DAT-heads Digest #272

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ISO: Donald Becker (Benjamin Branch) Tool 2001-05-29 Italy (Benjamin Branch) David Lindley tapers (Jay Lyons) Best results for a surround sound mix (Quentin Tarantino) ISO: Vote For Change Concert Detroit 10/3 (Reinhard Zwirner) Re: PCM M1 settings? (Wayne Hoxsie) Re: live audio for sale on fleabay (Seth Breidbart) WTD Brian Wilson (BCLedfoot@aol.com)
From: Benjamin Branch <suntzu420@gmail.com> Subject: ISO: Donald Becker Reply-To: Benjamin Branch <suntzu420@gmail.com> Date: Mon, 18 Oct 2004 02:06:05 -0500 if you know him, please have him contact me, as I lost his email address. Many thanks in advance, Benjamin
From: Benjamin Branch <suntzu420@gmail.com> Subject: Tool 2001-05-29 Italy Reply-To: Benjamin Branch <suntzu420@gmail.com> Date: Mon, 18 Oct 2004 02:30:52 -0500 Looking to see if anyone just so happened to tape this. Benjamin
From: Jay Lyons <jaybird_2@bellsouth.net> Subject: David Lindley tapers Date: Mon, 18 Oct 2004 09:47:53 -0400 Hi, DL should be around here next month and I was looking for a tip or two... Last time I taped DL his roadie would wander the club looking for tapers. He's solo this tour and I was trying to find out if he still is doing that? Anyone know? TIA
From: Quentin Tarantino <quentintarantino_2nd@yahoo.com> Subject: Best results for a surround sound mix Date: Mon, 18 Oct 2004 10:19:45 -0700 (PDT) I recorded a band two weeks ago from both the audience and the soundboard in hopes of making a nice live mix. The audience source has more depth and the soundboard has more emphasis on the keyboards. I wanted to give it a 5.1 mix (if that’s at all possible with only two stereo tracks) or just fake really good surround sound. I know I could pan the right speaker to 90 and the left to 180, but I wanted to know if there was a better way to go about it to get better results. _______________________________ Do you Yahoo!? Declare Yourself - Register online to vote today! http://vote.yahoo.com
From: reinhard.zwirner@t-online.de (Reinhard Zwirner) Subject: ISO: Vote For Change Concert Detroit 10/3 Date: Mon, 18 Oct 2004 19:40:11 +0200 Hi, will there be an official record of this concert available? TIA Reinhard
From: Wayne Hoxsie <Wayne@hoxnet.com> Subject: Re: PCM M1 settings? Date: Mon, 18 Oct 2004 15:12:54 -0500 neal copperman wrote: > I've posted a question on this subject before, but I could use a > refresher course on the right way to use my DAT :) > > I had been struggling with clipping problems in the past, and it was > recommended that I set the Mic ATT switch to 20 dB. That seems to have > done the trick for me for a long time. I recorded a show the other > night and a small portion of the show ended up clipping. I usually > record through a mic, and I was recording directly from the board on > this one. (And I even remembered to switch from Mic to Line In!) > > The one song that clipped wasn't even the loudest part of the evening, > though it was the loudest part of the set. > > Is there anything else that I should be doing differently when recording > directly from the board? > > I did remember the right setting, didn't I? It's 20dB I want, not 0cB, > right? > > Thanks! > > neal Using the line-in v. mic-in bypasses the mic pre-amp altogether. I verified this from the schematic for the D-100 (which I'm assuming is the same--at least at this stage in the circuit). So it makes no difference what Att. setting you use. You didn't mention whether you are using the manual level control or AGC. It seems to me that the clipping occurring at a lower level than the max level of the show would indicate that the AGC was in use and was able to "kick-in" on the loudest part of the show, but the transition was too fast for it to "kick-in" at the spot where you experienced clipping. Unfortunately, there's no easy way to prevent this. I never use the AGC because it can set the threshold differently at different parts of the show and result in a stepping-up or a stepping-down that is very noticeable during playback. Stick to manual level control if possible and pick a good conservative setting. It may take a few shows to determine what a good setting is to use, but experience will make this easier. Start conservatively and if you get a recording that's a little low, you can always normalize it with software later. Eventually, you'll figure out the right settings to use with your gear, then you'll get new mics or something and you're back to square one. -- Wayne D. Hoxsie Jr. wayne@hoxnet.com PGP Key ID 138BCEE1
From: Seth Breidbart <sethb@panix.com> Subject: Re: live audio for sale on fleabay Date: Mon, 18 Oct 2004 22:44:12 -0400 (EDT) Keith Bode <tunakebo@verizon.net> wrote: > Living in the Los Angeles area, god knows there are attorneys on > every corner. A friend of mine who is an attorney working in > entertainment law told me years ago, that once a band has allowed > taping, or has allowed their recordings to be distributed, has > basicly given up their intellectual property/copyright rights on the > recording in question. De facto, maybe; once it's out there, they can't get it back. But they still own the copyrights. After all, bands sell CDs, a form of distributing their recordings, without giving up their rights. > The issue becomes one of who has the attorneys to protect their > claims. And who is willing to pay enough to do so. Seth
From: BCLedfoot@aol.com Subject: WTD Brian Wilson Date: Mon, 18 Oct 2004 22:44:55 EDT A friend of mine asked me to post.... Anyone tape Brian Wilson in Boston recently? Contact me via e mail. Thanks.
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