DAT-heads Digest #847

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Re: FM or DAB? (Dave Chapman) Wilshire Ebell Theatre ("Mark O'Donnell") FS: box of unopened Maxell 90m DAT's ("Stephen Pzynski") Subject: Lawrence 'Ramrod' Shurtliff: 1945-2006 (Bob Rao) INTERPOL - DSM-6 Tapers + More (North America 2005) (~p)
From: Dave Chapman <dave@dchapman.com> Subject: Re: FM or DAB? Date: Mon, 29 May 2006 17:02:31 +0100 jpff@codemist.co.uk wrote: > I would like to record a concert that I know is to be broadcast next > week. I could record onto the DAT from FM radio or DAB. We are in a > fairly bad reception area but we do have an external FM aerial and > reasonably good tuner. Would that be better than recording from the > DAB? The DAB has a digital audio out socket (TosLink) and a RDI > output (TosLink) that I should be able to connect direct to the DAT > (which?) A good quality FM recording will beat DAB hands down. Also, most Radio stations which are available on DAB are also available on either digital terrestrial TV (aka "Freeview") or digital satellite TV (aka "Sky Digital") with higher bitrates than DAB. Digital radio (in the UK, and I think all of Europe) uses "MP2" (MPEG-1, Layer II) compression, and quality is all about bitrates - the higher the bitrate, the lower the quality. Sadly, most DAB music stations broadcast at 128kbps in the UK, whereas they broadcast via 192kbps via the digital TV platforms. Finally, "Standalone DAB receiver" -> "DAT" (even via a digital connection) isn't the best way to record digital radio. Ideally, you want to buy a digital radio (or TV) tuner card for your computer, and you'll then be able to simply save the MP2 broadcast data to your hard disk. But saying all that, if your FM reception is poor, then a digital radio broadcast will be a more enjoyable listen. If you let me know what radio station the broadcast is on, I'll try and find out the relative bitrates of that station on the different digital radio platforms. Dave.
From: "Mark O'Donnell" <modonn6311@gmail.com> Subject: Wilshire Ebell Theatre Date: Mon, 29 May 2006 17:16:23 -0400 Has anyone taped at this venue? How is security? Any suggestions? --=20 Mark O'Donnell modonn6311@gmail.com
From: "Stephen Pzynski" <stejampzy@hotmail.com> Subject: FS: box of unopened Maxell 90m DAT's Date: Mon, 29 May 2006 18:16:56 -0500 SSIA. $26 shipped. thanks.
From: Bob Rao <bandrproductions@yahoo.com> Subject: Subject: Lawrence 'Ramrod' Shurtliff: 1945-2006 Date: Mon, 29 May 2006 19:50:25 -0700 (PDT) Subject: Lawrence 'Ramrod' Shurtliff: 1945-2006 He was a psychedelic cowboy who rode the bus with Ken Kesey and took virtually every step of the long, strange trip with the Grateful Dead. Known to one and all solely as Ramrod, he died yesterday (5-17-06) of lung cancer at Petaluma Valley Hospital. He was 61. "He was our rock," said guitarist Bob Weir. Born Lawrence Shurtliff, he was raised a country boy in eastern Oregon and once won a county fair blue ribbon in cattle judging. He got the name Ramrod from Kesey while he was traveling through Mexico with the author and LSD evangelist, at the time a fugitive from justice. "I am Ramon Rodriguez Rodriguez, the famous Mexican guide," he boasted, and he was known ever after as Ramrod. "It fit him," said Steve Parish, his longtime associate on the Dead crew. "He used to keep us in line." "I remember when he first showed up at 710 Ashbury," said Dead drummer Mickey Hart. "He pulled up on a Harley. He was wearing a chain with a lock around his waist. He said 'Name's Ramrod -- Kesey sent me -- I hear you need a good man.' I remember it like it was yesterday." Ramrod joined the Dead in 1967 as truck driver and was held in such high regard by the members of that sprawling, brawling organization that he was named president of the Grateful Dead board of directors when the rock group actually incorporated in the '70s. It was a position he held until the death of guitarist Jerry Garcia in 1995. Like the rest of the band's few remaining staff, he was laid off last year. He traveled the full length of the Dead's tangled odyssey, joining up with the band when the it first began playing out of town, about a year after the Dead got is start playing gin mills on the Peninsula. Ramrod went to work setting up and tearing down the band's equipment for every show the Dead played. He puzzled his way through elaborate situations and circumstances: from the myriad psychedelic dungeons the band played through the '60s, to a concert at the base of the Great Pyramids in Egypt in 1977 to the baseball parks the Dead filled on the endless tours of the '80s and '90s up until Garcia's death. "He was always there," said Hart, "making sure everybody was taken care of." Hart said that it was Ramrod's practice to say "all right" at the conclusion of every performance as the band filed off the stage. "I looked forward to those 'all rights,' '' said Hart. "It was the way he said it. It was the tone that said it all -- 'it was all right ... not great.' You couldn't fool old Ramrod. I was playing for him." Hart also remembered one New Year's Eve when he thought he might be too high to play. Ramrod solved the problem by strapping Hart to his drum stool with gaffer's tape. Hart recalled another show in San Jose with Big Brother and the Holding Company, where the starter's cannon the band used to punctuate the drum solo of "St. Stephen's" went off early. "I looked back," Hart said. "His face was on fire. He'd lost his eyebrows. You could smell his flesh. And he was hurrying to reload the cannon in time. That was the end of the cannons." A protege of Neal Cassady of the Merry Pranksters, the intrepid band of inner-space explorers who gathered around Kesey, Ramrod absorbed lessons from Cassady, a Beat era legend and model for the character Dean Moriarty in Jack Kerouac's landmark novel "On the Road." "He knew Neal better than anyone in our scene," said Weir. He was a quiet, unflappable road warrior. Hart and fellow crew member Rex Jackson once decided to see how long it would take Ramrod to say something on a truck trip across the Midwest. He said nothing through three states before speaking. "Hungry?" he finally said. "He was never a loudmouth," said Parish. "He was never anything but an honest, hard-working guy with a grip of steel and a hand that felt like leather." He was first married to Patricia "Patticake" Luft -- their son is Strider Shurtliff, 38, of Los Angeles. His wife of the past 38 years, Francis Whalen, is recovering from an anoxic brain injury. Their son is Rudson Shurtliff, 34, of Novato. A lifelong cigarette smoker, he was diagnosed with lung cancer only a few weeks ago. Typically, he didn't want anybody to know he was dying, although band and crew members visited him daily. Guitarist Weir said he could barely remember the Dead before Ramrod. "When he did join up, it was like he had always been there. I won't say he was the missing piece, because I don't think he was missing. He just wasn't there. But then he was there. And he always will be. He was a huge part of what the Grateful Dead was about." Parish said he and Weir left a recent visit from Ramrod's hospital bed. "Weir said 'They say blood is thicker than water, but what we've got is thicker than blood,' " said Parish. Funeral arrangements are pending. Lawrence "Ramrod" Shurtliff (left) with other veteran Grateful Dead road crew members Steve Parish and Robbie Taylor. http://www.sfgate.com/cgi-bin/article.cgi?file=/c/a/2006/05/18/MNGGDITL9I1.DTL Obit: http://www.jambase.com/headsup.asp?storyID=8532 __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
From: ~p <asleepfordays@gmail.com> Subject: INTERPOL - DSM-6 Tapers + More (North America 2005) Date: Tue, 30 May 2006 06:38:06 -0400 Hi. Few inquires about 2005 Interpol Tour which i did 4 shows on. #1) I am looking for 1 or 2 tapers. They are the guy(s) who Sonics and a D7 or D8 in: 2005-03-15 - St. Louis - The Pageant and 2005-09-26 - Cleveland - Agora Theater #2) Also does anyone know anything about the Across the Narrows (2005-10-01) gig in a proshot format? #3) Is there a source out there for 2005-09-09 Texas gig. #4) Possibly interested in talking with other 2005/2004 Interpol tapers/filmers. Give me an email, if you can tell me something. Thanx ~Paul -- no signature this week! ~p : )
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