DAT-heads Digest #804
Contents:
SONY d8 daisy chaining aka patching (Samuel Ackerman)
Re: SONY d8 daisy chaining aka patching (Seth Breidbart)
Sony DTC-55ES User Manual/Instructions (mikekimberley@tiscali.co.uk)
dB quiz (Tom McCreadie)
ISO: ARU 1996-Baltimore with John Popper ("brian durham")
From: Samuel Ackerman <drfunkenstein2k@yahoo.com>
Subject: SONY d8 daisy chaining aka patching
Reply-To: drfunkenstein2k@yahoo.com
Date: Sat, 15 Apr 2006 23:44:44 -0700 (PDT)
ok, i know many people patch into other people's rigs
but is it possible to do with sony d8 due to ??SCMS??
you know its copy protection scheme. for example could
a D8 patch from tascam DA-P1 or any other DAT that
doesn't have the protection scheme and make a clone
just fine? can a d8 patch from a d8 and make a clone?
how should i better prepare myself for these
situations if i plan to do a lot of patching for now?
thanks :)
Samuel Ackerman
~Preoccupied and dedicated to the preservation of Phish
~R u DufF-e-nUfF
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From: Seth Breidbart <sethb@panix.com>
Subject: Re: SONY d8 daisy chaining aka patching
Date: Sun, 16 Apr 2006 03:03:42 -0400 (EDT)
> ok, i know many people patch into other people's rigs
> but is it possible to do with sony d8 due to ??SCMS??
Yes.
> for example could a D8 patch from tascam DA-P1 or any other DAT that
> doesn't have the protection scheme and make a clone just fine?
If the incoming signal has SCMS 00 then that gets recorded and the
outgoing is also 00. If incoming is 11, then 10 gets recorded and
sent; if incoming is 10 then nothing gets recorded (I'm not sure about
sent).
Basically, you want the master to be a pro deck, or have an scms-eater
after it.
Seth
From: mikekimberley@tiscali.co.uk
Subject: Sony DTC-55ES User Manual/Instructions
Date: Sun, 16 Apr 2006 10:08:00 +0100
Hi
Could someone help me out in being able to supply me with either a '.pdf'=
or photocopy of the Sony DTC-55ES User Manual?
I have a copy of the Service/Theory Manual but I'm having difficulty find=
ing
a copy of the original User Instructions.
If anyone is able to help, then I am willing to pay for their time/troubl=
e.
My email address is: mikekimberley@tiscali.co.uk
Many thanks
Mike
___________________________________________________________
Tiscali Broadband from 14.99 with free setup!
http://www.tiscali.co.uk/products/broadband/
From: Tom McCreadie <mccreadi@xs4all.nl>
Subject: dB quiz
Date: Sun, 16 Apr 2006 12:39:11 +0200
List seems moribund of late, so here's a little dB / SPL quiz for
those of the nerdier persuasion with time on their hands:
Q1. A clothes- and dishwasher sit atop each other in a room. On its
own the clotheswasher produces a perceived SPL of 70dB, the quieter
dishwasher only 60dB.
Assuming an ideal situation - same freq. response, uncorrelated sound
etc. - what's the observed SPL when both are running?
Q2. You record a concert with a coincident cardioid pair at an
included angle of 120 deg. (i.e. mikes pointing to 10 o'clock and 2
o'clock, w.r.t. to 'straight ahead' centre stage 12 o'clock). On a
whim, you decide to (a) sum & difference matrix the L/R signals to
get an M/S pair, (b) boost the S channel by 6dB and (c) rematrix to
get a new L/R 'virtual' array.
- What is the effective included angle of this new array?
- On the narrowness of pattern of the new virtual mikes, how many dB
is each mike down at 90 deg. off its main axis? How much was the
original cardioid down at 90 deg. off axis?
Q3 In the above concert, a minstrel strolls across the stage,
following an arc equidistant from the mics, singing and playing at a
constant intensity. On your tape recorded using the 120 deg.
coincident cardioid array, what is the obtained meter level (in dB,
relative to 12 o'clock position = 0dB) when the minstrel is (a) at
the 10 o'clock stage location (actual, not stereo-imaged), (b) at 11
o'clock. For simplicity, assume only direct sound is being recorded.
Q4. What are the relative recorded levels at 10- and 11 o'clock
angles if you had opted instead for an array with 130 deg. included angle?
Q5. With the 120 deg. array, what are the relative recorded levels at
10- and 11-o'clock angles, if the minstrel strolled across the stage
in a straight line instead of an equidistant arc?
Q6. If it's 5 o'clock in the afternoon in Buffalo NY, what's the
G.M.T. in Denver Colorado?
Time to stop - straying off topic.
Tom
p.s. Scottish chromosomes preclude me from offering prizes
From: "brian durham" <durhambrian@hotmail.com>
Subject: ISO: ARU 1996-Baltimore with John Popper
Date: Sun, 16 Apr 2006 13:00:01 -0400
hey now,
my buddy was the drummer for aru during this period, and this was his last
gig (he had a baby).
anyhoo, he's searching for this show, and i wanted to lend a hand.
the show is from 1996, was played in baltimore, md, and had john popper
sitting in.
lots to trade, all media types (dat, cd, dvd, etc.)
any help is appreciated.
going where the climate suits my clothes,
-bry
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