockburn anyone? (DAVEDARC@aol.com) ISO: Beck at Coach House 2/21/02 (hewitt@panix.com) Re: Pete Yorn Taping Policy? ("Brian \(Pink Floyd\)") Re: question about powering the at853... ("Wayne D. Hoxsie Jr.") FS: Graham Patten ADC-20, 44,100Khz ("ryan@virtualtourbus.com") Taping at Avalon in Boston ("Marold, Andrew") Grateful Dead Dats Offer - Round 6 ("Paul Gibian")
From: john.clarke@saltlake2002.com Subject: Phil, Willie and Tenacious D Taping Policy Date: Tue, 12 Mar 2002 17:03:22 -0700 Taping Phil & Friends in Salt Lake April 7. Anyone know the drill? Gen admission taper's section? Also, going to try to tape Willie Nelson and Tenacious D. Does anyone know their policy? Drop me an e-mail if you can. Thanks. John Clarke Jr. 435-714-1459
From: Tim Newman <i3lkpeter@yahoo.com> Subject: Jazz Is Dead taping policy? Date: Tue, 12 Mar 2002 16:31:29 -0800 (PST) Hey all, I know JID allows taping, but I was wondering if anyone knows what the deal is exactly. I'll be seeing them @ the Keswick in Glenside, PA which is a reserved seating venue. Can you tape from your seat? Thanks. -tim __________________________________________________ Do You Yahoo!? Try FREE Yahoo! Mail - the world's greatest free email! http://mail.yahoo.com/
From: "Conor M. O'Reilly" <deadhead@netway.com> Subject: FT: GD 7/17/89 S:D Date: Tue, 12 Mar 2002 20:04:03 -0500 Doing a little spring cleaning. Have an extra copy of this show on a 90m Maxell DAT for trade. e-mail deadhead@mdc.net if interested. ~conor
From: "Runaway Jim" <phphishph@hotmail.com> Subject: ISO: Mic Stand Date: Tue, 12 Mar 2002 18:05:38 -0700 Does anyone happen to have an extra mic stand they might sell? I've got a clamp, so it doesn't really need to be threaded. I'm looking for a 12'-15' stand that's fairly sturdy. Anyone who might have one, please drop me a line at PHphishPH@aol.com. Thanks a lot and take care. Ryan http://www.angelfire.com/co/harpua _________________________________________________________________ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.
From: "Tom Morrison" <SoMnyRds@ziplink.net> Subject: FS: 40 Used Dats Reply-To: "Tom Morrison" <SoMnyRds@ziplink.net> Date: Tue, 12 Mar 2002 20:18:37 -0500 that happen to have some amazing music on them... $60 - including shipping (thats ~$1.00 per dat - and ~$.50 per DAT to ship)... all good stuff...some zero, kvhw, and some gems from my DAT dead vault...:0) sell as 1 chunk! no profit from these! t
From: "eD" <lileddie@attbi.com> Subject: SXSW TAPERS NEEDED!!! Date: Tue, 12 Mar 2002 20:19:34 -0500 Major league looking for the following bands playing there...ESPECIALLY TIFT MERRITT , PAUL BURCH , AND LONESOME BOB schedules are below... I will trade 3:1 for anyshow i have starred THURSDAY JOVITAS CANTINA LONESOME BOB 3PM*********** ANTONES LONESOME BOB and Jon LANGFORD 6PM********** FRIDAY night... continental club Paul BUrch 9 pm***** tift merritt 11 pm***** the gingerman Hazeldine 11pm *** SAT austin music hall bruce robison 9 pm kelly willis 10 pm derailers 11pm**** reckless kelly 12 am***** broken spoke cornell hurd band 9pm continental club damnations 11pm mother egans 7:30 LONESOME BOB!!!!!!!***** kelly hogan 10pm yayhoos 11pm waco brothers 1 am opal divine's freehouse domino kings 11pm***** star room boys 12 am********
From: JAGABRIELJR@aol.com Subject: John Denver - one of his last shows for trade Date: Tue, 12 Mar 2002 20:38:12 EST Hi all, This is a real treasure. I recorded one of his last shows. I am not sure how many more he played in the last couple of months before his death but I am quite sure very few were taped. I don't see any of John's shows on lists never mind the final months. This is a show of him solo acoustic, just the man and his guitar. I know there may not be a bunch of fans on this list but consider that when everything is stripped down to just the songwriter and his guitar there isn't much difference between him and other folk singers. It is on 2 discs and the sound is terrific (except for the hick that sat in front of me with occasional comments). I will set up trades for anyone interested. E-mail is jagabrieljr@aol.com John Denver 8-1-97 oakdale theater wallingford ct Thanks, Jim
From: "mark wilkins" <wilkinsmd@hotmail.com> Subject: RE: The Death of DAT? Date: Tue, 12 Mar 2002 20:48:47 -0500 >From: CatalystX <catalystx@attbi.com> >Subject: The Death of DAT? >Date: Sun, 10 Mar 2002 15:38:59 -0800 [snip] >Here's my idea of the perfect portable recorder, which I'll be happy >to >spend a ton of cash on as soon as a company implements it: >24bit/96khz A/D 128x oversampling analog input via XLR/TRS connectors >115db+ of dynamic range >High quality mic preamps with phantom power and selectable attenuator >Unbalanced/balanced line level input >Separate L/R level controls with selectable bass roll-off >Digital input via AES/EBU, coax and optical S/PDIF, Firewire >Unbalanced/balanced analog output via XLR/TRS connectors >Headphone output with a 1/4" connection >Digital output via AES/EDU, coax and optical S/PDIF, Firewire >Selectable sampling rate and word length digital output >Upgradable hard drive with large RAM buffers for skip protection >Rechargable lithium ion battery with at least 6 hours of life >Built-in, fully adjustable compressor >LCD interface, with upgradable OS >Ability to interface with all major operating systems via Firewire In my mind the future is IC-based recorders not hard drive-based recorders. Why mess with moveable/breakable parts when you don't have to? CompactFlash cards are currently available in 512MB size. They aren't cheap, close to $400, but like other ICs the density will go up and the price will drop. RAM quadruples in size every three years, or, Moore's Law says CPUs double in power every 18 months which is more or less saying the same thing. So in 18 months there SHOULD be CompactFlash or equivalent cards available with 1GB each. Put two of them together and there's your 3 hours of continuous record time currently available with DAT. The new Denon DN-F20R IC recorder has XLR and RCA ins and records on two CompactFlash cards. Literature says it works with 192MB CompactFlash cards, don't know if larger sizes are supported. If they are then with two 512MB cards you could record around 90 minutes of stereo at 16 bit 48KHz. It doesn't support higher bit/sampling rates, but it can do compression for longer run times. Runs on 6 AA batteries, 8.2" x 6.3" x 1.7" list price $1299 plus the cost of the CompactFlash cards. So bottom line is it's not there yet, but a big step in the right direction. http://www.denon.com/catalog/photo.asp?s=pro&p=DN%2DF20R&f=DNF20R%2Ejpg&c=47 The Marantz PMD 690 is a stereo flash recorder which has a single Type III PC card slot. The slot can accept a CompactFlash card or an IBM microdrive (1GB). The unit is slightly larger than the Denon (10.4" x 7.3" x 2.0") and slightly more expensive at $1499 list. Also has XLR and 1/4" inputs and SPDIF out. It appears to have a max sampling rate of 48KHz and word length of 16 bit like the Denon. http://www.superscope-marantzpro.com/Marantz/PMD680/pmd690.html Lastly there's the Tascam "Pocketstudio 5" 4 track recorder. Not suitable for our needs, only does MP3, but looks smaller than the others and also records on a CompactFlash card, and it's $599. Yes DAT is dying fast but there are exciting things on the horizon. Mark _________________________________________________________________ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx
From: William Draper <wdraper@expressionanalysis.com> Subject: question about powering the at853... Date: Tue, 12 Mar 2002 21:08:41 -0500 i have made some good tapes with my at853s (from sound pros). however, as most tapers, i am trying to get the most out of my equipment without spending too much. as far as i know, there are 2 ways to power the at853s: "plug-in" power from a deck, and the battery/bass roll-off box. from some information i've garnered recently, it seems that the more power you give your mics, the better sound the will produce. so, there are 2 other scenarios i'd like to consider (and i'd like your help): using either the 12v or 48v denecke phantom power box to power the mics. the at specs say that the mics can use anywhere from 9-52v, so i assume both are safe. also, will the bass roll-off feature of the battery box (also from sound pros)work with having the 9 volt battery in there? or can i run the phantom power and the 9 volt for even better sound? any help would be appreciated. wed
From: "DRider" <Hawkwind@attbi.com> Subject: WSP Coming To Europe Date: Tue, 12 Mar 2002 21:19:05 -0500 Attention European Tapers! Widespread Panic is coming to a town near you...... http://www.widespreadpanic.com/ontour/tourdates/ Peace & Panic D-Rider
From: Eric C Zlotogura <ezlotogu@indiana.edu> Subject: FS - Allmans @ Beacon 3/16 Date: Tue, 12 Mar 2002 22:05:52 -0500 (EST) four tix together in the loge for the Allmans on Saturday at the Beacon Theater. Row J of the loge. face value, 75 per tix. email me or im me at zlot680 if interested. that is my story and I am sticking to it, Eric ******************************************************************************* "Playing the harmonica is like being good at sex, you have to know the right time and the right place to suck and blow..." John Popper "I am just like any other man with two arms, two legs, and 4200 hits..." Pete Rose "If you get confused, listen to the music play..." Jerry Garcia "It is all about good times, good people and most all, good music..." Chardy McEwan aol im screen name: jgdjm, thepmbpassion icq #: 27794597 http://www.geocities.com/SunsetStrip/Palms/1206 (812) 335-9676 (home phone) (812) 219-7174 (cell phone) *******************************************************************************
From: Doclazzaro@aol.com Subject: active cables Date: Tue, 12 Mar 2002 22:13:01 EST I have a pair of active cables for scheops for sale. serious inquiries only. make a serious offer. they have Been used 3 times thanks Jeff
From: DAVEDARC@aol.com Subject: Bruce Cockburn anyone? Date: Tue, 12 Mar 2002 22:47:04 EST Taped the Madison show but levels were too hot.........might be able to salvage an "edited" version of 6-7 songs :( Anyone have this show or others from his current tour that are willing to trade? Please respond off list. Thanks, Dave
From: hewitt@panix.com Subject: ISO: Beck at Coach House 2/21/02 Date: Wed, 13 Mar 2002 00:04:40 -0500 Anyone run this? Next two nights (Knit, Wiltern) + much else to trade... -- _________________________ hewitt pratt 81 washington st #3j brooklyn, ny 11201 www.panix.com/~hewitt
From: "Brian \(Pink Floyd\)" <pnkfloydlunatic@hotmail.com> Subject: Re: Pete Yorn Taping Policy? Date: Wed, 13 Mar 2002 02:42:29 -0600 I have taped Pete at two shows, not really stealth, but not out in the open. He did an instore he and was going to be playing that night, so I asked his bassist and bandmates if I could tape. Pete overheard and the bands reply was, yeah, just don't be obvious about it ... whatever that means. I don't know what has changed since I taped last August, but I don't know about sbd patches. Never tried. When he came back through town, the guy running the board was miking it ... I would just bring your mics and ask to patch. If they say no, use the mics ... Brian _________________________________________________________________ Send and receive Hotmail on your mobile device: http://mobile.msn.com
From: "Wayne D. Hoxsie Jr." <wayne@hoxnet.com> Subject: Re: question about powering the at853... Reply-To: wayne@hoxnet.com Date: Wed, 13 Mar 2002 08:18:19 -0600 (CST) On Tue, 12 Mar 2002, William Draper wrote: > i have made some good tapes with my at853s (from sound pros). however, as > most tapers, i am trying to get the most out of my equipment without > spending too much. as far as i know, there are 2 ways to power the at853s: > "plug-in" power from a deck, and the battery/bass roll-off box. from some > information i've garnered recently, it seems that the more power you give > your mics, the better sound the will produce. so, there are 2 other > scenarios i'd like to consider (and i'd like your help): using either the > 12v or 48v denecke phantom power box to power the mics. the at specs say > that the mics can use anywhere from 9-52v, so i assume both are safe. also, > will the bass roll-off feature of the battery box (also from sound pros)work > with having the 9 volt battery in there? or can i run the phantom power and > the 9 volt for even better sound? any help would be appreciated. > > > wed > The 48V specification for the AT-853's is for the original AT's with their three-wire interface from Audio Technica when using their proprietary AT-8531 battery boxes. The battery boxes use a 1.5V alkaline cell that delivers about 0.95 volts to the actual mic FET board. The boxes also have a small pre-amp that boosts the signal a bit before passing it on to the XLR's. When 48V phantom is supplied to the boxes, the battery in them is effectively isolated by a switching diode, and the pre-amp and the FET board are powered by the phantom voltage; however, it is a relatively low voltage that makes it to the mic body FET board (about 5V or so). Sending anymore than 9V or so would surely fry the FET. I'm not sure how SP wires their mics, but I think they use the same FET board, so I would not run anything more than 9V to the mics and I'd probably just stick with the battery box SP provides. This information is based on my analysis of the circuits and direct measurement of the voltages and should not be taken as authoritative. Anyone with any additional information or corrections is encouraged to reply. -- Wayne D. Hoxsie Jr. wayne@hoxnet.com http://www.hoxnet.com PGP Key ID 138BCEE1
From: "ryan@virtualtourbus.com" <ryan@virtualtourbus.com> Subject: FS: Graham Patten ADC-20, 44,100Khz Reply-To: ryan@virtualtourbus.com Date: Wed, 13 Mar 2002 09:19:57 -0500 FS: Graham Patten ADC-20, 44.100KHZ, 6V **excellent condition** Asking: $175 or BO Excellent A>D for use with live recording. Sounds superior to the SBM-1 and A/D's standard on most recording decks. Use=3D s XLR in and AES/EBU > SP/Dif out. Has 20 turn sound pots to balance levels accurately. Great companion for both the Ap=3D ogee V2 and AD2K. Can be converted for use with a 12V power system if you so desire. All interested parties should e-ma=3D il me - first come first served. ==================================================================== mail2web - Check your email from the web at http://mail2web.com/ .
From: "Marold, Andrew" <AMarold@APEngines.com> Subject: Taping at Avalon in Boston Date: Wed, 13 Mar 2002 10:36:32 -0500 Anyone have experience taping at Avalon in Boston ? I'm going to see RWTC & Soulive there in April, but I've never been to that club. If the venue OK with taping ? Any particularly good spots to set up ? Thanks, Drew Drew Marold Sr. Release Engineer AP Engines Inc. "Everyone suffers from some form of Psychosis. Normality is just whichever Psychosis Is Most Prevalent." Stieglitz Grimble (see http://grimbles.keenspace.com/)
From: "Paul Gibian" <ikoiko2u@attbi.com> Subject: Grateful Dead Dats Offer - Round 6 Date: Wed, 13 Mar 2002 07:46:55 -0800 Hi, This is Round 6 of my Dats for CD blanks offer. Since 1997 I have traded dats, primarily Grateful Dead. I am converting my dat collection to cd. This is the 6th batch. I will not break it up into smaller batches so please don't ask. Round 6 goes to one person. If someone wants to get a quick start in the GD dat world this is a great way to do it. Dats are Maxell labeled, Maxell unlabeled, or Sony DDS. Some are 60m, some are 90m. All have printed j-cards with song lists, lineage, etc.. Lineage is as it was provided to me at the time of trade. Caveat emptor, these are great tapes, however, they may have the occasional anomaly. I acquired them primarily through trades on BUDD and other credible sources... The following 57 shows reside on 67 dats. Several shows are filler on tapes. Several of the dats have filler not listed in this posting. I'll accept three (3) Taiyo Yuden blanks for each dat. This totals 200 cdr blanks. This exchange is well below current market prices for new dat blanks (as published at various sites, including TTapes.) I will pay postage to ship the dats to you for continental US only. If interested, please use the following in the subject field: Grateful Dead Dats Offer - Round 6 Thanks. Paul Gibian GRATEFUL DEAD 02/11/70 Fillmore East - NYC, NY Early P S:Rm:D 02/11/70 Fillmore East - NYC, NY Late S:Rm:D 02/13/70 Fillmore East - NYC, NY Early Fp:Rm:CD2:D 02/13/70 Fillmore East - NYC, NY Late S:Rm:D 02/14/70 Fillmore East - NYC, NY Early P FpRm:D:D 02/14/70 Fillmore East - NYC, NY Late S:Rm:D 08/05/70 Golden Hall Community Concourse - San 1,2 S:Rm:?:D 12/31/72 Winterland Arena - San Francisco, CA 1,2 Fp:Rm:D 02/19/73 International Ampitheatre - Chicago, IL 2P S:Cm:C:D 02/26/73 Pershing Municipal Auditorium - Lincoln, Nb 1P,2 S:Rm:C:D:CD 03/21/73 Utica Memorial Auditorium - Utica, NY 1,2 S:bR:P:D 03/28/73 Springfield Civic Center - Springfield, MA 2P S:bR:P:D 04/02/73 Boston Garden - Boston, MA 1,2 S:Rm:D 06/10/73 Robert F. Kennedy Stadium - Washington, DC 1,2,3 S:Rm:D 06/24/73 Portland Memorial Coliseum - Portland, OR 2P S:Rm:D 07/01/73 Universal Amphitheatre - Universal City, CA 1,2 Af:Rm:R:D:CD 07/27/73 Grand Prix Racecourse - Watkins Glen, NY 1P,2P S:Rm:?:D 09/07/73 Nassau Coliseum - Uniondale, NY 1,2 S:Rm:C:D 09/11/73 William and Mary College Hall - 1,2 S:Rm:C:D 11/10/73 Winterland Arena - San Francisco, CA 1P,2 S:Rm:R:P:D 11/11/73 Winterland Arena - San Francisco, CA 1P,2P S:Rm:R:R:D 11/23/73 County Coliseum - El Paso, TX 1,2 S:Rm:C:D 06/08/74 Oakland-Alameda County Coliseum - Oakland 2P S:Rm:C:D 06/18/74 Freedom Hall - Louisville, KY 1,2 S:Rm:C:D 08/06/74 Roosevelt Stadium - Jersey City, NJ 1,2,3 S:Rm:C:D:CD 03/23/75 Kezar Stadium - San Francisco, CA All Fp:Rm:D 06/03/76 Paramount Theatre - Portland, OR 1,2P S:Rm:P:D 06/29/76 Auditorium Theatre - Chicago, IL 1,2 S:bR:P:D 07/18/76 Orpheum Theatre - San Francisco, CA 1,2 S:Rm:D 03/19/77 Winterland Arena - San Francisco, CA 1 S:Rm:D:CD 10/11/77 Lloyd Noble Center, U of Oklahoma - Norman 1,2 S:Rm:D 10/29/77 Field House, Northern Illinois U - De Kalb 1,2 S:bR:P:D 10/30/77 Assembly Hall, Indiana U - Bloomington, IN 2 S:bR:P:D 11/01/77 COBO Arena - Detroit, MI 1,2 S:Rm:P:D 01/22/78 McArthur Court, U of Oregon - Eugene, OR 1,2 S:Rm:C:D 09/01/79 Holleder Memorial Stadium - Rochester, NY 1,2 A:Cm:C:D 12/01/79 Stanley Theater - Pittsburgh, PA 2 S:Cm:D 09/06/80 State Fairgrounds - Lewiston, ME 1,2 Af:Cm:C:D 11/29/80 Alligator Alley Gum, U of Florida - 1,2 Af:Cm:D 08/28/81 Long Beach Arena - Long Beach, CA 1,2P S:?:D 12/05/81 Market Square Arena - Indianapolis, IN 1,2 S:Cm:D 04/19/82 Baltimore Civic Center - Baltimore, MD 1,2 S:Rm:P:D 10/10/82 Frost Amphitheatre - Palo Alto, CA 1,2 S:Rm:D 10/15/83 Hartford Civic Center - Hartford, CT 1,2 Af:P:D 10/21/83 The Centrum - Worcester, MA 1,2 Af:P:D 06/28/85 Hershey Park Stadium - Hershey, PA 1P,2 S:?:D 09/07/85 Red Rocks Amphitheatre - Morrison, CO 1,2 A:P:D 04/15/88 Rosemont Horizon - Rosemont, IL 1,2 S:D:CD:F:D 08/26/88 Tacoma, WA - Tacoma Dome 1,2 A:Cm:D 03/14/90 Capitol Centre - Landover, MD 1,2 M:D 03/16/90 Capitol Centre - Landover, MD 1,2 S:Cm:D 10/20/90 Internationales Congress Centrum - Berlin 2 F:D 10/28/90 The Zenith - Paris, FR 2 A:D 04/01/91 Greensboro Coliseum - Greensboro, NC 1,2 S:Cm:D 12/31/91 Oakland-Alameda County Coliseum - Oakland 1,2 Fp:?:D 05/16/93 Sam Boyd Silver Bowl, U.N.L.V. - Las Vegas 2 HFp:D 03/30/94 The Omni - Atlanta, GA 1,2 S:D
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