DAT-heads Digest #75, Volume #7 Tue, 6 Apr 04 15:50:00 EDT Contents: FS: BBE 262 Sonic Maximizer (Derrick Belbas) iso: port chester restoration proj shows (avps) more stg stuff ("J.W.") more stg again ("J.W.") What Coresounds do I have?? ("Joost") OT: Password-locked screen saver? ("Gary Davis") Edie Brickell Taping? ("Jeff Frank") ISO: STRAWBS DEC. 1976 CAPITAL THEATRE FM (analog414@comcast.net) Sharing Music... ("Phil Thenstedt") Edie Brickell Tour ("Barry Glassberg") Re: Super Bit Mapping (Greg Teltschik) Repair of Sony DAT reverse rewind woos (Ulrich Grassberger) ---------------------------------------------------------------------------- From: Derrick Belbas Subject: FS: BBE 262 Sonic Maximizer Date: Mon, 05 Apr 2004 15:29:32 -0500 Interesting device for enhancing recordings. It works as advertised, I just don't find that I'm getting much use out if it these days. Good condition. more info on this thing: http://www.bbesound.com/pdfs/262_manual.pdf US$50. + shipping, and I can mail from either US or Canada. derrick winnipeg http://members.shaw.ca/ve4vv/trade.htm ------------------------------ From: avps Subject: iso: port chester restoration proj shows Date: Mon, 05 Apr 2004 16:47:13 -0400 looking for all of them. lots to trade. thx avps@erols.com ------------------------------ From: "J.W." Subject: more stg stuff Date: Mon, 05 Apr 2004 13:51:02 -0700 >Actually, while the underlying musical composition belongs to someone else; >In the United States the copyright in the Sound Recording would most likely >be construed to belong to the taper. In that sense, "the show" would belong >to him. >-Martin i have been under the impression that u.s phonoright covers this. while one might tape a performance, the performance is covered by this sub-copyright law. not trying to shake things up but I rarely see anyone talking about phonoright. ------------------------------ From: "J.W." Subject: more stg again Date: Mon, 05 Apr 2004 13:59:44 -0700 i did a bit of research and here is the thread on stg: http://www.sharingthegroove.org/msgboard/showthread.php?s=&threadid=53983 ------------------------------ From: "Joost" Subject: What Coresounds do I have?? Date: Mon, 5 Apr 2004 23:27:59 +0200 Hi, Len sent me recently (via a friend) a pair of Coresounds. They look = however different than the old (and broken) cardioids that I'm used to. = The ones that I have now have *three* holes in them, not just two, like = my old cards... Are these still (modified??) cardioid mics? They sure = sound like cards, from what I figured after taping Watchtower last = saturday... Any info would be appreciated! Thanks, JOOST ------------------------------ From: "Gary Davis" Subject: OT: Password-locked screen saver? Reply-to: g@hoxnet.com Date: Mon, 5 Apr 2004 14:38:32 -0700 Sorry for the off-topic question, but can anyone recommend a Windows "screen saver" that requires a password to regain access to the system? Ie, something so that if I walk away from my computer, no one else could gain access? thank you, --Gary ------------------------------ From: "Jeff Frank" Subject: Edie Brickell Taping? Date: Mon, 5 Apr 2004 17:05:57 -0500 Anyone know if she allows it? I'll be seeing her on 4/20 here in Chicago and will tape her if she does. Thanks.......Jeff ------------------------------ From: analog414@comcast.net Subject: ISO: STRAWBS DEC. 1976 CAPITAL THEATRE FM Date: Tue, 06 Apr 2004 03:25:20 +0000 Hello fellow tapers, anyone old enough out there that recorded the Strawbs in December 1976 at the Capital Theatre NJ live on FM? Or that knows who did? I will send 5 concerts from my list to anyone who can hook me up with the MASTER FM CASSETTE from that live performance. There has to be a few who recorded that gig on the radio. If I can borrow that master cassette I will make it ten concerts. "Original Master Recordings" Good Luck, Best Regards Rick B. http://home.comcast.net/~analog414/RicksRecordings.html ------------------------------ From: "Phil Thenstedt" Subject: Sharing Music... Reply-To: "Phil Thenstedt" Date: Mon, 5 Apr 2004 22:31:29 -0700 > "Tapers make the tapes Its a job. Taders trade. downloaders get it all" My response to this? If taping is too much work for you to share, maybe you're taping for the wrong reasons. Damn, you should be proud your recordings are getting such large scale circulation! When I tape a show, I generally make a couple trades before releasing it and then open it up to the masses...create shn files and share them. After all, the music was played to be heard. Who am I to keep it under wraps? ------------------------------ From: "Barry Glassberg" Subject: Edie Brickell Tour Date: Tue, 06 Apr 2004 09:04:49 -0400 Hi all, Anyone attend/tape any of Edie Brickell's shows on the currrent tour that starts April 6th? I plan on going to the show in Philly later this month as the two shows in NY at Joe's Pub sold out quickly. While in the past she has permitted audience taping, there doesn't seem to be a definitive answer as to whether she will allow taping on this tour. I don't have a problem going stealth in a small club, but would just like to know what to expect (and if the mike stand stays home). I love to hear if anyone went to the opening show in Seattle April 6th. Thanks, Barry _________________________________________________________________ Check out MSN PC Safety & Security to help ensure your PC is protected and safe. http://specials.msn.com/msn/security.asp ------------------------------ From: Greg Teltschik Subject: Re: Super Bit Mapping Reply-To: Greg Teltschik Date: Tue, 6 Apr 2004 08:17:39 -0500 (GMT-05:00) I actually own both modded and unmodded SBM-1s. My personal experience with an SBM-1 and a D100 was that the SBM-1 added a little more clarity and detail on the high frequencies over the built-in pre-amp. When comparing recordings made on the same rig, varying only the inclusion of the SBM-1, we both preferred the recordings with it. The difference is subtle and difficult to quantify, but it was there. I also have a PCM-M1, though I have not attempted to use the M1s preamp input directly so I can't weigh in there. I always expected the built-in preamp to be basically the same as the D100. There are several different Oade mods to the SBM-1 - I assume you're referring to the line stage and mic preamp mods that they perform. One of my units is modded, and I tend to use it with audience recordings while using the unmodded unit for soundboard recordings. The difference between modded and unmodded is difficult to discern to me. In very critical listening, I can hear slight differences. Generally I use the mic input, so that may be why I hear less of a difference. I do like the idea that I can now take a pair of high-output mics and move them from the mic input to the line input and get a usable signal - I had at least one occasion where the mic output was too hot for the mic input but not quite hot enough for me to be comfortable with the line input. Can't say I've had this problem to date with the mod unit. Greg ------------------------------ From: Ulrich Grassberger Subject: Repair of Sony DAT reverse rewind woos Date: Tue, 06 Apr 2004 19:44:57 +0200 Hello DAT friends! I own a 57ES which has always had the reverse rewind issue, that means that fast rewind often stops after two seconds, and I must try another time, wait some time or use cueing to rewind the tape. A buddy of mine has a DTC-690 with the same problem, so I want to know what is this and how to fix it. Uli -- (Grassomusic.de) ------------------------------ ** FOR YOUR REFERENCE ** To unsubscribe from this digest, please send email to dat-heads-unsubscribe@datheads.phish.net If your email address has changed, you may (optionally) send the message to dat-heads-unsubscribe-oldaddress=olddomain@datheads.phish.net and the old address will be removed. Problems or questions about a subscription should be addressed via these avenues and then if needed to dat-heads-owner@datheads.phish.net or postmaster@datheads.phish.net never the list itself You can submit a message for inclusion in the next digest via this address: Internet: dat-heads@datheads.phish.net Archives of DAT-Heads digests and related files are available on the DAT-Heads home page: http://www.solorb.com/dat-heads/ End of DAT-Heads Digest ******************************