DAT-heads Digest #362
Contents:
ISO UK Tapers Jan 23-28 ("Music Is Special")
Amp Question ("George Rue")
Re: Help with 24 bit mastering (Seth Breidbart)
Gear still for sale ("scott charles")
Whoa nelly...rant/rave/drugs/anti-taper ("zach")
Re:Lindley comments (Keith Bode)
FS: DA-P1 w/ Portabrace ("Wayne Brissette")
U2 "Four at Four" recording info (KindTaper@aol.com)
Coresound cardioid mics wanted ("Joost")
Re: [BUDD] Re: Help with 24 bit mastering (Nick Georges)
Buddy Cage & Mike Falzarano ("Anelena Poulin")
From: "Music Is Special" <musicisspecial@hotmail.com>
Subject: ISO UK Tapers Jan 23-28
Date: Sat, 15 Jan 2005 11:48:56 -0600
Willing to pay all expenses for any UK tapers who can record any of the
following Gang of Four shows - their first in eons:
Manchester University, Manchester - January 23 2005
Leeds University Union, Leeds - January 24 2005
Carling Academy Bristol, Bristol - January 25 2005
Carling Academy, Birmingham - January 27 2005
Shepherds Bush Empire, London - January 28 2005
many thanks
From: "George Rue" <bbking22@earthlink.net>
Subject: Amp Question
Date: Sat, 15 Jan 2005 13:14:32 -0500
Does anybody here own a Peavey Classic 30 or 50 tube amp. I'm wondering how
to figure out what year it was made, by reading the serial number. Any site
that will help give the info i need?
Thanks
George
From: Seth Breidbart <sethb@panix.com>
Subject: Re: Help with 24 bit mastering
Date: Sat, 15 Jan 2005 13:31:16 -0500 (EST)
"American-Digital" <dan@am-dig.com> wrote:
> My thoughts were there is enough information/data in two 16/44 sources
> to save as one 24/48. Am I being to overly simplistic with my thought
> process?
By saving as 16/44 you lose some data. You do better at 24/48 (but
not nearly as good as a "real" 24/48).
> I assume one route to achieve this would be to upsample both
> sources to 24/48 first, then do the mixdown. I do not want to just
> upsample 16/44 sources plus it would mean a ton of processor time.
Can you script it, so you (the person) just sees one long process?
Seth
From: "scott charles" <scochar@hotmail.com>
Subject: Gear still for sale
Date: Sat, 15 Jan 2005 19:16:34 +0000
Sony PCM-M1 went to the same 50 shows, same time period. Have box,
instructions, pleather case, a couple sets of batteries (sony and
radioshack) with charger, I think I have a radioshack fast charger in
addition to the sony one that I will include. Never used for transferring
shows. Includes coresounds 7pin-1/8 mini cable. Some wear marks where I
taped the coresounds cable to the M1, so as to avoid the plug problems.
Update - I do not have batteries other than the sony ones nor the radioshack
charger. As I have sold the other items would like to move this one too so
price lowered to $400+shipping unless picked up.
Located in Washington NJ prefer local sale so you can pick up but will ship
if prepaid.
Thanks, scott
Please put "recording gear" in message subject
From: "zach" <zach@funkytulip.com>
Subject: Whoa nelly...rant/rave/drugs/anti-taper
Date: Sat, 15 Jan 2005 12:47:15 -0700
Man.... I'm almost longing for the last few months of 5-6 posts a day.
This bickering is a real drain.
Total waste of space IMHO.
BWT:
1 off my list
http://www.funkytulip.com/all.html
Zach
From: Keith Bode <Tunakebo@verizon.net>
Subject: Re:Lindley comments
Date: Sat, 15 Jan 2005 14:38:25 -0800
>
>
>Also consider that although you may not intend, ever, to
>profit from what you record. Others still can. Once you
>trade a recording your intent is no longer relevant. Because
>someone can quite easily take your recording, mix it,
>duplicate it and sell it. And there's not a damn thing you
>can do about it.
>
>As I see it you have two choices. Tape the show and don't
>trade it to anyone, or don't tape it at all.
>
To take the idea here one step further, if a band allows taping, exactly
the same thing can happen. Once a band allows taping, they have to
depend on the honesty of their fans to keep their music from being
bootlegged.
Keith
From: "Wayne Brissette" <waynefb@earthlink.net>
Subject: FS: DA-P1 w/ Portabrace
Date: Sat, 15 Jan 2005 17:09:49 -0600
Well, it's time. After waffling on whether or not to keep my DA-P1 to
make backups as I record, I have made the decision to sell the thing.
(I'm now using a DEVA IV hard disk recorder as my only recorder).
Price: $600.00 with portabrace, power supply, battery. Extra cable that
currently has 3 pin XLR on one end (I use 3 pin XLR's typically not
four). If you want a "standard" 4-pin XLR on the end, I'll put one on for you.
I also have about four or five 6 volt batteries (SLAs). Two of them have
vinyl cases that the batteries fit into to help pad them. All these
batteries have 3 pin XLR connectors on them. But I'll toss those in, as
well as a battery recharger (this is the BatteryMinder -- one of the best
in my opinion) for the 6 volt batteries. All of these will be included if
you want it, however, as most people know, the shipping charges for SLA
batteries can be pretty hefty. But hey, the batteries are free. ;-)
Wayne
--
Music is spiritual. The music business is not.
- Van Morrison
From: KindTaper@aol.com
Subject: U2 "Four at Four" recording info
Date: Sat, 15 Jan 2005 19:23:05 -0500
I am trying to find out the mic info for the U2 pressed CD bootleg "Four at Four". I believe this show is from Chicago, 11/21/85 (not positive on the date), and it's on the Red Phantom boot label. If you taped this show or know the exact source, please contact me. This is an incredible audience recording for a large venue.
Thanks,
Wes
Kindtaper@aol.com
From: "Joost" <j.p.cornelissen@inter.nl.net>
Subject: Coresound cardioid mics wanted
Date: Sun, 16 Jan 2005 13:28:47 +0100
Would anybody here sell me their Coresound cardioid stealth mics? Mine are
broken...:-( Preferably without battery box, because the one I have still
works fine. Thanks.
From: Nick Georges <nick@nickspicks.com>
Subject: Re: [BUDD] Re: Help with 24 bit mastering
Date: Sun, 16 Jan 2005 07:38:21 -0500
Seth Breidbart wrote:
>"American-Digital" <dan@am-dig.com> wrote:
>
>
>
>>My thoughts were there is enough information/data in two 16/44 sources
>>to save as one 24/48. Am I being to overly simplistic with my thought
>>process?
>>
>>
>
>By saving as 16/44 you lose some data. You do better at 24/48 (but
>not nearly as good as a "real" 24/48).
>
>
You gain nothing by changing the sample rate.
in fact, you gain nothing at all by dithering up to 24bit either. Maybe
it will help in the mastering process, but usualy you start with 24bit
stuff, edit , mix..etc, and then bring it down.
I dont really know what you expect for a benefit from processing these
files to 24/48 in the first place ???
Its not as simple as taking two 16/44 sources ...combinging them... and
getting a 32bit / 88kHz file (or 24/48). I dont think it works that way...
but again...what do I know. i'm no engineer, nor do I play one on TV.
So I'd wait to hear from someone who really knows what they are talking
about. i'm just taking a 1/2 ass'd guess.
From: "Anelena Poulin" <mapabear4u@charter.net>
Subject: Buddy Cage & Mike Falzarano
Date: Sun, 16 Jan 2005 11:36:16 -0500
Hi all....thought I let everyone know that Buddy Cage and Mike Falzarano
will be playing a show on Saturday, January 29, 2005 at Desert Rain in
Danielson, CT. Tickets will be $15.00 in advance and show starts at 9:30.
They will be playing 2 full sets. You can get tickets through the club
(www.raindesert.com) or by e-mailing deadband1964@yahoo.com. Hope to see a
lot of you there.
Peace,
Brad & Anna
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