DAT-heads Digest #104
Contents:
2003/2004 Bowie (ijwthstd)
ISO Phish Vegas run 2004
DAP-1 vs. Marantz CDR-300 (Kay von)
DAT masters for blanks trade offer (Richard Levy)
SoundBlaster Audigy2: Resamples? (DATtrader)
Problem with my Tascam DA30 (Thomas Siomopoulos)
Bromberg this Friday in Pricenton, NJ ("jeff travitz")
ISO tokyo tapers for Squarepusher and luke vibert (TRANEHEAD@aol.com)
Violin vs. Storyteller ("Gary Davis")
From: ijwthstd <ijwthstd@yahoo.com>
Subject: 2003/2004 Bowie
Date: Sun, 2 May 2004 07:45:04 -0700 (PDT)
I have the Greek Theatre and Arrowhead Pond shows from
last week available on DAT or CDR.
Looking for more shows from this tour and also Reeves
Gabrels solo gigs and a few other things
http://www.geocities.com/ijwthstd/dddiscs.html
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From: <stumoski@cox.net>
Subject: ISO Phish Vegas run 2004
Date: Sun, 2 May 2004 12:11:45 -0400
I'm looking for anyone who taped the 3 Vegas shows last month. Any
help would be greatly appreciated.
Chas
From: Kay von <thedathead@yahoo.com>
Subject: DAP-1 vs. Marantz CDR-300
Date: Sun, 2 May 2004 10:05:43 -0700 (PDT)
I have been using a DAP-1 for the last six years, and
it has been good to me. However, the people I do live
recordings for regularly recently asked me what I
thought about the Marantz CDR-300. They will purchase
the Marantz for me to use because they want their CD
at the end of the night, not a day or two after the
event.
If I am using the CDR-300 under the following
conditions, why would it be better/worse/equal to the
DAP-1?
1) Live recordings at 44.1 off the house mixer and/or
my mics(phantom powered).
2) Recorder always stationary (i.e. no need to move
the unit while recording).
3) Length of recording always less than 80 minutes.
4) Recordings may be used for post-production.
Has anybody used the Marantz and DAP-1? Is there a
product similar to the CDR-300 available from a
different manufacturer? All thoughts appreciated?
Thank you, thank you.
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From: Richard Levy <liverich@sunlink.net>
Subject: DAT masters for blanks trade offer
Date: Sun, 2 May 2004 13:49:45 -0400
I have the following on Maxell 90 meter data:
Chris Whitley Tin Angel, Phila. 2/8/04 (44.1k)
Chris Whitley Tin Angel, Phila. 4/11/03 (44.1k)
Railroad Earth Knowlton, NJ 8/22/03 (48k)
Radiators Palumbaro Club Ardmore, PA 4/17/04 (48k)
Commander Cody Teaneck, NJ 4/30/04 (48k)
David Nelson Band Teaneck, NJ 4/30/04 (48k)
All have IDs for easy syncing. I'll trade these for new Maxell 90 meter
data blanks. Whole package only, please. Contact me off list if
interested Rich
From: DATtrader <dattrader@comcast.net>
Subject: SoundBlaster Audigy2: Resamples?
Date: Sun, 02 May 2004 13:59:31 -0400
Does anyone know if the Creative Labs Sound Blaster Audigy2 ZS Platinum
(w/internal front bay) does any resampling when doing transfers using the
SPDIF in/out even though the sample rate between the source and target are
the same, i.e. 48khz to 48khz or 44khz to 44khz?
I remember with the classic SB Live! card, it was known that it would
resample even if you were using the sample rate on both ends, which turned
some people off from it as it could introduce artifacts.
Thanks,
Dt
From: Thomas Siomopoulos <Tom_Siomopoulos@neca.nec.com.au>
Subject: Problem with my Tascam DA30
Date: Mon, 3 May 2004 08:22:42 +1000
I was wondering if the owners of the DA30 have had a problem with tape not
moving when engaging the FF or REW mode. It seems that the clutches used to
engage the reel hubs are slipping. Any quick remedies?
Regards
Tom Siomopoulos
From: "jeff travitz" <jtravitz@comcast.net>
Subject: Bromberg this Friday in Pricenton, NJ
Date: Sun, 2 May 2004 20:27:20 -0400
Anyone want to go and tape David Bromberg This Friday in Princeton, NJ? Have
pair of Great seats and can not go I will be taping two other shows this
tour
From: TRANEHEAD@aol.com
Subject: ISO tokyo tapers for Squarepusher and luke vibert
Date: Sun, 2 May 2004 22:30:22 EDT
the shows are in tokyo:
5.13 club quatro
5.14 mother hall
5.15 laforet museum ripongi
this is amazing electronica. he is also playing with luke vibert (wagon
christ)... a genius of hip beats. PLEASE tape these shows. they are very inventive
in the live format with visuals etc.
lots to trade, or, i'll pay for your ticket!
thanks,
G.G.
From: "Gary Davis" <g@hoxnet.com>
Subject: Violin vs. Storyteller
Reply-to: g@hoxnet.com
Date: Sun, 2 May 2004 22:21:21 -0700
You're actually doing it just about exactly the way I would do it -
you're making what I call a "2-channel multitrack recording." The
one big difference I would make - if allowed - is to put the 414 in
front of the violinist, not behind, and, since the 414 has a "figure 8"
mode, I'd try that mode to get the audience as well from the same
mic. (If it wasn't a 414 I'd use an omnidirectional mic).
Then simply use the "channel mixer" feature in your sound editing
program to make a mono recording, or, run the violin/audience
channel through a stereo simulation of some kind, and mix the
storyteller into the middle, to make a stereo recording.
--Gary
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