DAT-heads Digest #302
Contents:
Questions about building some binaural mics for the TCD-D7 ("angusyoung1000@juno.com")
ISO Screamin' Jaw Hawkins '96 Chicago Blues Fest ("Benjamin Gart")
ISO Tyketto tapers ("Alex Cohen")
ISO: pete from AZ... (Nick Zuccaro)
re: anyone using neumann skm183 in small clubs? ("luke r")
AKG C451EB on Ebay (Joe Thierry)
Re: Questions about building some binaural mics for the TCD-D7 (Wayne Hoxsie)
PAINMUSEUM - CD RELEASE PARTY 11/20/04 ("DRider")
Lost Outlook Express again!! (analog414@comcast.net)
From: "angusyoung1000@juno.com" <angusyoung1000@juno.com>
Subject: Questions about building some binaural mics for the TCD-D7
Date: Wed, 17 Nov 2004 03:27:55 GMT
I've got a couple of Panasonic mic capsules which I intend to wire up to a battery box for use with my TCD-D7. I was able to find some info on the web, but have some questions about the mic construction & battery box before I get started:
On the TCD-D7 why should one use the line-in instead of the mic-in?
Does the D7 have attenuation on the line-in (I can't seem to find anything in the literature that says it does - only attenuation for the mic in)?
If needed: instead of buying a mic attenuator cable (to save some $$) I'd like to have the attenuator circuit in the mic box. Can someone suggest an overall circuit diagram on how to build a mic/battery box system for a stereo pair with built-in attenuation? I kind of wonder how the attenuator may affect the frequency response. Anyway, I only intend to use my mic/battery box with the D7 so the design doesn't need to accomodate other DAT recorders.
any help will be appreciated. thanks.
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From: "Benjamin Gart" <bgart13@hotmail.com>
Subject: ISO Screamin' Jaw Hawkins '96 Chicago Blues Fest
Date: Wed, 17 Nov 2004 02:58:29 -0600
Hi,
I'm looking for the radio broadcast of his set from June 2nd, 1996 in
Chicago. I had mentioned something about it in my recent Cramps post, but
realized I forgot to put him in the subject. Sorry.
Thanks
Ben
bgart13(at)hotmail.com
From: "Alex Cohen" <humbug66@hotmail.com>
Subject: ISO Tyketto tapers
Date: Wed, 17 Nov 2004 12:02:23 +0000
Tyketto are currently nearing the end of their reunion tour, with the
following dates still to go:
Wednesday, Nov. 17 At Dekade In Zaandam, Holland
Thursday, Nov. 18 At Biebob In Vosselaar, Belgium
Friday, Nov. 19 At Plato In Helmond, Holland
Saturday, Nov. 20 At Azkena In Bilbao, Spain
Sunday, Nov. 21 At Arena In Madrid, Spain
I caught the band in London and they are excellent live. Why they never made
it remains a mystery..
Would like to hear from anyone who has recorded the band, either now, or
before the split.
Fansite: http://www.tyketto.com/
Cheers,
Humbug
From: Nick Zuccaro <nmz77@yahoo.com>
Subject: ISO: pete from AZ...
Date: Wed, 17 Nov 2004 04:52:17 -0800 (PST)
hey there, anybody on here know a taper cat from AZ (tuscon or
phoenix??) named pete?? i dunno if he's on this list but he goes
to telluride and does a bunch of stuff in AZ - i met him at a
jazz fest in quebec and lost his info, his email is something
like dr_chen??? drop me a line back if you know the guy... :)
l8r...Nick
From: "luke r" <crakt@hotmail.com>
Subject: re: anyone using neumann skm183 in small clubs?
Date: Wed, 17 Nov 2004 13:13:32 +0000
>I would think that using omnis (the km183 is a fixed cap omni, btw..in
>case you were not aware) in small clubs would probably produce worst
>results than your cards. Maybe some 184s, or 185s would be your best bet.
>For small club taping, I think going w/a hyper card will help take up
>the slack of bad sounding rooms and chatty crowds.
ok, so for those of you who tape in small clubs, do you use omnis, cards or
hyper cards? i'm getting a bit confused here cos when i have used cards when
set up in bad positions in small clubs it often produces a tape that's
uneven between channels. also when using cards where a lot of sound is
coming directly from stage, if an amp on stage is pointed 'across' the stage
a bit(or if the pa is pointed at an angle to my mics), the sound of that
instrument can be noticeably 'muffled'.
thanks
luke
From: Joe Thierry <jthierry@erols.com>
Subject: AKG C451EB on Ebay
Date: Wed, 17 Nov 2004 08:59:25 -0500
I have a single AKG C451EB mic for auction on Ebay.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3762827518
Thanks,
Joe
From: Wayne Hoxsie <Wayne@hoxnet.com>
Subject: Re: Questions about building some binaural mics for the TCD-D7
Date: Wed, 17 Nov 2004 11:13:13 -0600
angusyoung1000@juno.com wrote:
> I've got a couple of Panasonic mic capsules which I intend to wire up
> to a battery box for use with my TCD-D7. I was able to find some info
> on the web, but have some questions about the mic construction &
> battery box before I get started:
>
> On the TCD-D7 why should one use the line-in instead of the mic-in?
>
> Does the D7 have attenuation on the line-in (I can't seem to find
> anything in the literature that says it does - only attenuation for
> the mic in)?
I'm not sure how the D7 is set up internally, but if you want to dig
through it, you can get a D8 service manual here:
<http://hoxnet.com/manuals/>
>
> If needed: instead of buying a mic attenuator cable (to save some $$)
> I'd like to have the attenuator circuit in the mic box. Can someone
> suggest an overall circuit diagram on how to build a mic/battery box
> system for a stereo pair with built-in attenuation? I kind of wonder
> how the attenuator may affect the frequency response. Anyway, I only
> intend to use my mic/battery box with the D7 so the design doesn't
> need to accomodate other DAT recorders.
>
> any help will be appreciated. thanks.
I believe that the panasonic capsules (I assume you are talking about
the WM-61's) will overload at a fairly low dB level (eg levels
experienced by tapers at live venues) if used "as-is" in a circuit with
or without an external battery box. There are modifications you can do
to the capsule itself to increase the dB ceiling. One of these that
I've heard of involves reversing the ground of the capsule by cutting
the trace that connects one of the leads to the case ground and
reconnecting the opposite lead to the ground. This has the effect of
reversing the source and drain leads of the internal FET and reducing
its gain. I've never tried this so I can't comment on the
characteristics of this mod. I've also seen small surface mount
resistors used to bridge the two leads and thus bleed off some of the
signal but I don't know what ohm values were used.
--
Wayne D. Hoxsie Jr.
wayne@hoxnet.com
PGP Key ID 138BCEE1
From: "DRider" <Farflung@comcast.net>
Subject: PAINMUSEUM - CD RELEASE PARTY 11/20/04
Date: Wed, 17 Nov 2004 18:58:17 -0500
Friends in Metal:
Just a quick reminder that the PAINMUSEUM - featuring Metal Mike and Bobby
Jarzombek from HALFORD
will be having a CD RELEASE PARTY for their new release "Metal For
Life"......
this Saturday Nov. 20th - THE CUP, 1140 E. Elizabeth Ave, Linden, NJ 07036
(908) 486-8925.
www.cupcomplex.com
Hosted by WDHA 105.5 w/ Matt Murray, MetalForever.com, Thatssometal.com.
Be a part of Painmuseum's DVD documentary !!
Into The Pit!
D
From: analog414@comcast.net
Subject: Lost Outlook Express again!!
Date: Thu, 18 Nov 2004 00:19:07 +0000
Lost all my contacts on August 20th 2004. Looking for Rob A. in Canada. Please email me. analog414@comcast.net Will also trade for any Strawbs acoustic shows from the last few months. Looks as if I will finally be dropping down to cd shows from 1983 to 86 from the PCM F1/ Beta.
http://home.comcast.net/~analog414/RicksRecordings.html
Best Regards Rick B.
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